جست‌وجوی استاد و پژوهشگر

Matthew Potolskyمشاهده پروفایل

استاد

• Decadence
• Mimesis
• 19th-Century European Literature
• +۳ مورد دیگر

Matthew Potolsky is Professor of English at the University of Utah, specializing in nineteenth-century literature and literary theory. His career spans from 1998 Lecturer at Harvard University to current University Professorship. He earned a BA in Comparative Literature and Philosophy (1990), followed by MA and PhD in Comparative Literature (1992, 1997) from UC Irvine. Chair of English Department (2013-2016) University Professor (2014-2016) Research focuses on Decadence , Mimesis , Finance-Aesthetics intersections , and Government Secrecy . His work traces connections between financialization and decadent aesthetics, revealing how economic cycles influence artistic production. Key themes include: Decadent anti-realist literary movements Finance capital's cultural impact Decadent counterpublic formations Victorian aesthetic education debates Sublime aesthetics in national security Cosmopolitanism in literary communities Recent publications analyze: Decadent style as financialization rhetoric Reintroduction of verisimilitude theory Decadent responses to financial crises Mimetic labor in artistic production Decadent cosmopolitan counterpublics Historical parallels between financialization and literary decadence

Blair Hoxbyمشاهده پروفایل

استاد

• Early Modern Literature
• Tragedy and Tragic Theory
• Milton Studies
• +۷ مورد دیگر

Blair Hoxby is Professor of English at Stanford University's School of Humanities and Sciences, where he has taught since 2007. Previously, he served as Associate Professor of History and Literature at Harvard University (2005-2007) and Associate Professor of English at Yale University (2003-2005), where he began as Assistant Professor in 1998. His academic journey includes a Ph.D. in English from Yale University (1998), an M.Phil. in English Studies from the University of Oxford (1990), and an A.B. in English and American Literature and Language from Harvard University (1988). Hoxby's research focuses on literature and culture from 1500 to 1800, with particular emphasis on tragedy theory, Milton studies, and the intersection of literature and economics. His notable works include What Was Tragedy? Theory and the Early Modern Canon (2015) and Mammon's Music: Literature and Economics in the Age of Milton (2002). He argues that early modern tragedy differed significantly from contemporary understandings of the genre, with passions rather than deeds or character serving as the keys to early modern tragic performance. Hoxby's recent scholarly output reveals a consistent engagement with early modern theatrical practices, particularly tragedy and opera. His work demonstrates sophisticated interdisciplinary approaches, connecting literary analysis with historical context, economic theory, and performance studies. He has made significant contributions to understanding how commercial culture shaped literary production and how theatrical conventions evolved across national boundaries in Europe. Scientific Awards and Honors Internal Fellow, Stanford Humanities Center (2009-2010) Morse Fellowship, Juilliard School (2001-2002) Samuel and Ronnie Heyman Prize, Yale University (2001) John Addison Porter Prize, Yale University (1999) Rhodes Scholarship, University of Oxford (1988-1990) Hoxby has supervised numerous doctoral students and served in various administrative roles at Stanford, including Director of Undergraduate Studies (2011-2014) and Director of Graduate Admissions (2008-2011). His teaching portfolio includes courses on English poetry from the Renaissance to Romanticism, tragedy and tragic theory from Aristotle to the present, theater history, and performance theory. Currently, he teaches courses such as Court Theater from Shakespeare to Mozart and Introduction to English II: From Milton to the Romantics . Hoxby maintains active scholarly engagement through committee memberships, including the Executive Committee of the Milton Society of America (2009-2013) and service as a referee for major academic presses including Oxford University Press and the University of Pennsylvania Press.

