Martin Procházka is Professor of English, American, and Comparative Literature at the Faculty of Arts, Charles University, Prague. He holds visiting roles at the University of Porto and the University of Kent, including Honorary Visiting Professor since 2021. His research spans Intercultural communication Romanticism Comparative literature Scottish literature American colonial literature , with a focus on authorship, adaptation studies, and the intersections of European Romanticism with Czech cultural contexts. Procházka's recent publications include the 2024 edited book From Shakespeare to Autofiction , which critically engages with Roland Barthes and Michel Foucault's theories of authorship, and the 2022 theoretical work on autopoietic systems and intercultural communication. His scholarship often bridges historical and contemporary debates, such as in the 2021 Romanticism and Periodisation roundtable. He has received the Comenius Medal (1992) for educational research and led the H2020 MSCA ITN European Joint Doctorate Migration and Modernity (MOVES) from 2018 to 2023. Procházka also served as President of the Czech Association for the Study of English (2004-2014) and on the Advisory Board of the International Association of Byron Societies (1999-2024). As founding editor of the Scopus-indexed journal Litteraria Pragensia , he has shaped academic discourse on literary theory and comparative studies. His work on Scottish Enlightenment and Czech modernist reception of William Blake highlights his interdisciplinary approach.
Huamin Qu is a Chair Professor in the Department of Computer Science and Engineering at the Hong Kong University of Science and Technology (HKUST). He serves as the Founding Dean of the Academy of Interdisciplinary Studies (AIS), Founding Head of the Division of Emerging Interdisciplinary Areas (EMIA), and was the Founding Acting Head of Computational Media and Arts (CMA) at HKUST(GZ). Qu directs the VisLab and coordinates the Human-Computer Interaction (HCI) group. He obtained his BS in Mathematics from Xi'an Jiaotong University and MS/PhD in Computer Science from Stony Brook University. Qu's research integrates Data Visualization , Human-Computer Interaction , and Human-Centered AI , with applications in urban informatics, social networks, and explainable AI. His work focuses on developing interactive systems for big data analytics, visual storytelling, and AI-driven decision support. Research extends to multimodal communication, fintech, and augmented reality applications. His publications emphasize visual analytics for complex datasets (mobility, social media, financial), interaction techniques for immersive environments, and AI-enhanced visualization tools. Recent works explore explainable AI interfaces and large-scale data communication frameworks. IEEE Visualization Academy (2020) IEEE VGTC Technical Achievement Award AI 2000 Most Influential Scholar (2019, 2023, 2024) 21 Best Paper/Honorable Mention awards IBM Faculty Award (2009) APICTA Merit Award (2015) Yelp Dataset Grand Prize (2018) Qu has advised 48 PhD graduates (21 now faculty at institutions like UC Davis, University of Minnesota, Texas A&M) and 30 MPhil students. He secured major grants including RGC theme-based projects (digital citizenship, air pollution), UGC AoE (slope safety), and China's 973 Program. As VisLab director, he leads 20+ researchers in visualization/HCI projects adopted by Microsoft, IBM, Huawei, and Tencent.
Claus Lamm is a Full Professor of Biological Psychology at the University of Vienna , where he leads the Social, Cognitive and Affective Neuroscience Unit (SCAN-Unit) . He serves as Vice Dean for Research and Advancement of Early Career Researchers at the Faculty of Psychology and holds affiliations with the Vienna Cognitive Science Hub , Environment & Climate Change Hub , and Austrian Academy of Sciences . His academic career spans international collaborations and formative research experience abroad. Scientific Focus: Lamm investigates the neural underpinnings of empathy and prosocial behavior , employing multi-modal approaches combining neuroimaging, psychopharmacology, and psychoneuroendocrinology . His work extends to comparative studies with ravens and dogs, and explores environmental social neuroscience through climate change decision-making research. Recent publications show trends in cross-cultural psychology , machine learning applications , and neurobiological pathways related to social behavior. Awards & Grants: Recipient of the APS Mentor Award for his support of early career researchers. Funded by European Research Council , Austrian Science Fund , Vienna Science and Technology Fund , and intramural grants exceeding €10 million. Key projects include "Unravelling the opioid system in empathy" and "Comparative dog-human fMRI" . Media Engagement: A prominent public science communicator, Lamm has appeared in Nature , Science Magazine , and Austrian media outlets like Ö1 Mittagsjournal and ORF2 , discussing topics from pandemic psychology to social media effects . He maintains active outreach through Science TV and educational programs .
