جست‌وجوی استاد و پژوهشگر

• Jazz Piano Performance
• Intercultural Music Collaboration
• Jazz Composition and Improvisation
• +۳ مورد دیگر

Dr Kevin Hunt is a Lecturer in Piano (Jazz) at the Sydney Conservatorium of Music, University of Sydney. He holds a Doctor of Philosophy (2016) and a Master of Music in Jazz Performance (2004) from the same institution. His academic roles include supervising six research projects (2017) across Honours, Masters, and PhD levels. Education: MMus(Perf) Sydney (2004), PhD in Jazz Studies (2016). Professional training includes studies with Don Burrows, Bill Motzing, and a scholarship in NYC (2001). Research focuses on jazz piano performance, intercultural collaborations with Aboriginal Torres Strait Islander musicians, and the sonic qualities of Australian-made Stuart & Sons pianos. Key projects include the OUR MUSIC workshop-festivals (2012-2016) and the Ancient & New CD project blending ancient Indigenous chants with jazz improvisation. Performance highlights include the ABC FM Listeners Choice Award-winning JS Bach Trio (1998), recordings with Don Burrows and Simon Tedeschi, and collaborations in cabaret theatre such as Prince Bettliegend (2017). Active in education since 2005, he currently leads the Kevin Hunt Trio and performs with Emma Pask and Marie Wilson. Awards include the 2016 PhD and 1998 ABC award. His work bridges jazz innovation with cultural heritage preservation, evidenced by intercultural projects and academic publications on Yiddish theatre and Indigenous music collaboration.

Jonathan Nangleمشاهده پروفایل

مدرس

• Electro-Acoustic Composition
• Live Electronics
• Interactive Sound Installation
• +۳ مورد دیگر

Jonathan Nangle is a Lecturer in Music Technology and Electro-Acoustic Composition at the Royal Irish Academy of Music. His work spans acoustic/electro-acoustic composition, live electronics, installations, and improvisation. Educated at Trinity College Dublin under Donnacha Dennehy, Rob Canning, and later privately with Kevin Volans, his music has been performed by ensembles like RTÉ National Symphony Orchestra and Crash Ensemble. Research interests include spatial music, interactive installations, and hybrid acoustic/digital forms. Notable works include Pause (Ergodos, 2017), Iridescent Cobalt Glow (2015), and our headlights blew softly... which earned a 2009 Rostrum commendation. Awards include dual Irish Rostrum representations (2009/2011) and the 2007 AIC/Music 21 Prize. Recordings span solo piano works to ensemble commissions, often integrating innovative electronic elements. His work has been broadcast internationally and choreographed for stage/film. Current roles include academic teaching and ongoing creative exploration at the intersection of technology and traditional composition.

Jennifer C. Hsiehمشاهده پروفایل

استادیار

• Sensory Studies
• Anthropology of the State
• Science and Technology Studies
• +۴ مورد دیگر

Jennifer C. Hsieh is an Assistant Professor of Anthropology at the University of Michigan, affiliated with the Lieberthal-Rogel Center for Chinese Studies. Her research investigates sensory practices in institutional and technological settings, focusing on urban East Asia. She holds a PhD from Stanford University (2017), MA from Columbia University (2009), and BA from Harvard College (2007, magna cum laude). Her interdisciplinary work combines ethnography, history, and experimental methods (e.g., audio recordings, GIS) to explore multisensory social configurations. Her current book project, From Festival to Decibel: Making Noise in Urban Taiwan , examines how noise becomes a regulatory object entangled with citizenship and geopolitical belonging. She has held fellowships at institutions including the Max Planck Institute for the History of Science and Harvard’s Fairbank Center. Research interests include sensory studies, science/technology studies, urban environments, and East Asian cultural politics. She founded the Sensory & Technology Lab to explore creative anthropological methods, hosting events like the Voices of the Rainforest cinema concert with Steven Feld. Awards: SSRC International Dissertation Fellowship, Wenner-Gren Fieldwork Award Teaching: Courses on sound, music, and noise; emphasizes experimental methods and sensory ethnography. Lab: Sensory & Technology Lab fosters collaborative research in film, music, and media.

