Jochen Kölsch

Prof. Jochen Kölsch serves as an Honorary Professor at the University of Tübingen's Faculty of Humanities, Department of German Studies, where he teaches screenwriting and film dramaturgy. Previously, he held teaching positions at Universität Regensburg (1995-2010), Technical University of Munich (2004-2010), and Mannheim Business School (2008-2011). His academic career is deeply intertwined with his professional work as a journalist, documentary filmmaker, and producer at Bayerischer Rundfunk (1972-2012).

Kölsch's research spans film studies, media theory, and historical representation in visual media. His teaching focuses on screenwriting techniques, television dramaturgy, and the intersection of media and society. He has developed specialized courses including 'Dramaturgical Laws of Television Series,' 'Screenwriting and Dialogues,' and 'Stagings of Religion in Film.' His work examines how media shapes historical understanding and public discourse, particularly through documentary forms.

His publications from 1973-2014 reveal consistent focus on media philosophy, television communication, and historical representation. Notable works include 'Behind a Thousand Images, No World' (2005) exploring media paradoxes, and 'History on Television - A Four-Decade Experience' (2010). His filmography as writer and director demonstrates practical application of these theories through documentaries on historical topics, literature, and social issues.

• Oscar nomination for 'Beyond Silence' (Jenseits der Stille)
• Oscar nomination for 'Sophie Scholl - The Final Days'
• Oscar win for 'The Lives of Others' (Das Leben der Anderen)
• Grimme-Preis for 'Eisenfresser'

As a media professional, Kölsch has produced and directed numerous documentaries and television series, including the 12-part 'Ars-Poetica' series featuring prominent German authors. He has moderated television discussions with notable figures including historians Joachim Fest and Christian Meier, architect Daniel Libeskind, and philosopher Richard David Precht. His work bridges academic theory and professional media practice, with particular expertise in documentary filmmaking and television dramaturgy.