جست‌وجوی استاد و پژوهشگر

David Jonesمشاهده پروفایل

مدرس

• Music Accompaniment
• 19th Century Music
• 20th Century Music
• +۳ مورد دیگر

David Jones is the Head of Accompaniment and a Lecturer in Piano at the Royal Northern College of Music (RNCM). He holds roles as Staff Pianist Co-ordinator, Junior RNCM Tutor, and academic supervisor. His career spans over 25 years, including a PhD on Jeffrey Lewis's music (2011) and extensive editorial work for Cathedral Press. He specializes in 19th-20th century French and British music, with a focus on accompaniment, mélodie, and opera coaching. Education: BMus (First Class Honours, University of Wales, Bangor), PGDip and MusM (RNCM). Research interests include music archiving, collaborative performance practices, and the works of overlooked composers like Jeffrey Lewis and Robin Stevens. He supervises PhD students on topics such as Arnold Cooke, Louise Farrenc, and Gabriel Pierné. Professional Activities: Pianist for Hallé Choir, founder of Altèri chamber choir, ABRSM examiner (2005-2019). Recordings: Over 10 albums featuring Lewis, Stevens, Bingham, and Williamson. Recent releases include Robin Stevens' Chasing Shadows (2023) and Blooms of Dublin (Anthony Burgess project, 2022). Current projects include archiving Jeffrey Lewis's manuscripts and preparing the Anthony Burgess Foundation's Joycean music collections. His teaching includes undergrad electives on French mélodie and 19th-century opera, alongside postgraduate accompaniment coaching.

• Acoustics
• Sound Synthesis
• Mathematical Modeling
• +۳ مورد دیگر

Dr. Charlotte Desvages is a Lecturer in the School of Mathematics at the University of Edinburgh, specializing in mathematical computing and technology-enhanced education. She holds a PhD in Musical Acoustics (2018) from the University of Edinburgh and a Physics undergraduate degree from France. Her work bridges acoustics, computational modeling, and pedagogical innovation. She is part of the Technology Enhanced Mathematical Sciences Education group, focusing on integrating learning technologies and improving teaching methodologies. Her research explores physical modeling of musical instruments (e.g., violins), sound synthesis, and numerical methods for simulating instrument behavior. She emphasizes practical applications, such as reconstructing sounds of historical instruments through computational models. Teaching-wise, she focuses on applied mathematics, computational physics, and engineering courses, leveraging her extensive tutoring experience during her PhD. Dr. Desvages advocates for stronger recognition of teaching in academia and believes in fostering student engagement through interactive and technology-driven learning environments. She contributes to the School’s efforts to enhance educational quality and accessibility.

• Composition
• Contemporary Classical Music
• Orchestral Music
• +۳ مورد دیگر

Alison Kay is a Professor of Composition at the Royal College of Music, where she has been teaching since 2004. She holds degrees from the Royal Scottish Academy of Music and Drama, Guildhall School of Music and Drama, and Sussex University, where she completed her doctorate under Martin Butler. Her music is performed by leading ensembles including BBC Singers, Philharmonia Orchestra, and Tacet Ensemble, and has been featured at major festivals like Huddersfield and Brighton. BA(Hons) Royal Scottish Academy of Music and Drama ARCM(PG) Royal College of Music MMus Guildhall School of Music and Drama DPhil Sussex University Kay's compositional philosophy emphasizes physicality in music creation, focusing on instrumental properties and spatial acoustics. Her work explores visceral three-dimensional structures that balance rhythmic intensity with harmonic richness. Key projects include the 'Junctions' collaborations between classical and traditional musicians and upcoming commissions for the Goldberg project and Kevos Ensemble. Her compositions demonstrate particular interest in: Ethereal textural shapes Chamber ensemble innovation Extended piano techniques Sonic spatialization Collaborative classical/folk integration Dynamic structural gestures Alison Kay's recordings on NMC label include Rat Race performed by the Composers Ensemble and Two piano études performed by Stephen Gutman. Her works have been broadcast on Radio 3 and performed in the BMIC Cutting Edge Series, showcasing her commitment to contemporary music innovation through works like Dragon and Flux .

