Lauren PassarelliView profile
Professor
Lauren Passarelli is a full Professor in the Guitar Department at Berklee College of Music, where she has taught since 1984. She holds the distinction of being the first woman to graduate from Berklee's guitar performance program (1982), the first woman to join the faculty of Berklee's Guitar Department (1984), and the first woman promoted to full professor in the Guitar Department (2010). As the department's designated Beatles expert, she has created both the Beatles Ensemble for the Ensemble Department and the Beatles Guitar Lab for the Guitar Department. Her research interests focus on guitar performance, songwriting techniques, The Beatles studies, music production, and artist development. Passarelli approaches music education with a philosophy centered on helping students maintain their creative authenticity while developing technical skills, emphasizing that 'staying true to your own desires takes courage and stamina and all the love you can give yourself.' Her recent musical output shows a consistent exploration of soft rock and contemporary folk blended with Britpop and indie music elements. The 2025 album 'Big Blue Machine' represents a culmination of her artistic vision, with tracks exploring themes of grief, the creative process, isolation, gratitude, and love, all delivered through meticulous analog production techniques that showcase her engineering expertise. Berklee College of Music Recording Grant 2017 Good Song Award for 'Harry' Named among 10 most inspiring women music professors in the country by College Magazine Passarelli has advised thousands of students throughout her 40+ year teaching career at Berklee, while simultaneously maintaining an active performance and recording career. She established her own record label (Feather Records), production company (Wizard & Feather Brown Productions), and publishing company (Cotton Moon Music) with alumna Cindy Brown in 1989. Her home studio setup, including her beloved Audient 4816 console nicknamed 'Stevie Wonder,' serves as the creative hub for her hybrid analog-digital production work. She has performed with numerous artists including Sarah Burrill, Kate Chadbourne, Jeff Song, John Mettam, and others, and has studied with Greg Wells at La Fabrique recording studio in France. As an artist-in-residence at Berklee, she continues to bridge the gap between academic instruction and professional artistry.








