Matthew Wilcock

Matthew Wilcock serves as Lecturer in Ceramics at Gray's School of Art, Robert Gordon University, where he teaches across all undergraduate years and supervises MA candidates. He concurrently directs commercial ventures including Ceramic Studios Scotland (founded 2021) and Mason Wilcock Ceramics (2023), while serving as Trustee of Scottish Sculpture Workshop.

His educational background includes:

• MA Product Design (Hons), Robert Gordon University (2017-2019)
• Post Graduate Certificate in Education, University of Central Lancashire (2012-2014)
• BA Ceramics, University of Central Lancashire (2009-2012)

Wilcock's research investigates post-1920s ceramics traditions, particularly the Leach Tradition's influence on British Studio Pottery. His practice prioritizes hand-making with minimal technology, while his teaching explores CAD integration for sustainable design outcomes. Key interests span material science, architectural applications, waste reduction, and energy-efficient processes within ceramic production.

His documented research output centers on communal wood-firing techniques, reflecting his commitment to preserving traditional methods while fostering collaborative maker communities. This work demonstrates practical applications of his research into sustainable consumption patterns (UN SDG 12).

Professional recognition includes:

• Advance HE Fellowship (2023)

As MA supervisor and Stage 3 coordinator, he mentors students in ceramics innovation while developing industry-aligned curricula. His commercial ventures—Ceramic Studios Scotland and Mason Wilcock Ceramics—provide real-world platforms for student engagement and community resource sharing, bridging academic training with professional practice.

Though not leading a formal research lab, Wilcock establishes communal making spaces through Gray's wood kiln projects and Ceramic Studios Scotland. These initiatives create collaborative environments where traditional craftsmanship intersects with contemporary design challenges, supported by his trustee role at Scottish Sculpture Workshop which advances material experimentation through residencies.