Rosalind Goldberg

Rosalind Goldberg is a Research Fellow at the Academy of Dance, Oslo National Academy of the Arts, specializing in choreographic practice as meaning-generating systems. Her work bridges artistic creation with theoretical inquiry in movement-based disciplines.

Her educational background includes:

• MA in Choreography from HZT Inter-University Center for Dance Berlin (2014)
• BA from Balettakademien in Stockholm (2007)

Goldberg's research investigates how choreography functions as a cognitive and semiotic framework, exploring embodiment through philosophical lenses (notably Catherine Malabou's plasticity concept) and archival methodologies. She examines meaning generation via movement analysis, linguistic structures in dance, and interdisciplinary connections between neuroscience and choreographic practice. Her recent work emphasizes the 'felt sense of making' in collaborative creation and the application of biomimetic principles like insectometry to movement studies.

Analysis of her publications reveals consistent focus on choreography as epistemological tool across performance, lecture, and written formats. Key trends include archival engagement with Noa Eshkol's notation systems, somatic exploration of body formation, and experimental performance frameworks that interrogate spatial dynamics and audience-performer relationships.

Goldberg actively contributes to artistic research communities through collaborative projects, reading groups, and international dialogues with figures like Bojana Cvejić and Jonathan Burrows. Her work demonstrates significant integration of theoretical frameworks with embodied practice, positioning choreography as a vital knowledge-producing discipline.