جستجوی استاد راهنمای دانشگاهی

Yvon Wang is an Associate Professor at the Department of History , University of Toronto (St. George Campus), specializing in East Asian history with a focus on gender, sexuality, and everyday life. He coordinates the Chinese History Grad Group and directs the Faculty & Postdoc Writing Workshop . His research spans imperial to modern China, including material culture, suicide studies, and Cold War socio-political dynamics. PhD and MA from Stanford University AB from Princeton University Current projects include SSHRC-funded studies on suicide in Chinese history and global responses to the Sinosphere during the Great Leap Forward . His publications examine topics like pornography in modern China, masculinities in early People's Republic media, and legal constructions of sexuality in Beijing. Recent articles include: Gray Markets in the Great Leap (2022) exploring economic deviance in 1950s Shandong Everyday Lives in China's Cold War Military-Industrial Complex (2022) analyzing worker experiences in Shanghai Reinventing Licentiousness (2021) tracing pornography's historical trajectory Scientific honors include SSHRC-funded research projects . He maintains affiliations with the Department of East Asian Studies and teaches courses covering Chinese history from prehistory to the 21st century.

• Cultural and Intellectual East Asia
• Gender, Sex, and Sexualities
• Social State, Politics, and Law
• +۶ مورد دیگر

Professor Joshua S. Mostow is a scholar of pre-modern Japanese literature and art, specializing in text-image relationships, Heian-period studies, and gendered cultural constructions. He holds a professorship at the University of British Columbia’s Department of Asian Studies (Faculty of Arts), where he also serves as Acting Director of Language Programs. Mostow earned his doctorate in Comparative Literature and Literary Theory from the University of Pennsylvania, with additional studies at International Christian University (Tokyo), Université de Paris, and Gakushuin University. His career includes visiting roles at institutions like Heidelberg University and the University of California, Berkeley. His research focuses on intersections of literature and visual arts, particularly in Japanese pre-modern contexts. Key interests include the ideological construction of the Heian period, women’s writing traditions, and the role of sexuality in cultural identity. Major works include *Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation* (2014) and *Pictures of the Heart: The Hyakunin Isshu in Word and Image* (1996). He has received prestigious awards such as the Japan Foreign Minister’s Commendation (2017) and induction into the Royal Society of Canada (2015). Mostow has authored/co-authored over 20 books, edited volumes, and numerous articles across Japanese literature, art history, and cultural studies. His work spans medieval commentaries, Edo-period print culture, and modern reception histories. He frequently lectures internationally on topics like gender representation in classical texts and the visual legacy of *The Tale of Genji*. Grants and fellowships include support from the Sainsbury Institute, Japan Foundation, and SSHRC (Canada). His contributions to Japanese studies include co-editing *The Columbia Companion to Modern East Asian Literature* (2003) and curating exhibitions on Rinpa aesthetics and Edo-period shunga. Scholarly activities further include invited lectures at institutions worldwide and participation in major international conferences.

• Pre-Modern Japanese Literature
• Japanese Visual Culture
• Text-Image Relationships
• +۳ مورد دیگر

Ian McAdam is a Professor in the English Department at the University of Lethbridge, where he has taught early modern English literature and introductory courses since 1995. His scholarship focuses on Renaissance drama, particularly Shakespeare and Marlowe, with institutional recognition through the 2009 Distinguished Teaching Award. His educational trajectory includes: BA (English, Honors) from the University of Victoria MA (English) from the University of Toronto PhD (English) from Dalhousie University (thesis on Christopher Marlowe) McAdam's research centers on early modern masculinity, examining how Reformation theology shaped gender identity and how magic functioned as a cultural discourse. He employs psychoanalytic frameworks to analyze self-fashioning in Shakespeare, Milton, and Jacobean drama, while exploring intersections with witchcraft, religious psychology, and seventeenth-century poetry. His expertise spans textual analysis, historical theology, and gender theory within Renaissance contexts. His publication history (1995–2015) reveals evolving scholarly priorities: initial work on Marlowe's identity construction expanded into comparative studies of magic across playwrights (Jonson, Greene), then matured into theological examinations of masculinity in Shakespeare and Milton. Recurring themes include religious conflict in domestic tragedies, satirical treatments of alchemy, and the psychological dimensions of gender performance. Key honors include: Roma Gill Award (Second-place, 1999-2000) for The Irony of Identity University of Lethbridge Distinguished Teaching Award (2009) McAdam has authored two monographs: The Irony of Identity: Self and Imagination in the Drama of Christopher Marlowe (1999) and Magic and Masculinity in Early Modern English Drama (2009). His extensive article corpus demonstrates rigorous engagement with primary texts and theoretical frameworks, consistently advancing understandings of gender, religion, and power in Renaissance literature.

