جستجوی استاد راهنمای دانشگاهی

Kedrick Jamesمشاهده پروفایل

استاد آموزشی

• Arts-Based Research
• Digital Literacies
• Digital Research Methods
• +۵ مورد دیگر

Kedrick James is a Teaching Professor in the Department of Language and Literacy Education at the Faculty of Education, University of British Columbia Okanagan . As of July 2, 2024, he serves as the Interim Director of the Okanagan School of Education, a role reflecting his leadership and advisory contributions to academic excellence and mentorship. Research Focus: Intersections of language, ecology, and technology; decolonizing education; digital arts-based methods; automation of literacy; socio-cultural impacts of digital media. Projects: Founder of PhoneMe (place-based poetry app) and Singling (text sonification software for accessibility). Leads the Digital Literacy Centre and The Patch (digital arts-based research). Research Trends: His recent publications emphasize digital literacies , transmediation , and collaborative methodologies in education. Works like Text Sonification and PhoneMe Poetry highlight innovative approaches to accessibility and community engagement. Awards: Murray Elliott Service Award for Outstanding Contributions to Teacher Education (2018) Advisory Roles: Active in curriculum development, teacher education, and advancing social justice and ecological preservation in Boundary Country. Grants include unspecified funding for projects like PhoneMe and Singling.

• Music Cognition
• Auditory Perception
• Medical Alarm Design
• +۴ مورد دیگر

Dr. Michael Schutz is a Professor of Music Cognition/Percussion at McMaster University's School of the Arts, serving as University Scholar and founding director of the MAPLE Lab. His research bridges music performance/perception, focusing on auditory perception, medical alarm design, and cross-modal sensory integration. Supported by grants from CFI, NSERC, SSHRC, NIH, and others, his work appears in journals like Psychology of Music and British Journal of Anaesthesia . He actively contributes to the Percussive Arts Society and Society for Music Perception and Cognition, co-authoring influential textbooks and leading national percussion networks. Recent studies explore alarm redesign using musical principles and historic shifts in emotional expression across musical eras. His research has been featured on CBC's Quirks & Quarks , On The Nature of Things , and in textbooks including Cognitive Psychology and The Psychology of Music in Multimedia . He directs the McMaster Institute for Music and the Mind, emphasizing interdisciplinary connections between music, mind, and technology. Grants: CFI, NSERC, SSHRC, NIH, Early Researcher Award (Ontario) Key Roles: MAPLE Lab Director, SMPC Board Member (2014–2017) Public Engagement: Over 60 media features, 30+ invited performances, and collaborative research with Vanderbilt University Teaching includes courses on music cognition, percussion ensembles, and laboratory methods. His work has influenced anti-racist practices in music cognition research and ergonomic design of medical interfaces.

• Computer Vision
• Egocentric Vision
• Video Understanding
• +۳ مورد دیگر

Dima Damen is a Professor of Computer Vision at the School of Computer Science, University of Bristol , and leads the Machine Learning and Computer Vision Group . She also holds a position as Senior Research Scientist at Google DeepMind. Her research focuses on egocentric vision , video understanding , and action recognition , with significant contributions to human routine modeling , hand-object interaction analysis, and multimodal learning from real-world environments. EPSRC Early Career Fellow (2020-2025) ELLIS Society Member Active in organizing workshops and challenges (e.g., EPIC, Ego4D, EgoVis) Her recent work explores temporal discrimination in video captioning ( It's Just Another Day ), active memory representations for long egocentric videos ( AMEGO ), and hand-object interaction referral ( HOI-Ref ). She has co-authored 15+ articles in top venues like CVPR, ICCV, NeurIPS, and IJCV, with a focus on egocentric scene modeling , audio-visual binding , and cross-scenario generalization . Awards include the Best Paper at ACCV 2024 and recognition as an Outstanding Reviewer at CVPR 2020 . She has supervised numerous PhD students and postdocs , including Adriano Fragomeni, Jacob Chalk, Alexandros Stergiou, and others who now hold academic or industry roles. Her funded projects include VISUAL AI (EPSRC Programme Grant) and UMPIRE (EPSRC Early Career Fellowship), supporting innovations in egocentric dataset creation , real-time tracking , and industrial workflow assistance .

