جست‌وجوی استاد و پژوهشگر

Diana Youngمشاهده پروفایل

دانشیار

• Cultural Anthropology
• Material and Visual Culture
• Museum Studies
• +۶ مورد دیگر

Associate Professor Diana Young is an academic, curator, educator, and designer at The University of Queensland (UQ), affiliated with the School of Social Science. Her research bridges cultural anthropology, material and visual culture, and museum studies, with a focus on Indigenous Australian art, museum practices, and the role of color in social life. She holds a Master's and PhD from University College London. Her work includes curating exhibitions such as the 50th anniversary of Ernabella Arts and leading the UQ Anthropology Museum’s transformation into a public institution. She directed the Master of Museum Studies program and raised over AUS$1.1 million for museum initiatives. Her research explores color as material and cultural substance, Australian Indigenous art markets, and digital heritage. Recent articles highlight her focus on Indigenous land management (e.g., Water as Country), museum curation practices, and material culture studies. She collaborates with institutions like QAGOMA on learning-focused courses and has authored/co-authored numerous books and chapters, including Solomon Islands: Re-Enchantment and the Colonial Shadow (2017).

• Radio Frequency Identification (RFID)
• Antenna Design
• Flexible Electronics
• +۳ مورد دیگر

Johan Sidén is a Lecturer and Associate Professor at Mid Sweden University , employed in the Department of Computer and Electrical Engineering (DET) . His work focuses on RFID technology , antenna design , and printed/flexible electronics , with a particular emphasis on industrial IoT and welfare technology applications. Research Keywords : Radio Frequency Identification, Antenna Design, Flexible Electronics, Wireless Sensor Networks, Microwave Engineering, Electronic Design Key Projects : DRIVEN (data-driven industrial transformation), SmartArea (functional surfaces), Pressure (ulcer monitoring), MakeSense! (welfare technology) Publications : 15+ recent works on wearable antennas, smart packaging, UWB antenna design, and RFID sensor integration Collaborations include partnerships with industrial and academic institutions, focusing on sustainable electronics, sensor systems, and smart infrastructure. His technical expertise spans antenna optimization , printed circuits , and edge computing for harsh environments.

Lív Maria Róadóttir Jægerمشاهده پروفایل

مدرس

• Poetry
• Phenomenology
• Creative Writing
• +۲ مورد دیگر

Lív Maria Róadóttir Jæger serves as a Lecturer in Creative Writing at the Faculty of Faroese Language and Literature, University of the Faroe Islands. Holding a Master of Arts in Philosophy from the University of Copenhagen, she is an influential contemporary poet whose experimental works bridge academic philosophy and artistic practice through innovative multimedia formats and public interventions. Her academic background includes: Master of Arts (mag.art.) in Philosophy, University of Copenhagen (awarded March 5, 2012) Jæger's creative practice centers on poetry and phenomenology, manifested through radical experimentation with form and medium. She pioneers techniques including xerographic poetry, pergament manuscripts, lithographic texts, and multimedia installations that transform philosophical concepts into tangible artistic experiences. Her work consistently engages with urgent contemporary issues—from Gaza conflict commentary to social media critique—while celebrating the expressive potential of the Faroese language through fragmented syntax, multilingual elements, and material innovation. Analysis of her 2022-2025 publications reveals a cohesive trajectory toward interdisciplinary collaboration and expanded poetic forms. Through the SUPERVISJÓN collective, she has systematically dismantled poetry's traditional boundaries, producing street interventions, textile art, sound installations, and digital works that challenge conventional distinctions between literature, visual art, and public space. This body of work demonstrates remarkable thematic consistency in addressing political power structures, psychological states, and environmental concerns while maintaining deep roots in Faroese linguistic and cultural identity. No scientific awards or fellowships were documented in the available information. In her academic capacity, Jæger teaches creative writing within the Bachelor of Arts in Creative Arts program and has co-edited student anthologies like RITLIST II: Antologi (2023). She has contributed to institutional development through consultancy work on sustainability recommendations for the University of the Faroe Islands (2021), demonstrating engagement beyond traditional academic boundaries. While formal graduate students aren't listed, her editorial work indicates active mentorship of emerging Faroese writers. Jæger's primary creative ecosystem is the SUPERVISJÓN collaboration, which functions as both artistic laboratory and cultural platform. This collective enables her poetry to transcend the page through annual Ólavsøkuframsýningin exhibitions, transforming public spaces with wall poems, textile installations, and multimedia performances that engage the Faroese community in contemporary artistic discourse.

