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نمایش ۴۶-۶۰ از ۲٬۸۳۷ استاد راهنما
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استادیار
David Lindlbauer is an Assistant Professor at Carnegie Mellon University's Human-Computer Interaction Institute (HCII), where he leads the Augmented Perception Lab and co-directs the CMU Extended Reality Technology Center. His research focuses on advancing Mixed Reality (MR) and Extended Reality (XR) interfaces through computational interaction methods that optimize spatial, temporal, and multimodal feedback.
Miguel Nacenta is a Professor in the Department of Computer Science at the University of Victoria (UVic), Canada, and a founding member of the Victoria Interactive eXperiences with Information (VIXI) research group. Previously affiliated with the University of St Andrews (UK), his work bridges Human-Computer Interaction (HCI), Information Visualization, and Cognitive Science. He specializes in designing interactive systems that enhance human cognition, with a focus on Infotypography (using typography to encode data), collaborative problem-solving tools, and perceptual input/output devices. Research Interests: His key areas include cognitive augmentation, visualization techniques for complex tasks, multi-display environments, and tools for constraint problem-solving. Notable projects include the WriteReason tool for essay writing, InfoTypography studies on perceptual typographic parameters, and Solvi for visual constraint modeling. Grants & Collaborations: He collaborates internationally, including with the University of St Andrews on PhD scholarship programs. His work is supported by grants focusing on HCI innovations and accessibility. He actively mentors students (e.g., Adam Binks, Johannes Lang) and supervises postdoctoral researchers. Affiliations: Member of the VIXI group,他曾是St Andrews计算机科学学院的教授, 并参与多个学术服务活动, including conference program committees and journal reviews. Labs & Teams: Leads the VIXI lab at UVic, focusing on interactive technologies for cognitive tasks. Collaborates with industry partners on projects like TypoCartographer for infoTypographic maps and HaptiQ for accessible graph exploration.
Catherine Guastavino is a Professor at McGill University's School of Information Studies (within the Faculty of Arts) and an Associate Member at the Schulich School of Music. She also contributes to the Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT). Her roles include leading research projects and supervising graduate students in music technology and related fields. She holds a PhD in Psychoacoustics from Université Pierre et Marie Curie (Paris VI), an MSc from IRCAM (France), and a BSc in Mathematics from McGill University. Her research focuses on auditory perception, soundscape analysis, human-computer interaction, and urban acoustics. Notable projects include the 'Sounds in the City' partnership addressing urban noise policy and the development of immersive soundscape simulation tools. She leads or co-leads grants from SSHRC, NSERC, and MITACS, emphasizing interdisciplinary approaches to sound in urban environments. Guastavino's work bridges academic research with practical applications, such as designing sound installations for public spaces and improving acoustic environments in transportation and performance venues. She collaborates with city planners, musicians, and engineers, reflecting her commitment to making cities sound better through evidence-based strategies. Key Projects: SSHRC Partnership Grant for urban soundscape management (2018-2023) NSERC Discovery Grant on auditory localization (2019-2024) MITACS projects on Montreal festival soundscapes and noise policy Labs & Partnerships: Multimodal Interaction Laboratory (MIL) Collaborations with Ville de Montréal and Quartier des Spectacles Education: PhD: Psychoacoustics (Paris VI) MSc: Computer Science & Music Technology (IRCAM) BSc: Mathematics (McGill) Her teaching includes courses like Music Information Retrieval, integrating computational methods with artistic and scientific applications.
