Homi K. Bhabha is the Anne F. Rothenberg Professor of the Humanities at Harvard University. His work spans colonial and postcolonial theory, cultural change, cosmopolitanism, and human rights within aesthetic contexts. He has been a pivotal figure in the Department of Comparative Literature since its inception as a graduate program in 1904. Education BA (1970) - University of Bombay MPhil/MA/DPhil (1990) - Christ Church, Oxford Bhabha's research focuses on cultural hybridity , ambivalence in colonial discourse , and postcolonial ethics . His theoretical frameworks analyze authors like Joseph Conrad, Walter Benjamin, and Toni Morrison through lenses of identity, power, and globalization. While his recent works On Art and A Global Measure await publication, his seminal texts like The Location of Culture (1994) and Framing Fanon (2005) remain foundational in postcolonial studies. These works explore sub-fields including: Transnational memory frameworks Psychoanalytic colonial critique Decolonizing discourse Visual culture in postcolonialism Temporal suspensions in cultural production Global trauma narratives
Matthew Payne is an Associate Professor in the Department of Film, Television, and Theatre at the University of Notre Dame. His affiliations include roles as Director of Graduate Studies and regional director for the Learning Games Initiative, a multi-institute research collective focused on game archiving and education. His research spans video game studies, media literacy, military entertainment, and the cultural history of video games. He explores play theory, media and war, and the intersection of media production with new technologies. The 15 most recent articles highlight his focus on video game studies, transmedia narratives, and the cultural implications of gaming. These works cover topics from Nintendo Amiibo to slow game time mechanics in Red Dead Redemption 2, with recurring themes of military representation and ludic storytelling. Matthew Payne has co-edited notable works including How to Play Video Games and Joystick Soldiers , emphasizing collaborative approaches to game studies and critical analysis of military gaming.
Kristin Schwain is a Professor in the Department of Art History at the University of Missouri's School of Visual Studies. She holds a PhD in Art History and Humanities from Stanford University and a BA in Art History and Humanities from Valparaiso University. Her interdisciplinary research examines marginalized objects and practices in American art history, emphasizing their cultural significance through lived experience. Her educational background includes: PhD in Art History and Humanities, Stanford University BA in Art History and Humanities, Valparaiso University Dr. Schwain's research centers on American Material and Visual Culture, Art and Religion, Arts of the African Diaspora, and Public Humanities. She investigates overlooked artifacts to reveal their influence on everyday life, challenging assumptions about modernization's impact on religious expression. Her work bridges historical analysis with contemporary relevance through studies of traditional craft, artist books, photojournalism, and mass-produced objects as lenses into social practices. Her recent publications demonstrate consistent focus on art-religion intersections in American cultural history, from Henry Ossawa Tanner's biblical paintings to Afro-Cuban religious themes in Ediciones Vigía artist books. This body of work reveals evolving methodologies for uncovering marginalized narratives through interdisciplinary frameworks spanning visual culture, material studies, and diaspora scholarship. Her scholarly recognition includes: First Biennial National Basketry Association Book Award for Rooted, Revived, Reinvented: Basketry in America Dr. Schwain has secured major grants from the Smithsonian Institution, Luce/American Council of Learned Societies, Center for the Study of Religion and American Culture, and Georgia O’Keeffe Museum Research Center. Her collaborative public humanities projects with the Missouri School of Journalism's Pictures of the Year International and Scruggs-Vandervoort-Barney department store collection demonstrate institutional partnerships that translate academic research into community engagement. She actively collaborates with the Museum of Art and Archaeology at the University of Missouri on exhibitions like Rooted, Revived, Reinvented: Basketry in America and Juan Roberto Diago: Foraged Materials, Assembled Histories , fostering cross-generational dialogues through multi-venue traveling shows and digital initiatives including The iCatalog .