İBRAHİM DAĞILMAمشاهده پروفایل

مدرس

• Zaza Language and Literature
• Comparative Literature
• Folklore Studies
• +۳ مورد دیگر

İbrahim Dağılma is a Lecturer in Zaza Language and Literature at Bingöl University's Faculty of Arts and Sciences since 2013. He holds a Master's (2017) and PhD (2021) in Zaza Language and Literature from Bingöl University's Living Languages Institute. He previously served as a Turkish Language teacher in the Ministry of National Education and authored/co-authored Zazaki textbooks for grades 5-8 published by MEB between 2018-2019. He currently chairs the Zaza Language and Literature department and teaches courses like Modern Zaza Literature and Comparative Literary Analysis. Education: Bachelor's in Turkish Education, Dicle University (1997) Uncompleted Journalism studies at Istanbul University (2010) Master's and PhD in Zaza Studies (2017-2021) Research focuses on Zaza language preservation, modern literary movements, folklore documentation, and comparative studies between Zaza and other languages. He has published 11 books including 'Edebiyato Modern ê Zazaki' and 'Süleyman Hilmi Tunahan', and frequently presents at international conferences on topics like Zaza cultural identity and migration narratives. His recent academic work explores linguistic comparisons between Zaza and Farsi, analysis of traditional Zaza texts, and the role of folklore in educational materials. He has advised 18 undergraduate theses and participated in numerous thesis juries. His research has been published in refereed journals like Bingöl Araştırmalar Dergisi and The Journal of Mesopotamian Studies.

Nathaniel Streetمشاهده پروفایل

دانشیار

• Rhetorical Theory
• Philosophy of Writing
• Pedagogy
• +۲ مورد دیگر

Nathaniel Street is Associate Professor and Writing Minor Coordinator in the English Department at Mount Saint Vincent University. He holds a PhD in English (Composition and Rhetoric) from the University of South Carolina. His research examines the intersections of philosophy, rhetoric, and pedagogy, with particular focus on the performative power of writing. Street's scholarly work analyzes persuasion mechanisms and figuration in rhetorical traditions, drawing on thinkers like Deleuze and Guattari. His recent publications explore philosophical approaches to writing practice and pedagogical frameworks. His articles demonstrate consistent engagement with rhetorical theory across historical and contemporary contexts, examining writing as both theoretical concept and practical discipline. No awards listed

John MacFarlaneمشاهده پروفایل

استاد

• Philosophy of Language
• Philosophical Logic
• Metaphysics
• +۸ مورد دیگر

John MacFarlane is a Professor of Philosophy at the University of California, Berkeley , with affiliations to the Group in Logic and the Methodology of Science and co-organizer roles in the Meaning Sciences Club and Townsend Center Working Group . His research spans philosophy of language, philosophical logic, metaphysics, epistemology, philosophy of mathematics, history of logic , and ancient philosophy , particularly Aristotle . He has held visiting positions at institutions like École des Hautes Études en Sciences Sociales (EHESS), Paris . Education : Ph.D. in Philosophy (2000, University of Pittsburgh), M.A. in Classics (1997) and Philosophy (1994), A.B. summa cum laude in Philosophy (1991, Harvard). Research Interests focus on semantic relativism , particularly assessment sensitivity as explored in his book Assessment Sensitivity: Relative Truth and Its Applications (Oxford, 2014). He investigates how epistemic modals and vagueness interact with truth evaluation. His work in philosophical logic includes a textbook Philosophical Logic: A Contemporary Introduction (Routledge, 2021). Secondary interests include ancient philosophy (Aristotle, Plato), formal logic , and fiddlosophy . Article Trends reveal contributions to relativism , epistemic modals , vagueness , and logicism . His recent work (2025) examines Plato’s Protagoras and belief utility , while 2022–2020 articles address semantic indecision and probabilistic knowledge . Earlier works (2008–2000) include foundational studies on Frege, Kant, and Aristotle . Scientific Awards include a 2023 Residential Fellowship at Wissenschaftskolleg, Berlin (declined), 2016–17 Fellow at IEA Paris , and 2015 American Academy of Arts and Sciences membership . He has received multiple Humanities Research Fellowships at Berkeley (2016, 2008, 2003) and Research Enabling Grants (2000–2009). Advising includes supervising 15+ PhD students in areas like logic, epistemology, and philosophy of language . Notable advisees include Richard Lawrence (2017) and Sophie Dandelet (2021). He also guided honors theses at Berkeley, such as Benjamin Logan’s work on epistemic modals (2018). Labs and Teams involve co-organizing the Townsend Center Working Group in History and Philosophy of Logic, Mathematics, and Science and contributing to the Group in Logic and Methodology of Science . His interdisciplinary approach integrates philosophy, logic, and computational tools , including creating Pandoc for document conversion.