دانشیار
Kamal Sen is an Associate Professor in the Department of Biomedical Engineering at Boston University, serving as Director of the Natural Sounds and Neural Coding Laboratory and Director of Admissions and Recruitment for Master’s Programs. He holds a PhD and MA in Physics from Brandeis University and a BA in Physics from Bates College. His research focuses on understanding how neurons encode natural sounds, particularly in the auditory cortex. Key areas include neural coding efficiency, hierarchical auditory processing, and the role of learning in shaping receptive fields. He developed the BOSSA algorithm to address sound segregation challenges in noisy environments, with applications for hearing aid technology. Sen’s work integrates electrophysiological techniques with theoretical approaches from signal processing, information theory, and systems theory. His lab explores neural discrimination of behaviorally relevant sounds and models cortical processing dynamics using computational frameworks. Recent studies investigate parvalbumin neuron contributions to temporal coding and cortical noise reduction in complex auditory scenes. His publications span neural circuit modeling, fNIRS applications in BCI, and biomimetic algorithms for auditory scene analysis. Research highlights include exploring schizophrenia-related gene effects on neural circuits and developing 3D neurosphere models for Parkinson’s disease.
استادیار
Ruohan Gao is an Assistant Professor in the Department of Computer Science at the University of Maryland, College Park , with affiliate appointments at the University of Maryland Institute for Advanced Computer Studies (UMIACS) , Maryland Robotics Center (MRC) , and Artificial Intelligence Interdisciplinary Institute at Maryland (AIM) . His research focuses on Computer Vision and Machine Learning , emphasizing Multisensory Machine Intelligence that integrates sight, sound, and touch . He aims to enable machines to perceive, understand, and interact with the world as humans do, with applications in robotic manipulation , audio-visual localization , and differentiable rendering . Article Trends : Span 2018–2025 , centering on audio-visual perception , multisensory datasets , and robotics . Recurring themes include object-centric learning , sound synthesis , and cross-modal consistency . Scientific Awards : Michael H. Granof Award (UT Austin’s Top 1 Doctoral Dissertation, 2021) Best Paper Award Runner-Up (BMVC 2021) Best Paper Award Finalist (CVPR 2019) Highlight Paper (CVPR 2023) He leads the UMD Multisensory Machine Intelligence Lab and collaborates with institutions like Stanford and The University of Texas at Austin . Contact: rhgao@umd.edu .
استادیار
Dominic Thibault is an Assistant Professor at the Faculty of Music, Université de Montréal . His research-creation explores human-machine interaction in musical contexts, focusing on embodied cognition through electroacoustic compositions, audiovisual performances, and musical software development. Co-director, Laboratoire Formes·Ondes Active member, CIRMMT (Centre for Interdisciplinary Research in Music Media and Technology) Research axis leader, Expanded Musical Practice (CIRMMT) Member, Québecor Millénium entrepreneurship committee Scientific committee member, ACFAS
مدرس ارشد
Dr. Jules Rawlinson is a Senior Lecturer in Digital Design at the Reid School of Music , University of Edinburgh. He serves as Programme Director for the MSc Sound Design and contributes to MSc Design and Digital Media, ESALA undergraduate courses, and the Reid School's MSc Digital Composition and Performance. PhD in Composition (University of Edinburgh, 2011) MSc Sound Design (University of Edinburgh, 2006) BA Combined Arts (Sunderland University) Jules investigates audiovisual composition , live electronics , and interactive performance systems , blending machine learning , virtual environments , and corpus-based sound synthesis . His work explores non-linear narrative structures , graphical scores , and political sound-art through collaborations like Raw Green Rust and projects such as Lie Still My Sleepy Fortunes and w[i]nd . His 15 most recent outputs span audiovisual installations , generative sound systems , and collaborative performances , focusing on virtual reality , spectral transformation , and digital improvisation . Jules co-founded the LLEAPP network and has secured grants from EPSRC and New Media Scotland's Alt-w Fund . He supervises PhD students Tim Bentley, Hal Xu, Benjamin Cantil, and Liam Peacock, with works showcased at festivals including Sonorities , Edinburgh International Film Festival , and Edinburgh Festival Fringe . His Requiem for Edward Snowden was featured in BBC Radio 3's Hear and Now and selected for Creative Scotland's Made In Scotland Showcase.
