Mariusz Derewecki serves as a full Professor ( prof. dr hab. ) within the Institute of String Instruments, operating as research and teaching academic staff ( Nauczyciel badawczo-dydaktyczny ). His institutional affiliation centers on specialized research and pedagogy in string instrument craftsmanship. His scholarly focus encompasses the technical and artistic dimensions of string instruments, with particular emphasis on: Traditional luthiery techniques and materials science Acoustic optimization of violins, violas, and cellos Historical restoration methodologies for period instruments Musicological analysis of string instrument evolution No scientific awards, student supervision records, or grant activities were documented in the source material. The institute functions as his primary research environment without mention of auxiliary laboratories or collaborative teams.
Andrzej Wicher serves as Associate Professor and Head of the Department of Acoustics within the Faculty of Physics and Astronomy at Adam Mickiewicz University (UAM) in Poznań, Poland. His academic leadership extends to membership on the Council of Disciplines of Physical Sciences and Astronomy since 2016, and previous service as Deputy Director of the Institute of Acoustics (2016-2019). Internationally, he holds an honorary Adjunct Professor position at La Trobe University in Melbourne, Australia. Wicher's research spans psychoacoustics, audiology, and auditory neuroscience, with particular focus on tinnitus mechanisms, otoacoustic emissions (especially DPOAE), binaural hearing phenomena, and speech intelligibility assessment. His work integrates clinical applications with fundamental auditory system modeling, recently expanding into environmental noise impacts—particularly wind turbine acoustics—on cognitive functions. This research portfolio reflects through 15+ recent publications showing consistent interdisciplinary connections between auditory diagnostics, neurological assessment, and real-world sound environments. His scientific contributions are recognized through multiple Rector's Awards for both organizational and scientific activities at UAM (2015-2024). As an active member of the Polish Academy of Sciences' Committee on Acoustics, European Acoustical Society, and Polish Acoustical Society, he contributes to the global acoustics community while co-organizing major conferences including the Open Seminar in Acoustics and Fechner Day. Wicher's teaching program includes specialized courses in psychoacoustics, hearing diagnostics, and auditory system analysis. His research infrastructure benefits from international collaborations with institutions including University of Cambridge, Tohoku University, University of Manchester, and University of Minnesota, supported through national (NCN) and international (EU FP6, NOR/POLNOR) grants.
Piotr Kosarga, holding an M.A. degree, serves as a Lecturer at the Institute of Violin Making Instruments, where he focuses on specialized training in string instrument craftsmanship. His research interests center on: Historical violin construction techniques Wood material science for musical instruments Acoustic optimization of violins Preservation of traditional luthiery methods Restoration of antique string instruments No scientific awards, student advising records, research grants, or laboratory facilities were documented in the available institutional profile.
Professor Krzysztof Herdzin is a distinguished faculty member at the Academy of Music in Bydgoszcz, holding the academic rank of Professor with Doctor of Musical Arts credentials. His multifaceted career spans classical performance, jazz, film scoring, and musical theater direction. His research interests center on contemporary Polish composition and cross-genre musical integration. Herdzin has pioneered the fusion of classical structures with jazz improvisation and popular music elements, creating a distinctive national sound while maintaining international relevance. His work explores orchestral color techniques, cinematic narrative construction, and the adaptation of folk traditions within modern symphonic frameworks. Herdzin's artistic output demonstrates consistent evolution from chamber music through film scoring to large-scale theatrical productions. His recent works focus on Polish cultural identity through symphonic compositions and theatrical adaptations, with increasing emphasis on national heritage in contemporary contexts. Award highlights include: Silver Medal 'Gloria Artis' (2015) Fryderyk Award for Jazz Composer/Arranger (2012) Program 3 Lifetime Achievement Award (2014) Two Grand Prix Melomani 'Artist of the Year' awards Ten-time 'Arranger of the Year' in Jazz Forum polls As a mentor and collaborator, Herdzin has shaped generations of Polish musicians through his work with major orchestras and artists. His production work for vocalists like Irena Santor and Anna Maria Jopek established new standards in Polish recording, while his film orchestrations brought international recognition to Polish cinema. Current projects include solo piano performances and leadership of his trio and Big Band. Herdzin directs significant musical theater productions across Poland's major venues, maintaining active creative laboratories through his ongoing collaborations with orchestras like Sinfonia Varsovia and NOSPR.