Julie Andreyevمشاهده پروفایل

دانشیار

• Acoustic Ecology
• Multispecies Collaboration
• Ecological Ethics
• +۷ مورد دیگر

Dr. Julie Andreyev is an Associate Professor in the Audain Faculty of Art at Emily Carr University of Art + Design. Her work bridges art and ecology, focusing on multispecies collaboration and biophilic ethics. She teaches courses in New Media + Sound Arts and Critical Studies. Education: PhD in Biophilic Ethics and Creativity with More-Than-Human Being from Simon Fraser University (2016). Research Interests: Interspecies creativity Eco-poetics and soundscapes Climate emergency adaptation Acoustic ecology Animal ethics in art Urban forest ecosystems Grants & Support: 2021 Art Apprenticeship Network Grant 2018 Emily Carr University Internal Research Grant Funded by Canada Council for the Arts and SSHRC Key Projects: Bird Park Survival Station (2015-ongoing) – climate emergency project with local birds Branching Songs (2024) – multispecies art project with old-growth trees Wild Empathy (2018) – VR project for ecological empathy EPIC_Tom (2014-16) – canine creativity performance Vegan Congress (2013) – activist art collective Publications: Lessons from a Multispecies Art Studio (2021 book), Responding to Dogs (2017 essay), and articles in BC Studies , Humanimalia , and Public Art Dialogue . Labs/Teams: Her Animal Lover studio and collaborations with researchers like Simon Lysander Overstall.

George Tzanetakisمشاهده پروفایل

استاد

• Computer Audition
• Audio Signal Processing
• Machine Learning
• +۴ مورد دیگر

George Tzanetakis is a Professor in the Department of Computer Science at the University of Victoria, Canada, affiliated with the Faculty of Engineering and Computer Science. He holds a PhD from Princeton University. His research focuses on computer audition, audio signal processing, machine learning, and music information retrieval, with applications in human-computer interaction, music education, and robotics. He is involved in the Music and Sound Interdisciplinary Centre, exploring innovative technologies for music performance, analysis, and interaction. Key areas of exploration include real-time gesture-based control systems, robotic musical instruments, and audio-based health monitoring. His work integrates multimodal data (e.g., audio, motion) and leverages deep learning to address challenges in music technology, bioacoustics, and healthcare analytics. Recent projects include developing frameworks for audio representation evaluation, modular synthesis systems, and PU learning models for healthcare prediction. His research has led to advancements in music transcription, sound event detection, and interactive musical interfaces. Collaborations span academia and industry, emphasizing practical applications of computational methods in music and beyond. No specific awards or grants are listed in the provided text.

• Heuristic search
• Program synthesis
• Deep learning for sound

Vadim Bulitko is a Professor in the Faculty of Science at the University of Alberta, affiliated with the Department of Computing Science. He holds a Ph.D. in Computer Science from the University of Illinois at Urbana-Champaign. Research Interests: His work spans heuristic search, program synthesis, and deep learning applications for sound. Recent projects focus on AI-driven puzzle generation, pathfinding in dynamic game environments, and neural network classification. Publications: His 15 most recent articles explore AI advancements in puzzle design, video-game navigation, and bioacoustic classification, emphasizing heuristic optimization and explainable AI techniques.

Philippe Pasquierمشاهده پروفایل

استاد

• Creative AI
• Generative Art
• Multi-agent Systems
• +۳ مورد دیگر

Dr. Philippe Pasquier is a Professor at Simon Fraser University's School of Interactive Arts and Technology, where he directs the Metacreation Lab for Creative AI. His research-creation program integrates scientific research on generative AI and machine learning with artistic practice in computer music and interactive art. Research focuses on creative AI systems for artistic tasks, including multi-track music composition (Calliope), timbre synthesis, visual synthesis (Autolume), and cross-modal generation. Applications span creative software tools, interactive installations, and audiovisual performances studied through HCI methodologies. Publications demonstrate consistent innovation in generative systems, with recent work exploring controllable music generation (MIDI-GPT), GAN-based visual synthesis, and evaluation frameworks for creative AI. Artistic works have been exhibited globally at venues including Ars Electronica, Centre Pompidou, and ZKM. Secured research funding from NSERC, SSHRC, CFI, and international agencies. Founded key academic initiatives including the International Workshop on Musical Metacreation (MUME), Movement and Computation conference (MOCO), and chaired ISEA2015. Teaches creative AI, sound design, and interdisciplinary computing approaches.

Norah Lorwayمشاهده پروفایل

استادیار

• Artificial Intelligence
• Music
• Live Coding
• +۳ مورد دیگر

Dr. Norah Lorway is an Assistant Professor at the RTA School of Media, Toronto Metropolitan University. She specializes in artificial intelligence and music research, film composition, and live coding performance. With a PhD in Computer Music & Human-Computer Interaction from the University of Birmingham, her work bridges technology, health care, and creative expression. Her research spans artificial intelligence applications in music and healthcare, digital sound design, and human-computer interaction. Key projects include developing AI assistants for dementia care with the NHS and co-creating the Scorch music programming language. Education: BMus, Piano Performance, Mount Allison University Masters, Music Computing, University of Calgary PhD, Computer Music & Human-Computer Interaction, University of Birmingham Postdoc, University of British Columbia Awards: 18 Women Composers You Should Know (Sundance Institute, 2019) Cinema Eye Honors Nominee (2020) Immersion Fellowship, South West Creative Technology Network (2018) She co-founded the Studio for Creative Artificial Intelligence and has two software companies. Her artistic works have been featured globally, including TIFF and Sundance festivals.