• Early modern masculinity
• Renaissance magic and witchcraft
• Shakespeare studies
• +۴ مورد دیگر

Melanie Racette-Campbell is an Associate Professor in the Classics Department at the University of Winnipeg. Her research focuses on gender and sexuality in Roman literature, Latin literature of the late Republic and early Empire, classical reception in Renaissance and modern culture, and the city of Rome. She holds a BA and MA from the University of Saskatchewan and a PhD from the University of Toronto. Her work bridges textual analysis with historical and cultural context, examining themes like patronage, slavery, and gendered roles in Roman elegy. She has published extensively on Propertius’ poetry, exploring concepts like fides (faith/loyalty), marriage contracts, and women’s agency in ancient texts. Recent publications include analyses of masculinity in Augustan-era literature and embodied identities in Roman elegy. Racette-Campbell’s research also engages with material culture, such as papyri records, to reconstruct economic practices in antiquity. She is involved in academic initiatives like the New Directions in Classics VIII conference and contributes to undergraduate and graduate teaching in classical studies.

• Gender Studies
• Roman Literature
• Classical Reception
• +۳ مورد دیگر

Beverly Lemire is a Professor in the Department of History, Classics and Religion at the University of Alberta, and a Henry Marshall Tory Chair at the College of Humanities and Social Sciences. She holds a DPhil from Oxford University and has held academic positions at the University of Lethbridge and the University of New Brunswick before joining the University of Alberta in 2004. Her research focuses on material culture from the 17th to 19th centuries, examining intersections of gender, race, and empire in global trade. She leads an SSHRC-funded project, 'Fashioning the Imperial Atlantic: Race, Gender and Material Culture, c. 1660–1820,' analyzing how racial hierarchies and material objects shaped colonial societies. Lemire’s scholarly contributions include co-editing Object Lives and Global Histories in Northern North America (2021), which won the Horowitz Book Prize, and co-editing Dressing Global Bodies: The Political Power of Dress in World History (2019). Her work has been recognized through awards such as the Order of Canada (2023), Fellowship of the Royal Society of Canada (2003), and the J. Gordin Kaplan Award (2012). Her teaching integrates material culture studies, emphasizing hands-on engagement with museum collections. Lemire’s research spans topics like textile trade, colonial fashion, and the politics of museum collections, reflecting her interdisciplinary approach to global, colonial, and postcolonial histories.

• Material Culture
• Global Trade
• Imperial History
• +۳ مورد دیگر

Jaclyn Neel is an Associate Professor in the College of the Humanities at Carleton University, affiliated with the Department of Classics and Religious Studies. She holds a B.A. from Columbia University and a combined M.A./Ph.D. in Classics and Ancient History from the University of Toronto. Her academic work bridges classical scholarship, historiography, and cultural studies. B.A., Columbia University M.A./Ph.D., University of Toronto (Collaborative Program in Ancient History) TESL-Canada Diploma, 2011 Her research focuses on Roman mythology, political discourse, and the legacy of antiquity in modern culture. She explores how myths like those of Romulus, Tarpeia, and early kingship were used to shape Roman identity and political ideology. Her work combines literary analysis, historical interpretation, and gender theory, particularly in examining concepts like toxic masculinity and republican values. Her recent publications demonstrate a strong trend in analyzing mythic narratives within historical texts, especially in how figures such as Tarpeia or the Vibennae reflect broader societal concerns about loyalty, gender, and power. She frequently publishes in leading journals like Journal of Roman Studies , Mnemosyne , and Classical Quarterly , and has authored two major monographs: Legendary Rivals (2014) and Early Rome: Myth and Society (2017). Her scholarship often engages with interdisciplinary themes, including memory studies, rhetoric, and reception theory. Jaclyn Neel teaches a range of courses including Rise of the Roman Empire , Rome of the Caesars , and multiple levels of Latin language instruction. She contributes to academic life through course development, student mentorship, and participation in departmental events and publications.

