جست‌وجوی استاد و پژوهشگر

Leigh Landyمشاهده پروفایل

استاد

• Electroacoustic Music
• Contemporary Music
• Experimental Music
• +۹ مورد دیگر

Leigh Landy is Professor of Contemporary Music and Director of the Music, Technology and Innovation Research Centre (MTIRC) at De Montfort University (DMU), affiliated with the Leicester Media School within the Faculty of Computing, Engineering and Media. He is a leading figure in electroacoustic music, sonic creativity, and interdisciplinary new media arts, with a strong international presence through research, artistic practice, and academic leadership. His research expertise lies in electroacoustic musicology, music dramaturgy, access to electroacoustic music creation, and composition in cross-arts contexts. He emphasizes pedagogy and public engagement, notably through the ElectroAcoustic Resource Site (EARS) and its successor EARS 2 , a pedagogical initiative incorporating the Compose with Sounds software, supported by EU and AHRC grants. His recent book Making Music with Sounds (Routledge, 2012) underpins this educational mission. The 15 most recent articles and creative works reflect a consistent focus on electroacoustic composition, sound art, radio art, and musicology , often exploring themes of cultural identity, political commentary, narrative structures, and technological transformation. His works integrate field recordings, media samples, and digital tools to create acousmatic and interdisciplinary pieces exhibited globally. He frequently engages with questions of legality, ethics, and listening experience in sound-based works. Editor, Organised Sound (Cambridge University Press), since 1995 Editor, Journal of Music, Technology and Education , since 2006 Editor, Avant-Garde , since ca. 1988 Editor, EPOS , since ca. 1996 Reviewer for Irish, Austrian, Canadian, Australian research councils and EU panels Landy supervises multiple PhD students and has secured significant external funding, including an EU Culture grant (€3.8M) for the Interfaces project and AHRC grants for electroacoustic analysis tools. He has been Visiting Professor at Ulster University (2021–present) and Bournemouth University (2019–present), and has held visiting positions in China, Mexico, Brazil, and the US. His artistic works have been broadcast internationally and performed at major festivals in Europe, Asia, and the Americas. He leads the Music, Technology and Innovation – Institute for Sonic Creativity research group and is involved in global curriculum development, including advising the Cyprus Government on integrating Compose with Sounds into national education. His work bridges academic research, artistic innovation, and public impact in the field of sound-based arts.

Christoph Heroldمشاهده پروفایل

پژوهشگر

• Mobile Communications
• Terahertz Communication Systems
• Wireless Networks
• +۳ مورد دیگر

Christoph Herold is a Researcher at the Mobile Communications Systems Department within the Institute of Communications Engineering at the Technical University of Braunschweig. He has been working at the university since July 2019 and focuses on modeling and simulation of mobile radio systems, particularly in the terahertz frequency range. His research interests include: Modeling and simulation of mobile radio systems Link-level simulation for THz communication systems Physical Layer Security Intelligent Radio Network Elements Herold teaches the Mobile Communications Systems Laboratory during both Summer and Winter Semesters, as well as exercises for the lecture on Self-Organizing Networks. His educational background includes Master's and Bachelor's degrees in Information System Technology from TU Braunschweig, with an ERASMUS exchange period at Chalmers University of Technology in Sweden. His publication record shows consistent focus on terahertz communications, with particular emphasis on channel characteristics, security aspects, and practical implementation challenges. The research demonstrates progression from basic channel modeling to more complex security and network optimization problems in the terahertz spectrum. As an active member of the research community, Herold collaborates extensively with colleagues on experimental measurements and simulation frameworks for next-generation wireless systems. His work contributes significantly to understanding the practical limitations and opportunities of terahertz communications for future wireless networks.