Roger Luckhurst is Professor of Modern Literature and currently holds the prestigious Geoffrey Tillotson Chair of Nineteenth Century Studies at Birkbeck College, University of London. A leading scholar in Gothic literature, science fiction, and trauma studies, he has been affiliated with Birkbeck for over 25 years, contributing significantly to interdisciplinary literary and cultural studies. Education and Career Trajectory: 2020-present: Geoffrey Tillotson Chair of Nineteenth Century Studies, Birkbeck College 2008-2020: Professor of Modern and Contemporary Literature, Birkbeck College 2004-2008: Senior Lecturer, Birkbeck College 1994-2004: Lecturer, Birkbeck College 1992-1994: Lecturer, University of Hull Research Interests and Scholarly Contributions: Luckhurst's research spans multiple interconnected fields, establishing him as a preeminent voice in literary and cultural studies. His work on late 19th century English literature examines the intersections of Victorian culture with emerging scientific discourses. His expertise in science fiction studies encompasses both literary analysis and cultural theory, exploring how speculative fiction reflects and shapes contemporary anxieties. In Gothic studies , he investigates the persistence of Gothic aesthetics and themes across different media and historical periods. His groundbreaking work in trauma studies has contributed significantly to understanding how literature and culture process collective trauma. Publications and Scholarly Impact: His extensive publication record demonstrates a remarkable breadth of scholarly inquiry. From his early work on J.G. Ballard to his recent comprehensive study of Gothic culture, Luckhurst has consistently produced influential scholarship. His books have been translated into multiple languages including French, Japanese, Turkish, and German, indicating significant international impact. His forthcoming The Gothic: An Illustrated History (2021) promises to be a definitive work in the field. Honors and Awards: 2009: Visiting Research Fellow, University of Birmingham 2009: Visiting Research Fellow, Flemish Academic Centre for Science and the Arts (VLAC), Brussels January-June 2011: AHRC Fellowship, Birkbeck College Spring 2016: Mellon Distinguished Visiting Professor, Department of English, Columbia University, New York Public Engagement and Media Presence: Beyond academia, Luckhurst has demonstrated exceptional commitment to public scholarship. He has served as a broadcaster for BBC radio, bringing literary criticism to wider audiences. His journalism has appeared in leading British newspapers, bridging the gap between academic research and public discourse. This dual role as academic and public intellectual exemplifies Birkbeck's tradition of making scholarship accessible to broader communities. Interdisciplinary Approach and Institutional Contributions: At Birkbeck College, Luckhurst has been instrumental in fostering the institution's renowned culture of interdisciplinary studies. His work seamlessly integrates literary analysis with cultural theory, film studies, architectural history, and scientific discourse. This approach has influenced generations of students and scholars, establishing Birkbeck as a leading center for innovative literary and cultural research.