• Roman History
• Roman Historiography
• Greco-Roman Mythology
• +۷ مورد دیگر

Erin Campbell serves as Chair and Professor in the Department of Art History & Visual Studies within the Faculty of Fine Arts at the University of Victoria. Holding a BA, MA, and PhD from the University of Toronto, she has established herself as a leading scholar in Early Modern European art with particular expertise in domestic interiors, aging studies, and gender representation. Her educational journey began with a fascination for European art during her undergraduate studies at Toronto, followed by archaeological fieldwork at Kommos, Crete during her MA program. Her PhD research under Philip Sohm rekindled her passion for European art, particularly focusing on Italian art theory and criticism through extensive research in Venice, Florence, and Rome. Professor Campbell's research centers on Early Modern European art and material culture, with specific focus on the domestic interior, representations of aging, and gender dynamics. Her interdisciplinary approach bridges art history with anthropology and sociology, examining how objects function within domestic spaces across the life course. She explores cross-cultural connections, particularly in the context of imported goods like porcelain in Venetian households, and investigates how material culture reflects social structures and individual identities. Her scholarly output demonstrates consistent engagement with themes of aging, domesticity, and material culture across two decades. Campbell's publications reveal a methodological evolution from traditional art historical analysis toward more interdisciplinary approaches incorporating material culture theory, sensory studies, and ecological frameworks for understanding domestic spaces. SSHRC Insight Grant (2016-2024) University of Victoria Internal Research Grant (2013-2014) Learning and Teaching Curriculum Development Grant (2013) Nelson Prize: Best manuscript submitted to Renaissance Quarterly in 2010 (2011) Faculty of Fine Arts Excellence in Teaching Award (2010) SSHRC Standard Research Grant (2009-2012) Professor Campbell has secured substantial research funding, most notably multiple SSHRC grants supporting her work on domestic interiors and aging in Early Modern Europe. Her recent SSHRC-supported project focuses on art and the stages of life in early modern domestic interiors in Bologna. She has also been recognized for her teaching excellence with the Faculty of Fine Arts Excellence in Teaching Award. Beyond traditional academic outputs, Campbell has curated significant exhibitions including Life Stories at the Legacy Art Gallery and co-edited special journal issues that extend her scholarly impact into public engagement and interdisciplinary dialogue. Her scholarly networks extend internationally through conference presentations at venues like the Renaissance Society of America and Sixteenth Century Studies conferences. She has collaborated with colleagues across disciplines, including sociologist Stephen Katz on aging studies, demonstrating her commitment to interdisciplinary research approaches.

• Early Modern European art
• Material culture studies
• Domestic interior studies
• +۵ مورد دیگر

Andrea Oberhuber is a Professor in the Department of French-Language Literatures at the University of Montreal's Faculty of Arts and Sciences. She has been teaching at the university since June 2001, specializing in French and Quebec literature from the 19th to 21st centuries, with particular expertise in women's writing, photoliterature, and historical avant-garde movements including Futurism, Dada, and Surrealism. Her educational background includes studies in Romance and German philology at the University of Innsbruck and the University of Paris IV-Sorbonne. Her doctoral thesis focused on women's chansons in France from 1968-1993 and was published in 1995 by Erich Schmidt Verlag in Berlin. Following her doctorate, she was a postdoctoral fellow at the Institut für Romanistik (University of Innsbruck) and served as a lecturer at the Centre d'études canadiennes before joining the University of Montreal faculty. Professor Oberhuber's research spans women's writing across three centuries of French and Quebec literature, photoliterature, intermediality, gender studies, and cultural transfer. She has pioneered work on the intersection of literature and visual arts, particularly in surrealist contexts, and more recently has explored themes of 'care' in literature from 1870-1945. Her scholarship often examines how women writers have navigated and transformed literary traditions through collaborative practices and innovative forms of expression. Her extensive publication record reveals a consistent focus on women's literary contributions, particularly in avant-garde movements. The most recent works show an evolution toward examining collaborative practices among women artists, the materiality of the book as artistic object, and the representation of care in literature. Her research demonstrates strong interdisciplinary connections between literature, visual arts, and gender studies, with particular attention to how women have shaped cultural production through unconventional means. Victor-Barbeau Prize (essay category) from the Académie des lettres du Québec for 'Faire œuvre à deux. Le Livre surréaliste au féminin' (2023) Professor Oberhuber has supervised over 50 graduate students through their Master's and PhD programs, demonstrating her significant commitment to mentoring the next generation of scholars. Her research has been supported by multiple grants from the Social Sciences and Humanities Research Council of Canada (SSHRC) and the Fonds de recherche du Québec - Société et culture (FRQSC), including the current project 'Quand la littérature et la médecine s'accompagnent et nous accompagnent' (2024-2029). She also serves as director of the 'Paragraphes' publication series. She co-founded and serves as editor-in-chief of the digital journal MuseMedusa, which specializes in research-creation. She also co-directs the website 'Héritages de Claude Cahun et Marcel Moore,' which serves as a platform for information on conferences, publications, and exhibitions dedicated to the artist couple Claude Cahun (1894-1954) and Marcel Moore (1892-1972).

