Philip Brissenden

Dr Philip Brissenden is a Senior Lecturer and Programme Leader of the MA Music suite of programmes at the University of Salford within the School of Arts, Media and Creative Technologies. His academic career spans musical performance, composition, and technology, with a specialized focus on musical tuning systems and curriculum development.

His research interests include:

• Career-long investigation into musical tuning perception across cultures
• Decolonization of music curriculum through cross-cultural interviews and analysis
• Invention and patenting of novel musical instruments (The Raph)
• Development of virtual interfaces for alternative tuning systems
• Historical analysis of music technology evolution

Brissenden's recent work demonstrates a clear trajectory toward decolonizing music education, combining theoretical analysis with practical curriculum development. His 2024 publications show particular emphasis on understanding tuning enculturation and developing alternative tuning practices through a series of undergraduate lectures. His research bridges music theory, cultural studies, and technology, creating innovative approaches to music education that challenge Western-centric paradigms.

His scholarly contributions include:

• Patented musical instrument (The Raph, secured 2012)
• Extensive decolonization research through alumni and practitioner interviews
• Undergraduate lecture series on musical tuning systems
• Historical analysis of sampling technology (1940-1985)
• Evolutionary analysis of heavy metal culture

As an active performer and composer, Brissenden works with the Adelphi Contemporary Music Group and collaborates with international artists from diverse cultural backgrounds including Bengal, Sri Lanka, and Iran. His pedagogical approach emphasizes practical application of theoretical concepts, particularly through his work with alternative tuning systems and instrument design.