معرفی
Mikhail Lopatin serves as an Affiliated Researcher at Uppsala University's Department of Musicology, specializing in Italian Trecento and early Quattrocento music with expertise in musico-textual relationships, metapoesis, music theory, and intersensoriality. His international research trajectory includes prestigious appointments at Oxford, Würzburg, and Harvard's Villa I Tatti.
His academic foundation:
- PhD in Musicology, Moscow P.I. Tchaikovsky Conservatory (2011)
Lopatin's research centers on 14th-15th century Italian music, examining how musical structures interact with poetic texts through metapoetic devices and sensory experiences. His work bridges musicology, medieval literature, and theoretical frameworks, published in leading journals including Early Music, Music Analysis, and Studi musicali. Current projects explore intersensoriality in late medieval song.
Analysis of his 2019-2023 publications reveals consistent focus on manuscript studies (particularly the San Lorenzo Palimpsest), Dante's influence on musical form, and cross-cultural connections between Italian trecento and Nordic traditions as evidenced by his Baltic Sea pilgrimage research.
Major recognitions:
- Newton International Fellowship, University of Oxford (2015-2017)
- Humboldt Research Fellowship, University of Würzburg (2018-2020)
- Villa I Tatti Short-Term Fellowship, Harvard University (2014)
- Villa I Tatti Fellowship, Harvard University (2020-2021)
No public information indicates current graduate student supervision or external grant funding beyond fellowship appointments. His research operates within Uppsala University's Department of Musicology framework without dedicated laboratory or team structures mentioned.
