معرفی
Rosanna Maule is a Professor of Film Studies at the Mel Hoppenheim School of Cinema, Concordia University, Montreal. She has been affiliated with the university since 2000 and holds a PhD in Communications with a concentration in Film Studies from the University of Iowa (2000).
- Education:
- PhD in Communications (Film Studies), University of Iowa (2000)
Her research focuses on feminist and LGBTQIA film/media practices within independent and grassroots contexts, including women-led festivals, collectives, and cooperatives. She explores contemporary film history, theories of authorship and national cinemas, postmodernism, and the intersection of women's cinema with digital platforms and globalization. Her work bridges film theory, critical theory, and feminist discourse.
Maule has contributed to academic networks through SSHRC-funded projects on women's film festivals as global feminist collaboration spaces and the Barcelona International Women's Film Festival. She co-directed a documentary on women filmmakers' role in narrative films (premiered at Seoul's International Women's Film Festival, 2018) and organized international conferences, including Pier Paolo Pasolini/Riprese Reprises Retakes (2022) and Women, Film Culture, and Globalization (2016). She serves on the editorial boards of Cinémas, Mimesis, and Quaderni del CSCI, and collaborates with TECHNE, a project on cinema's technical history in the digital age.
Her publications include monographs such as Sustainable Resilience in Women's Film and Video Organizations (2023), Digital Platforms and Feminist Film Discourse (2016), Beyond Auteurism (2008), and the edited volume In the Dark Room: Marguerite Duras and Cinema (2009). She also contributes to film journals, book chapters, and special issues.
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