Justin Harveyمشاهده پروفایل

مدرس

• Generative Artificial Intelligence
• Experimental Media Arts
• Creative Practice Research
• +۷ مورد دیگر

Justin Harvey is a Lecturer at the University of Technology Sydney (UTS) within the Faculty of Design, Architecture and Building, specializing in Media Arts and Production. He is an active member of the Creative Practice Research Group and serves on the Faculty Board and Faculty Research Committee. Harvey holds a PhD in Media Art & Design from the University of New South Wales and a Bachelor of Arts in Communication (Media Arts & Production) with First Class Honors from UTS. Harvey's research interests focus on creative uses of generative Artificial Intelligence, experimental approaches to media art making, and creative practice led research. His artistic practice spans moving image, installation, and virtual reality experiences, with a particular fascination for human-machine interaction and the creative potentials of digital technologies. He explores glitch aesthetics, digital video feedback, and imagery generated using diffusion models, often collaborating with AI systems in unexpected ways. Harvey has exhibited his work internationally at venues including VIVID Sydney, ISEA (International Symposium on Electronic Art) in Vancouver, Hong Kong, and South Korea. His 2023 collaboration with generative AI, Unprompted Studies 1-3 , was a finalist in the Fisher's Ghost Art Award. In 2024, he was selected as a Scholar in the Sydney Powerhouse Museum's Research Scholars Program for the "Knit Forward" project, which reimagines historical garments using generative AI and seamless knitwear technology. His research on creative applications of GenAI directly informs his teaching in Experimental Media and Creative Project Development. Harvey has extensive studio-based teaching experience since 2010, covering subjects such as Situated Media Installation Studio, Drama Production, and Experimental Media. Fisher's Ghost Art Award (2023 finalist) Powerhouse Museum Scholars Program funding (2024) UTS ECR Capability Development Initiative funding (2024) FASS ECR Funding (2024) Harvey supervises PhD and Masters of Research students in creative practice research and has mentored hundreds of students through capstone projects in drama, documentary, animation, and media arts installation. His current research projects include collaborations with Dr. Doris Li on reimagining historical garments using AI, and exploring the intersection of Surrealist techniques with generative AI in works like Oneironaut , exhibited at VIVID Sydney 2025.

Merel van Tilburgمشاهده پروفایل

استادیار

• Global Modernisms
• Interculturality
• Gender Studies
• +۱۲ مورد دیگر

Dr. Merel van Tilburg is an Assistant Professor of Art History (1800–present) at the University of Groningen's Department of History of Art, Architecture and Landscape within the Faculty of Arts. She holds a PhD from the University of Geneva and has held fellowships at institutions including the Kunsthistorisches Institut in Florence and the École des Hautes Études en Sciences Sociales in Paris. Her research focuses on global modernisms, interculturality, gender studies, and the history of colonialism, with a particular interest in textile art, exhibition theory, and the intersections of art with architecture and environment. She has co-edited the correspondence between Odilon Redon and Andries Bonger and sits on the advisory board of De Witte Raaf . Her work bridges academic scholarship with curatorial practice, emphasizing critical and de-hierarchizing approaches to art history. Education: PhD in Art History (University of Geneva, 2013), MA/BA in Art History, Philosophy, Literature, and Theatre Studies (University of Amsterdam). Key Awards: Swiss National Science Foundation Fellowships (2013–2017), Max Planck Institute Fellowship (2013). Roles: Co-editor-in-chief of the Odilon Redon correspondence project, scientific advisor for the Musée Rath exhibition Nightfall (2016–2017). Her recent publications include reviews in De Witte Raaf and chapters on topics like 'The Carpet Paradigm' in modern art and gender in Bauhaus legacy. She actively contributes to exhibitions, curatorial debates, and interdisciplinary dialogues on art's societal role.

• Art History
• Aesthetics
• Art Theory
• +۷ مورد دیگر

Dr. Angela Stercken is a Research Fellow at the Institute for Art and Art History, University of Duisburg-Essen. She specializes in art theory, aesthetics, and transcultural exchanges, particularly focusing on the Black Atlantic, diasporic art practices, and temporalities in contemporary art. Key research areas: transatlantic art, postcolonial critique, transmedial aesthetics Active in DFG-funded projects (2017-2020) and international networks Her recent publications explore diasporic image politics, maritime spaces in art, and temporal concepts in global modernism. She has received fellowships from prestigious institutions in the USA, Senegal, and Germany. Scientific awards include: DFG Research Funding (2017-2020) Grimme Online Award (2013) International fellowships (2018) She co-edits collaborative projects on aesthetic temporalities and contributes to exhibitions and digital humanities initiatives.