Jonathan Skinnerمشاهده پروفایل

دانشیار

• Ecocriticism
• Contemporary Poetry
• Environmental Studies
• +۴ مورد دیگر

Dr. Jonathan Skinner is a Reader (equivalent to Associate Professor) in English and Comparative Literary Studies at the University of Warwick's Faculty of Arts, where he researches and teaches ecocriticism, contemporary poetry, and creative writing. He founded and edits the journal ecopoetics , exploring intersections between writing and ecology. His research examines: Ecopoetic theory and environmental literature Intersections of sound studies and ethnopoetics North American avant-garde poetry (Olson, Kyger, Eigner) Translation and transnational poetics Third Landscape theory and urban wildness He leads a research network facilitating cross-cultural poetry exchanges along avian migration routes. Skinner's publications predominantly explore ecocritical frameworks through poetry analysis, with recent work examining climate change poetics, multispecies communication, and Anthropocene aesthetics. His scholarship connects literary studies with environmental science, acoustics, and landscape theory. He currently supervises five PhD students researching multispecies poetics and environmental literature through AHRC-funded projects, and has successfully supervised two doctoral candidates studying deindustrialization and extractive urbanism. Previously supervised MA theses span modernist poetry, ecocriticism, and creative writing.

Edward Nesbitمشاهده پروفایل

مدرس ارشد

• Musical Composition
• Choral Music
• Vocal Music
• +۲ مورد دیگر

Edward Nesbit is Senior Lecturer in Composition at King's College London's Department of Music within the Faculty of Arts & Humanities. He studied at Cambridge University, Guildhall School of Music and Drama, and King's College London under Julian Anderson and George Benjamin. His compositions are regularly performed by major ensembles including the London Sinfonietta, BBC Symphony Orchestra, and Philharmonia Orchestra at venues like Wigmore Hall and Royal Festival Hall. Research interests focus on: Contemporary choral and vocal composition techniques Integration of literary and dramatic elements in musical works Collaborative performance practices Community music engagement methodologies Recent compositions demonstrate diverse approaches to narrative storytelling through music, with frequent exploration of biblical/historical themes and nature-inspired programmatic elements. His work includes collaborations with the Choir of King's College London, resulting in commercial recordings on the Delphian label. Nesbit has secured funding including an AHRC Impact Acceleration Award for community music projects. He leads the 'Singing for Wellbeing' initiative developing choral repertoire for community engagement and directs composition studies at undergraduate/postgraduate levels.

Garth Alperمشاهده پروفایل

استاد

• Jazz
• Jazz Piano
• Popular Music
• +۳ مورد دیگر

Dr. Garth Alper is a Professor and Program Coordinator for Jazz Studies at the University of Louisiana at Lafayette's School of Music and Performing Arts. He holds a Doctor of Arts in Music Theory/Composition from the University of Northern Colorado, a Master of Arts in Piano Performance (Jazz Track) from New York University, and a Bachelor of Professional Studies in Jazz Studies from SUNY Empire State College. His research focuses on Jazz Piano, Jazz History, and Popular Music, with notable contributions to understanding improvisation techniques, postmodernism in music, and the cultural legacy of jazz icons like Duke Ellington. Dr. Alper has authored numerous articles in journals such as College Music Symposium , Rock Music Studies , and Jazz Perspectives , and guest-edited a special jazz issue of Popular Music and Society . His music compositions are featured on multiple CDs, including the acclaimed Spider’s Web (2022) and Stratus (2017). He has received significant grants and awards, including the BORSF Endowed Professorship and funding for jazz pedagogy and recording projects. Education: Doctor of Arts in Music Theory/Composition (University of Northern Colorado) Master of Arts in Piano Performance (Jazz Track, New York University) Bachelor of Professional Studies in Jazz Studies (SUNY Empire State College) Research Contributions: Includes analysis of jazz improvisation, postmodern music theory, and the sociocultural impact of jazz. He has authored encyclopedia entries on influential jazz musicians and contributed to critical discussions on popular music pedagogy. Teaching & Courses: Teaches Jazz Piano, Jazz Theory, Jazz History, Film Scoring, and directs the Jazz Combo program. Courses include MUS 312: Jazz Theory I and MUS 438: Film Scoring I . Grants & Recognition: Over $100K in grants for recording projects, multimedia facilities, and pedagogical initiatives. Holder of the Ruth Stodghill Girard BORSF Endowed Professorship since 2001. Labs/Teams: Coordinates the Jazz Studies program and collaborates on projects blending jazz with film scoring and modern media.

• Race and Media
• Black Studies
• Gender and Sexuality
• +۳ مورد دیگر

Brittnay Proctor-Habil is an Assistant Professor of Race and Media in the School of Media Studies at The New School. Her research focuses on performance, popular culture, and sound/visual culture at the intersection of blackness, gender, and sexuality. She authored Minnie Riperton’s Come to My Garden (2022) and is currently working on two book projects: one tracing Black Southern migration to California through sound, and another analyzing funk music’s gender and sexuality discourses via LP records and CDs. Proctor-Habil holds a Ph.D. from Northwestern University and a B.A. from the University of California, Riverside. Her scholarly work spans platforms like Essence.com , Journal of Popular Music Studies , and ASAP/Journal . She teaches courses such as Black Feminist Media Methods and Blaxploitation Films , and supervises thesis projects. Her writing often intersects cultural critique, Black studies, and interdisciplinary methodologies.