Dr. Keke Wu is an Assistant Professor in Information Studies at the University of Maryland, College Park, appointed as of August 2025. She leads the UMD Lived Data Collective, a research group focused on making data cognitively accessible, emotionally resonant, and socially impactful through visualization. Her expertise spans: Data Science, Analytics, and Visualization Human-Computer Interaction Accessibility and Inclusive Design She has published extensively in leading venues like ACM CHI, IEEE VIS, and ACM ASSETS, including a Best Paper Award at CHI 2021. Dr. Wu’s work bridges computer science, cinematic arts, and creative technology to reimagine data representation for diverse audiences. She is affiliated with the following research centers: Artificial Intelligence Interdisciplinary Institute at Maryland (AIM) Human-Computer Interaction Lab (HCIL) Maryland Initiative for Digital Accessibility (MIDA) Social Data Science Center (SoDa)
Rebecca Blatt is the Senior Associate Dean and Professor of Practice at the Walter Cronkite School of Journalism and Mass Communication, Arizona State University (ASU). She oversees master's program recruitment, curriculum, retention, and signature programs like Cronkite News and Carnegie-Knight News21. Previously, she led the Cronkite News Digital Production Bureau and directed the Cronkite Public Insight Network Bureau, which earned the ASU President’s Award for Innovation. Her expertise spans multimedia storytelling, data visualization, and audience engagement, with a focus on preparing students for evolving journalism landscapes. Education: M.B.A., American University’s Kogod School of Business M.A. in Mass Communication, University of North Carolina at Chapel Hill Bachelor’s degree, University of Pennsylvania (Phi Beta Kappa) Research & Leadership: Blatt’s work emphasizes innovation in journalism education and community engagement. She has held roles at NPR and WAMU 88.5 FM, producing award-winning documentaries and event coverage. Her curriculum development integrates reporting, entrepreneurship, and cross-platform collaboration. Awards: ASU President’s Award for Innovation (2016) Honors from Radio Television Digital News Association, Education Writers Association, and New York Festivals Radio Awards Teaching: Courses include principles of journalism, practicum, and applied projects, reflecting her commitment to practical skills and industry relevance.
Miryam Sas is a Professor of Comparative Literature at the University of California, Berkeley. Her work bridges Japanese literature, film, theater, and avant-garde arts with critical theory. She specializes in 20th-century cultural movements, postwar Japanese experimental arts, and media theory. Her research includes studies on surrealism, intermedia, and post-Holocaust representation, with notable works like Feeling Media: Potentiality and the Afterlife of Art (2022) and Experimental Arts in Postwar Japan (2010). Her research interests span Japanese modernism, intermedia art, feminist film analysis, and photographic theory. She has curated exhibitions for institutions such as MoMA, the Getty Museum, and the Mori Art Museum, contributing essays on postwar avant-gardes and Japanese photography. Recent projects include translations of modernist poets Sagawa Chika and Ema Shōko, and collaborative archival work on Finding Zbaraż . Prof. Sas has been awarded the UC President’s Research Fellowship for her media theory work. Her teaching focuses on critical theory, Japanese cinema, and media studies, offering courses on infrastructural aesthetics and transnational Asian media. She actively participates in interdisciplinary dialogues through lectures and radio programs like France Culture’s La Fabrique de l’Histoire .
Olivia Badoi is a faculty member in the Department of English at Saint Louis University-Madrid. She holds a Ph.D. in English from Fordham University and contributes to the academic mission through teaching and research in modernist studies, graphic narratives, and ecocriticism. Education: Ph.D. in English, Fordham University M.A. in English, Wroclaw University B.A. in American Studies, University of Bucharest Dr. Badoi's research lies at the intersection of modernist literature, visual culture, and environmental thought. Her work explores how wordless narratives, particularly woodcut novels, engage with ecological themes and nonhuman agency. She introduces the concept of arboreal modernism to describe how trees and forests serve as structural and symbolic models in modernist art. Her scholarship spans ecocriticism, feminist modernism, adaptation studies, and the representation of animals and nature in media. She is currently completing her first book, Arboreal Modernism and the Woodcut Book , under contract. Her recent publications and conference presentations reveal a strong interdisciplinary trajectory, combining literary analysis with visual culture, environmental philosophy, and translation studies. Themes such as deep time, materiality, liminality, and nonverbal communication recur across her work, reflecting a sustained engagement with the boundaries between human and nonhuman, word and image, nature and culture. Scientific Awards: No scientific awards listed in the provided text. Dr. Badoi actively contributes to academic discourse through peer-reviewed publications and international conference presentations. While specific grant funding is not mentioned, her book contract and scholarly output indicate a robust research profile. She mentors students through her academic role, though no named advisees are listed. Her work is supported by her affiliation with Saint Louis University-Madrid, where she participates in scholarly events such as the Landscape, Narrative, and Deep Time conference. She is associated with academic teams and initiatives focused on modernism, adaptation, and environmental humanities, as evidenced by her conference organization and participation.