• Ancient History
• Classics
• Late Antiquity
• +۷ مورد دیگر

Dr. Fabian Schulz is a Senior Researcher in Ancient History at the University of Tübingen, where he works in the Department of History within the Faculty of Humanities. He leads a prestigious Junior Research Group under the Emmy Noether Programme of the German Research Foundation (DFG), titled 'Power and Influence: Influencing Emperors between Antiquity and the Middle Ages.' His academic profile also includes association with the Collaborative Research Center (SFB) 923 'Threatened Order - Societies under Stress' and active participation in the 'Tübingen Theosophy' research group. Previously, he contributed to the Heidelberg Academy of Sciences and Humanities project on John Malalas' Chronicle and the University of Tübingen's DFG project 'East and West 400-600 AD.' Dr. Schulz earned his PhD in Classics from Freie Universität Berlin (2006-2010), where he also served as a teaching assistant. During his doctoral studies, he was a Pensionnaire étranger at the École Normale Supérieure Paris. Prior to that, he completed an MA equivalent degree in Classics at Freie Universität Berlin, with time spent as a visiting student at the University of Oxford (1999-2005). His early career included teaching Latin and Greek at a grammar school in Lübeck (2006). His research specializes in power structures and influence mechanisms in ancient societies, with particular focus on how advisors shaped imperial decisions in Late Antiquity. He has made significant contributions to understanding councils of elders in Archaic Greece (especially the Spartan Gerousie), Byzantine chronography (particularly John Malalas' works), and the complex dynamics between Eastern and Western Roman empires during the 5th and 6th centuries. His methodological innovation lies in applying modern sociological models of interpersonal influence to historical analysis of ancient political culture, bridging literary representation with political reality in pre-modern monarchical states. Young researchers award for 'Ratgeber, Experten, Manipulatoren: Einfluss als Machtfaktor und Diskursobjekt in der Antike' As principal investigator of his Emmy Noether project, Dr. Schulz has secured substantial research funding from the German Research Foundation. His collaborative work includes multiple edited volumes on Late Antique history and Byzantine chronography, reflecting his strong international scholarly network. He currently serves as a deputizing member (non-professorial academic staff) on the faculty board of Humanities at the University of Tübingen. His research often intersects with contemporary concerns about power dynamics, political influence, and historical memory, as evidenced by his work on video game representations of ancient history. Dr. Schulz is an active contributor to the online commentary project on John Malalas' chronicle, specifically editing sections of Book XVIII. His work frequently involves detailed textual criticism and analysis of historical sources, with particular attention to how narratives are transmitted and reinterpreted across different cultural contexts. His scholarly approach combines philological precision with broader historical and sociological perspectives.

Alexander Keyمشاهده پروفایل

دانشیار

• Classical Arabic literature
• Arabic philosophy of language
• Persian literature
• +۵ مورد دیگر

Alexander Key is an Associate Professor of Comparative Literature at Stanford University, specializing in Classical Arabic literature and the intellectual history of Arabic and Persian-speaking worlds from the 7th century onwards. His scholarship focuses on the philosophy of language, literary theory, and cross-cultural translation. Ph.D. in Arabic and Islamic Studies from Harvard University (2012) Current research: Arabo-Persian linguistic intersections, poetics in translation, and pre-modern theories of syntax and affect His articles span diverse eras and topics, including: Medieval Arabic language philosophy (5th–11th century) Modern Arabic political poetry analysis (20th–21st century) Comparative methodologies bridging Islamic and Western traditions A key editorial role includes: Board Member of Stanford University Press Advisory roles at Habib University and Stanford’s Markaz Resource Center His work bridges academic publication with public discourse through: Contributions to Arcade Colloquy Interviews on poetics, religion, and contemporary politics Podcasts and literary salon discussions