Ruth Gregoryمشاهده پروفایل

استاد

• General Relativity
• Cosmology
• Theoretical Particle Physics
• +۳ مورد دیگر

Professor Ruth Gregory is a distinguished theoretical physicist serving as Head of the Department of Physics at King's College London since 2021. She holds the academic rank of Professor of Theoretical Particle Physics and leads research in General Relativity and Cosmology. Her career includes professorships at Durham University (2005–2021) and postdoctoral roles at Fermilab, University of Chicago, and Cambridge under Stephen Hawking's relativity group. Education: PhD in Theoretical Physics from DAMTP, University of Cambridge (1988), followed by research fellowships including Royal Society University Research Fellowship and PPARC Advanced Fellowship. Research interests focus on black hole physics, cosmological models beyond the Standard Model (supersymmetry, extra dimensions, string theory), and quantum gravity. Notable contributions include studies on black hole thermodynamics, vacuum decay mechanisms, and holographic systems. Key awards include the Maxwell Medal (2006) and Royal Society Wolfson Merit Award (2011). She co-led the Theoretical Particle Physics & Cosmology (TPPC) group at King's, advancing interdisciplinary research. Her work includes mentoring PhD students (no named advisees listed) and collaborating on grants related to black hole simulations and quantum technologies. She actively participates in institutional initiatives, including the Department's Athena Swan Silver award (2024).

Kevin Worrallمشاهده پروفایل

مدرس ارشد

• Robotics
• Control Systems
• Mechatronics
• +۵ مورد دیگر

Dr. Kevin Worrall is a Senior Lecturer in Robotics and Control at the University of Glasgow's School of Engineering, Aerospace Sciences division. He holds affiliations with both the Space Engineering and Technology group and the Centre for Medical and Industrial Ultrasonics. His academic journey includes a BEng in Electronics and Electrical Engineering from Glasgow (2003), an MSc in Robotics and Embedded Systems from the University of Essex (2004), and a PhD from Glasgow (2008) focusing on optimization algorithms for mobile robot guidance. Research interests span mechatronic systems for extreme environments (space, underground, Antarctica), precision medical applications, and agricultural robotics. His work integrates control theory, machine learning, and hardware development across: Spacecraft attitude control and satellite systems Ultrasonic drilling and granular material handling Medical ultrasound classification using ML Autonomous planetary exploration technologies Publications demonstrate strong focus on aerospace control systems (inverse simulation, attitude control), planetary drilling technologies, and medical imaging AI. Recent work shows increasing emphasis on machine learning applications in both space systems and healthcare diagnostics. Grant leadership includes: ERC: Interglacial Collapse of Ice Sheets (£339k, CoI) ESA: Drill for Extensive Exploration of Planetary Environments (£253k, CoI) UKSA: Roving with Rosalind (£30k, CoI) EC H2020: Robot for Underground Operations (£477k, CoI) Multiple PI-led industry collaborations in positioning systems and image testing Current PhD supervision covers fault-tolerant space algorithms, planetary rover navigation, spacecraft plume interactions, and infrastructure monitoring. He leads research within the Space Engineering and Medical Ultrasonics research groups.

Nicole Crespo O'Donoghueمشاهده پروفایل

استاد مهمان

• 19th Century Music
• Violin Performance
• Music History
• +۳ مورد دیگر

Nicole Crespo O'Donoghue is a Doctoral Student at the Royal College of Music (RCM), researching Spanish violinist Pablo de Sarasate and 19th-century repertoire. She holds a Visiting Professorship at Virgo Fidelis and is Head of Strings at Westminster City School. Her studies, sponsored by the Ayuntamiento de Pamplona, include performing on Sarasate's own Vuillaume violin and producing a documentary for Strad magazine. She collaborates with institutions like the Ashmolean Museum, Oxford, and performs internationally. Education: Doctoral studies at RCM (since 2018) Her research bridges performance and musicology, focusing on Sarasate’s legacy. She explores historical concert programming and has published on his violin’s cultural significance. Nicole is a prize-winning violinist with performances at major UK venues like the Royal Albert Hall and international tours in Abu Dhabi, Germany, Italy, Spain, and Ireland. Her work includes a documentary on Sarasate’s violin and participation in exhibitions celebrating Antonio Stradivari. She is supervised by Ingrid Pearson, Richard Langham Smith, and Maiko Kawabata at RCM.