Will Stylerمشاهده پروفایل

عضو هیئت علمی

• Acoustic Phonetics
• Articulatory Phonetics
• Speech Perception
• +۱۴ مورد دیگر

Will Styler is an Associate Teaching Professor in the Department of Linguistics at the University of California San Diego (UCSD), where he also serves as Director of the Computational Social Science (CSS) Program. He specializes in computational approaches to speech, speech technologies, and innovative teaching methods in linguistics, with a strong interest in open scholarship, open tools, and the linguistics of internet culture, including memes. Current Position: Associate Teaching Professor, UCSD Linguistics (2023–Present) Previous Position: Assistant Teaching Professor, UCSD Linguistics (2018–2023) Director, UCSD Computational Social Science Program (2022–Present) Ph.D. in Linguistics, University of Colorado Boulder (2015) His research spans acoustic and articulatory phonetics , natural language processing , and pedagogy , with a focus on speech perception, machine learning applications in phonetics, and trauma-informed, equitable teaching practices. He is a strong advocate for open-access educational resources and open-source software in linguistics. His recent publications reflect a strong trend in computational phonetics , speech processing , and clinical NLP , often combining experimental methods with machine learning. Themes include pause articulation, vowel nasality, coarticulation, and annotation of clinical texts. Scientific Awards: UC San Diego Student Centeredness Award (2024) UC San Diego Legacy Lecture Award (2022) UCSD Linguistics Graduate Student Recognition of Faculty Excellence (2021–22) University of Colorado Graduate Student Teaching Excellence Award (2012–13) Will Styler has advised numerous doctoral and honors students in linguistics, cognitive science, psychology, and computational social science. He has secured grant funding from NSF and UCSD, focusing on speech perception and detection technologies. He leads the CSS program, mentors capstone projects, and develops open educational tools such as Using Praat for Linguistic Research , Using Unix for Linguistic Research , and the EnronSent Corpus . He is actively involved in academic service, including as Site Coordinator for NACLO, Faculty Tech Mentor during the pandemic, and Cyber Champion at UCSD. His lab and team work intersect across phonetics, NLP, and social science, promoting interdisciplinary collaboration through the CSS program.

Sam Leakمشاهده پروفایل

مدرس ارشد

• Jazz Piano
• Music Performance
• Absolute Pitch
• +۳ مورد دیگر

Mr. Sam Leak serves as Senior Lecturer in Music Performance (Practice) at Middlesex University's School of Arts. As a London-based Jazz Pianist , he combines academic research with active performance, focusing on areas like livestreamed music analysis , absolute pitch education , and jazz improvisation . His work bridges practice-based research with empirical studies of contemporary music consumption. Research Focus : Leak's academic output spans music technology (2021 UK livestreaming studies), jazz pedagogy (absolute pitch papers 2017-2019), and performance ecology (festival appearances). His creative practice includes 15+ albums and live recordings from 2014-2019, featuring collaborations with artists like Dan Tepfer and Johannes Ludwig. Performance Trends : Analysis of his discography reveals consistent exploration of jazz trio dynamics (2014-2019), transnational collaborations (Italy 2015, Germany 2018), and genre experimentation (electronic-jazz fusion 2019, classical cross-pollination 2014 Steinway festival performance).

• Natural Hazards
• Environmental Engineering
• Geotechnical Engineering
• +۳ مورد دیگر

Georg Nagl is a researcher at the Institute of Alpine Natural Hazards under the Department of Agricultural Sciences at the University of Natural Resources and Life Sciences, Vienna. His work focuses on debris flow mechanics, natural hazard mitigation, and infrastructure resilience. Research Interests : Debris flow dynamics Impact force analysis Natural hazard monitoring Climate-resilient infrastructure Geotechnical disaster prevention Mountain torrent management Scientific Contributions : His recent publications analyze temporal/spatial debris flow patterns, stress anisotropy in flows, and innovative monitoring barriers. Keywords span environmental engineering, geotechnics, and hydrology. Theses Supervision : Supervised the Master's thesis Evaluation of methods for determining the discharge of a debris flow on the Lattenbach (2023). Project Involvement : Active in EU/national projects like Nature-Based Solutions for Climate-Resilient Critical Infrastructure (2024-2028) and Detection of rockfall using structure-borne sound (2023-2025), focusing on hazard reduction technologies.

