معرفی
Matthew Taunton is a Professor of Modern Literature at the University of East Anglia (UEA), where he has served since 2012. He holds administrative roles including Director of Research for the School of Literature, Drama and Creative Writing (2024–2029) and previously led the CHASE Doctoral Training Partnership. Taunton’s academic journey includes degrees from University College London (BA, MA) and a PhD from the London Consortium. His research focuses on 20th-century literature, political entanglements in writing, and collective speech phenomena, with key works like Red Britain: The Russian Revolution in Mid-Century Culture (2019) and upcoming The Collective Voice: Modern Literature and the Politics of Choral Speech. He co-edits the Critical Quarterly and leads the 'Literature & Politics' book series with OUP. Awards include a British Academy Mid-Career Fellowship and SSHRC Connection Grant.
Educational Background:
- Bachelor of Arts in English Literature, University College London (2003)
- Master of Arts in English Literature, University College London (2004)
- Doctor of Philosophy in Literary Studies, London Consortium (2008)
Research Highlights: Taunton explores the intersection of literature and politics, particularly in the 'long 1930s' and collective speech forms. His current project examines choral speech across historical and cultural contexts, linking ancient Greek choruses to modern literature and social movements. Recent publications include analyses of George Orwell’s cultural politics and the African novel of ideas.
Awards & Recognition:
- SSHRC Connection Grant: 'Literature & Politics' (2024)
- British Academy Mid-Career Fellowship (2023–2024)
- AHRC Peer Review College Membership (2020–present)
Teaching & Administration: Taunton has designed interdisciplinary modules like 'The Writing of History' and oversees postgraduate research programs. His administrative roles emphasize institutional leadership in research and doctoral training.
External Engagement: He serves on the REF2029 Research Diversity Advisory Panel and reviews for the AHRC. Collaborations include co-editing projects with Cambridge and Stanford University Press, alongside public-facing events blending literature and performance art.
