Cyril Touzé is a Professor at ENSTA Paris, affiliated with the Fluid Dynamics and Acoustics team within the Mechanics Unit (UME). His research focuses on nonlinear dynamics of mechanical systems, particularly geometric nonlinear vibrations and invariant manifold theory. Expertise in model reduction methods Specializes in wave turbulence transition Develops passive control techniques using nonlinear dampers Applications in acoustic black hole effect and MEMS structures His recent work explores invariant manifold parametrization for nonlinear oscillators, vibro-impact vibration absorbers, and computational methods for geometrically nonlinear systems. He serves as a Topical Associate Editor for Nonlinear Dynamics and collaborates on experimental validations in structural acoustics. Key contributions include: Advanced reduced-order modeling techniques Wave turbulence analysis in thin structures Innovative vibration control strategies Nonlinear coupling mechanisms in musical acoustics Applications to MEMS and aerospace systems
Wiktor Młynarski is a Professor and Research Group Leader at the Faculty of Biology, Ludwig-Maximilians-University Munich, where he directs computational neuroscience research focused on adaptive neural computations in sensory systems. His work bridges theoretical frameworks with experimental validation to uncover fundamental principles of biological information processing. His research centers on computational and theoretical neuroscience, leveraging information theory, statistics, and probabilistic machine learning to model how neural systems efficiently represent dynamic natural environments. Key interests include sensory coding adaptation across timescales, statistical structure of natural stimuli, and the development of normative frameworks applicable from synaptic to behavioral levels. This inherently collaborative approach integrates theoretical predictions with experimental neuroscience to identify universal processing rules. Analysis of Młynarski's publication trajectory (2014-2025) reveals consistent exploration of efficient coding principles across auditory and visual domains, with recent work emphasizing anticipatory processing during locomotion, time-constrained decision-making, and panoramic visual statistics. His research demonstrates how environmental dynamics shape neural representations, moving beyond static models to capture the brain's adaptive capabilities in real-world contexts. Professor Młynarski leads the Computational Neurobiology Research Group (https://compneurobio.org), fostering interdisciplinary collaborations to confront theoretical models with experimental data. The group's work aims to establish general rules for biological information processing by examining how sensory systems dynamically optimize computations in response to environmental regularities and changes.
Dr. Juliana M. Pistorius is a music historian affiliated with the University College London (UCL) Institute of Advanced Studies as a Marie Skłodowska-Curie Actions Global Postdoctoral Fellow . Her research interrogates the intersections of Western art music, coloniality, and racial politics, particularly in postcolonial contexts. PhD, University of Oxford (2018) Leverhulme Postdoctoral Fellowship, University of Huddersfield (2018-2021) Founding member, Black Opera Research Network (BORN) Reviews Editor, Cambridge Opera Journal Her current project, Beyond Boycott: Musical Internationalism and the Making of Race in Apartheid South Africa , analyzes how classical musicians' participation in apartheid-era South Africa reinforced racial hierarchies. This work builds on her monograph Postcolonial Opera: William Kentridge and the Unbounded Work of Art (forthcoming, 2025), which examines Kentridge's operatic experiments as decolonial narratives. Their research spans interdisciplinary analyses of opera as a colonial tool, cultural resistance in apartheid-era performances, and the ethical paradoxes of music's role in empire-building. Key themes include civic empowerment, racial profiling, and the enduring legacies of colonial soft power in artistic practice. Scientific Awards Leverhulme Postdoctoral Fellowship Marie Skłodowska-Curie Actions Global Postdoctoral Fellowship Pistorius is a founding member of the Black Opera Research Network (BORN) , contributes to Cambridge Opera Journal , and collaborates with institutions in South Africa, including the University of the Witwatersrand during her MSCA fellowship's outgoing phase.
Stefan Albert Wirler serves as a Researcher in the Department of Information and Communications Engineering at Aalto University, actively contributing to the Communication Acoustics research group specializing in Spatial Sound and Psychoacoustics. His work bridges theoretical audio signal processing with practical applications in spatial audio systems. Primary research areas include Spatial Audio, Psychoacoustics, and Speech Enhancement, with specific focus on microphone array processing, spatial post-filtering techniques, and machine learning applications for auralization. His investigations address critical challenges in virtual reality audio reproduction and headphone acoustics through innovative signal processing approaches. Analysis of his 2020-2024 publications reveals consistent advancements in spatial post-filter design, particularly through non-linear combinations and coherence-based methods for speech enhancement. His work demonstrates growing integration of machine learning with traditional signal processing, notably in rigid sphere scattering modeling and DIY headphone modifications for improved acoustic transparency. Wirler operates within Aalto University's Communication Acoustics research ecosystem, collaborating extensively with senior researchers like Ville Pulkki on projects spanning spatial audio rendering, psychoacoustic validation, and real-time audio processing systems.