Rosa Andujarمشاهده پروفایل

مدرس ارشد

• Ancient Greek Tragedy
• Ancient Greek Comedy
• Archaic Greek Poetry
• +۹ مورد دیگر

Rosa Andujar is a Senior Lecturer in Liberal Arts at King's College London, where she is affiliated with both the Department of Liberal Arts and the Department of Classics within the Faculty of Arts & Humanities. She serves as Editor of the American Journal of Philology and holds positions on the editorial boards of Brazilian journals Nuntius Antiquus and PhaoS - Revista de Estudos Clássicos. Dr. Andujar was elected to the Program Committee of the Society for Classical Studies for a three-year term (2022-2025), serving as Vice President for Program and Chair from 2023-2025. Her research focuses on two complementary areas: Ancient Greek tragedy, particularly the tragic chorus and its performance capabilities Global receptions of Greek drama, with special emphasis on Latin America and the Caribbean Dr. Andujar's work examines how engagements with Graeco-Roman antiquity intersect with questions of gender, race, class, and national identity. She has particular expertise in Cuban adaptations of Greek tragedy and Latinx receptions of classical drama, exploring how these cultural encounters create new narratives that challenge traditional understandings of classical reception. Her research has been recognized with prestigious awards including the 2020 London Hellenic Prize for 'The Greek Trilogy of Luis Alfaro' and the 2022 AJP Best Article Prize. She has secured significant research funding from the Loeb Classical Library Foundation, British Academy, A. G. Leventis Foundation, Harvard Center for Hellenic Studies, Andrew W. Mellon Foundation, and Fundación BBVA. Dr. Andujar's current research projects include 'The Cambridge Companion to Classics and Race' (edited volume), 'La Puerta Electra/The Electra Door' (critical bilingual anthology of Cuban rewritings), and 'Tragedy and Revolución' (monograph on Greek drama in Caribbean cultural history), supported by recent fellowships from the Loeb Classical Library Foundation and British Academy. She is actively involved in academic service as Editor of the American Journal of Philology, co-editor of the 'Classics and the Postcolonial' book series for Routledge, and Advisory Board member of 'Hesperides: Classics in the Luso-Hispanic World.' Her external examining work for the University of Birmingham (2018-2023) demonstrates her commitment to academic standards across institutions.

• Spanish Literature
• Latin American Literature
• Comparative Literature
• +۷ مورد دیگر

Vicente Cervera Salinas is a Professor of Spanish Literature at the University of Murcia, affiliated with the Faculty of Arts and Humanities and the Department of Spanish Literature, Literary Theory and Comparative Literature. He has been a full professor since 2004 and specializes in Latin American literature, intertextuality, and literary theory. His research interests include: Spanish and Latin American Literature Comparative Literature and Intertextuality Poetry and the Essay as Literary Genres Classical Mythology and its Modern Reinterpretations Aesthetic Criticism and Cultural Memory Philosophical Dimensions in Literature His scholarly and creative work reflects deep engagement with figures like Jorge Luis Borges, Dante Alighieri, and George Santayana. His publications span poetry, critical essays, and editorial projects, often exploring the intersections between literature, philosophy, and cultural identity. The themes across his recent articles reveal a consistent focus on myth, authorship, and transatlantic literary traditions, particularly in Hispanic contexts. He has received recognition including the Second Prize in the America Poetry Prize (1993). He co-directs the journal Cartaphilus: Revista de investigación y crítica estética and has directed the Humanities Classroom at the University of Murcia. He served as president of the Association of Hispanic American Literary Studies (2014–2018). He has supervised at least one doctoral thesis and has been a visiting professor at institutions in Havana, San José (Costa Rica), Buenos Aires, and Vienna. His academic leadership includes editing multi-volume works on literary figures and movements, contributing significantly to the study of Hispanic intellectual and aesthetic traditions. He leads the research group Plural Scriptures: Intertextuality and Interdisciplinarity , continuing to influence both literary scholarship and creative writing in Spain and Latin America.