Cao Jiannong is currently a Chair Professor and Director of the University Research Facility in Big Data Analytics at Hong Kong Polytechnic University . He has held academic roles including Assistant Professor at City University of Hong Kong and University Lecturer at the University of Adelaide and James Cook University. His research spans Cloud and Edge Computing , Parallel and Distributed Systems , Big Data Analytics , and Wireless Sensing . Ph.D. in Computer Science, Washington State University (1990) MSc in Computer Science, Washington State University (1986) BSc in Computer Science, Nanjing University, China (1982) His work focuses on solving theoretical and practical challenges in distributed computing , mobile cloud systems , and wireless sensor networks . Recent projects include coupled network embedding models for heterogeneous networks and SDN architectures for vehicular communication. His research also pioneers WiFi-based non-invasive health monitoring and fault-tolerant sensor deployment for structural health applications. Dr. Cao's publications highlight advancements in network embedding , edge computing , and WSN optimization . Key papers address multi-user computation partitioning , energy-efficient SHM systems , and consensus protocols for mobile networks. These works have been cited over 15,000 times, with an h-index of 60. Ministry of Education (China) Natural Science Award (2018) Distinguished Member, ACM (2017) Fellow, IEEE (2014) Best Paper Awards at IEEE DSAA, SMARTCOMP, and WCNC Dr. Cao has advised multiple PhD students, including Linchuan Xu and Weigang Wu , whose research on WSN-based SHM and coupled network embedding has practical impact. His leadership includes directing Hong Kong Polytechnic University's Big Data Research Facility and serving on technical committees for IEEE INFOCOM and ACM/IEEE conferences.
Wang Ning is a distinguished Professor of English and Comparative Literature with affiliations at Tsinghua University (part-time) and Shanghai Jiao Tong University. His career spans prestigious roles including Zhiyuan Chair Professor (2009–present) and Changjiang Distinguished Professor (2013–present). Born in 1955, he holds academic qualifications from institutions in China, Europe, and North America. Research interests focus on cosmopolitanism, translation studies, Northrop Frye's mythopoeia, cultural studies, and Chinese-Western comparative literature. He has secured over ten grants since 1991 aimed at introducing European theory to China and has conducted research across Europe, North America, and Australia as a visiting professor/research fellow. Key achievements include the Changjiang Scholars Award (2013), membership in Académé de la Latinité (2010), and fellowships at Cambridge and Gottingen Universities. He co-founded Chinese editions of New Literary History and Critical Inquiry , advancing transnational literary discourse. Wang has delivered keynote lectures globally and led initiatives to bridge Chinese and Western literary traditions. His work emphasizes global literary dynamics, translation’s role in cultural exchange, and reinterpreting modern Chinese literature within global contexts.
Philipp Budka is a Researcher (PostDoc) and Lecturer at the Department of Social and Cultural Anthropology, University of Vienna. He leads the North American research region for the ERC Advanced Grant project 'InfraNorth' and investigates transport infrastructures in northern Canada. Budka co-founded the Digital Ethnography Initiative and is a member of the Austrian Polar Research Institute (APRI). He holds a Mag.phil. in Cultural Anthropology and Communication Studies from the University of Vienna and Utrecht. His doctoral research focused on Indigenous digital infrastructures in northwestern Ontario, Canada. Education: Mag.phil. (2003), PhD in Cultural Anthropology (2017) Research Interests: Digital Anthropology, Infrastructure Studies, Media Anthropology, Indigenous Technologies His research explores sociotechnical systems, digital ethnography, and infrastructure sustainability in remote regions. Budka has co-edited volumes on media and conflict and ritualization, and is currently working on monographs about Indigenous online platforms and transport infrastructures in Canada. Grants: ERC Advanced Grant (InfraNorth), various teaching and research roles at FU Berlin and HMKW Berlin. He was co-leader of the Media Anthropology Network (EASA) from 2017–2024. Labs/Teams: Team of the Lehrendenvertretung (Teaching Representatives), Digital Ethnography Initiative, InfraNorth Project.