Andrew Kirkmanمشاهده پروفایل

استاد

• Medieval Music
• Renaissance Music
• Sacred Music
• +۳ مورد دیگر

Professor Andrew Kirkman holds the Peyton and Barber Chair of Music at the University of Birmingham's Department of Music. He leads the Centre for Early Music Performance and Research, directing the University Chamber Orchestra and professional ensemble The Binchois Consort. His roles include teaching Renaissance music, 1960s music studies, and supervising PhD topics ranging from post-communist Poland to late medieval music historiography. Research focuses on fifteenth-century sacred music’s cultural context, particularly the Mass Ordinary in late medieval Europe. His 2010 book The Cultural Life of the Early Polyphonic Mass and 2020 monograph on Saint-Omer’s music culture exemplify this. Recent work explores music-alabaster intersections and late-medieval liturgical practices. His recordings with The Binchois Consort earned Gramophone awards, including the 2017 'Early Music Recording of the Year.' Notable performances include Music for the Hundred Years' War (2017) and collaborations with pianist Clipper Erickson. Awards reflect both scholarly and performative excellence. Advising emphasizes late medieval/renaissance music, while grants supported research on Saint-Omer’s musical legacy. He co-founded The Binchois Consort in 1995, producing Hyperion recordings that revive rarely performed repertoires. His work bridges performance, scholarship, and interdisciplinary cultural studies.

Timothy Tricasمشاهده پروفایل

استاد

• Fish sensory systems
• Coral reef ecology
• Behavioral ecology
• +۳ مورد دیگر

Timothy Tricas is a Professor at the University of Hawaii at Manoa's School of Life Sciences, specializing in fish sensory systems and coral reef ecology. He leads a research lab focused on understanding acoustic communication, neuroethology, and behavioral ecology in marine species. His work integrates field observations with neurophysiological and anatomical studies, often using advanced techniques like rebreather diving and hydrophone recordings. Affiliations: School of Life Sciences, Department of Zoology, Hawaii Institute of Marine Biology Courses Taught: Ethology, Animal Behavior, Sensory Ecology, Fish Behavior and Sensory Biology Research Interests: His studies explore how fish use sensory systems (auditory, lateral line, electrosense) to navigate, communicate, and survive in coral reef ecosystems. Key projects include decoding fish acoustic behaviors, understanding the evolution of specialized sensory adaptations (e.g., butterflyfish hearing mechanisms), and applying bioacoustics for coral reef health monitoring. Grants & Funding: Secured grants from NOAA, NSF, and the Hawaii Undersea Research Laboratory for projects like parrotfish soundscapes analysis and stingray electrosensory systems. Lab Activities: Mentors graduate and undergraduate students in field experiments, neuroanatomical studies, and acoustic data analysis. Current projects include parrotfish home range behavior and开发 new bioacoustic monitoring tools.

Wing Chung Ngمشاهده پروفایل

استاد

• Chinese migration
• Traditional Chinese opera
• Modern China
• +۲ مورد دیگر

Wing Chung Ng is Professor and Department Chair in the History Department at the University of Texas at San Antonio (UTSA), within the College of Liberal and Fine Arts. A cultural and social historian specializing in Chinese migration and traditional Chinese opera, he teaches courses on Chinese and Japanese history as well as the Chinese diaspora. Dr. Ng's research focuses on Modern China, East Asia, and Migration History, with particular expertise in Chinese diaspora communities and Cantonese opera preservation. His scholarly work examines how Chinese communities maintain cultural identity while adapting to new environments across the Pacific, analyzing the interplay between traditional cultural practices and modern social transformations. His publication record reveals a consistent scholarly trajectory examining Chinese cultural transmission across borders. Recent works include analyses of Kunqu opera in the 21st century and historical soundscapes of Sino-Western encounters, building on his foundational research on Cantonese opera and Chinese communities in North America. His interdisciplinary approach spans cultural history, migration studies, and Asian American studies. Dr. Ng has received significant scholarly recognition: Fulbright Scholar (2012) from the United States Department of State Faculty Research Award (2004) from the National Endowment for the Humanities National Humanities Center Fellow (1996) His research has been supported by substantial grants including $5,000 for 'Connecting Worlds: Master Wong Toa's Trans-Pacific Life and Career 1914-2015' (2020-2021) and $40,000 for 'Local Theater, Transnational Arena: A New Social History of Cantonese Opera, 1860-1945' (2004-2005). He was previously a Commonwealth Scholar at UBC and has received support from the Chiang Ching-kuo Foundation and NEH. Most recently, he served as a Fulbright Scholar at Hong Kong Baptist University. Currently, Dr. Ng is working on a centennial biography of Master Wong Toa (1914-2015) to study his life and music across early 20th century South China, Cold War Hong Kong, post-exclusion era Chinatown Vancouver, multicultural Canada, and the age of China's rise.