• Architecture
• Digital Fabrication
• Sustainable Design
• +۵ مورد دیگر

Malgorzata Zboinska is an Associate Professor at Chalmers University of Technology within the Department of Architecture and Civil Engineering . She is a licensed architect and member of the Swedish Association of Architects and National Chamber of Architects of Poland . Hybrid architecture-technology-art research Focus on bio-based materials , digital fabrication , and creative robotics Development Leader of Chalmers' Robotic Fabrication Laboratory Editorial board member of TAD | Technology, Architecture + Design journal Research Themes bridge architecture , digital technology , and art , with expertise in: Sustainable and circular architectural practices 3D printing and robotic construction Material bioinnovation and upcycling Interactive and kinetic architectural solutions Her publications demonstrate strong output in digital fabrication , bio-material applications , and environmental architecture , with international exhibitions at Tempe Center for the Arts (USA) , Dutch Design Week (NL) , and Färgfabriken (Sweden) .

Bethany Leighanne Taylorمشاهده پروفایل

دانشیار

• Environmental Art
• Political Art
• Gender Studies
• +۳ مورد دیگر

Bethany Leighanne Taylor is an Associate Professor of Drawing and Interdisciplinary Studio Art at the University of Florida, affiliated with the School of Art + Art History and the Workshop for Art Research and Practice (WARP). She holds a BFA from the University of Southern California and an MFA from the University of Colorado at Boulder. Her interdisciplinary work spans drawing, sculpture, digital media, and installation, addressing themes of politics, ecology, gender studies, and environmental disaster. Education: BFA in Studio Art (USC, 1991), MFA in Painting and Drawing (University of Colorado, 1994). Research focuses on violence, war, and ecological collapse, often through material experiments like crocheted nylon, recycled plastics, and fiber-based installations. Recent exhibitions include solo shows at the Smithsonian National Museum of Natural History (2021-22) and collaborative projects like Drifting Cabinets: Gulf Biodiversity (2018-21). Her work critiques overconsumption and environmental harm through historical tapestry aesthetics and contemporary media. Recent articles explore plastic pollution, water crises, and climate change, using installations to visualize ecological unraveling. Awards include the 2021 Smithsonian exhibition, multiple University of Florida research awards, and a King County Arts Commission grant (1997). Grants include 2025 Spring/Summer Research Incentive Award and 2021 Provost’s Professorship. Collaborative projects include the SOIL Artist-Run Gallery (founded 1995), featured in Soil: 1995-2005 (2005). Key labs/teams: WARP (interdisciplinary studio) and residencies at Nelimarkka Museum (Finland, 2012) and Greywood Arts (Ireland, 2019).

Madeleine Kellyمشاهده پروفایل

مدرس ارشد

• Painting and expanded painting
• Art and science
• Biosemiotics
• +۴ مورد دیگر

Madeleine Kelly is a Senior Lecturer and Undergraduate Curriculum Coordinator at Sydney College of the Arts (University of Sydney), specializing in painting and interdisciplinary art practices. Her work bridges art and science, exploring themes like human-nature intersections, biosemiotics, and avian communication. She holds a PhD in Fine Art from Griffith University (2013) and a BVA (H1) and BEd. Research focuses include expanded painting techniques, color theory, and the interplay between art and ecological systems. Notable exhibitions include The National 4 (2024, AGNSW), Primavera (2005, MCA Sydney), and solo shows at QAGOMA. Her curatorial projects include Birds and Language (Wollongong Art Gallery, 2021) and At Home with Painting (SCA Gallery, 2024). Awards include the 2018 Sunshine Coast Art Prize and residencies in Germany, Cyprus, and South Korea. Her work interrogates materiality, myth, and ecological urgency through sympoietic frameworks, emphasizing collaboration between human and non-human elements.

Hanna Rose Shellمشاهده پروفایل

دانشیار

• Art and Media History
• Cinema Studies
• History of Science and Technology
• +۶ مورد دیگر

Hanna Rose Shell serves as Director of the Stan Brakhage Center for Media Arts and is an Associate Professor of Critical and Curatorial Studies, jointly appointed in the Department of Art and Art History and the Department of Cinema Studies & Moving Image Arts at the University of Colorado Boulder. She holds core faculty status in the Committee on the History and Philosophy of Science and is affiliated with the Department of History, the Center of the American West, and the Program in Intermedia, Writing, and Performance (IAWP) in the College of Media, Communication, and Information. Her interdisciplinary research bridges Art and Media History, Cinema Studies, and the History of Science and Technology, with a focus on textiles, photography, and the intersections of visual, material, and scientific cultures. Recent works include Shoddy: From Devil's Dust to the Renaissance of Rags (2020), examining recycled textiles as transformative media, and Hide and Seek: Camouflage, Photography, and the Media of Reconnaissance (2012), which influenced global multimedia projects. She has published in journals like Technology and Culture , Journal of Visual Culture , and Cabinet , and founded the "Beyond Words" section of Technology and Culture . As a creative practitioner, her experimental films and installations have been showcased globally at institutions such as MoMA, the ZKM Center for Art and Media, and Anthology Film Archives. Her work explores themes of waste, recycling, and visual/material culture through experimental documentary and textile art.

