جست‌وجوی استاد و پژوهشگر

• Semantic Web
• Digital Libraries
• Software Engineering
• +۷ مورد دیگر

Gioldasis Nektarios is a Lecturer in the School of Electronic and Computer Engineering at the Technical University of Crete , affiliated with the Distributed Information Systems and Applications Laboratory (TUC/MUSIC) . He has been a permanent member of the laboratory since 2006 and has contributed to numerous Research & Development projects. MSc in Informatics, School of Electronic and Computer Engineering, Technical University of Crete (2002) BSc in Applied Informatics, University of Macedonia (1999) His research interests span critical domains including: Semantic Web technologies and Open Linked Data Software engineering for Service Oriented and Multi-Tier Architectures Data modeling, metadata management, and semantic interoperability Digital libraries and multimedia management systems The article portfolio demonstrates expertise in XML-Semantic Web integration, query mediation, and cultural data systems, with a 2023 publication on location-based game platforms. Key trends include: Interoperability frameworks (2015-2012) Ontology-driven data access (2010-2009) Geospatial and cultural heritage applications (2011-2007)

Matthias T. Agneمشاهده پروفایل

استادیار

• Thermodynamics
• Energy Materials
• Thermal Transport
• +۵ مورد دیگر

Matthias T. Agne is an Assistant Professor of Chemistry and Biochemistry at the University of Oregon (UO), affiliated with the Materials Science Institute and the Oregon Center for Electrochemistry. He holds a B.S./M.S. from Drexel University (2015), a Ph.D. from Northwestern University (2020), and completed an Alexander von Humboldt Postdoctoral Fellowship at the University of Münster (2020–2023). His lab focuses on energy and environmental materials, combining theoretical, computational, and experimental approaches to study thermodynamic principles and transport phenomena in solids. Research interests include thermal/electronic/ionic transport in battery materials, thermoelectrics, and superconductors, with emphasis on atomic vibrational dynamics and interfacial stability. The Agne Lab actively recruits students at all academic levels and collaborates across disciplines, such as the 'Sounds of Solids' project with the School of Music and Dance. Key achievements include pioneering work on lattice softening, thermal conductivity reduction, and developing predictive models for solid-state materials. His team has published influential papers on thermoelectric efficiency, defect engineering, and material stability, with recent work highlighted in Science Advances , Advanced Materials , and Energy & Environmental Science . Awards include the Humboldt Fellowship (2020–2023). The lab is part of interdisciplinary networks at UO, emphasizing sustainable energy solutions and next-generation technologies. Students supervised include Ph.D. candidates Zöe Johnson, Elana Cope, and Alex Dillard, as well as undergraduate researchers Alicia Lancaster and Matthew Confer.

Gopashis Biswasمشاهده پروفایل

مدرس

• Mediated Communication
• Technology and Society
• Political Communication
• +۳ مورد دیگر

Gopashis Biswas (G.Son) is a PhD student and Graduate Instructor in the Department of Communication at the University of Illinois, Urbana-Champaign, within the College of Liberal Arts & Sciences. His research focuses on mediated communication and technology, exploring how new media and data influence socio-cultural ideals and public opinion within politico-commercial contexts. His academic pursuits include teaching courses such as CMN 111/112: Oral and Written Communication and CMN 102: Introduction to Communication . His research interests span social media, media effects, political communication, and computational media analysis. Notable publications include analyses of Facebook memes related to the Rohingya Community in Bangladesh, Brechtian techniques in South Asian films, and the role of Bollywood in Bangladeshi weddings. His work often intersects cultural studies, digital media, and socio-political dynamics. While no specific awards or grants are mentioned, his research contributes to understanding media's societal impact. He is affiliated with the Department of Communication and contributes to academic discussions through his publications and teaching.