Univ.-Prof. Torsten Möller, PhD is a Professor at the University of Vienna and serves as Head of the Research Group Visualization and Data Analysis and Head of the Research Network Data Science. His work spans data visualization, visual analytics, and human-computer interaction, with a focus on biomedical, environmental, and societal data applications. Academic rank: Professor Research group: Visualization and Data Analysis Network: Data Science Email: torsten.moeller@univie.ac.at Research interests include: Visual data analysis for complex systems Interdisciplinary applications in climate science and medicine Human-computer interaction in data exploration Image processing and computer graphics Recent publication trends show expertise in: Visualizing climate change and pandemic data Multi-volumetric and network analysis Algorithmic transparency and user-centered design Interdisciplinary collaborations (e.g., astrophysics, medical imaging) Statistical and uncertainty visualization Design frameworks for visualization recommendation Teaching includes courses in: Computer graphics and visualization Image processing and analysis Human-computer interaction Data analysis projects Doctoral research seminars
Oliver Grau is a Chair Professor for Image Science and a leading figure in Media Art research, affiliated with Hong Kong Baptist University (Academy of Visual Arts, Distinguished Fellow since 2023) and Danube University Krems (Chair Professor for Image Science from 2005–2022). He founded the Archive for Digital Art (ADA) and the international MediaArtHistories Conference Series , with key roles at institutions across Germany, Austria, and Australia. His work bridges art, science, and technology, focusing on immersive images, digital heritage, and emotion research. Key Positions: Director of ADA (since 2000), Founding Director of MediaArtHistories Conference Series (since 2005), PI for high-resolution digitization of the Goettweig Graphic Print Collection (2005–2017). Research Grants: Funded by DFG, Austrian Science Fund, Australian Research Council, VW Foundation (total 8.3 Mio EUR), and Erasmus+ Joint Master program (5.4 Mio EUR). Research Interests: Grau’s scholarship spans the history of media art, telepresence, artificial life, emotion research, and digital humanities. His work emphasizes the evolution of immersive visual experiences from historical art forms to digital media, integrating theoretical and practical approaches. Article Trends: His recent publications focus on digital art’s sociopolitical dimensions, archiving challenges in the digital era, and cross-disciplinary methodologies. Themes include media art conservation, web-based tools for digital humanities, and the intersection of artistic expression with contemporary global issues like climate change and surveillance. Scientific Awards: Distinguished Fellow at Hong Kong Baptist University (2023) Science Award of Lower Austria (2019) Honorary Doctorate from University of Oradea (2014) Invitations to G-20 summit, Olympic Games, and international symposia Labs & Teams: He leads the Archive for Digital Art, managing a global team of 28 staff, and co-founded the Erasmus+ Joint Master in Media Arts Cultures. His projects emphasize collaborative archiving tools (e.g., Web 2.0/3.0 archives) and large-scale digitization initiatives.
Claudia Plant is a Professor in the Faculty of Computer Science , leading the Research Group Data Mining and Machine Learning . Her research focuses on clustering algorithms, data mining, and machine learning applications in areas like biomedical data, wind energy, and causality inference. She has contributed to projects such as Knowledge-infused Deep Learning for Natural Language Processing (2020–2028) and Hybrid Computational Sciences (2021–2021). Plant has authored over 160 publications, with recent work emphasizing deep learning, anomaly detection, and GPU-optimized algorithms. She actively engages in academic activities, including talks on clustering methods and interdisciplinary projects like Governing Algorithms: The Politics of Data and Decision-Making . Her research interests span clustering algorithms , graph neural networks , causality discovery , and ethical digital transformation . Notable projects include causal analysis of wind farm dynamics and AI-enhanced education tools. Plant’s work bridges computational methods with societal challenges, such as empowering marginalized communities through ethical technology adoption.
Edward Muir is the Clarence L. Ver Steeg Professor in the Arts and Sciences and Charles Deering McCormick Professor of Teaching Excellence at Northwestern University, with joint appointments in the Department of History and Italian Studies at Weinberg College of Arts and Sciences. His academic journey includes a B.A. from the University of Utah (1969), an M.A. (1970), and Ph.D. (1975) in Modern European History from Rutgers University, including a Semester in Italy Program at Syracuse University (1967). Muir's research explores the intersection of ritual, violence, and power in Renaissance Europe, with emphases on Italian history, microhistory, and cultural anthropology. His work examines civic ceremonies, gender exclusion, and the sociopolitical underpinnings of early opera. Key themes include the anthropology of Venice, religious processions, and community formation in pre-modern societies. His scholarly publications reveal a consistent focus on Renaissance cultural practices, Venetian society, and methodological innovations in microhistory. Recent works analyze opera's emergence in 17th-century Venice, anti-war movements, and gendered public spaces, blending archival rigor with interdisciplinary theory. Awards and Honors: Herbert Baxter Adams Prize (1982) Two-time Howard R. Marraro Prize winner (1982, 1993) Andrew W. Mellon Foundation Distinguished Achievement Award (2010, $1.5 million) Fellow, American Academy of Arts and Sciences (2014) Charles Deering McCormick Professorship for Teaching Excellence (2006) Muir has held major administrative roles including Department Chair at Northwestern and LSU, co-directed the Graduate Program in Italian Studies, and served on editorial boards for journals like the American Historical Review . He mentors through graduate programs but no specific student advisees are listed.