Anne-Lise Françoisمشاهده پروفایل

دانشیار

• 19th-Century British Literature
• Critical Theory
• Environmental Studies
• +۵ مورد دیگر

Anne-Lise François is an Associate Professor in the Departments of English and Comparative Literature at the University of California, Berkeley. She earned her PhD in Comparative Literature from Princeton University. Her work bridges 18th- and 19th-century British literature with contemporary environmental humanities, focusing on themes of ecological ethics, literary minimalism, and non-productive temporalities. Current research explores pastoral worldliness and commons-based economies in Romantic and modernist texts. Key scholarly contributions include her prize-winning book *Open Secrets: The Literature of Uncounted Experience* (2007), which examines 'affirmative reticence' in works by Jane Austen, Mme de Lafayette, and Emily Dickinson. Her recent projects address climate crisis narratives, food politics, and the intersection of aesthetic theory with ecological urgency. Teaching emphasizes transhistorical literary studies and environmental criticism Active in interdisciplinary collaborations across literature, philosophy, and environmental science Current book project: *Provident Improvisers: Parables of Subsistence from Wordsworth to Benjamin* Her writing synthesizes close textual analysis with broader socio-ecological frameworks, challenging Enlightenment models of productivity and advocating for 'recessive fulfillment' in both art and life.

Mohammad Fazlhashemiمشاهده پروفایل

استاد

• Islamic Theology
• Islamic Philosophy
• Political Thought
• +۴ مورد دیگر

Mohammad Fazlhashemi is a Professor of Islamic Theology and Philosophy at Uppsala University's Department of Theology (Systematic Theology). His work bridges Islamic intellectual traditions with contemporary issues like democracy, environmental ethics, and interreligious dialogue. Current affiliations: Uppsala University, Faculty of Theology Key research areas: Islamic political philosophy, ecotheology, gender in Islam, and theological responses to modernity Email: mohammad.fazlhashemi@teol.uu.se Recent publications highlight trends in Islamic ecoethics (e.g., Islamic Ecotheology , 2025), critical analysis of classical texts (e.g., Critical-constructive interpretation of Islamic documents , 2024), and political theology (e.g., Justifying political decisions through theological arguments , 2016). His scholarship often engages comparative frameworks, as seen in works like Occidentalism (2005) and Shiʿite Salafism? (2022). Mohammad Fazlhashemi's impact spans both academic and public discourse, with contributions to debates on Islam and modernity in outlets like Expressen and Svenska Dagbladet . His co-authored book Visdomens hus: Muslimska idévärldar 600 - 2000 (2017) demonstrates his interest in Islamic intellectual history across eras.

Simon Gathercoleمشاهده پروفایل

استاد

• New Testament Interpretation
• Early Christianity
• Christology
• +۵ مورد دیگر

Simon Gathercole is a Professor of New Testament and Early Christianity at the University of Cambridge's Faculty of Divinity. He serves as Director of Studies in Theology at Fitzwilliam College and holds editorial roles for Journal for the Study of the New Testament , Early Christianity , and New Testament Studies . His research focuses on New Testament interpretation, early Christian-Jewish relations, and Christological doctrines. Education: Bachelor's in Classics and Theology from Cambridge PhD under James Dunn at Durham University Short-term studies at University of Tübingen and Jewish Theological Seminary, New York Research Interests: Explores connections between New Testament texts and contemporary literature, specializing in Pauline studies, Gospel christology, and apocryphal writings. Current projects include early views on eschatological timing and substitutionary atonement theory. Recent Work Trends: Recent articles engage with Pauline syntax in 1 Thessalonians, Lukan parables' eschatology, and inscriptions' utility for NT studies. Maintains focus on manuscript titles and Gnostic texts' theological implications. Advising & Grants: Supervises doctoral research in Pauline theology and extra-canonical Gospels. Active in editorial work shaping NT scholarship through journal curation. Labs/Teams: Leads Cambridge's Divinity Faculty research initiatives, collaborating on projects like the Corpus Inscriptionum Iudaeae/Palaestinae .