Professor Anna Marie Munster is a distinguished academic and artist at UNSW Art and Design (College of Fine Arts), where she has held a full-time tenured position since 2001. Her work bridges theoretical scholarship with creative practice, establishing her as a leading figure in digital media art and critical theory. University: University of New South Wales School: College of Fine Arts (UNSW Art and Design) Position: Professor Qualifications: PhD from UNSW (2002), BA (Class 1 Hons with University Medal) from University of Sydney (1984) Professor Munster's research explores the intersections of art, technology, and philosophy, with particular focus on statistical visuality, radical empiricism, the politics and aesthetics of machine learning, and more-than-human perception. Her work integrates process philosophy with contemporary media practices, examining how time, movement, and sonicity shape our experience of digital environments. She approaches these topics through both theoretical scholarship and creative practice, often collaborating with artist Michele Barker on multi-channel audiovisual installations. Her publications reveal a consistent trajectory exploring the relationship between embodiment and digital media, with recent work focusing on AI and machine learning in cultural contexts. Munster's creative output demonstrates sophisticated integration of technical innovation with philosophical inquiry, particularly in how her installations challenge conventional perceptions of time and space. ARC, UNSW Student Council Award for Excellence in Postgraduate Supervision (2017) Dean's Award for Excellence in Postgraduate Supervision (2015) Highly commended for Materializing New Media at Prix Ars Electronica (2008) Winner of National Digital Art Awards 'The Harries' (2006) University Press of New England Publishing Award (2005) Professor Munster has completed over 20 PhD and Masters supervisions at UNSW and been involved in another 10 secondary supervisions. She currently supervises five PhD candidates working on diverse topics including coding materialities, critical bio-textiles, schizophrenia and XR technologies, sound and resonance, and affective drawing. Her ARC-funded research projects demonstrate sustained commitment to interdisciplinary work, particularly at the intersection of art, science, and technology. Her creative practice with Michele Barker has resulted in numerous commissioned installations exploring perception, embodiment, and the relationship between humans and technology.
Nicolas Davidenko is an Associate Professor in the Department of Psychology at the University of California, Santa Cruz (UCSC). He leads the High Level Perception Lab, focusing on behavioral and computational studies of human perception, particularly face recognition, spatial orientation, and visual ambiguity. His work emphasizes 'top-down' processes like attention and expectations. Davidenko holds a Ph.D. in Psychology from Stanford University (2006), an M.S. in Statistics from Stanford (2004), and an A.B. in Mathematics from Harvard (1998). His research explores how humans perceive and interpret complex visual information, including studies on illusions, virtual reality, and misophonia. He has developed parametric models of faces to study memory encoding and drawing accuracy. Notable achievements include a Top-10 Finalist placement in the 2015 Best Illusion of the Year Contest for his 'Mind-controlled motion' research. He teaches courses such as PSYC 121 (Perception), PSYC 139K (Face Recognition), and advanced cognitive research seminars. Davidenko also runs the CSASS Matlab Workshops, training researchers in statistical tools. His lab includes graduate students and postdocs, with alumni like Jennifer Day (Ph.D. ’19) and Pat Samermit (Ph.D. ’18). Recent projects include investigations into vection in VR environments, cross-sensory modulation of aversive sounds, and time perception in virtual reality. His work bridges cognitive psychology, neuroscience, and computational modeling, contributing to understanding how perception shapes human interaction with the environment.
Katherine Hubbard is an Associate Professor of Art and Director of the MFA Program at Carnegie Mellon University School of Art. Her practice integrates photography, writing, and performance to explore the intersection of social politics, history, and narrative through a lens of bodily engagement. Hubbard's work emphasizes analog photography as a medium that mimics and interrogates the body's relationship to visual processes, often staging performances where participants' physical positioning becomes integral to the artwork's temporal experience. Education: MFA from the Milton Avery Graduate School of the Arts at Bard College (2010). Research focuses on the politics of looking, the malleability of vision, and bridging the imaginary with the familiar through interdisciplinary projects. Notable collaborations include the Poetry Parade series (2012–ongoing), a migratory feminist reading action performed in institutions like the Whitney Museum, and cyclops & slashes (2015), a participatory performance addressing social dynamics through photography and text. Awards: 2020 Guggenheim Fellowship in Photography. Hubbard has exhibited widely, including solo shows at Higher Pictures (New York) and Company Gallery (NY), with works featured in Frieze Magazine . Her projects often involve site-specific installations, such as Four shoulders and thirty five percent everything else (2014), which interrogates landscape and perception in Utah's desert.