Nick Sorensen is Professor of Improvisation at Bath Spa University, where he currently serves as Interim Head of the School of Writing, Publishing and the Humanities. He joined Bath Spa in 2008 after extensive experience working in secondary schools, including six years as a headteacher, and as an educational consultant. His academic journey includes a BA (Hons) in English and Drama from the University of Exeter, a PGCE from Goldsmiths College, London, an MA in Education from the University of Sussex, and a PhD from Bath Spa University. Sorensen's research centers around teacher education and professional development with a particular focus on improvisation as a fundamental element of teacher expertise. His book The Improvising Teacher: reconceptualising pedagogy, expertise and professionalism (2023) offers a radical reconceptualization of improvisation as core to teaching expertise. His research explores how expert teachers navigate complex classroom situations through improvisational thinking and action. His recent publications reveal a consistent focus on the intersection of improvisation, expertise, and professional practice in education. The articles demonstrate his theoretical development of the 'improvising teacher' concept and its application across various educational contexts, from music education to teacher training systems. His work increasingly bridges educational theory with practical applications for teacher development. Senior Fellow HEA AHRC Peer Review College (2016-2023) Sorensen has contributed to the development of the Paper Nations creative writing project and was a member of its Governance Group. He previously served as Assistant Dean of the Institute for Education at Bath Spa University. His educational consultancy company, The Improvising School, supports musicians, teachers, leaders and writers in developing their creativity. As a musician, Sorensen is a skilled saxophonist who has performed internationally with the transcultural music project Kusanganisa and has collaborated with notable jazz musicians including Pee Wee Ellis and Fred Wesley. His performance background deeply informs his educational research on improvisation.
Dr. Elizabeth Case is a Researcher in the Dynamics Meteorology group within the Faculty of Science at Utrecht University. Her work focuses on understanding cryosphere processes, particularly firn densification on the Greenland Ice Sheet and various glacier dynamics across multiple regions including Antarctica, Wyoming, and Alaska. Her research interests span glaciology, rheology, and Earth sciences with a strong interdisciplinary approach that integrates art and science. Case specializes in mathematical modeling of glacier processes, fieldwork methodology, and the integration of in situ and remotely sensed data. She is particularly known for her work on firn processes, ice sheet dynamics, and the development of innovative observation techniques like phase-sensitive radar for measuring firn compaction. Case's publication record shows a strong focus on ice sheet dynamics, with recent work examining firn densification across Greenland, crevasse formation in West Antarctica, and the interdisciplinary aspects of Antarctic fieldwork. Her research combines traditional glaciological methods with innovative approaches to data collection and interpretation, often bridging scientific and artistic perspectives. She is actively engaged in educational initiatives through the Juneau Icefield Research Program and Cycle for Science, developing hands-on curriculum for students. Case is also a member of Glacial Hauntologies, an art-science collaboration that creates exhibitions exploring creative co-production of scientific and artistic research, particularly focused on public engagement with Antarctic data from Thwaites Glacier and the Laurentide Ice Sheet.
Marcos Gridi-Papp is a Professor in the Department of Biological Sciences at University of the Pacific, specializing in the study of acoustic communication systems in animals. His research investigates the interplay between hearing, vocal anatomy, and communication behavior, with a focus on frogs and crickets. He also teaches courses related to biological sciences and advises biology and pre-dental majors. PhD in Integrative Biology, University of Texas, Austin (2003) MS in Ecology, State University of Campinas, Brazil (1997) BS in Biological Sciences, State University of Campinas, Brazil (1994) Gridi-Papp's research explores how anatomical structures influence vocal performance and auditory sensitivity. His lab investigates: Laryngeal morphology and vocal control in túngara frogs Auditory tuning mechanisms and ultrasound sensitivity Environmental impacts on communication strategies Physiological and behavioral adaptations in vocal systems Signal complexity evolution and middle ear mechanics Eustachian tube control and acoustic reflexes Recent research trends focus on: Bioacoustic adaptations in amphibians Behavioral responses to environmental changes Anatomical constraints on vocalization Acoustic signal optimization Frequency modulation mechanisms Multi-component call structures His lab offers research opportunities in anatomy, electrophysiology, animal behavior, and computational methods, supporting students with credit hours and technical training.