Sean Cubitt is a Professor of Screen Studies at the University of Melbourne's School of Culture and Communication, with prior roles including Professor of Film and Television at Goldsmiths, University of London, and Professor of Global Media and Communications at the University of Southampton. His academic career spans over three decades, focusing on Media Art History, Digital Aesthetics, and Ecocinema. He is a Fellow of the Australian Academy of the Humanities (2009) and has held prestigious roles such as series editor for Leonardo Books at MIT Press. Research Interests: Sean’s work explores digital light technologies, the environmental impacts of media, and political aesthetics. He has contributed to journals like Screen and Cultural Politics , and co-founded the Media Art History conference. His writing spans academic books and collaborations, including the thriller-writing pseudonym Lambert Nagle. Grants & Collaborations: Led major projects on Australian media art history, public screens, and digital light genealogies, securing ARC and AHRC funding. Advising: Supervised 21 PhD candidates and examined 39 theses, specializing in creative practice research. Editorial Roles: Board member for Screen , Cultural Politics , and others, emphasizing interdisciplinary media studies. Labs/Teams: Co-curator of exhibitions like ‘Arte y Optica’ and ‘The World is Everything That Is The Case’, blending art and technology.
Professor Moncef Gabbouj is a distinguished academic and researcher currently serving as Professor of Signal Processing at the Department of Computing Sciences, Faculty of Information Technology and Communication Sciences, Tampere University, Finland. Previously, he held the same position at Tampere University of Technology before the merger in 2019. He has also held visiting professorships at prestigious institutions including Hong Kong University of Technology and Science, University of Southern California, and Purdue University. Ph.D. and MSc. in Electrical Engineering from Purdue University, USA (1989 and 1986) B.Sc. in Electrical Engineering from Oklahoma State University, USA (1985) Prof. Gabbouj's research spans multiple domains within signal and image processing, with a strong focus on machine learning applications. His primary research interests include artificial intelligence, machine learning, Big Data analytics, multimedia content-based analysis, indexing and retrieval, nonlinear signal and image processing, voice conversion, and video processing and coding. His work bridges theoretical advancements with practical applications across various industries, particularly in multimedia communications and biomedical applications. His extensive publication record demonstrates a clear evolution from traditional signal processing techniques toward more sophisticated machine learning and deep learning approaches. Recent work shows increasing focus on convolutional neural networks for various applications including ECG classification, video processing, financial time-series analysis, and image recognition tasks, reflecting the broader trend in the field toward deep learning methodologies while maintaining strong foundations in signal processing theory. IEEE Fellow (2011) Member, Finnish Academy of Science and Letters (2014) Knight, First Class, of the Order of the White Rose of Finland (2006) Nokia Foundation Recognition Award (2005) Nokia Foundation Visiting Professor Award (2012) Finnish Cultural Foundation for Art and Science Award (2017) TUT Foundation Grand Award (2015) Prof. Gabbouj has supervised 64 doctoral and 72 Master's theses, demonstrating his significant contribution to academic mentoring. His research has been supported by substantial funding, including research grants totaling 8.5 million Euro (2001-2015). He has served as Academy of Finland Professor during 2011-2015 and has been involved in numerous EU research projects including Horizon, ESPRIT, HCM, IST, COST, Tempus and Erasmus programs. As Editor, Guest Editor or member of the Editorial Board of 6 international scientific journals, he has significantly influenced the academic discourse in his field. He leads the Signal Analysis and Machine Intelligence (SAMI) research group at Tampere University and serves as the Finland Site Director of the NSF IUCRC funded Center for Visual and Decision Informatics. His research unit focuses on applying advanced machine learning techniques to solve complex problems in signal processing, computer vision, and multimedia analytics, with applications ranging from healthcare to multimedia communications and financial analysis.