Felecia Davisمشاهده پروفایل

دانشیار

• Computational Textiles
• Responsive Architecture
• Digital Fabrication
• +۳ مورد دیگر

Felecia Davis is an Associate Professor of Architecture at Stuckeman School, Penn State University , where she leads the SOFTLAB research group. Her work bridges architecture, computational design, and textile technology, exploring how responsive materials can transform spatial experiences. She is also a co-founder of the Black Reconstruction Collective , a non-profit supporting Black diaspora design work. Ph.D. in Design and Computation from MIT Master of Architecture from Princeton University B.S. in Engineering from Tufts University Davis investigates the intersection of computational textiles , responsive architecture , and Black spatial practices . Her research includes thermoresponsive knitted structures, emotion-sensing textiles, and mycelium-based architectural composites. She examines how materials can embody cultural narratives and environmental adaptability. Her 15 most recent publications (2012-2024) focus on topics like knitted tension structures, biohybrid materials, dreadlock-inspired architecture, and electromagnetic urbanism. These works span disciplines including architecture , material science , and cultural studies , with subfields like soft robotics , haptic interfaces , and sustainable fabrication . 2023 Bogliasco Foundation Architecture Fellow 2022 Cooper Hewitt Smithsonian Design Museum Digital Design Awardee 2022 Architectural League Emerging Voices Winner 2021 MoMA Reconstructions Exhibition Contributor 2013-2012 Multiple MIT research awards Davis has advised students in projects like MycoKnit and Phototropic Fiber Composites , and led design studios at Princeton , Cooper Union , and Cornell . Her SOFTLAB pioneers textile-based architectural systems, while her forthcoming book Softbuilt: Networked Architectural Textiles (2025) synthesizes her material research.

Lisa Birkeمشاهده پروفایل

استاد

• Performance Art
• Video Art
• Augmented Reality
• +۹ مورد دیگر

Lisa Birke is an interdisciplinary artist and faculty member at the University of Saskatchewan’s College of Arts and Science , where she founded the Digital and Integrated Practice (DIP) area in the Department of Art & Art History in 2019. Her work intersects performance, video art, augmented reality, and installation to critique cultural norms and explore subjective realities through Canadian landscape narratives. Education: BFA (1999) in Visual Art (Painting) from Emily Carr Institute of Art and Design MFA (2013) in Fine Arts (Studio Art) with distinction from the University of Waterloo Birke’s research investigates the collision of art history, pop culture, and everyday life in multi-channel digital works. She blurs the line between theatrics and documentation, focusing on themes like postfeminist critique, relational aesthetics, and technological mediation. Recent projects include TrippingTime (2024) and Natures of Reality (2021), both utilizing augmented reality for public engagement. Key scientific trends: Immerse audiences in layered realities, challenge normative representations, and employ collaborative digital tools (360 video, AR) to address themes of community, tolerance, and the deconstruction of perfection. Scientific awards: Provost’s New Teacher Award (2022) USSU Teaching Excellence Award (2022) Canada Council for the Arts Grow Grant (2023-2024) Arizona International Film Festival Jury Award (2024) Teaching & advising: Birke advocates for competence, autonomy, and relatedness in pedagogy, emphasizing foundational skills alongside experimental risk-taking. She served as graduate chair (2019-2022) and mentors students in digital media, installation, and performance art. Labs & teams: Principal Investigator for the Shared Spaces augmented reality outreach project (University of Saskatchewan), collaborating with international institutions and grade 8 students in Germany.