David Moses is an Assistant Professor in the Department of Neurological Surgery at the University of California, San Francisco (UCSF) School of Medicine. His research focuses on developing advanced brain-computer interfaces (BCIs) and speech neuroprostheses to restore communication in individuals with paralysis or speech impairments. Moses works at the intersection of neuroscience, biomedical engineering, and artificial intelligence, utilizing cortical activity mapping to create real-time decoding systems. Research Areas: Brain-Computer Interfaces Speech Neuroprosthetics Neural Signal Decoding Artificial Intelligence in Medicine Cortical Activity Analysis Cognitive Neuroscience Publication Trends: Moses' recent work (2024-2025) emphasizes streaming brain-to-voice neuroprostheses, bilingual speech decoding, and user agency in neuroprosthetic design. Earlier publications (2016-2022) established foundational methods for continuous phoneme decoding, real-time dialogue systems, and AI-driven cortical signal translation. Key Collaborations: Moses frequently collaborates with Edward Chang (UCSF), Gopala Anumanchipalli (UCSF), Karunesh Ganguly (UCSF), and Adelyn Tu-Chan (UCSF) on high-impact neuroprosthetic research. His work is cited extensively in medical and neuroscience literature, with significant social media and policy influence.
Dr. Breanna Krueger is an Associate Professor in the Division of Communication Disorders at the University of Wyoming , where she has been since earning her PhD in 2017. Her academic background includes two MA degrees in Speech-Language-Hearing Sciences and Linguistics from the University of Kansas, and a BA in Communication Sciences and Disorders from the University of Wyoming. Research Focus: Dr. Krueger specializes in improving treatment outcomes for children with speech sound disorders through: Investigating age-related treatment efficacy Developing clinical teaching methods for speech-language pathologists Enhancing understanding of children's speech perception mechanisms Exploring social impact of speech disorders Ultrasound visual biofeedback applications for speech therapy Publication Trends: Her research portfolio shows increasing focus on: Transgender voice communication software (2024) Home practice facilitation techniques (2024) Pediatric cancer speech services (2023) Preterm birth language impacts (2023) Advanced phonological assessment methods (2022) Scientific Recognition: Dr. Krueger has received significant funding including: NIH Grant (P20GM103432) for age-related treatment research ASHA Foundation research grant College of Health Sciences internal funding Laboratory & Outreach: She directs the PhUnderLab , actively engages with professional organizations including the American Speech-Language-Hearing Association (ASHA), and maintains a Twitter presence @phunderlab for research dissemination.
Peter Cole serves as an Associate Professor in the Department of Curriculum and Pedagogy at the University of British Columbia's Faculty of Education, where his office (Scarfe 2329) and direct phone line (604–827–5383) reflect his active institutional presence. His work bridges Indigenous knowledge systems with contemporary educational challenges through community-engaged scholarship. Cole's research centers on Indigenous ecological knowings and climate change mitigation , exploring how Indigenous ecoliteracies form the foundation for sustainable pedagogies. His investigations into Indigenous narrativity and performativity reveal how oral traditions transmit ecological wisdom across generations, while his focus on community-based research methodologies establishes ethical frameworks for Global North/Global South collaborations. This work consistently addresses ecojustice and sustainability education , with particular attention to Indigenous agrobiodiversity conservation and language regeneration as critical components of cultural resilience. Analysis of Cole's publication trajectory (2010-2024) reveals a distinctive narrative approach using Coyote and Raven figures to explore ecojustice pedagogies, with recent work (2020-2024) advancing innovative concepts like musical diacritics of water and cross-species communication. His scholarship demonstrates consistent thematic threads: decolonizing STEM education through survivance narratives, protecting Indigenous intellectual property, and developing land-based learning models that integrate Indigenous epistemologies with climate crisis response. No scientific awards were documented in the available sources. Information regarding graduate student supervision and research funding mechanisms was not specified in the provided materials, though his community-based research methodologies suggest collaborative grant partnerships with Indigenous communities. Cole's narrative-driven approach implies engagement with Indigenous knowledge-keeper networks and interdisciplinary research collectives focused on ecological justice, though specific laboratory or team structures were not detailed in the source materials.
Professor Kirill V Horoshenkov (FREng) is a leading academic at the University of Sheffield , holding a Personal Chair in Acoustics within the School of Mechanical, Aerospace and Civil Engineering . With a MEng in Electro-Acoustics and Ultrasonic Engineering from Moscow University and a PhD in Computational and Experimental Acoustics from the University of Bradford, he transitioned to Sheffield in 2013 after a distinguished career at Bradford. Acoustic sensors for water infrastructure Physical acoustics and wave propagation Acoustic material characterization Pipe condition monitoring systems Research Focus : Horoshenkov's work bridges acoustic engineering with water industry applications , developing innovative solutions for pipeline diagnostics and monitoring. His team has pioneered acoustic vector receivers , MEMS hydrophones , and Bayesian acoustic models for material analysis. Notable projects include the Pipebots Programme Grant and EPSRC Acoustics Network . Scientific Leadership : A Fellow of the Royal Academy of Engineering, he serves as Editor-in-Chief of the Nature Portfolio Journal npj Acoustics . His research has yielded 12 patents and over 200 publications , including commercialization through spin-offs like Acoutechs Limited (licensed to Armacell) and Acoustic Sensing Technology Limited .
