معرفی
Michael Fend is a researcher in the School of Humanities, specializing in the intellectual and political history of music, with a focus on eighteenth- and nineteenth-century Europe. His work intersects with opera, nationalism, music and law, and the historiography of music.
Research Interests:
- Early modern music theory and aesthetics
- Composers under revolutionary regimes (e.g., Luigi Cherubini)
- Dramaturgical and institutional analysis of opera
- Philosophy of music and Adorno's theories
- Beethoven's early works and reception
Research Projects:
- Music, Culture, and Politics in early nineteenth-century Europe (2009–2010)
- Debussy's Exoticism (2008)
- Rousseau's morality of musical imitation (2004)
Supervision: PhD projects on musical culture and aesthetics in France and Germany around 1800, and Wagner studies.
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