Joanna Malinowskaمشاهده پروفایل

استادیار

• Sculpture
• Performance Art
• Video Art
• +۱۱ مورد دیگر

Joanna Malinowska is an Assistant Professor of the Practice and Director of Graduate Studies in Creative Visual Arts at Cornell University's College of Architecture, Art, and Planning (AAP), Department of Art. She is a Polish-born, New York-based contemporary artist whose interdisciplinary practice includes sculpture, video, sound, and performance, often exploring themes of national identity, cultural paradoxes, and experimental anthropology. Education: MFA, Yale University (2001); BFA, Rutgers University (1998) Institution: Cornell University, College of Architecture, Art, and Planning, Department of Art Representation: CANADA Gallery, New York Malinowska’s research interests center on collaborative practice, drawing, film/video/sound, installation art, interdisciplinary art, performance art, public art, sculpture, and technology in art. Her work critically engages with historical narratives, myth, and cultural exchange, often through collaborations with C.T. Jasper. Projects like Halka/Haiti 18°48'05"N 72°23'01"W (2015), which represented Poland at the Venice Biennale, exemplify her exploration of transnational identity and postcolonial discourse. Her recent exhibitions, such as Holy Philip Guston, Pray For Us (2024), delve into monumentality, religious symbolism, and the ethical implications of material use. Her artistic output spans over two decades and includes diverse media—from ceramic sculptures and watercolors to multi-channel sound installations and reconstructed historical sets. The recurring themes in her work include human-animal relationships, myth-making, frontier imaginaries, and the absurdity of cultural constructs. Her pieces often combine humor with existential critique, drawing from literature, music, and philosophy. Joanna Malinowska has been recognized with numerous awards, including the Guggenheim Fellowship (2009), Pollock-Krasner Foundation Grant (2013), and NYFA Fellowship (2011). Her work is held in major collections such as the Saatchi Gallery, Zachęta National Gallery of Art, and the Hirshhorn Museum. She has exhibited internationally at venues including the Whitney Museum, Sculpture Center, and Centre Pompidou-Metz. John Simon Guggenheim Memorial Fellowship (2009) Pollock-Krasner Foundation Grant (2013) New York Foundation for the Arts Fellowship (2011) Polish Ministry of Culture and National Heritage (2013) Smack Mellon Grant and Studio Program (2008) Malinowska is actively involved in teaching and mentoring at Cornell, where she leads foundational courses in sculpture and drawing. While specific advisees are not listed, her role as Director of Graduate Studies indicates significant engagement with student development. She has not received grants explicitly mentioned beyond awards and fellowships. Her collaborative work with C.T. Jasper forms a central lab-like partnership, driving major projects and exhibitions. Future works continue to explore architectural fantasy, cultural memory, and the contradictions of monument-building in polarized societies.

• Empirical Aesthetics
• Perception Psychology
• Cognitive Ergonomics
• +۵ مورد دیگر

Claus-Christian Carbon is a Full Professor at the University of Bamberg, Germany, affiliated with the Faculty of Human Sciences and Education and the Department of General Psychology and Methodology. He directs the EPAEG Research Group (Ergonomics, Psychological Aesthetics, Gestalt) and collaborates with the European Academy of Sciences. His research integrates experimental psychology with real-world applications, spanning: Perception & Aesthetics : Face recognition, empirical aesthetics, and multisensory processing. Innovation & Design : Digital transformation, human enhancement, and sustainable technology. Cognitive Science : Memory, decision-making, and neurocognitive mechanisms. His recent publications (2024-2025) focus on genetic engineering ethics, digital leadership, and aesthetic cognition, with methodological rigor in psychophysics and qualitative analysis. No awards or advised students are detailed in the source material. Carbon’s work bridges academia and industry, emphasizing ecological validity in psychological research.