• Women's writing
• French literature
• Quebec literature
• +۷ مورد دیگر

Jessica Clark is an Associate Professor in the Department of History at Brock University, within the Faculty of Humanities. Her research focuses on modern British cultural and social history, particularly the intersections of gender, class, race, and sensory experiences in the 19th and early 20th centuries. She holds degrees from Trent University (B.A.), York University (M.A.), and Johns Hopkins University (M.A. and Ph.D.). Clark’s work explores themes such as commercial beauty culture, nationalism, and the role of smell in shaping social identity. Her first monograph, *The Business of Beauty: Gender and the Body in Modern London* (2020), examines entrepreneurship and beauty culture, while her current project, *Scents of Change*, investigates nationalism through olfactory experiences. She has also co-edited volumes like *Canadian Critical Luxury Studies* (2022) and contributes to *The Recipes Project*, a blog on historical material culture. Her teaching spans British history, colonialism, gender studies, and the history of the senses. She advises MA candidates in these areas and has supervised over 10 graduate students. Awards include the Brock University Excellence in Teaching Award (2017) and a SSHRC Insight Grant for her smell-focused research. Clark’s scholarship bridges historical analysis with interdisciplinary approaches, addressing themes like decolonization, material culture, and sensory studies. Her research has been published in journals like *Journal of British Studies* and *Women’s History Review*, alongside edited volumes and public-facing platforms.

• Modern British History
• Cultural History
• Gender Studies
• +۵ مورد دیگر

Joy Dixon is an Associate Professor in the Department of History at the University of British Columbia. Her research intersects gender , sexuality , religion , science , and imperial history , with a focus on modern Britain . She is currently working on a book, Sexual Heresies: Religion, Science, and Sexuality in Modern Britain , examining the interplay between emerging sexological theories and religious experience. Education: Ph.D., Rutgers University, 1993 M.A., University of Sussex, 1986 B.A. (Hons.), Queen's University at Kingston, 1985 Her publications span topics like queer masculinity , theosophy , and colonial syncretism , with notable works on Aleister Crowley and Edward Carpenter. She co-edited a special issue on Religion and Sexuality in Victorian Review (2011) and has contributed to journals such as Journal of the History of Sexuality and Gender and History .

• Modern Britain
• History of gender
• History of sexuality
• +۸ مورد دیگر

Bradley D. Clissold is a Full Professor in the Department of English at Memorial University of Newfoundland's Faculty of Humanities and Social Sciences. Holding a BA from York University and MA/PhD from McGill University, he maintains an active research and teaching profile with a focus on twentieth-century literature, particularly modernism and postmodernism in British and American contexts. His research interests encompass literary and cultural theory, cinema and popular culture studies, adaptation practices, reception aesthetics, and materialist close readings of objecthood. Clissold has developed a distinctive specialization in postcard studies within modernist literature, examining how postcards function as communication technologies and distinctly modernist textualities. Clissold's scholarly output reveals a consistent focus on material culture within modernist texts, with his 2023 book Rereading Modernist Postcards: Critical Studies in Materialist Recovery representing a major contribution to the field. His work demonstrates interdisciplinary connections between literary studies, media theory, and material culture studies, particularly examining how everyday objects like postcards shape modernist narrative forms. Canadian Review of American Studies Evelyn Waugh Studies James Joyce Literary Supplement As a dedicated supervisor, Clissold has guided numerous graduate students through PhD dissertations, MA theses, and Honours essays, with topics spanning modernist literature, contemporary fiction, film studies, and cultural theory. His supervision record demonstrates engagement with diverse theoretical frameworks including Lacanian psychoanalysis, feminist theory, and material culture studies. Clissold maintains active participation in academic conferences including the Modernist Studies Association, Canadian Association of American Studies, and specialized symposia on authors like James Joyce and Cormac McCarthy. His work bridges traditional literary scholarship with contemporary concerns about media, materiality, and cultural consumption.

• Twentieth-Century Literature
• Modernism
• Postmodernism
• +۷ مورد دیگر

Dr. Mark Johnston is an Associate Professor in the Department of English and Creative Writing at the University of Windsor. He holds a B.A. (Hons.) from Western University, an M.A. from Queen’s University, and a Ph.D. from Western University. His research focuses on early modern English drama, including Shakespeare and his contemporaries, children’s drama, the history of medicine, and gender/queer studies. Current projects include co-editing Queering Childhood in Early Modern English Drama and Culture and researching early modern barber-surgeons’ activities. His major work Beard Fetish in Early Modern England explores facial hair’s cultural significance in sex and gender identity. He teaches courses on Renaissance drama, gender theory, and early modern cultural history. Education: B.A. (Western), M.A. (Queen’s), Ph.D. (Western) Research interests integrate performance studies with historical analysis, particularly examining intersections of gender, medicine, and theatrical practices. Ongoing projects investigate the socio-cultural role of barber-surgeons and queer interpretations of childhood in early modern dramas.