Fran Tonkissمشاهده پروفایل

استاد

• Urban Sociology
• Economic Sociology
• Urban Inequalities
• +۱۱ مورد دیگر

Fran Tonkiss is Professor of Sociology at the London School of Economics and Political Science (LSE), Department of Sociology. She is a key member of the Urban Sociology research cluster and teaches in the MSc City Design and Social Science programme, where she convenes a graduate course on Urban Inequalities. Her academic work bridges urban and economic sociology, with a strong focus on the social life of urban form and spatial divisions. Her research interests include urban inequalities, urban design and development, social and spatial divisions, and the socio-economic organisation of urban space. She explores how economic processes shape urban environments and how spatial arrangements reinforce or challenge social inequalities. Her work also extends into gendered urban space, informal economies, austerity urbanism, and the sonic dimensions of cities, reflecting a broad and interdisciplinary approach to urban life. The trends in her recent publications reveal a sustained engagement with critical urban theory, spatial justice, and the politics of urban form. Her articles frequently address themes such as gentrification, infrastructure, urban protest, and the gendering of public space, often with a comparative or global perspective. She contributes significantly to methodological discussions in qualitative research, particularly in discourse, content, and focus group analysis. Fran Tonkiss is a member of the editorial boards of the British Journal of Sociology , City , and Economy and Society , highlighting her influence in the field. While no specific scientific awards are mentioned in the text, her extensive publication record and editorial roles indicate high scholarly recognition. She supervises doctoral students in urban and spatial sociology, contributing to the next generation of scholars in the field. Though no grants are explicitly listed, her research output suggests active involvement in funded projects. She is part of a vibrant research environment at LSE, particularly within the Urban Sociology cluster, which fosters interdisciplinary collaboration on pressing urban issues.

Rachel Devorah Wood Romeمشاهده پروفایل

استادیار

• Electronic Music
• Creative Coding
• Live Coding
• +۱۲ مورد دیگر

Rachel Devorah Wood Rome is an Assistant Professor in the Electronic Production and Design (EPD) department at Berklee College of Music, where she teaches creative coding, live coding, and music technology. Her work bridges electronic music, improvisation, and critical theory, with a focus on sonic cyberfeminism, archival practices, and the social meanings of sound and space. Ph.D. in Music Composition and Computer Technologies, University of Virginia (2018) M.L.I.S., San José State University (2017) M.A. in Music Composition, Mills College (2013) B.Mus. in Horn Performance, CUNY Queens College (2007) Her research explores superhuman prolongation, opaque complexity, and the re-signification of archaic tools in sonic media. She values machines for their patience and memory, and her creative practice emphasizes critical agency in technology design and use. She performs under the name 'mehetabel' when using archival materials in improvised electronic music. The most recent publications and performances reflect a deep engagement with AI and music, live coding, feminist media theory, and spatialized sound. Her works often involve real-time data processing, generative systems, and collaborative improvisation, situating sound within broader social, political, and technological contexts. Ruth Anderson Installation Prize (IAWM) New Music USA Grant Fellowships from MIT OpenDocLab, Adrian Piper Foundation, Ina GRM, New Museum, and Jefferson Scholars Foundation Residencies at EMS Stockholm, STEIM Amsterdam, MassMoCA, and Cove Park Rome advises emerging artists in electronic music and creative coding, many of whom have gone on to establish their own practices. She is also active in academic service, including curriculum development, faculty governance, and labor organizing as a Councilor for the Berklee Faculty Union. She leads initiatives in DEI, sound design, and coding pedagogy within the EPD department. She has been involved in interdisciplinary collaborations with artists, technologists, and institutions worldwide, presenting work in galleries, festivals, and academic conferences across North America, Europe, and Asia. Her leadership extends to nonprofit arts organizations, where she has served as Executive Director and grantwriter.