• Sea-Ice Physics
• Polar Oceanography
• Climate Variability
• +۳ مورد دیگر

Maren Elisabeth Richter is a Research Fellow at the School of Environmental Sciences, University of East Anglia. She holds a PhD in sea-ice physics from the University of Otago (2023), and has held roles including Assistant Research Fellow and Teaching Assistant there. Her research focuses on Antarctic sea-ice dynamics, climate variability, and polar oceanography, with emphasis on ice thickness measurements, salinity processes, and environmental monitoring. Education: PhD in sea-ice physics, University of Otago (2018–2023) MSc in Marine Geosciences, University of Bremen (2014–2017) Postgraduate Diploma in Marine Science, University of Otago (2016) BSc in Earth System Physics, Kiel University (2011) Research Interests: Her work examines the interplay between Antarctic fast ice and climatic factors, with a focus on thermistor-based sea-ice thickness analysis, pseudofrazil particle impacts on salinity, and anomalous sea-ice conditions. She collaborates internationally, particularly on platelet ice dynamics in the Southern Ocean. Grants & Advising: While no formal grants or student advising roles are listed, her research outputs indicate active collaboration with institutions like the Alfred Wegener Institute and University of Otago. Her work has been highlighted in media outlets and Wikipedia pages.

Park Stickneyمشاهده پروفایل

استاد مهمان

• Jazz Music
• Harp Performance
• Cross-Genre Collaboration
• +۳ مورد دیگر

Park Stickney is a Visiting Professor of Jazz Harp at the Royal Academy of Music, specializing in cross-genre performance and education. He holds a Master of Music from The Juilliard School (1991) and a Bachelor of Music from the University of Arizona (1988). His career spans over three decades of international touring, collaboration, and pedagogy. Education: Juilliard School (MMus 1991), University of Arizona (BMus 1988) Research focuses on expanding the jazz harp's role in contemporary music, blending classical, rock, and world music traditions. His performances emphasize improvisation and electro-acoustic innovations. Notable collaborations include the Rüdiger Oppermann duo Harp Summit and the quartet Sixty-three Strings, dedicated to Django Reinhardt’s legacy. Teaching engagements include masterclasses at Berklee College of Music, Paris Conservatory, and institutions across Europe. He has released three influential CDs, blending solo work with guest collaborations in jazz and experimental contexts. Stickney’s global footprint includes residencies at festivals like Edinburgh Harp Festival, Umbria Jazz Festival, and World Harp Congresses. His pedagogical approach prioritizes technical mastery alongside creative exploration in diverse genres.

Rhiannon Mathiasمشاهده پروفایل

پژوهشگر ارشد

• Women's Music History
• 20th Century British Music
• Music Composition
• +۵ مورد دیگر

Rhiannon Mathias is an Honorary Research Fellow at Bangor University's School of Arts, Culture and Language . She holds a PhD from the University of Reading (2000), an MPhil from the University of Cambridge (1990), and a B.Mus (First Class Honours) from the University of Surrey (1989). Her research focuses on women’s contributions to music, Welsh musical traditions, and 20th-century British composers. She has edited major works such as The Routledge Handbook of Women’s Work in Music (2022) and directed international conferences on women’s work in music since 2017. Dr. Mathias is also the Editor-in-Chief of the Cambridge Elements series on Women in Music (2020–2025). Her publications span topics including Grace Williams, Elizabeth Maconchy, and Cold War-era women composers. She has organized interdisciplinary events, including three international conferences on women’s music, fostering global dialogue on gender and music history. Dr. Mathias is actively involved in supervising postgraduate research, particularly in areas of women’s musical contributions and Welsh cultural studies.

Eurig Salisburyمشاهده پروفایل

مدرس

• Creative Writing
• Welsh Literature
• Medieval Poetry
• +۷ مورد دیگر

Eurig Salisbury is a Lecturer in Creative Writing at the Department of Welsh and Celtic Studies, Aberystwyth University. His academic work bridges literature, history, and environmental studies, with a strong focus on Welsh poetry and cultural landscapes. His research interests center on Welsh medieval poetry , creative writing , and the cultural representation of natural phenomena such as flooding. He explores how historical texts reflect human-environment interactions, particularly in the context of Wales. His interdisciplinary approach connects literary analysis with historical geography and environmental humanities. The 15 most recent publications show a consistent focus on Welsh literary traditions , manuscript studies , and environmental narratives . Themes include flood memory in poetry, the cultural significance of landscapes, and creative responses to historical texts. His works appear in journals like Journal of Historical Geography and Geohumanities , as well as in poetry collections and scholarly books. While no specific scientific awards are listed, his sustained publication record and peer-reviewed contributions reflect scholarly recognition. He has supervised multiple students, as indicated by 'Supervised Work (4)' in the data, and has secured research activity through collaborative projects, particularly with Huw Griffiths and other scholars. Eurig Salisbury maintains a digital presence through his personal website eurig.cymru and has contributed to web publications such as Cwlt y Seintiau yng Nghymru , showcasing his engagement with digital humanities and public scholarship.