Elizabeth H. Margulisمشاهده پروفایل

استاد

• Music Cognition
• Music Perception
• Psychology of Music
• +۵ مورد دیگر

Elizabeth H. Margulis is Professor of Music and Acting Chair at Princeton University, where she also serves as Director of Graduate Studies in Musicology with affiliations in Psychology and Neuroscience. She directs Princeton's Music Cognition Lab, which brings together students and researchers from diverse disciplinary backgrounds to explore questions at the intersection of humanities and sciences. Her educational background includes a PhD and MA from Columbia University and a BM in piano performance from the Peabody Conservatory of Music of the Johns Hopkins University. As a trained pianist, she bridges performance practice with scientific inquiry in her research. PhD, Columbia University MA, Columbia University BM, Peabody Conservatory of Music of the Johns Hopkins University Margulis's research focuses on the perception and cognition of music, particularly exploring aspects of musical experience that seem most powerful yet hardest to articulate. Her work spans musical daydreams, repetition in music, and the intersection of music with language and neuroscience. She uses experimental data to illuminate complex, subjective, and culturally situated aspects of music, revealing broader aspects of human cognition and behavior. Her recent publications form a cohesive body of work examining how musical experiences shape and reflect cognitive processes, with particular emphasis on how repetition structures musical engagement and how musical daydreams reveal fundamental aspects of memory and imagination. These studies combine natural language processing with traditional musicological approaches to uncover both universal and culturally specific patterns in musical experience. Wallace Berry Award, Society for Music Theory Deems Taylor/Virgil Thomson Award, American Society of Composers, Authors, and Publishers Ruth A. Solie Award, American Musicological Society Kavli Fellowship, National Academy of Sciences Graduate Mentoring Award, Princeton University Margulis has received significant research funding including grants from the National Science Foundation (with Psyche Loui) and the Leverhulme Trust (with Kelly Jakubowski). She has been recognized for her exceptional mentorship with multiple university-level awards. As President of the Society for Music Perception and Cognition, she has fostered interdisciplinary dialogue between humanists and scientists. Her Music Cognition Lab serves as a hub for collaborative research, bringing together students and faculty from music, psychology, neuroscience, and related fields to investigate fundamental questions about musical experience through both experimental and humanistic approaches.

• Aerospace Engineering
• Acoustic Meta-Structures
• Wave Propagation
• +۴ مورد دیگر

Dario Magliacano is a Fixed-term Assistant Professor at the Department of Mechanical and Aerospace Engineering (DIMEAS) at Politecnico di Torino. His research focuses on aerospace engineering, vibroacoustics, and meta-material design. Email: dario.magliacano@polito.it Academic Role: Assistant Professor Research Interests Aerospace Structures Wave Propagation in Complex Materials Helmholtz Resonators and Acoustic Meta-Structures Machine Learning for Material Design Poroelastic Material Modeling High-Frequency Vibroacoustic Analysis Scientific Contributions Learning to Teach with Innovative Teaching Project (L2T_ITP) - Politecnico di Torino (2024) Learning to Teach (L2T) - Politecnico di Torino (2024) Teaching Roles Collaboratore del corso Space Environment, Access and Operations (2022-2024) Titolare del corso Fondamenti di meccanica strutturale (2023-2024) Collaboratore in courses related to Legislazione aeronautica (2016-2025)

• Extractive Metallurgy
• Green Steel Technology
• Hydrogen Ironmaking
• +۸ مورد دیگر

Dr. Shabnam Sabah is a Postdoctoral Research Engineer at Swinburne University of Technology, affiliated with the School of Engineering and actively contributing to the Green Steel Alliance and HILT CRC projects. Her research is centered on hydrogen-based iron and steel production, with a strong focus on sustainable and decarbonized metallurgical processes. Research Interests: Her work spans green steel technology , hydrogen ironmaking , flash smelting , extractive metallurgy , and high-temperature process modeling . She investigates techno-economic feasibility, energy efficiency, and emissions reduction in next-generation steelmaking pathways. Her recent publications demonstrate a strong trend toward hydrogen-based direct reduced iron (H2-DRI) , flash reduction processes , and low-grade ore utilization , with increasing emphasis on modeling, pilot testing, and sustainability metrics. She has published extensively in journals such as Metallurgical and Materials Transactions B , Ironmaking & Steelmaking , and Cell Reports Sustainability . Scientific Contributions: Developed models for H2-DRI shaft furnaces and flash reactors. Conducted techno-economic assessments of green steel pathways. Pioneered cold modeling studies on splashing in oxygen steelmaking. Explored CO2 emissions linked to gangue content in decarbonized routes. Advising and Grants: She is available to supervise PhD students and has been involved in major CRC-funded projects such as HILT, focusing on hydrogen integration in ironmaking. Her work bridges experimental research, process simulation, and industrial applicability. Labs and Teams: She is part of the Green Steel Alliance at Swinburne, collaborating with experts like Prof. Geoffrey Brooks and Dr. M Akbar Rhamdhani. Her research leverages advanced modeling tools (Aspen Plus, HSC Chemistry) and experimental cold models to validate industrial-scale processes.

