Steven Schmidt

Steven Schmidt is an Assistant Professor of Teaching in the Department of Theatre and Dance at the University of California, Davis, where he oversees scenic construction and technical production for theatrical performances. He is based in Room 241, Wright Hall, and serves as a key mentor for students engaged in hands-on theatre production.

His educational foundation includes an M.F.A. in Technical Design and Production from the Yale School of Drama. His professional journey includes significant roles such as Associate Head of Production at Yale Repertory Theatre and consulting work for the Oregon Shakespeare Festival and Berkeley Repertory Theatre. He is also a founding member of Barnyard Theatre and co-author of Structural Design for the Stage (2nd edition), a notable contribution to the field of stagecraft.

Steven Schmidt’s research and teaching focus on the integration of engineering principles in theatrical design, particularly in scenic construction and technical production. His expertise bridges the gap between artistic vision and structural feasibility, making him a vital figure in entertainment engineering education. He actively supports student involvement in professional productions, such as the recent adaptation of Lear at California Shakespeare Theater.

Though no peer-reviewed articles or scientific awards are listed in the available text, his influence is evident through his publications, panel presentations at the United States Institute for Theatre Technology, and mentorship of emerging theatre professionals.

Steven Schmidt advises undergraduate students and supports their engagement in professional theatre environments. He has facilitated student participation in major regional productions, fostering practical learning experiences beyond the classroom. While no formal grants are mentioned, his leadership in technical theatre programs suggests active involvement in project-based funding and collaborative initiatives.

He is associated with production teams at A.C.T., Magic Theatre, Shotgun Players, Berkeley Playhouse, and California Shakespeare Theater, where he serves as technical director. These affiliations form a robust network for experiential learning and professional development in theatre and dance.