Joshua B. Guild is an Associate Professor in the Department of African American Studies at Princeton University. He is also an Associated Faculty member in the Program in Urban Studies and has been involved with the Center for Digital Humanities. His scholarly work bridges historical research with public engagement and digital innovation. His education includes a PhD in History and African American Studies from Yale University and an undergraduate degree from Wesleyan University, where he was a Mellon Mays Undergraduate Fellow. Professor Guild's research centers on 20th- and 21st-century African American social and cultural history, urban history, and the modern African diaspora. His interests include migration, black internationalism, black popular music, and the black radical tradition. He is deeply engaged in the digital humanities and public scholarship, organizing seminars and contributing to podcasts and public exhibitions. The recent publications and projects reflect a strong focus on urban Black communities, transnational migration, and cultural politics. Themes include the Great Migration, postwar New York and London, New Orleans after Katrina, and the Black 1980s. His work combines historical analysis with cultural critique and social justice advocacy. Scientific Awards and Fellowships: Mellon Mays Undergraduate Fellowship Andrew W. Mellon Foundation Fellowship Ford Foundation Fellowship Woodrow Wilson National Fellowship Foundation Award Charles Warren Center Fellowship (Harvard University) W.E.B. Du Bois Institute Fellow (Harvard University) Professor Guild has advised graduate students through seminars and collaborative projects, though no individual students are named. He has led initiatives supported by institutional grants, particularly in digital humanities and public engagement. His leadership in the 'Black Studies in the Digital Age' seminar and editorial work on the 'Black 1980s' special issue demonstrates his commitment to advancing the field through interdisciplinary collaboration. He is affiliated with the Program in Urban Studies and the Center for Digital Humanities at Princeton, where he contributes to shaping curricula and research directions in African American Studies and digital scholarship.
Claudia Schwabe is a Professor in the Department of World Languages and Cultures at Utah State University, within the College of Humanities and Social Sciences. She holds a Ph.D. in German Studies from the University of Florida and has been teaching at USU since 2012. Her academic work bridges German language, literature, and cultural studies with a strong focus on fairy tales and folklore in both historical and contemporary contexts. Education: Ph.D., German Studies, University of Florida, 2012 M.A., Teaching Business Education, Georgia College & State University, 2005 B.A., International Business Administration, Northumbria University, UK, 2003 B.A., International Administrative Management, Accadis, Germany, 2003 Her research centers on 18th- and 19th-century Romantic literature, literary and folk fairy tales (Kunstmärchen), East German cinema, German Orientalism, and the adaptation of fairy tales in new media and popular culture. She explores how traditional narratives are transformed across media and cultures, especially in American television and film. Her teaching reflects this interdisciplinary approach, covering German language, literature, film, business German, and translation. Her recent scholarly publications reveal a strong trend in analyzing the cultural and political significance of fairy tales, particularly in DEFA films and modern adaptations like Grimm and Once Upon a Time . She has published monographs, edited volumes, and peer-reviewed articles with leading presses and journals in folklore and German studies, demonstrating sustained scholarly impact. Scientific Awards and Honors: Faculty Undergraduate Advisor of the Year Award, LPCS, USU (2015) Ed Glatfelter Service Award, LPCS, USU (2016-2017) Nominations for Dean’s Giraffe Award (2016, 2018) Nominations for Researcher of the Year (2016, 2017) Travel Awards from College of Humanities and Social Sciences and Center for Women and Gender Studies (2014) Graduate Student Teaching Award, University of Florida (2010) Grinter Fellowship, University of Florida (2008–2010) Claudia Schwabe has been actively involved in academic service, grant writing (participant in grant proposal seminar), and mentoring. She has served as a faculty advisor and contributed to curriculum development, particularly in interdisciplinary folklore and fairy-tale pedagogy. Her editorial work on volumes like New Approaches to Teaching Folk and Fairy Tales highlights her leadership in shaping scholarly discourse. She has also reviewed books for major journals, contributing to peer evaluation in her field. While no formal lab or research team is mentioned, her work is deeply collaborative, involving co-edited volumes, co-authored entries, and invitations to contribute to high-impact academic projects. Her ongoing research suggests continued exploration of fairy tales in global media, pedagogy, and cultural politics.