Yvan Roseمشاهده پروفایل

استاد

• Phonology
• Language Acquisition
• Child Language Development
• +۳ مورد دیگر

Yvan Rose is a Professor at Memorial University of Newfoundland, specializing in phonology and language acquisition. His research focuses on how humans organize sound systems, acquire phonology in first/second languages, and produce speech sounds. He received the Petro Canada Young Innovator Award (2006-2008) and leads the PhonBank project under CHILDES, developing the open-source Phon software for phonological data analysis. Education: M.A. from Université Laval (Québec) and Ph.D. from McGill University (Montréal). Teaching interests include phonology, language acquisition, and experimental phonetics. Research emphasizes empirical and multidisciplinary approaches, integrating linguistics, psychology, and computer science. Key contributions include: PhonBank: A cross-linguistic phonological development database Phon software for corpus analysis and treatment target selection Studies on speech rehabilitation in cochlear implant users Investigations into loanword phonology and bilingual acquisition His work bridges theoretical phonology with practical applications in speech-language pathology and computational tools for linguistic research.

• Electroacoustic Music
• Sound Art
• AI and Music Creativity
• +۸ مورد دیگر

Douglas Van Nort is an Associate Professor at York University's Department of Computational Arts, School of the Arts, Media, Performance and Design (AMPD). He holds a PhD in Music Technology from McGill University and has held roles including Canada Research Chair in Digital Performance (2015-2025), Banting Fellow at Concordia University (2013-2014), and Research Associate at Rensselaer Polytechnic Institute (2008-2013). His work integrates electroacoustic music, AI-driven systems, and immersive performance environments. Education: PhD in Music Technology (McGill, 2010), MFA in Electronic Arts (Rensselaer, 2003), MA/BA in Mathematics (SUNY Potsdam, 2001). Research Interests: Telematic performance, human-machine improvisation, ecoacoustics, and Deep Listening practices. Van Nort's awards include the 2010 ICMC Best Paper Award and Canada Research Chair designation. His grants total over CAD 5M, including CFI infrastructure funding for the DisPerSion Lab. He teaches courses in electro-acoustic music, interactive media, and digital performance. His DisPerSion Lab explores distributed performance and sensorial immersion.

• Cognitive Neuroscience
• Interpersonal Coordination
• Joint Action
• +۴ مورد دیگر

Janeen Loehr is a Professor in Psychology and Health Studies at the University of Saskatchewan's College of Arts and Science. Her research focuses on the cognitive and neural mechanisms underlying interpersonal coordination, joint action, and ensemble music performance, employing EEG techniques to study action monitoring and self-other distinctions. She holds a B.A. (Honors) and Ph.D. in Psychology. Her work investigates how individuals synchronize actions in contexts like musical ensembles or conversations, emphasizing sensory attenuation, neural correlates of feedback processing, and shared agency. Key themes include temporal coordination, motor control, and the social neuroscience of collaborative behavior. Loehr has taught courses such as Advanced Human Neuropsychology and Neuroscience Seminars, contributing to both undergraduate and graduate education. Her publications span topics from EEG hyperscanning methodologies to therapeutic applications of music in dementia care, reflecting her interdisciplinary approach to understanding human interaction. Ongoing research explores the neural basis of joint agency and the development of assistive technologies for neurological conditions.

KC Collinsمشاهده پروفایل

دانشیار

• Sound Human-Computer Interaction
• Games
• VR/AR
• +۲ مورد دیگر

KC Collins is an Associate Professor at Carleton University in the School of Information Technology. Her research focuses on the intersection of sound, music, and technology, exploring how auditory experiences are shaped by new technologies such as smart tables, mobile devices, video games, virtual reality, and slot machines. Her primary research areas include Sound Human-Computer Interaction, Games, VR/AR, Multimodal Interaction and Perception, and User Experience. She has published extensively on the impact of sound in gaming and gambling contexts, particularly in slot machines and virtual environments, as well as on the design of interactive audio systems. Her work bridges technical audio engineering with psychological and perceptual aspects of user experience. An analysis of her recent publications reveals a consistent theme: the critical role of sound in shaping user perception and behavior in interactive systems. Her research spans from fundamental studies on sound localization and audio-visual integration to applied work in gaming and gambling machines, contributing to both academic knowledge and industry practices. Dr. Collins has been recognized for her scholarly contributions, most notably by being elected to the Royal Society of Canada’s College of New Scholars. This prestigious honor highlights her as an emerging leader in her field. Royal Society of Canada’s College of New Scholars She is actively involved in the academic community, serving on editorial boards for key journals in her field including Sonic Scope, Music, Sound and Moving Image, and Journal of Music and Sound in Video Games. Additionally, she has held leadership roles in program committees for major conferences such as GameSoundCon (Research Track Chair, 2016), IEEE Conference on Games (Sound and Music track Chair, 2019), and ISEA International Symposium on Electronic Arts (2016, 2019). While specific details about her current graduate students and research grants are not provided in the source material, her extensive publication record and community involvement suggest active mentorship and research funding. Similarly, no specific research laboratory or team structure is mentioned, though her work appears to be conducted within the interdisciplinary context of the School of Information Technology.