• Bio-integrated Design
• Sustainable Bioprocess Engineering
• Industrial Biotechnology
• +۶ مورد دیگر

Brenda Parker serves as Associate Professor in the Department of Biochemical Engineering within University College London's Faculty of Engineering Sciences. She co-founded the Bio-Integrated Design Lab (Bio-ID) with Professor Marcos Cruz from the Bartlett School of Architecture, establishing an internationally recognized research platform exhibited at Centre Pompidou, London Design Festival, and Venice Biennale. Her academic journey began with an MEng in Biochemical Engineering from UCL, including specialization in microbial ecology at Caltech, followed by PhD research on non-natural amino acid synthesis via BBSRC CASE studentship with Dowpharma. Her research focuses on sustainable bioprocess design and bio-integrated architecture, addressing industrial biotechnology scalability through algal biotechnology, bioremediation systems, and circular biomaterials. The Bio-ID Lab's work spans microbiome-inspired green infrastructure, robotic fabrication of biohybrid materials, and sustainable sound absorption solutions – exemplified by the INDUS algal bioremediation project winning the Water Futures Design Challenge and Beazley Designs of the Year shortlist. Current teaching includes leadership of UCL's second-year Design and Professional Skills course and directorship of the radical interdisciplinary MSc in Bio-Integrated Design. Key Awards: Churchill Travelling Fellowship (2014) Public Engagement Award from Society for General Microbiology (2011) Royal Academy of Engineering Leadership Award Professor Parker actively mentors through her MSc program while leading research collaborations with Shell (Algal Biotechnology Consortium), Cambridge Water, and EU-funded projects including Energetic Algae and Innovation in Crops. Her Bio-ID Lab maintains strong industry partnerships through Phytofutures Ltd commercialization efforts. The lab's multidisciplinary approach integrates biochemical engineering with architectural design, creating novel platforms for urban ecosystem health and sustainable material innovation through living systems.

Astrid Schmetterlingمشاهده پروفایل

مدرس ارشد

• Art History
• Cultural Memory Studies
• Holocaust Studies
• +۴ مورد دیگر

Astrid Schmetterling is a Senior Lecturer in Visual Cultures and co-Head of the Department of Visual Cultures at Goldsmiths, University of London. Her research focuses on intersections of history, culture, and memory, particularly examining how art and testimony interact. She holds an MA in Arts Criticism (City University, London, 1990) and a BA in Art History and German Literature (Hebrew University, Jerusalem, 1986). Her work explores contemporary international art practices (e.g., Arnold Dreyblatt, Vivienne Koorland) alongside early 20th-century German cultural figures like Charlotte Salomon and Else Lasker-Schüler. Current projects include a transgenerational study of two families’ experiences during WWII in Galicia, analyzing memory across Jewish, Polish, and Ukrainian perspectives through transcultural memory frameworks. Teaching includes the MA module 'Transcultural Memory' and supervision of PhD projects on memory and modern representational practices. She has examined PhDs at leading UK universities and participates in research clusters on 'Culture, Memory, Futurity' and 'Globalization and Transcultural Practices.' Professional affiliations include the International Association of Art Critics (AICA) and the Memory Studies Association's 'Memory & Arts' Working Group. Recent conference presentations include lectures on Charlotte Salomon at the Berlin Liebermann Villa and Munich’s Centrum für Jüdische Studien.

Jeremy Millarمشاهده پروفایل

استاد

• Contemporary Art
• Critical Writing
• Art History
• +۳ مورد دیگر

Jeremy Millar is a Professor at the Royal College of Art (RCA), where he serves as Head of the MA Writing program (previously MA Critical Writing in Art and Design) and Pathway Leader for Critical Practice in the MA Contemporary Art Practice program. He is an active member of the RCA's Learning and Teaching Committee, the Taught Student Ethics Committee, and the School of Arts and Humanities' Research Development and Learning and Teaching Development Groups. Millar's research approach centers on gathering people, artworks, objects, and events to explore overlooked historical aspects and how they might be reinterpreted. His work spans diverse topics including John Cage, representation of death, Roni Horn, speed as a cultural phenomenon, and Aby Warburg, reflecting his broad interest in art history, cultural theory, and contemporary artistic practices. He is particularly interested in the role of writing within contemporary artistic practices and within art schools. His recent publications examine contemporary art exhibitions and artists with a consistent engagement across conceptual art, visual culture, and the intersections between art, history, and philosophy. The articles demonstrate his critical approach to analyzing artistic practices and theoretical frameworks. Shortlisted — Artangel Open, 2014 Associate Artist, Kettle's Yard, Cambridge, 2012–2013 AHRC Post-Doctoral Research Fellowship in the Creative and Performing Arts, University of Oxford, 2007–10 Nesta Fellowship, 2004–07 Winner — Arts Foundation Curating Fellowship, 2004 Millar has successfully supervised PhD students to completion, including Travis Jeppeson, and currently advises Federico Clavarino, Inga Fraser, Nicholas Middleton, and Lika Tarkhan-Mouravi. His collaborative projects, such as 'material / rearranged / to / be' with Siobhan Davies Dance, demonstrate his commitment to interdisciplinary work that bridges visual art, performance, and theoretical inquiry.