Jenny Perlin is a Research Fellow at the Academy of Fine Arts, Oslo National Academy of the Arts, specializing in experimental film, video, and animation. Her work engages critically with documentary traditions while exploring themes of truth, misunderstanding, and social dynamics through fragments of daily life. Research interests include Experimental cinema techniques Architectural and spatial documentation Historical memory analysis Cultural geography of spaces Audio-visual storytelling Her creative output combines artistic practice with scholarly investigation, focusing on Cold War-era structures and measurement systems. Recent projects (2023-2024) include the #BUNKER film series examining military architecture, and "Near Space" exploring environmental perception. She has presented at major institutions including Whitney Museum, MoMA, and international film festivals.
Dr Matthew Wright is a Senior Lecturer at the Institute of Sound and Vibration Research (ISVR), University of Southampton. His research spans musical instrument acoustics, thermoviscous acoustics, and computer-enhanced learning, focusing on interdisciplinary applications of acoustics and education. PhD in acoustics from ISVR under Joe Hammond Research Fellow at Trinity College Dublin (1990s) EPSRC Advanced Research Fellow (2002) His work integrates acoustics , machine learning , and engineering education . Key areas include thermoviscous fluid dynamics, auditory neuroscience, and innovative methods for teaching acoustical design. Recent articles highlight collaborations with EPSRC and Google Inc., exploring sound propagation, speech enhancement algorithms, and MEMS microphone design. Themes center on sound and vibration , signal processing , and educational technologies . EPSRC Advanced Research Fellowship (2002) Matthew supervises PhD students and has contributed to projects like "SMILE" (European Union), "Bleeck" (EPSRC), and "Speech Enhancement in Neural Space" (Google). He actively participates in editorial boards and professional organizations, including the Institute of Acoustics.
Dr. Sjoerd van Ophem is a Lecturer in Structural Dynamics at the Institute of Sound and Vibration Research (ISVR), University of Southampton. He holds a PhD in Mechanical Engineering from KU Leuven, Belgium, and previously studied at the University of Twente, Netherlands. Mechanical Engineering (BSc, MSc) Noise and Vibration (PhD, KU Leuven) His research focuses on vibro-acoustic digital twins for machine monitoring and noise reduction. Key methodologies include model order reduction, finite element simulations, and digital twin technologies applied to complex acoustic systems. Recent publications emphasize: Time-domain vibro-acoustic simulations Digital twin development Model reduction techniques Acoustic material characterization Moving sound source modeling Experimental modal analysis Scientific awards include: FWO postdoctoral fellowship (junior and senior) MSCA FP7 project ANTARES funding He supervises two PhD students and teaches: ISVR3059: Acoustical Engineering Design FEEG1201: An Introduction to Engineering Design
Simon Hutchinson, Ph.D. is an Associate Professor and Chair of the Department of Music, Theater, and Dance at the University of New Haven's College of Arts and Sciences. He also serves as Coordinator for the Game Design and Interactive Media program. His academic home is firmly situated within the Department of Music, Theater, and Dance where he leads both departmental administration and specialized program coordination. Hutchinson's research interests span multiple domains of contemporary music creation and technology. He specializes in Synthesis and Sound Design, Interactive and Electronic Audio, and Composition, with particular emphasis on the synthesis of disparate musical traditions. His work bridges European concert traditions with creative electronics, acoustic instruments with digital video games, and East Asian folk with American jazz, rock and funk. This interdisciplinary approach yields novel musical experiences that critically engage with relationships between society, technology, and human experience. His international scholarly output demonstrates consistent engagement with cutting-edge conferences in electronic music, sound design, and interactive media. The performance venues reflect a strong focus on experimental music technology, electroacoustic composition, and the intersection of music with digital gaming and interactive media. His work has been presented across North America, Europe, and Asia, indicating a significant global scholarly presence. Outstanding Graduate Scholar in Music (University of Oregon) Sasakawa Young Leader's Fellowship Fund (SYLFF) Hutchinson's academic journey includes significant research support and recognition. His cross-cultural composition studies were supported by the prestigious Sasakawa Young Leader's Fellowship Fund, demonstrating the international significance of his scholarly work. While specific grant information isn't detailed in the provided text, his extensive international performance record suggests successful acquisition of research and creative activity funding to support these global presentations.