Ashley Cordes (Coquille/KōKwel) serves as an Assistant Professor of Indigenous Media in Environmental Studies and Data Science at the University of Oregon's College of Arts and Sciences. She is also a recent American Council of Learned Societies Fellow whose research bridges Indigenous science and technology studies, digital media, and environmental/place-based studies. Her educational background includes a PhD in Media Studies with an outside area in Native American Studies from the University of Oregon (2019), an MA in Communication from Hawaii Pacific University (2012), and a BA in Communication with a Journalism Certificate from Loyola Marymount University (2010). Cordes' research centers on how Indigenous culture and technology producers leverage digital media, emerging technologies, and discourse to advance Tribal sovereignty, cultural revitalization, and the resurgence of Indigenous knowledge systems. Her work specifically examines AI, blockchain, and cryptocurrency through Indigenous epistemologies, challenging dominant narratives about technological progress and financial systems. She has published in journals such as Cultural Studies >Critical Methodologies , Journal of International and Intercultural Communication , and Feminist Media Studies , and is the author of Indigenous Currencies: Leaving Some for the Rest in the Digital Age (MIT Press). Her recent publications reveal a consistent focus on decolonial approaches to technology, with particular attention to Indigenous data sovereignty, environmental justice, and alternative economic systems. The trajectory of her work shows increasing engagement with AI ethics from Indigenous perspectives, culminating in her contributions to the Indigenous Protocol and Artificial Intelligence position paper. American Council of Learned Societies Fellow Contributor to Indigenous Protocols and Artificial Intelligence Working Group Cordes actively mentors doctoral students in Indigenous digital media and participates in multiple research collectives including Abundant Intelligences, CHoRUS Network (focusing on ethical data gathering in Indigenous contexts), Indigenous Protocols and Artificial Intelligence, and the Climate Resilience Taskforce. Her community-engaged work includes the Storying on the Coquille River project, which addresses climate change impacts on salmon populations through digital humanities approaches. She maintains strong connections to her Coquille Nation community, serving on the Climate Resilience Taskforce and as Chair of the Culture and Education Committee, ensuring her academic work remains grounded in community needs and Indigenous knowledge systems.
Sarah Ita Levitan is an Assistant Professor in the Department of Computer Science at Hunter College, CUNY, and a member of the doctoral faculty in both Computer Science and Linguistics PhD programs at the CUNY Graduate Center. She previously served as a Postdoctoral Research Scientist at Columbia University, where she completed her PhD in Computer Science in 2019 under Dr. Julia Hirschberg. Research Focus: Spoken Language Processing Natural Language Processing Paralinguistic Analysis Trustworthiness and Deception Detection Acoustic-Procedic and Lexical Feature Extraction Online Radicalization and Misinformation Recent Publications demonstrate expertise in analyzing speech and text for trust cues, deception detection, and mental health prediction. Her awards include grants from NSF, Google, and Columbia University fellowships. She leads the Hunter Speech Lab , mentoring PhD, MS, and undergraduate students in computational linguistics research. Scientific Awards and Grants: NSF EAGER Grant (2023) Google Cyber NYC Grant (2023) NSF AI Institute Grant (2023) Air Force Office of Scientific Research Grant (2020) Brown Institute Seed Grant (2020) Knight News Innovation Fellowship (2018) Teaching: Courses include Natural Language Processing (undergraduate/graduate), Computational Linguistics, Computer Theory, and advanced topics in spoken language processing at both Hunter College and Columbia University.
Vera Liao is a Principal Researcher at Microsoft Research, where she is part of the FATE (Fairness, Accountability, Transparency, and Ethics of AI) group. She will join the University of Michigan Computer Science and Engineering department as an Associate Professor in fall 2025. Her work focuses on human-AI interaction, explainable AI, and responsible computing. Liao has made significant contributions to IBM products such as AI Explainability 360 and Uncertainty Quantification 360 during her time at IBM T.J. Watson Research Center. Dr. Liao received her education from the University of Illinois at Urbana-Champaign and Tsinghua University. Her academic journey has positioned her at the intersection of human-computer interaction and artificial intelligence, with a strong emphasis on creating AI systems that are transparent, accountable, and user-centered. Vera Liao's research primarily centers around human-centered AI explainability and transparency. She investigates how to design AI systems that effectively communicate their capabilities, limitations, and decision-making processes to users. Her work examines the intersection of AI transparency with trust, control, and user experience. Liao has pioneered approaches to bridging the socio-technical gap in AI evaluation and has developed frameworks for contextualized evaluation of explainable AI systems. Her research spans multiple domains including conversational interfaces, data storytelling, and creative work with generative AI. Liao's publications reveal a clear trend toward addressing the challenges of large language models and their impact on human-AI interaction. Her recent work focuses on understanding how uncertainty communication affects user trust, how to design for appropriate reliance on AI systems, and how to create authentic co-creation experiences with generative models. She has been examining the risks in AI-infused information ecosystems and developing methods for human-centered evaluation of language technologies. Her scientific contributions have been recognized with multiple honors: Best Paper Award, Honorable Mention at CHI 2025 (two papers) Best Paper Award at CHI 2024 Best Paper Award, Honorable Mention at FAccT 2023 Best Paper Award, Honorable Mention at HCOMP 2022 Best Paper Award, Honorable Mention at CHI 2021 Best Paper Award, Honorable Mention at CHI 2014 Outstanding Paper Award at IUI 2019 Dr. Liao is an active mentor, having guided numerous research interns from top universities including Cornell, Princeton, CMU, Stanford, and MIT. She serves in editorial roles as Co-Editor-in-Chief of the Springer Human-Computer Interaction Book Series and as an Editor for ACM CSCW. Liao has secured research funding through her work at Microsoft Research and previously at IBM, focusing on projects related to AI explainability, transparency, and responsible AI development. As part of Microsoft Research's FATE group, Liao collaborates with a multidisciplinary team of researchers focused on the ethical implications of AI technologies. Her work bridges the gap between technical AI development and human-centered design principles, ensuring that AI systems are developed with user needs and societal impacts in mind.