• Early Modern English Drama
• Shakespeare Studies
• Gender Studies
• +۴ مورد دیگر

Dr. Adrian Knapp is a part-time lecturer in the English Department at Mount Saint Vincent University and Saint Mary’s University, specializing in 18th-century British literature , early black writing in Britain , and slavery/slave resistance in literary contexts . He holds a Ph.D. in Philosophy from the University of Leeds and an M.A. in Philosophy from the University of Innsbruck, with office location at Seton 567. His research spans themes of colonial power structures , post-slavery identity , and British popular culture . Recent publications focus on Zeluco ’s moral critiques, Life in London ’s class dynamics, and analyses of Ignatius Sancho’s satirical letters. Conference talks from 2016–2023 examine topics like Andrea Levy’s The Long Song and Philip Quaque’s missionary challenges . Teaching interests include courses in English literature , Irish studies , and Atlantic Canada Studies , alongside graduate/undergraduate writing center tutoring at Saint Mary’s University. Current work engages with forthcoming entries in The Cambridge Guide to the Eighteenth-Century Novel (2025), analyzing texts like The West-Indian and Zoflora; or, The Generous Negro Girl .

• Eighteenth-century British Literature
• Early Black Writing in Britain
• Slavery and Slave Resistance in Literature
• +۱ مورد دیگر

Katharina Natalia Piechocki is an Associate Professor of French and Associate Graduate Advisor at the University of British Columbia (UBC) within the Department of French, Hispanic and Italian Studies, Faculty of Arts. Previously, she taught at Harvard University's Department of Comparative Literature for eight years. Her research focuses on seventeenth-century French literature, early modern cartography, gender studies, and interdisciplinary connections between performative arts and emerging disciplines across Europe and beyond. She holds a Ph.D. in Comparative Literature from New York University (2013) and a Dr.phil. in Romance Studies from the University of Vienna (2009). Her notable works include Cartographic Humanism: The Making of Early Modern Europe (2019), shortlisted for the European Studies Book Award, and ongoing projects like Procreative Poetics: Hercules and the Origins of the Opera Libretto . Her research has been supported by prestigious fellowships such as the Jean-François Malle Fellowship at Villa I Tatti and the Stanford Humanities Center's Distinguished Junior External Fellowship. Dr. Piechocki’s interdisciplinary research bridges canonical and understudied texts, emphasizing cartography’s role in shaping European identity, operatic poetics, and the intersection of meteorology with literary creation. She co-chairs the Cartography Seminar at Harvard’s Mahindra Humanities Center and has taught NEH seminars on early modern mapping. Education: Ph.D., Comparative Literature, New York University, 2013 Dr.phil., Romance Studies, University of Vienna, 2009 M.A., New York University, 2007 Awards: European Studies Book Award Shortlist (2022) SSHRC Exchange Grant (2023) Villa I Tatti Jean-François Malle Fellowship (2021–22) Current Projects: Procreative Poetics (monograph) Special journal issue on Atmospheres of Nuance (2025) Chapter on Rhetoric and Travel for Cambridge History of Rhetoric (2025)

• Seventeenth-century French literature
• Early modern French and Romance literature
• Theatre studies
• +۶ مورد دیگر

Dr. Matthew Robert Anderson is an Affiliate Professor in Theological Studies at Concordia University , known for innovative interdisciplinary research at the intersection of pilgrimage studies , Pauline exegesis , and decolonizing theology . His work critically examines Indigenous-settler relations through biblical interpretation and corporeal learning frameworks. B.A. in Political Science (University of Saskatchewan, with Distinction) Master of Divinity (Lutheran Theological Seminary) Ph.D. in Religious Studies (McGill University, thesis: 'Before the Fact: How Paul's Rhetoric Made History') Key publication trends include: Pilgrimage as decolonizing practice Pauline rhetoric and historical recontextualization Theology-film intersections in popular culture Biblical studies and environmental ethics Settler masculinity in late antiquity contexts Awarded twice by the Canada Council for the Arts for literary excellence, he integrates documentary filmmaking and podcasting to disseminate academic insights through accessible media platforms.

• Pilgrimage
• Pauline studies
• Theology and film
• +۵ مورد دیگر