David Imhoofمشاهده پروفایل

استاد

• Modern European History
• German History
• Cultural History
• +۷ مورد دیگر

David Imhoof is Professor of History at Susquehanna University and serves as the NCAA Division III Faculty Athletic Representative. He has twice chaired the History Department (2006-2015, 2020-2023) and directed the Global Opportunities (GO) Austria study abroad program since 2010. His research focuses on cultural and political history in 20th-century Germany with particular emphasis on Göttingen between the World Wars. Education : Ph.D. in History from the University of Texas at Austin, B.A. in History and Liberal Arts from Trinity University. Imhoof's research explores how cultural practices like sports, music festivals, and film shaped political integration in Weimar and Nazi Germany. His current projects include a biography of a Nazi mayor and a history of Germany's 20th-century recording industry. He has published extensively on topics ranging from the Total Work of Art concept to sound studies in German contexts. His recent publications form trends in cultural history, media studies, and political integration analysis. These works examine how music, sports, and film served as vectors for both traditional values and ideological transformation during Germany's turbulent 20th century. Scientific Awards : Multiple Susquehanna Research Grants, DAAD Fellowship, Nachtegall Junior Scholar Award, and Presidential Scholar at Trinity University. Imhoof advises senior theses and independent study projects. He has led assessment reforms in Susquehanna's history department and coordinated over $3,500 in donor campaigns. As director of GO Austria, he develops international curricula and faculty training programs. He co-founded Susquehanna's Holocaust-Genocide Studies Group (2000-2014) and leads a rock band Faculty Lounge with fellow professors. His service includes NCAA representation, university strategic planning, and organizing academic events ranging from opera performances to Holocaust survivor talks.

Theodore Levinمشاهده پروفایل

استاد

• Ethnomusicology
• Musical Ethnography
• Central Asian Music
• +۵ مورد دیگر

Theodore Levin serves as the Arthur R. Virgin Professor of Music at Dartmouth College, with significant international engagements including Senior Advisor to the Aga Khan Music Programme and former Executive Director of Yo-Yo Ma's Silk Road Project. His work bridges academic research and cultural advocacy across Central Asia and Siberia. His educational foundation includes a B.A. from Amherst College and both M.F.A. and Ph.D. degrees from Princeton University. Levin's research centers on ethnomusicological fieldwork examining the intricate relationships between sound, environment, and cultural identity among nomadic communities, with particular focus on spiritual practices and oral traditions along historical Silk Road routes. His publications reveal consistent thematic trajectories exploring musical preservation in rapidly changing societies, the ecological dimensions of sound production, and cross-cultural dialogue through artistic exchange. These works collectively document endangered traditions while analyzing their contemporary revitalization through international cultural development frameworks. As an educator, Levin teaches world music and American 'roots' music courses at Dartmouth, mentoring students in ethnographic methodologies. His professional activities extend to shaping global cultural policy through former leadership at Open Society Foundations' Arts and Culture sub-board, demonstrating sustained commitment to integrating arts into international development paradigms. Levin maintains active involvement with international initiatives including the Aga Khan Music Programme, where he contributes to preserving musical heritage across Muslim contexts through performance, education, and documentation projects that connect traditional artistry with contemporary creative expression.

Laura J. May-Colladoمشاهده پروفایل

دانشیار

• Marine Biology
• Animal Acoustic Communication
• Marine Mammal Evolution
• +۳ مورد دیگر

Laura J. May-Collado is an Associate Professor in the Department of Biology at the University of Vermont, affiliated with the College of Arts and Sciences. Her research focuses on integrative marine biology, particularly the use of sound to study marine communities and the evolution of marine mammal communication. She holds additional roles as a Research Associate at CIMAR (Costa Rica), Affiliate Professor at Universidad Maritima Internacional de Panama, and member of the Committee of Scientific Advisors for the Marine Mammal Commission. Dr. May-Collado's education includes a B.Sc. and M.Sc. in Biology from the University of Costa Rica (1995–2001) and a Ph.D. in Biology from Florida International University (2003–2007). Her research interests span animal communication, soundscapes, marine conservation, and the behavioral ecology of marine vertebrates. She employs phylogenetic analyses, autonomous recording systems, and drones to study evolutionary and ecological factors shaping marine communities. Key projects include the ONDAS Initiative, deploying acoustic recorders in Central American waters to study humpback whales and dolphin communication. She collaborates internationally, co-founding Panacetacea.org and advising organizations like MI AMBIENTE in Panama. Her work emphasizes conservation, including studies on manatee feeding behavior in Belize and dolphin population dynamics in the Gulf of Chiriqui. Dr. May-Collado is also active in education, leading the CURE Lab and teaching courses on marine biology and mammalogy. She advocates for inclusive science through initiatives like the IRES-Costa Rica program and outreach via social media (@maycolladolab). Her research bridges ecology, evolution, and conservation, with a focus on leveraging soundscapes for biodiversity monitoring.