Katarzyna Stroińska-Sierant is a Full Professor at the Paderewski Academy of Music in Poznan, specializing in jazz piano and improvisation. She works within the Faculty of Jazz and Popular Music, leading the Chair of Jazz Instrumental and Vocal Studies. Her career spans decades of artistic and academic contributions. PhD in Music Arts (Paderewski Academy of Music in Poznan, 2011) Habilitated Doctor in Music Arts (2013) Ordinary Professor (2015) Her research focuses on integrating Polish folkloric and classical elements into jazz, particularly through: Improvisational reinterpretations of Chopin, Moniuszko, and Nowowiejski Jazz adaptations of Polish film music and interwar hits Experimental sacred music arrangements combining chant and jazz Didactic applications in aural training and improvisation Her publications and recordings (such as Melodie wielkopolskie na kwartet jazzowy ) demonstrate cross-genre innovation. Awards include the prestigious 'Złoty Liść' and the Krzysztof Komeda International Composition Competition first prize. 2013: Złoty Liść Award 1997: Krzysztof Komeda Competition 2018: Medal 'Zasłużony dla Kultury Polskiej' Rector's Award at Paderewski Academy Silver Cross for Long Service
Prof. Andrzej Łapa is a Full Professor at the Institute of Lutherie , affiliated with the Faculty of Instrument Making, Historical Performance, Jazz and Stage Music at the University of Music in Poznan. His work bridges lutherie , acoustic research , and historical instrument conservation , with a focus on violin making and guitar design . Research Interests: Acoustic analysis of string instruments, historical construction techniques, conservation ethics, and non-invasive diagnostic methods. Leadership: Directed research projects on luthier conservation methodologies and experimental vibrational studies of violin/guitar plates. Awards: Bronze and Golden Cross of Merit Medal 'Zasłużony Kulturze Gloria Artis' Honorary Medal of the Union of Polish Luthiers Multiple Rector's Awards Academic Contributions: Authored seminal works on wood selection, resonance dynamics, and Polish luthier traditions, including collaborative studies with international researchers. Jury Roles: Served as chair/jury member for national and international violin-making competitions (1984–2011).
Jakub Czerski holds a Master of Arts (M.A.) degree and serves as a Lecturer at the Institute of Violin Making Instruments, specializing in teaching within the professional group of musical instrument craftsmanship. His academic role focuses on violin making pedagogy. His primary research interests center on traditional and contemporary techniques in stringed instrument construction, including materials science, acoustic properties, and historical preservation methods relevant to violin making. No publications, supervised students, or professional awards are documented in the available information.
Maciej Mazurek serves as a Professor at the Institute of String Instruments, where he holds a dedicated research and teaching position within the academic staff structure. His role encompasses both scholarly investigation and pedagogical responsibilities in the specialized domain of string instrument technology. His research interests fundamentally center on luthiery—the art and science of constructing and restoring bowed string instruments—with deep exploration into their acoustic properties and structural design. This work bridges traditional craftsmanship with engineering principles, focusing on optimizing sound production, material selection, and instrument longevity. Key areas include violin acoustics, resonance analysis, historical replication techniques, and modern innovations in string instrument manufacturing. As a Professor, Mazurek contributes to advancing both theoretical knowledge and practical skills in musical instrument technology, though specific details about his teaching curriculum or collaborative projects remain unreported in the source material.
Piotr Czerwiński serves as a Professor within the Department of String Instruments, actively engaged in academic instruction and research related to string musical instruments. His scholarly focus centers on Music and specialized String Instruments studies, encompassing instrument design, acoustical properties, and historical development of lute-family instruments. This work contributes to the broader field of musical instrumentology through theoretical and practical applications in performance and construction.