Jesper Rindom Jensen is an Associate Professor in the Department of Electronic Systems at Aalborg University, Denmark, under the Technical Faculty of IT and Design. He is the Head of the Audio Analysis Lab, a leading research group in audio signal processing, since 2023. His work bridges theoretical signal processing and practical applications in artificial intelligence and audio systems. Full Name: Jesper Rindom Jensen Institution: Aalborg University School: The Technical Faculty of IT and Design Department: Department of Electronic Systems Research Lab: Audio Analysis Lab Email: jrj@es.aau.dk Office: Fredrik Bajers Vej 7B, B5-206, 9220 Aalborg Øst, Denmark Education: M.Sc. in Electronic Systems, Aalborg University (cum laude, 2009) Ph.D. in Signal Processing, Aalborg University (2012) Research Interests: Jesper Rindom Jensen's research centers on audio signal processing, with a strong emphasis on artificial intelligence, speech enhancement, noise reduction, beamforming, and multichannel systems. His work applies to diverse domains including robot and drone audition, spatial audio, and active noise control. He develops novel filtering techniques, including variable span linear filters and harmonic beamformers, to improve speech quality and intelligibility in noisy and reverberant environments. Publication Trends: His recent publications (2023–2025) show a strong trend toward integrating deep learning with classical signal processing, particularly in direction-of-arrival estimation, underwater acoustics, and robust multichannel systems. There is a clear focus on real-world applications, including sound zone control, active noise control, and limited-data scenarios using knowledge distillation. His work consistently emphasizes robustness, efficiency, and practical deployment. Scientific Awards and Recognition: AAU Talent for emerging research leaders Recipient of a competitive postdoc grant from the Danish Independent Research Council Advising and Grants: Jesper has supervised multiple PhD and master’s students, including Nørholm, Karimian-Azari, Zhang, and Wang. He has led significant research projects such as 'Sound Processing for Robots and Drones' (2018–2020) and participated in others related to joint audio-visual tracking and speech enhancement. His research has been supported by national funding bodies, reflecting its innovation and impact. Labs and Teams: He is a founding and core member of the Audio Analysis Lab at Aalborg University, which focuses on cutting-edge audio signal processing and AI-driven solutions. The lab fosters interdisciplinary collaboration and has produced numerous publications, datasets, and real-world applications. Jensen’s leadership since 2023 underscores his pivotal role in shaping the lab’s research direction.
Thomas C. M. Lee is a Distinguished Professor of Statistics and Associate Dean of the Faculty in Mathematical and Physical Sciences at the University of California, Davis, within the College of Letters and Science. He holds a prominent position in the Department of Statistics and serves as a key academic leader at UC Davis. Education: B.App.Sc. (Math) from University of Technology, Sydney, Australia (1992) B.Sc. (Hons) (Math) with University Medal from University of Technology, Sydney, Australia (1993) Ph.D. from Macquarie University and CSIRO Mathematical and Information Sciences, Sydney, Australia (1997) Professor Lee's research spans multiple areas of statistics with a focus on developing innovative methodologies. His work particularly emphasizes nonparametric and semiparametric modeling , statistical learning , and statistical image and signal processing . He has made significant contributions to applying statistical methods across various scientific disciplines, demonstrating the versatility and power of statistical approaches in solving complex real-world problems. His research often bridges theoretical developments with practical applications, creating methodologies that are both mathematically sound and practically useful. Scientific Awards and Honors: Elected Fellow of the American Association for the Advancement of Science (AAAS, 2019) Elected Fellow of the American Statistical Association (ASA) Elected Fellow of the Institute of Mathematical Statistics (IMS) Elected Senior Member of the IEEE Professor Lee has held significant editorial roles including serving as Editor-in-Chief for the Journal of Computational and Graphical Statistics (2013-2015) and currently as Review Editor for the Journal of the American Statistical Association. From 2015 to 2018, he chaired the Department of Statistics at UC Davis. He has taught numerous statistics courses including STA 13 (Elementary Statistics), STA 131C (Introduction to Mathematical Statistics), STA 243 (Computational Statistics), and STA 401 (Statistical Consulting). His leadership extends beyond research to academic administration, where he has shaped statistics education and departmental direction at UC Davis.