Amber M. Neal-Stanley serves as Assistant Professor of Curriculum Studies in Purdue University's College of Education, where her scholarship interrogates Black educational experiences through critical qualitative frameworks and faith-based liberation traditions. Her work centers on structural inequity, historical resistance, and humanizing pedagogical approaches grounded in Black radical thought. Education: Ph.D. in Educational Theory and Practice, University of Georgia M.S.W. in Social Work, University of Georgia B.S. in Human Development and Family Studies, Bowling Green State University Research Focus: Dr. Neal-Stanley's research synthesizes Black education studies, critical qualitative inquiry, and faith as transformative praxis. She examines historical Black women teachers' abolitionist traditions, the Black Church's role in early childhood education, and digital humanities for recovering marginalized educational histories. Her scholarship consistently centers re membering Black radical traditions while confronting anti-Blackness in educational systems through humanizing frameworks. Publication Trends: Recent publications (2021-2025) reveal three dominant trajectories: (1) Historical analyses of Black women educators' spiritual resistance, (2) Conceptual models for leveraging religio-spiritual capital against anti-Blackness, and (3) Digital methodologies for reconstructing Black educational history. Her work increasingly integrates Black feminist thought with critical race theory to address contemporary educational struggles. Scientific Recognition: Purdue University College of Education Outstanding Faculty Teaching Award (2023-2024) Research Fellow, The Crossroads Project at Princeton University's Center for Culture, Society, and Religion (2024-2025) Academic Leadership: Teaching graduate courses in critical theory, qualitative methods, and Black educational history, Dr. Neal-Stanley prepares educators to dismantle structural inequity. Her Detroit Public Schools background and social work experience inform community-engaged scholarship that bridges historical analysis with contemporary activism, particularly through faith-based resistance frameworks.
Robert Likamwa is an Associate Professor at Arizona State University, affiliated with the School of Arts, Media and Engineering and the School of Electrical, Computer and Energy Engineering. His research focuses on the intersection of mobile computing, augmented reality, and sensor design through Meteor Studio. Ph.D., Rice University M.S., Rice University B.S., Rice University His work spans three core research arcs: (i) advanced visual capture systems, (ii) hybrid virtual-physical immersion through sensory augmentation, and (iii) data-driven frameworks for AR/VR storytelling. He explores mobile operating systems, low-power architectures, computational imaging, and holographic computing. Recent publications analyze multi-resolution visual sensing, geospatial cross-virtuality collaboration, planetary data visualization, spatial audio optimization, and multi-sensory virtual environments. His 2013 paper on energy-proportional image sensors received the Best Paper Award at ACM MobiSys. Best Paper Award, ACM MobiSys 2013 LiKamWa advises graduate students through research and thesis courses and leads grants related to mobile vision systems, haptic interfaces, and energy-efficient sensor design. He directs Meteor Studio, a research group focused on immersive technology innovation.
Kun Qian is an Associate Professor at the University of Pittsburgh , affiliated with the Dietrich School and the Film and Media Studies Program . Her research explores intersections between historical consciousness, morality, and the representation of empire in literary and visual texts. Her work critically examines how modern writers and producers depict pre-modern Chinese empires, analyzing the tension between revolutionary change and historical continuity. She also investigates the relationship between visuality and identity in media, particularly focusing on the unstable representation of minority groups—including women, ethnic minorities, and marginalized communities—and how these portrayals shape identity formation in globalized contexts. While her scientific awards and student advising details are not provided, her research emphasizes interdisciplinary methodologies, connecting literary analysis with intellectual history and media studies.