Warren Bucklandمشاهده پروفایل

استاد

• Film Semiotics
• Cognitive Film Theory
• Narrative Theory (Puzzle Films)
• +۳ مورد دیگر

Warren Buckland is a Reader in Film Studies at Oxford Brookes University's School of Arts. He holds a PhD in Film Studies from the University of East Anglia (1993) and previously studied photography at Derby (1987). Research: Film semiotics, cognitive film theory, narrative theory (puzzle films), digital humanities, independent American cinema Professional Roles: Editor of New Review of Film and Television Studies (2003-2016), editorial board member for Signata and book series Thinking Cinema and Hollywood Studio System His article trends analyze: Impossible storyworlds in Hollywood blockbusters Stylometric approaches to independent cinema Semiotic structures in music videos Epistemological foundations of film criticism Cognitive dimensions of cinematic rhetoric Contemporary auteur theory applications Awards: British Academy Post-Doctoral Fellowship (1994) Senior Research Fellow at Freie Universität Berlin (2016) As an educator, he supervises: PhD theses on film style, philosophy, puzzle films MA dissertations on Hollywood, digital humanities BA/MA film theory and research methods

Mario Telòمشاهده پروفایل

استاد

• Ancient and Modern Drama
• Psychoanalysis
• Queer Theory
• +۴ مورد دیگر

Mario Telò is a Professor of Ancient Greek & Roman Studies, Comparative Literature, and Rhetoric at the University of California, Berkeley, with an affiliation in the Program for Critical Theory. He serves as Chief Editor of the journal Classical Antiquity and sits on the editorial board of Representations . His work bridges antiquity and modernity through interdisciplinary lenses, focusing on psychoanalysis, queer theory, and political theory. Telò has authored monographs such as Archive Feelings: A Theory of Greek Tragedy (2020) and Resistant Form: Aristophanes and the Comedy of Crisis (2023), exploring themes like tragic aesthetics, crisis, and canonical reimagining. Recent projects include co-editing Reading Greek Tragedy with Judith Butler (2024) and organizing conferences on Jean-Luc Nancy and Classics. His research emphasizes textual form’s emancipatory potential, engaging with art, film, and architecture to deconstruct normative narratives. Education : His academic background is not detailed here, but his prolific publications reflect advanced expertise in Classics and interdisciplinary humanities. Research Interests : Telò’s work critically examines Greek tragedy and comedy through modern theoretical frameworks. He investigates the interplay between aesthetic form and political/social issues, leveraging psychoanalysis (Freud, Lacan) and queer theory (Judith Butler, Lee Edelman) to analyze ancient texts. His focus on 'resistant form' highlights how classical works challenge equilibrium and normativity, offering tools for contemporary critical discourse. Grants & Collaborations : He co-organizes international conferences (e.g., on Jean-Luc Nancy) and collaborates on interdisciplinary projects like a forthcoming book on artist William Kentridge. His editorial work spans special journal issues on topics like elemental objects and queer philology. Labs/Teams : He leads editorial initiatives and hosts academic events such as the Townsend Center book chats and Syndicate symposia, fostering dialogue between classicists and modern theorists.

• Music Theory
• Composition
• Estonian Music History
• +۳ مورد دیگر

Kerri Kotta is a Professor of Music Theory and Head of Musicology at the Estonian Academy of Music and Theatre. She holds a PhD in Musicology (2004) and an MA in Composition (1997) from the same institution. Her research focuses on music theory, tonal analysis, Estonian music history, and contemporary composition, with special expertise in the works of Eduard Tubin and Dmitri Shostakovich. She coordinates the International Eduard Tubin Society and edits the composer's complete works. Her research interests span music theory , compositional techniques , Estonian cultural heritage , and interdisciplinary performance studies . Recent publications explore modernism in Estonian art music, Beethoven's structural rhetoric, and socio-psychological dimensions of contemporary opera. Kotta received the Reet Neimar Criticism Award (2023) for her contributions to music scholarship. She leads the project How to share the ardor? Conveying complex musical structures through animated scores (2024-2025), funded by the Estonian Ministry of Culture. Administratively, she chairs the Estonian Musicological Society (2013–present) and the International Eduard Tubin Society (2015–present), while serving on the board of the Estonian Composers Union (2022–present).