Deirdre Gribbinمشاهده پروفایل

استاد

• Composition
• Contemporary Music
• Music Theatre
• +۱۰ مورد دیگر

Deirdre Gribbin is a Professor of Composition at the Royal College of Music , where she contributes to the Composition faculty. She is also Artistic Director of the Venus Blazing Music Theatre Trust , a charity focused on empowering young people with learning disabilities through music and theatre. Her career spans orchestral works, operas, film scores, and interdisciplinary collaborations with scientists. Education: Queen’s University Belfast, Guildhall School of Music and Drama, Royal Holloway (PhD), and Trinity College Cambridge (Visiting Arts Fellow). Leadership Roles: External Output Assessor for REF 2020-22, and founder of Venus Blazing Music Theatre Trust. Her research and creative work bridges drama and concert music, genetics-inspired compositions, and interactive media for healthcare. Notable interests include: Music Theatre: Exploring theatrical elements in concert works, such as Venus Blazing with stage direction and lighting design. Film Scoring: Collaborations with films like My Kingdom and The Dark Gene , the latter nominated at the Berlinale Festival. Scientific Collaborations: Work with geneticists at the Wellcome Genome Campus and Toronto scientists on interactive platforms. Choral and Orchestral Works: Performed globally by institutions like BBC Symphony Orchestra and Pacifica Quartet. Recent compositions like Dark Matter Hunting and Kindersang reflect trends in scientific inspiration, interdisciplinary performance, and Jewish cultural themes. Earlier works such as My Kingdom and Unity of Being established her reputation in cinematic storytelling and post-conflict reconciliation music. Her scientific awards include: Chester Schirmer Fulbright Fellowship UNESCO International Rostrum of Composers Award Leverhulme Fellowship Sir Winston Churchill Fellowship PRS Composers’ Award (2020) PRS Woman in Music Award Deirdre emphasizes public engagement, particularly through the Venus Blazing Music Theatre Trust , which combines music and theatre with marginalized communities. She has also advocated for composers’ roles in 21st-century culture, stressing visibility and accessibility in new music.

• Music Composition
• Sound Art
• Interdisciplinary Arts
• +۳ مورد دیگر

Tonia Ko is a Senior Lecturer in Composition at the Department of Music, Royal Holloway, University of London. She previously served as a Postdoctoral Researcher at the University of Chicago’s Center for Contemporary Composition (2018–2019) and as an Honorary Research Fellow at City, University of London (2019–2020). Her work bridges music composition with interdisciplinary practices, including sound art and visual installations. Education: B.M. (Eastman School of Music, 2010), M.M. (Indiana University Jacobs School of Music, 2012), D.M.A. (Cornell University, 2017). Her research explores experimental media, acoustic innovation, and interdisciplinary collaboration. Notable projects include Breath, Contained , using bubble wrap as a musical and visual medium, supported by residencies at MASS MoCA and the MacDowell Colony. Her music has been performed globally at venues like Carnegie Hall, Walt Disney Concert Hall, and festivals such as Tanglewood and Aspen Music Festival. Awards include the 2018 Guggenheim Fellowship and the 2021 Serge Koussevitzky Commission. She has collaborated with institutions like the Perry Chiu Experimental Theatre and Periapsis Music & Dance, expanding her work beyond traditional concert settings. Grants and residencies include the Fromm Music Foundation, Chamber Music America, and the Kimmel Harding Nelson Center. Her creative output spans acoustic compositions, improvisations, and site-specific installations, reflecting a holistic approach to sound and visual artistry.