Jennifer Schmidtمشاهده پروفایل

استاد

• Print Media
• Graphic Design
• Installation Art
• +۶ مورد دیگر

Jennifer Schmidt is a Professor of the Practice at Tufts University's School of the Museum of Fine Arts, where she chairs the Print, Paper, and Graphic Arts Department. Her work spans print media, graphic design, writing, and sound to create site-responsive installations and performances. Education : MFA from the School of the Art Institute of Chicago, BA in Studio Art and Art History from the University of Delaware Research interests include interrogating visual iconography, repetitive actions, and public/private space dynamics through printmaking, performance, and social sculpture. She explores material culture via handmade paper, screenprinted textiles, and architectural interventions. Recent projects focus on pattern repetition, ecological documentation, and historical homage through print-based installations, often involving participatory elements and community interaction. Scientific awards : New York Foundation for the Arts Fellowship in Printmaking/Drawing/Book Arts (twice) National Endowment for the Arts Grant Advising & collaborations include mentoring at residencies and leading team-based fabrication projects. Her lab involves experimental printmaking techniques and interdisciplinary material exploration.

Ian van der Lindeمشاهده پروفایل

دانشیار

• Vision Science
• Image Processing
• Cognitive Psychology
• +۴ مورد دیگر

Dr. Ian van der Linde is a Reader (equivalent to Associate Professor) at Anglia Ruskin University, affiliated with the Faculty of Science and Engineering and the School of Computing and Information Science. He conducts cross-faculty research at the intersection of computer science, vision science, image processing, algorithms, and cognitive psychology, with a particular focus on the human visual system. His research expertise includes: Vision Science and Eye Research Image Processing and Computer Vision Cognitive and Behavioural Psychology Computational Methods in Neuropsychological Testing Dr. van der Linde's research primarily investigates gaze control, visual short-term memory, face perception, visual task planning, image quality assessment, multimodal binding, the impact of ageing on visual performance, and the computations performed in the early visual system. His work combines computer modeling with experimental psychology to understand human vision, with applications in healthcare, computer vision systems, and cognitive assessment tools. His recent publications demonstrate a consistent focus on visual short-term memory, particularly examining how humans bind visual features together, how this process changes with age, and how it relates to cognitive decline. His work also extends to facial recognition, image quality assessment, and the application of computational methods to neuropsychological testing. Scientific recognition includes: Fellow of the British Computer Society (FBCS) Fellow of the Higher Education Academy (FHEA) Chartered Engineer of the Engineering Council UK (CEng) The Wellcome Trust, 'I'm a Scientist, Get Me Out of Here', Winner, Nickel Zone, £500 Dr. van der Linde has supervised numerous PhD students across Computing, Psychology, and Vision Sciences, with research spanning audio signal processing, online security behaviors, cardiovascular bioinformatics, cloud computing adoption, and visual working memory. He has secured research funding from various sources including the Wellcome Trust, Home Office Scientific Development Branch, and Knowledge Transfer Partnerships. He is a member of the Computing, Informatics and Applications Research Group and teaches courses in Image Processing, Data Structures & Algorithms, and Core Mathematics for Computing.

