- Musicology
- Musical Performance
- Semiotics of Music
- +۵ مورد دیگر
Lina Navickaitė-Martinelli is a Professor at the Lithuanian Academy of Music and Theatre (LMTA), where she serves in the Department of Musicology within the Faculty of Music. She holds the position of Chairperson of the LMTA Senate and is also the Chair of the Musicologists' section at the Lithuanian Composers' Union. As an academic leader, she has founded and directs LMTA HARPS (Hub of Artistic Research and Performance Studies), establishing herself as a significant figure in both Lithuanian and international musicology circles. Professor Navickaitė-Martinelli's research interests span a wide range of topics in musicology and performance studies. Her work primarily focuses on the semiotics of musical performance, performer identity, authenticity in interpretation, and the relationship between music, body, and communication. She has made significant contributions to understanding how performers express individuality through sound, the cultural significance of performance schools, and the evolving nature of musical communication in digital contexts. Her research bridges theoretical frameworks with practical performance considerations, examining how historical traditions interact with contemporary performance practices. Her extensive publication record reveals a consistent scholarly trajectory examining musical performance through semiotic, cultural, and philosophical lenses. Over the past two decades, her work has evolved from foundational studies on performance schools and cultural identities to more nuanced investigations of performer identity, audience communication, and the impact of digital media on musical reception. Her recent scholarship demonstrates increasing attention to the performer's corporeal presence, gestural language, and the complex relationship between authenticity and creativity in musical interpretation. As the founder and director of LMTA HARPS, Professor Navickaitė-Martinelli has established a significant research hub focused on artistic research and performance studies. This initiative reflects her commitment to creating institutional frameworks that support innovative approaches to music performance and scholarship. Her leadership in this area has helped position the Lithuanian Academy of Music and Theatre as a center for cutting-edge research in performance studies.