Hui Pan is a distinguished academic holding dual positions as Nokia Chair in Data Science and Professor of Computer Science at the University of Helsinki, and Chair Professor of Computational Media and Arts at the Hong Kong University of Science and Technology (HKUST). His research spans networking, mobile computing, augmented reality, and computational social science. He earned his Ph.D. in Computer Science from the University of Cambridge in 2007. His work bridges social networks with mobile systems, pioneering fields like mobile social networks and opportunistic forwarding algorithms. Research interests include data science, complex networks, and innovative applications of augmented reality. His recent publications focus on low-latency AR frameworks, blockchain for computation offloading, and mobile web visualization. He has received prestigious awards, including IEEE Fellow (2018), ACM Distinguished Scientist (2016), and the Nokia Chair Endowment (2017). He has supervised over 15 PhD and 12 MPhil graduates, with 13 current Ph.D. students and 2 MPhil students. His editorial roles include Associate Editorships at IEEE Transactions journals and guest editorships at top venues like IEEE JSAC and ACM Transactions. He has organized conferences such as WWW Track Chair and ExtremeCom General Chair.
Claudia Lehmann is a University Professor of Film Art & Visual Communication at the Institute for Open Arts, Department of Scenography at Mozarteum University Salzburg. She has been a professor at Mozarteum University since 2019 and previously served as a visiting professor at the Berlin Weissensee Art Academy. As a faculty member, she contributes to the Institute management, teaches as a Teacher, and serves on the Curricular Commission. Dr. Lehmann holds a doctorate in physics (Dr. rer. nat.) with her dissertation "GAUGE COVARIANT MULTISCALE ANALYSIS OF COMPLEX SYSTEMS" published through DESY-Publications in 2004. Her academic journey reflects a unique interdisciplinary trajectory from scientific research to artistic practice. Claudia Lehmann's research interests center around the intersection of art and science, with particular focus on perception, reality, and systemic phenomena. Her work spans documentaries, feature films, music videos, art videos, installations, and performances, constantly searching for new forms and formats. She develops visual concepts, video stage sets, and unique live video performances, often in collaboration with Nicolas Stemann. Through her work, she explores diverse possibilities for new structures, especially in the form of artistic collaboration. Her recent artistic output shows a consistent trend toward interdisciplinary work that blends theater, film, and digital media. Lehmann frequently collaborates with Nicolas Stemann and Konrad Hempel, creating innovative performances that integrate video technology with traditional stagecraft. Her work often addresses social and political themes while experimenting with form and presentation. The Institute for Experimental Affairs (IXA), which she co-founded with Konrad Hempel, serves as a platform for exploring the interfaces between science and art through various projects and research initiatives. Dr. Lehmann has received several prestigious awards for her work: Samsung Smartfilm Award 2013 Shocking Shorts Award 2007 Nomination for German Documentary Film Music Prize 2013 Nomination for Studio Hamburg Young Talent Prize for Best Screenplay As an educator and researcher, Lehmann has developed numerous collaborative projects and performances that have been featured at major international festivals including the Berlin International Film Festival, Leipzig Documentary Film Festival, and various theater festivals. Her work with IXA represents a significant research initiative at the intersection of science and art. Lehmann co-founded the Institute for Experimental Affairs (IXA) with visual artist and composer Konrad Hempel. Through IXA, she conducts research and realizes projects at the interfaces between science and art. Her collaborative work spans theater productions, film projects, and interactive installations that have been presented at venues including the Schauspielhaus Zürich, Münchner Kammerspiele, Opéra Comique Paris, and various international festivals.