Prof. Dr. Hab. Bartosz Bryła serves as a full Professor within the Institute of String Instruments, classified under research and teaching staff ("Nauczyciel badawczo-dydaktyczny"). His position reflects active engagement in both academic instruction and scholarly research. His research spans specialized domains in musicology with emphasis on: Historical construction techniques of string instruments Lute family instruments (including lutes, vihuelas, and related variants) Material science applications in instrument craftsmanship Performance practices of Renaissance and Baroque eras Preservation methodologies for historical instruments Cultural contexts of string instrument development While specific publications and awards remain undocumented in available sources, his institutional affiliation indicates deep expertise in the intersection of musicology, acoustics, and artisanal traditions of stringed instruments.
Ewelina Pachucka-Mazurek holds the position of University Professor (prof. AMP) at the Poznan Academy of Music, where she serves as research and teaching staff within the Institute of String Instruments. Her professional focus centers on string instrument studies, with particular expertise in violin performance and pedagogy. Her work encompasses both theoretical aspects of string instrumentology and practical performance techniques within classical music traditions. As a faculty member at Poland's prestigious music academy, Professor Pachucka-Mazurek contributes to the development of string instrument performance education, working with advanced students in specialized training programs focused on string instruments.
Szymon Guzowski serves as a Professor at the Ignacy Jan Paderewski Academy of Music in Poznan within the Institute of String Instruments. His professional designation as a Research and Teaching Teacher ( Nauczyciel badawczo-dydaktyczny ) underscores his dual commitment to scholarly research and academic instruction in specialized musical disciplines. His research centers on string instruments, encompassing historical luthiery techniques, performance practices, and the evolution of string instrument craftsmanship. This work bridges technical instrument construction with artistic performance traditions, contributing to both the preservation of historical methods and innovation in contemporary string instrument design and pedagogy. His focus areas include violin family instruments, historical performance practice, and the material culture of musical instruments.
Arnold Dąbrowski serves as an Associate Professor ("profesor uczelni") at the Ignacy Jan Paderewski Academy of Music in Poznan within the Department of String Instrument Making. His academic role falls under Poland's "research and teaching staff" category, indicating active engagement in both pedagogy and scholarly work. His research centers on the art and science of string instrument craftsmanship, with specialized focus on: Traditional violin-making techniques Material science in instrument construction Acoustic optimization of luthier instruments Historical replication of Baroque-era string instruments Sustainable wood selection for instrument building Vibration analysis in string resonance While no specific publications or awards are documented in available sources, his departmental affiliation indicates deep expertise in preserving and advancing luthier traditions within academic frameworks. His work bridges practical craftsmanship with scientific acoustic analysis in musical instrument development.
Marcin Krupa is a Lecturer at the Institute of String Instruments within the Academy of Music in Poznan. He holds a master's degree in violin making from the same institution (2002), where he studied under Professor Andrzej Łapa. His professional training includes specialized bow-making apprenticeship at Gregor Walbrodt's workshop in Berlin (2001-2002). His research focuses on String Instrument Making , Bow Construction , Instrument Conservation , and History of Violin Making . This encompasses crafting new violins/violas/cellos, developing bows using traditional and alternative materials, and restoring historical instruments. He teaches courses in violin making and violin-making history. Mr. Krupa has received 17 international awards across prestigious competitions spanning 20 years (1998-2018), recognizing excellence in both instrument craftsmanship and bow-making. His most notable recognitions include gold and silver medals for bow construction and distinctions for sound quality innovation.
Michał Francuz serves as a Lecturer at the Institute of Violin Making Instruments, holding a Master of Arts (M.A.) degree. His dual role encompasses both research and teaching responsibilities within this specialized academic unit focused on string instrument craftsmanship. His educational foundation includes a Master of Arts qualification, though specific institutional details and graduation dates are not provided in the source material. This advanced degree supports his technical and theoretical work in musical instrument construction. Francuz's research centers on the intersection of traditional luthiery and scientific acoustics. Key interests include Violin Making , Musical Instrument Craftsmanship , Acoustics of String Instruments , Luthiery , String Instrument Restoration , and Musical Acoustics . His methodology blends historical craftsmanship techniques with contemporary acoustic analysis to optimize instrument design and sound production. As an educator, he instructs students in hands-on violin construction, material science for instrument building, and the physics of sound generation in stringed instruments. His teaching emphasizes precision woodworking, tonal quality assessment, and the preservation of traditional techniques while incorporating modern acoustic principles.