Dana Swarbrickمشاهده پروفایل

پژوهشگر ارشد

• Music Cognition
• Social Psychology
• Live Performance
• +۳ مورد دیگر

Dana Swarbrick is a Doctoral Research Fellow at RITMO, focusing on the social and emotional outcomes of musicking, particularly in live and virtual concert settings. Her work bridges music cognition and social psychology, examining audience engagement, motion, and technological mediation. She holds an MSc from the University of Toronto, where she studied cardiovascular exercise's impact on piano learning, and a BSc thesis on live music's effect on head movements at rock concerts. Her research encompasses Music Cognition , Social Psychology , and Human-Computer Interaction , with recent studies analyzing virtual concerts during the pandemic. Key articles explore audience motion , musical absorption , and predictive modeling of physical fatigue . She also develops datasets like the MusicLab Copenhagen Dataset for cross-modal analysis. Swarmick's work intersects Neuroscience (e.g., transcranial stimulation effects on motor learning) and Performance Studies (e.g., string quartet visualization). She investigates how live events and streaming technologies foster connection, with implications for Music Technology and Social Resilience in crises. Her studies often blend experimental psychology and biomechanics , reflecting interdisciplinary rigor.

Giuseppe Torreمشاهده پروفایل

دانشیار

• Digital Art
• Artistic Research
• Sound and Performance
• +۹ مورد دیگر

Giuseppe Torre is an Associate Professor at the University of Limerick's Department of Computer Science & Information Systems and a member of the Digital Media and Arts Research Centre. His work bridges digital art, philosophy, and technology, focusing on critical inquiry into the ethical and ontological dimensions of digital creativity. He advocates for Free/Libre Open-Source Software (FLOSS) as a methodology resisting technological commodification. Education: PhD in Digital Performance Arts (2013) MSc in Music Technology (2006) Laurea (MPhil) in Arts, Music & Spectacle (2003) Diploma in Classical Guitar (2002) Research Interests: Torre explores artistic practices that merge code, sound, and performance with philosophical traditions like phenomenology and media theory. Notable projects include Incidental Effects (2024), an EP emphasizing live coding and minimalism, and The ‘No’ core-(f)utility , critiquing computational affirmation. His book An Ethico-Phenomenology of Digital Art Practices (2021) interrogates the experiential ethics of digital creation. Awards: Ambassador Award (2020) CSIS Lecturing Excellence Award (2023) Advising & Grants: Torre is actively mentoring PhD students and has organized interdisciplinary events like the Digital Worlds Workshop (2025). His research often intersects with grants supporting FLOSS development and critical digital art. Labs & Collaborations: Engaged with the Digital Media and Arts Research Centre, Torre collaborates internationally on projects blending art, technology, and philosophy. Recent activities include invited talks on 'We Have Never Been Digital' (2025) and panels on phenomenology and digital arts (2024).

• Game Design
• Health Informatics
• Human-Computer Interaction
• +۶ مورد دیگر

Prof. Fares Kayali is affiliated with TU Wien's Department of Human Computer Interaction. His research focuses on designing interactive technologies for health, education, and live performance contexts. He has been involved in projects like Breaking The Wall (audience participation in music) and PlayBionic (rehabilitation games for prosthetic users). His work addresses long-term engagement in healthcare interventions, accessible mobility solutions for dementia patients, and game-based learning in STEM education. Key areas include game mechanics for physical activity encouragement, technology-mediated audience participation in live music, and digital tools for inclusive education. He has supervised multiple theses on topics like dementia-awareness games and wayfinding systems for elderly care. Publications span conferences such as CHI and IEEE, focusing on human-centered design principles in health tech, music interaction, and assistive technologies.