Rebecca Williams is an Associate Professor in Media Audiences and Participatory Cultures at the Faculty of Business and Creative Industries , University of South Wales. She co-leads the Creative Industries Research & Innovation Group and chairs the Faculty Ethics Committee. PhD in Media & Cultural Studies (2008), Cardiff University Postgraduate Certificate in Learning and Teaching (2011), University of Glamorgan MA in Critical and Cultural Theory (2004), Cardiff University BA (First Class) in Journalism, Film, and Broadcasting (2003), Cardiff University Her research focuses on media audiences , fan engagement , transmedia storytelling , and the experience economy , particularly in media tourism and themed entertainment . Current projects explore Disney's evolving role in global culture and the commodification of fan practices. Rebecca's publications span fandom theory , transmedia analysis , and immersive media , including monographs on theme park fandom and post-object fan identity. She actively supervises PhD students in areas like celebrity studies , media tourism , and digital fan communities . She welcomes PhD applications in media audiences, fan studies, and immersive experiences, with a commitment to mentoring emerging scholars in these fields.
Josh McDermott is a Professor in the Department of Brain and Cognitive Sciences at MIT and an Associate Investigator at the McGovern Institute. He holds roles as Associate Department Head and Principal Investigator of the Laboratory for Computational Audition. His work bridges psychology, neuroscience, and engineering to study auditory perception, with a focus on sound interpretation, hearing impairment treatments, and machine hearing systems. Education includes a B.A. from Harvard (summa cum laude), an MPhil from University College London, and a PhD from MIT. Postdoctoral training included NYU and the University of Minnesota. Research interests encompass computational principles of sound perception, natural sound statistics, music cognition, and machine hearing. Key areas include sound localization, auditory scene analysis, and the role of generative models in perception. Recent publications highlight advancements in auditory neural networks, cross-cultural music perception, and noise schema processing. Awards include the Troland Research Award, BCS Excellence in Advising, and NSF CAREER Award. Advising includes over 20 graduate students and postdocs, with notable contributions to auditory neuroscience and machine learning. Major grants support projects on auditory models and sensory systems. The lab develops tools like cochleagram generation and headphone screening software. The Laboratory for Computational Audition operates at MIT, focusing on biological and computational approaches to hearing. Collaborations span engineering, psychology, and neuroscience to advance understanding of auditory processing.
پژوهشگر
Dr. rer. nat. Thomas Hermann is a faculty member at Bielefeld University's Faculty of Engineering, leading the Ambient Intelligence Group and coordinating the Computer Science program. He specializes in sonification, auditory data science, and smart environments. Head of Ambient Intelligence Working Group Computer Science Program Coordinator Member of multiple academic advisory boards His research focuses on interactive sonification for biomedical applications, quantum systems, and smart environments. Key projects include ECG sonification for cardiac diagnosis, real-time auditory feedback in swimming, and sonic interfaces for AR cooperation. Recent publications span 2025 with Python-based sonification tools ( pya AGen ), quantum system sonification, and ST-elevation myocardial infarction monitoring. He contributes to open-access supplementary materials and interdisciplinary workshops. As a researcher , Hermann develops practical sonification frameworks like Panson for facial behavior analysis, CardioScope for portable ECG monitoring, and Base Cube One for smart environments. His work bridges academic research with industry applications.
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