معرفی
Eric Hibit is a Visiting Critic in the Department of Art at Cornell University's College of Architecture, Art, and Planning (AAP). He is a visual artist based in New York City with a distinguished background in fine arts, holding an M.F.A. from Yale University School of Art and a B.F.A. from the Corcoran College of Art + Design. His academic appointments include teaching roles at The Cooper Union, Drexel University, Suffolk County Community College, NYU, and Hunter College.
- B.F.A., Corcoran College of Art + Design (1998)
- M.F.A., Yale University School of Art (2003)
Eric Hibit’s research and artistic practice centers on color theory, painting, drawing, and mixed media. His work explores the emotional and symbolic potential of color, often through abstract compositions inspired by nature, domestic objects, and perceptual phenomena. He integrates studio practice with pedagogy, emphasizing experimentation and artistic perception. His recent works include a series of acrylic paintings on canvas and panel, ink drawings on rag paper, and ceramic sculptures, often featuring floral motifs, vases, and organic forms.
The trends in his artwork show a deep engagement with color dynamics, abstraction, and the interplay between two- and three-dimensional forms. His recent pieces, such as The Order of the Sky (2024) and Attitude Toward Imperfection (2024), reflect a mature exploration of color harmony, form, and conceptual themes. His publications, including Color Theory for Dummies (2022), extend his research into accessible educational formats, bridging academic theory and public understanding.
His scientific and artistic awards include:
- Finalist, MTA Commission (2018)
- Yale Center for Globalization Research Grant (2002)
- Ethel Lorraine Bernstein Alumni Award for Excellence in Painting (2000)
Hibit has advised and curated exhibitions at Ortega y Gasset Projects, an artist-run gallery in Brooklyn where he serves as Co-Director. He has received support from artist residencies such as Terra Foundation (France), Kingsbrae (Canada), and Green Olives Arts (Morocco). His teaching grants and institutional affiliations reflect sustained engagement with art education and community-based practice. He has not advised formal graduate students, but his pedagogical influence extends through studio instruction and public programming.
He is actively involved in the Brooklyn art scene through Ortega y Gasset Projects, where he curates group exhibitions and supports emerging artists. His studio practice integrates painting, drawing, and ceramics, often blurring boundaries between media. His recent ceramic works, such as Strongman Vase #1 and Butterfly Vase, demonstrate a sculptural extension of his painterly sensibility.