Pacey Fosterمشاهده پروفایل

دانشیار

• Creative Industries
• Social Networks
• Leadership
• +۳ مورد دیگر

Pacey Foster is an Associate Professor in the Management Department at the University of Massachusetts Boston, specializing in creative industries, social networks, leadership, and negotiation. He is affiliated with the Center for Medical Simulation and has held roles at Harvard Law School’s Program on Negotiation and the American Arbitration Association. PhD and MS from Boston College’s Wallace E. Carroll School of Management BA with Departmental and College Honors from Earlham College His research examines how individual-level social networks influence organizational and industry-level structures, with a focus on risk management in cultural markets, regional film offices, and the history of Boston hip-hop. He pioneered the Massachusetts Hip Hop Archive and conducted funded studies on the state’s creative economy. Recent publications highlight his work on network governance in cultural industries, mobile project networks in film production, and innovative pedagogical approaches. Awards include the Betty Diener Teaching Award and multiple Creative Economy Initiatives Grants from the University of Massachusetts. 2014 Supporting Evaluation Planning and Methodologies for the John and Abigail Adams Arts Program 2011 Lecco’s Lemma’s rap tapes grant 2008 Film industry economic impact study grant Foster’s consulting clients include IBM, Partners Health Care, and Harvard Law School’s Program of Instruction for Lawyers, blending academic rigor with practical applications.

Arthur Vidrine IVمشاهده پروفایل

دانشیار

• Contemporary Art
• Abstraction in Art
• Perception Studies
• +۵ مورد دیگر

Arthur Vidrine IV serves as Associate Professor of Art in the Department of Fine & Performing Arts at Bowie State University, where he explores the intersections of abstraction, perception, and agency through multimedia practice. His work critically examines how reductive systems shape human experience while emphasizing the role of perception in decision-making and action. Vidrine earned a BA summa cum laude in Comparative Literature from the University of North Carolina-Chapel Hill and an MFA in Fine Arts from the School of Visual Arts (New York). His educational foundation in literary theory informs his interdisciplinary approach to visual art. Central to Vidrine's practice are investigations into how abstraction structures reality, with works like Untitled Memorial (2012) using 6,500 threads to represent fallen soldiers through precise material metaphors. His exhibitions consistently challenge viewers to confront limitations in imagining alternative ways of thinking and acting, particularly through interactive installations like Gaze (2013) that simulate bodily surveillance. The artist navigates philosophical inquiries from Plato to contemporary critical theory through diverse media including painting, digital art, and environmental installations. Recent works demonstrate evolving engagement with digital perception, geopolitical landscapes, and memorial practices, spanning from Vying for Values (2020) to ongoing projects like cumulative glitCHes (2014-present). His portfolio reveals consistent thematic threads across media while adapting to contemporary technological and political landscapes, particularly examining how systems of power operate through seemingly neutral frameworks of representation.

• Music Psychology
• Music-Induced Movement
• Action-Perception Coupling
• +۲ مورد دیگر

Edith Van Dyck serves as a Postdoctoral researcher in systematical musicology/music psychology at IPEM, Ghent University, and lecturer in music history at the Royal Institute for Theatre, Cinema and Sound (RITCS), Erasmushogeschool Brussel. Her research centers on action-perception coupling in musical interaction, specifically examining how musical features and human emotions influence movement in contexts like dance, running, and walking. Research Focus: Her work bridges Music Psychology and Motor Rehabilitation, with core investigations into music-induced movement dynamics. Key projects include personalized music interventions for Parkinson's disease gait rehabilitation, entrainment of physical cadence to musical rhythms, and the social-cognitive aspects of musical performance. She employs interdisciplinary methods from psychology, neuroscience, and musicology to analyze embodied responses to auditory stimuli. Publication Trends (2019-2021): Recent articles reveal three dominant themes: (1) Clinical applications of music in neurological rehabilitation (particularly Parkinson's), (2) Real-world movement entrainment to music in activities like running and walking, and (3) Social dynamics of musical interaction during pandemic restrictions. Her collaborative work spans institutions including Montreal University and the University of Antwerp, emphasizing translational research from laboratory to therapeutic settings. Scientific Recognition: No formal awards or fellowships documented in source materials Academic Engagement: Active in editorial roles as Review Editor for Performance Science at Frontiers in Psychology, with no current information on grant funding or student supervision. Her network includes prominent researchers like Simone Dalla Bella (Montreal) and Jeska Buhmann (Antwerp). Research Environment: Core affiliation with Ghent University's Institute for Psychoacoustics and Electronic Music (IPEM), a leading center for empirical musicology. Collaborates extensively with clinical teams on rehabilitation projects and participates in international consortia studying music-movement relationships.