William J. Turkelمشاهده پروفایل

استاد

• Computational History
• Big History
• Science and Technology Studies (STS)
• +۳ مورد دیگر

William J. Turkel is a Professor of History at The University of Western Ontario, Canada, and a member of the Royal Society of Canada's College of New Scholars. His research focuses on computational history, science and technology studies, and disability studies. He holds a PhD from MIT (2004) and leads the History Department's Fab Lab, equipped with advanced fabrication tools. Turkel's work includes reverse-engineering historical technologies, digital exhibit design, and mentoring over 20 students. He has authored books like Spark from the Deep and The Archive of Place , and his open-source textbook Digital Research Methods with Mathematica is widely used. Awards include the Western Award for Technology-Enhanced Teaching (2021) and SSHRC funding for NiCHE (2004–14). Education: PhD, MIT (2004) Research Interests: Computational methods, big history, modular synthesis, disability studies, and astrobiology. His lab explores tangible computing, 3D printing, and historical experimentation. Articles Overview: Recent work spans digital humanities tool development, historical computing analysis, and music-pattern recognition via machine learning. Key themes include bridging computational methods with historical inquiry. Awards: Royal Society membership (2018), Western University award (2021), and SSHRC leadership (2004–14). Advising & Grants: Supervised over 20 students and postdocs, including Devon Elliott and Ian Milligan. Collaborates with Tim Hitchcock, Edward Jones-Imhotep, and others on projects like MK ULTRA analysis and exoskeleton patent studies. Labs/Teams: The History Department Fab Lab includes 3D printers, CNC tools, and electronics prototyping. His lab designs interactive exhibits and tangible artifacts to explore historical phenomena.

Eldad Tsabaryمشاهده پروفایل

استاد

• Electroacoustic Music
• Improvisation
• Live Coding
• +۴ مورد دیگر

Eldad Tsabary is an Associate Dean of Research and Graduate Studies at the Faculty of Fine Arts, Concordia University. He leads the SSHRC-funded Reflective Iterative Scenario Enactments (RISE) project and founded the Concordia Laptop Orchestra (CLOrk), which has performed internationally. His work spans electroacoustic music, live coding, and interdisciplinary collaboration, particularly with AI and global artistic networks. Doctorate in Music Education from Boston University Research interests include improvisation , neural synthesis , and browser-based collaborative platforms . His recent publications explore GAN-based transformation matrices , multilingual live coding environments , and evolutionary dynamics in laptop orchestras , reflecting his focus on technology-driven musical innovation. Notable scientific contributions include the SSHRC-funded RISE project and leadership in the Canadian Electroacoustic Community (CEC) and the International Conference on Arts and Humanities. He actively collaborates with the Milieux Institute and Gina Cody School of Engineering, emphasizing AI integration in the arts.

Scott Smallwoodمشاهده پروفایل

استاد

• Music Composition
• Electroacoustic Music
• Sound Art
• +۵ مورد دیگر

Scott Smallwood is a Professor of Music Composition and Sonic Arts at the University of Alberta's Faculty of Arts, where he also directs the Sound Studies Institute. His roles include Director of the Sound Studies Institute and teaching courses in composition, electroacoustic music, and sound art. He holds degrees from Seattle Pacific University, Miami University, Peabody Conservatory, and Princeton University, where he served as a postdoctoral researcher with the Princeton Laptop Orchestra (PLOrk). Research focuses on sound art, acoustic ecology, field recording, and interactive technologies. Notable projects include the UNPOP Burning Man installation, audio game development (e.g., The Lost Garden ), and solar-powered sound installations like Coronium 3500 . Collaborations include work with artists like Stephan Moore (Evidence duo), Jen Mesch, and Vadim Bulitko. His work spans 8-channel electroacoustic compositions, site-specific installations, and audiovisual games. Recent exhibitions include Inter Mundos (2023-2024) and Held on for Dear Life (2024). Active in academic publishing, he explores topics like sonic interventions at Burning Man and ethical dimensions of digital identity in Your Data Body (2024). Education: PhD (Princeton), MMus (Peabody), MMus (Miami), BA (Seattle Pacific) Grants: Supported by Canada Council for the Arts, SSHRC, and Alberta Foundation for the Arts Labs/Teams: Audio Games Lab, Solarsonics Initiative