Serge Lacasseمشاهده پروفایل

استاد

• Recorded Popular Music
• Musicology
• Research-Creation
• +۹ مورد دیگر

Serge Lacasse is a Full Professor of Musicology at the Faculty of Music, Laval University, where he serves as Director of the 1st, 2nd, and 3rd cycle musicology programs and Director of the Digital Audio Research and Creation Laboratory (LARC). With a PhD from the University of Liverpool's Institute of Popular Music, his academic career at Laval has progressed from Assistant Professor (2002-2006) to Associate Professor (2006-2010) and Full Professor (2010-present). His educational background includes: PhD in Musicology, Institute of Popular Music, University of Liverpool (2000) MA in Musicology, Faculty of Music, Laval University (1995) BA in Music History and Literature, Faculty of Music, Laval University (1994) BA in Music, Faculty of Music, McGill University (1991) Dr. Lacasse's research emphasizes an interdisciplinary approach to recorded popular music, with particular focus on phonographic staging, transphonography, and research-creation in music. He has pioneered work on narrative structures in recorded music, examining how vocal performance, technology, and intertextuality shape listener experiences. His recent work increasingly explores artificial intelligence applications in music creation, as evidenced by his project "Generative AI in Music: Creation and Production." He has co-authored influential works including "Research-Creation in Music and the Arts" (Routledge, 2018) and "The Pop Palimpsest" (University of Michigan Press, 2018). His scholarly output demonstrates a consistent focus on the aesthetics and narrative dimensions of recorded popular music, with particular attention to vocal performance and phonographic staging. Recent publications increasingly address the impact of digital technologies and AI on music creation, reflecting his leadership in evolving research-creation methodologies that bridge academic research with practical music production. His contributions have been recognized with numerous awards: Book of the Year Prize, IASPM-Canada (2018) Multiple Opus Prize Finalist awards for Books and Articles (2015, 2008, 2007, 2001, 1999) Named "Grand maître/Top Teacher" by La Scena musicale (2006) Recipient of multiple research grants and scholarships throughout his career As Director of LARC, Dr. Lacasse has secured significant research funding and led numerous projects exploring music technologies and research-creation. He has served on international scientific committees including the International Institute for Popular Culture at Turku University. His creative projects include "Hits for HIIT" with Sophie Stévance and his piano compositions "Piano Evocations" (2019) and "Winter Preludes" (2020). Under his leadership, LARC has become a hub for innovative research at the intersection of musicology, technology, and creative practice. The laboratory supports numerous research-creation projects that bridge academic research with practical music production, fostering collaborations between scholars, musicians, and technologists. Recent initiatives focus on generative AI applications in music creation and the evolving landscape of digital music distribution platforms.

• Building Acoustics
• Noise Control
• Environmental Health Effects
• +۵ مورد دیگر

Michail Terzakis is a researcher at the College of Built Environment, Department of Building Acoustics, Eindhoven University of Technology. His work focuses on outdoor-to-indoor sound propagation models, façade sound insulation, and the non-auditory health effects of noise, particularly in children. He is affiliated with the university's research initiatives on environmental noise exposure and computational acoustics. His research connects with the UN Sustainable Development Goals for sustainable cities and public health. Key collaborations include Dr. C. Van Hoorickx and Prof. M. Hornikx. Broad research areas: Building Acoustics, Environmental Health, Computational Modeling Notable contributions: PhD thesis on noise exposure studies (2025), conference papers on sound insulation (2024), noise attenuation factors (2024), and sleep quality indicators (2022). His work integrates acoustic measurement techniques, finite element analysis, and epidemiological methods to address urban noise challenges. Contact: m.e.terzakis@tue.nl .

• Vocal Acoustics
• Speech Intelligibility
• Music Perception
• +۴ مورد دیگر

Allan Vurma is a Professor of Musicology at the Estonian Academy of Music and Theatre, specializing in vocal acoustics and singing science. With a career spanning over three decades, he holds doctoral and master's degrees from the same institution and has served in progressive roles including Senior Research Fellow (2010-2018) and Research Professor (2018-2019). His academic background includes training in radio engineering (Tallinn Polytechnical Institute) and vocal performance (Estonian Academy of Music). Vurma's research explores voice production mechanisms , speech intelligibility in singing , and acoustic perception . He investigates how vocal techniques affect text comprehension in music performance, with recent focus on plosive-vowel interactions in reverberant environments. His work integrates experimental phonetics with performance analysis, advancing evidence-based vocal pedagogy. Publication analysis reveals consistent focus on voice science applications across 92+ works. Recent articles demonstrate evolving methodology from perceptual studies toward computational acoustic analysis, particularly examining how consonantal articulation affects sung text clarity. Longitudinal research themes include timbre-pitch interactions, vocal tract dynamics, and perceptual-cognitive aspects of musical performance. Scientific Recognition: Cultural Endowment of Estonia Annual Award (2019) Tallinn University Recognition for Thesis Supervision Excellence (2007) Tallinn City Testimonial for Conference Leadership (PEVOC 2021) Research Leadership: Directs PRG1552 project (2022-2026, €700,350) on sung text intelligibility. Previously contributed to 7 funded projects including 'Performative Aspects of Music' (IUT12-1) and acoustic laboratory modernization. Supervises 5 doctoral candidates researching vocal techniques, acoustic ecology, and performance practices. Coordinates Estonia's World Voice Day activities since 2013. Leads the Acoustic Analysis Laboratory at EAMT and serves on editorial boards of Musicae Scientiae. Active in international collaborations through PEVOC, ESCOM, and Collegium Medicorum Theatri networks.