• Artificial Intelligence
• Machine Learning
• Information Systems
• +۵ مورد دیگر

Dr. Daniel Beck is a Senior Lecturer in the School of Computing Technologies at RMIT University. His research focuses on interdisciplinary areas including Artificial Intelligence, Machine Learning, Information Systems, and their applications in Health Services and Linguistics. He actively supervises projects exploring topics like Large Language Models in design empathy, Alzheimer’s disease progression modeling, and multilingual NLP tasks. His work bridges computational methods with real-world challenges in healthcare, education, and technology ethics. Research Interests: His key areas include AI ethics, graph-based biomedical discovery, Bayesian modeling for disease trajectories, and NLP applications in clinical documentation. He contributes to advancing methodologies such as graph embeddings, state-space emotion modeling, and quality estimation in machine translation. Teaching & Supervision: Beck coordinates courses in Computing Technologies and mentors projects like 'Between activism and literacy: The mediatization of data journalism in Indonesia' and 'Can large language models provide investment advice like humans?' Publications: His 2023-2025 works emphasize AI’s role in healthcare (e.g., Alzheimer’s biomarker analysis), ethical AI autonomy debates, and multimodal NLP innovations. Recent studies highlight contributions to medical record generation via synthetic dialogue and empathic accuracy prediction in design contexts.

Robin Parmarمشاهده پروفایل

دانشیار

• Soundscape Studies
• Sound Art
• Electroacoustic Music
• +۶ مورد دیگر

Robin Parmar is an Associate Professor at the University of Limerick (UL), holding dual roles in the Department of Computer Science & Information Systems and the Digital Media Arts Research Centre (DMARC). He specializes in soundscape studies, electroacoustic music, and sonic arts theory, with a focus on interdisciplinary practice blending composition, installation, and performance. His academic leadership includes directing the BSc in Music, Media and Performance Technology and serving as Vice-President of the Irish Science, Sound, and Technology Association (ISSTA). Education: PhD in Sonic Creativity from De Montfort University (2019). Research interests span field recording methodologies, acoustic ecology, and the intersection of digital technologies with artistic practice. Key contributions include his handbook Listening to Places (2022), exploring environmental composition through practical exercises. Publications (2015–2023) emphasize critiques of digital art practices, the Anthropocene’s sonic dimensions, and granular synthesis theory. Awards include residencies and showcases such as the Invisible Places residency (2017) and national exhibitions like Just Listening – Ireland Calling (2011). His artistic output includes thirteen albums, sound installations, and experimental films, often interrogating themes of place, nature, and technological mediation. Teaching spans undergraduate and graduate modules in digital media, sound design, and algorithmic visuals. Recent projects include the River Shannon Soundwalk (2022) and collaborations with artists like Ed Devane in modular synthesis.

Daniel Prattمشاهده پروفایل

مدرس ارشد

• Music Production
• Audio Engineering
• Spatial Audio
• +۵ مورد دیگر

Dr Daniel Pratt is a Senior Lecturer and Course Leader at the University of West London 's London College of Music , directing programs in BMus (Hons) Performance and Recording and BA (Hons) Recording, Mixing and Production . He co-directs London Noise Records , a student-run label distributed through AWAL. With over two decades in the music industry, Dr Pratt has worked as a record producer , performer , and educator , releasing music through Sony , Universal , and independent labels. His engineering collaborations include Bruce Woolley ( Video Killed the Radio Star ), Christopher Elliot (Amy Winehouse), and Ralph Salmins (Aretha Franklin, Elton John). As a performer, he has toured Australia, Hong Kong, The UK, and USA, playing venues like the Whisky a Gogo (LA) and Bowery Ballroom (NY) . Dr Pratt's research focuses on innovative recording concepts , Dolby Atmos applications, and transnational music production , with publications in the UWL Repository . His work explores the studio as an interactive instrument , analyzing how engineers mediate creative processes through spatial audio technologies. Recent publications examine sonification of radiological data and flow-state optimization in music production. He teaches across multiple programs including MA Advanced Music Technology , BA (Hons) Music Technology , and supervises PhD Music and MRes Creative Practice candidates.