Richard Caustonمشاهده پروفایل

استاد

• Contemporary Music Composition
• Political Themes in Art
• Interdisciplinary Art-Music Projects
• +۳ مورد دیگر

Professor Richard Causton is a leading contemporary composer at the University of Cambridge's Faculty of Music , where he also supervises PhD students. His work bridges political critique , mythological themes , and technical innovation in orchestral and chamber music. Studied at University of York , Royal College of Music , and Scuola Civica, Milan under Franco Donatoni Current projects include IRCAM Artistic Research Residency (2022-2023) developing Electro-Magnetically-Prepared Piano with Per Bloland His compositions explore: Temporal duality in works like Ik zeg: NU (2019) and If I Could Tell You (2024) William Blake's influence through pieces such as Twenty-Seven Heavens (2012) and Chamber Symphony (2010) Instrumental innovation including custom-built microtonal bells for The Persistence of Memory (1995) Recent article trends show: 15 compositions spanning 1992-2024 Focus on time perception (7 works), political allegory (5 works), and instrumental transformation (6 works) Emphasis on spatial sound design and live-recorded interplay Scientific recognition includes: 2006 Royal Philharmonic Society Award for Phoenix British Composer Award First Prize at International 'Nuove Sincronie' Competition 2019 International Rostrum Commendation for Ik zeg: NU Active grants and affiliations: IRCAM Artistic Research Residency (2022-2023) Sound Investment commissioning scheme (for Chamber Symphony ) 2012 London 2012 Cultural Olympiad participant Collaborations with BBC Symphony Orchestra , London Sinfonietta , and Britten Sinfonia

Rosalind Ventrisمشاهده پروفایل

پژوهشگر ارشد

• Music Performance Studies
• Historical Performance Practices
• Contemporary Music
• +۳ مورد دیگر

Rosalind Ventris is a Senior Research Fellow in Music at St Hilda’s College, University of Oxford, and Director of Musical Performance and Performance Studies at Oxford. She holds a Professorship of Viola at the Guildhall School of Music and Drama and previously taught at the Royal Irish Academy of Music. Her academic roles include membership on St Hilda’s JdP Advisory Committee and affiliations with Trinity College. Educated at Cambridge University and the Guildhall School under David Takeno, her career bridges performance, teaching, and research. Research focuses on late-nineteenth/early-twentieth-century string performance practices, informed by archival work at the British Library Sound Archive (as Edison Fellow) and contemporary music performance. She explores women’s contributions to music history, authoring The Strad article on overlooked female performers. Awards include the RIAM Amplify Grant and Erasmus funding for Prague-based research. As a violist, she performs globally with ensembles like the Kaleidoscope Chamber Collective (Wigmore Hall Associates) and Trio Anima. Major projects include the SOLA album (Delphian Records, 2023) featuring works by women composers, nominated for a BBC Music Magazine Award. Upcoming recordings include Sally Beamish’s viola duo with the composer. Her pedagogical contributions span Oxford, Guildhall, and the Royal Irish Academy. She co-directs the Cowbridge Music Festival, blending academic and artistic leadership. Key achievements include Dvořák discographies with the Albion Quartet and contemporary premieres with composers like Edwin Roxburgh.

Andrew Normanمشاهده پروفایل

استاد

• Contemporary Classical Music
• Orchestral Composition
• Non-linear Narrative in Music
• +۴ مورد دیگر

Andrew Norman is a Grammy-nominated composer and Professor at the USC Thornton School of Music, renowned for his genre-defying orchestral works that blend cinematic storytelling with architectural metaphors. His compositions have been performed by leading ensembles including the LA Philharmonic and Royal Concertgebouw Orchestra. Academic Affiliation: Faculty member at USC since 2013 Major Works: Play (Grawemeyer Award winner), The Companion Guide to Rome (Pulitzer finalist), Switch, Split, Suspend Norman's research explores: Non-linear narrative techniques in music Extended instrumental techniques and physical gesture Temporal manipulation and hierarchical control systems Architectural and video game-inspired formal structures Interactive audience perception dynamics Human agency in orchestral performance His works feature in prominent festivals like Ojai and Tanglewood, with recent premieres at Carnegie Hall, Disney Hall, and international venues. Key collaborators include Gustavo Dudamel, Jeffrey Kahane, and Colin Currie. Major recognitions include: Musical America Composer of the Year (2017) Grawemeyer Award for Play (2017) Guggenheim Fellowship (2016) Rome Prize (2006) and Berlin Prize (2009) Three-time ASCAP award winner Pulitzer Prize finalist for The Companion Guide to Rome (2012) Norman actively champions music education through: LA Phil’s Composer Fellowship Program Educational residencies nationwide Compositions for youth ensembles Collaboration with music education initiatives