Alexander R Jenseniusمشاهده پروفایل

پژوهشگر

• Embodied Music Cognition
• New Interfaces for Musical Expression (NIME)
• Music Technology
• +۵ مورد دیگر

Dr. Alexander R Jensenius is a researcher at the University of Oslo's Department of Musicology, specializing in Embodied Music Cognition and New Interfaces for Musical Expression (NIME) . With multidisciplinary training in informatics, mathematics, musicology, and music technology, his work bridges music research with motion capture systems, sensor technology, and interactive performance tools. His research intersects with multiple subfields, including: Human movement analysis for musical applications using infrared and inertial sensors Web audio pedagogy through cross-campus team-based learning frameworks Open research practices addressing data handling challenges in musicology Dr. Jensenius has pioneered comparative studies between high-end (Qualisys) and affordable (OptiTrack) motion capture systems, examining their suitability for dance music research and live performance contexts. His technical contributions include synchronization tools for multimodal music data and the Dance Jockey System for full-body interaction with Xsens MVN suits. Recent publications demonstrate his focus on: Optimizing motion data reliability for music performance analysis Developing "good enough" open research practices in empirical musicology Enhancing team-based programming education through web audio technologies He also explores philosophical dimensions of music cognition, including sound-motion similarity theories and embodied memory in telematic performances with migrant communities.

• Computing
• Computer Science

Anthony Gregory is a Senior Lecturer in Computing at the College of Science and Engineering, University of Derby. His academic position involves teaching and research within the domain of computing sciences. Research interests focus on applications of computing in interdisciplinary contexts, particularly exploring intersections between technology and creative fields. This includes computational approaches to music and performance arts. Publications demonstrate a consistent focus on human-centered computing applications, with works exploring technology-mediated artistic expression. Research outputs have garnered significant academic engagement with over 50 views. No information about awards, student advising, laboratories, or research teams is available in the provided materials.

Joanna Berzowskaمشاهده پروفایل

دانشیار

• Electronic Textiles
• Interactive Design
• Responsive Garments
• +۷ مورد دیگر

Joanna Berzowska is an Associate Professor in Design and Computation Arts at Concordia University, where she also served as Associate Dean (Research, 2017–2020) and Department Chair (2012–2015). She is the founder and Research Director of XS Labs, a design research studio focused on electronic textiles and reactive garments. Her work explores the intersection of material innovation, interactivity, and cultural impact. Additionally, she leads electronic textiles research at OM signal, a startup developing bio-sensing clothing integrated with iPhones. Her research interests include electronic textiles, responsive garments, wearable technology, and the sociocultural implications of material innovation. Her art and design works have been exhibited globally, including at the Cooper-Hewitt Design Museum, V&A, and Ars Electronica. She is a frequent international speaker on topics such as critical materiality and the ethical dimensions of technology. Key projects include the development of soft electronic circuits, photonic textiles, and bio-sensing garments. Her work emphasizes both technological advancement and aesthetic expression, bridging art, design, and engineering. She was honored on Maclean's Honour Roll (2018) for contributions to socially impactful innovation. Her academic contributions span teaching, research leadership, and cross-disciplinary collaboration. She has supervised numerous projects in wearable tech, interactive textiles, and human-centered design methodologies. Current research focuses on optimizing biosensing garments and exploring the role of textiles in mediating human-environment interactions.