جست‌وجوی استاد و پژوهشگر

Deen Freelonمشاهده پروفایل

استاد

• Political Communication
• Computational Social Science
• Digital Media
• +۵ مورد دیگر

Deen Freelon is the Allan Randall Freelon Sr. Presidential Professor at the University of Pennsylvania's Annenberg School for Communication, where he leads research in digital politics and computational methods. His work centers on identity dimensions in social media, misinformation ecosystems, and political communication. Previously, he held tenured positions at American University and the University of North Carolina at Chapel Hill. Freelon earned a B.A. with honors from Stanford University (2002), followed by an M.A. (2008) and Ph.D. (2012) from the University of Washington. His endowed chair honors his great-grandfather, Allan Randall Freelon Sr., a Penn alumnus and prominent Philadelphia artist. Freelon's research explores intersections of technology and society with emphases on: Computational analysis of social media discourse Race, gender, and ideological asymmetry in online spaces Misinformation propagation and mitigation strategies Impact of personalized information environments on democracy His publications consistently address how digital platforms reshape political engagement and identity expression. Freelon has secured over $6 million in research funding from organizations including the Knight Foundation, Hewlett Foundation, Spencer Foundation, and US Institute for Peace. As a founding member of UNC Chapel Hill's Center for Information, Technology, and Public Life, he contributes to interdisciplinary efforts examining technology's societal impacts.

Bence Bardosمشاهده پروفایل

مدرس

• Media Studies
• Digital Participatory Cultures
• Remix Culture
• +۱۳ مورد دیگر

Dr Bence Bardos is a Lecturer in Media Production & Digital Content Creation at City, University of London, affiliated with the School of Communication & Creativity and the Department of Media, Culture and Society. He holds a PhD and MA in Media and Film from the University of Kent and has previously taught at the University of Kent and Kodolányi János University in Budapest. His research centers on digital participatory cultures, focusing on remix culture, online memes, parody, transmedia storytelling, and the cultural meanings embedded in internet phenomena. He explores how digital communities reinterpret media through irony, humor, and transformation, particularly in fandoms like Shrek and horror forms such as creepypasta. His upcoming publications examine ironic Shrek fandom, the communicative role of the Pepe the Frog meme, and the nostalgic linkage between 2000s Cartoon Network and online horror. These works reflect a broader interest in how digital platforms reshape narrative, identity, and cultural memory. Dr Bardos is also an active media practitioner, with experience as a television editor, video producer, and filmmaker. His creative works have been recognized at international short film festivals. He is passionate about fiction filmmaking, microbudget cinema, and experimental or 'weird' films. PhD in Media Studies, University of Kent (2018–2023) MA in Film with Practice, University of Kent (2016–2017) BA in Film, University of Kent (2013–2016) He has delivered papers at the ECREA European Communication Conference and the Two Decades of Shrek Online Symposium. His interdisciplinary background bridges media theory, film practice, and digital culture, informing both his teaching and research.

Claudia Lehmannمشاهده پروفایل

استاد

• Film Art
• Visual Communication
• Video Installation
• +۷ مورد دیگر

Claudia Lehmann is a University Professor of Film Art & Visual Communication at the Institute for Open Arts, Department of Scenography at Mozarteum University Salzburg. She has been a professor at Mozarteum University since 2019 and previously served as a visiting professor at the Berlin Weissensee Art Academy. As a faculty member, she contributes to the Institute management, teaches as a Teacher, and serves on the Curricular Commission. Dr. Lehmann holds a doctorate in physics (Dr. rer. nat.) with her dissertation "GAUGE COVARIANT MULTISCALE ANALYSIS OF COMPLEX SYSTEMS" published through DESY-Publications in 2004. Her academic journey reflects a unique interdisciplinary trajectory from scientific research to artistic practice. Claudia Lehmann's research interests center around the intersection of art and science, with particular focus on perception, reality, and systemic phenomena. Her work spans documentaries, feature films, music videos, art videos, installations, and performances, constantly searching for new forms and formats. She develops visual concepts, video stage sets, and unique live video performances, often in collaboration with Nicolas Stemann. Through her work, she explores diverse possibilities for new structures, especially in the form of artistic collaboration. Her recent artistic output shows a consistent trend toward interdisciplinary work that blends theater, film, and digital media. Lehmann frequently collaborates with Nicolas Stemann and Konrad Hempel, creating innovative performances that integrate video technology with traditional stagecraft. Her work often addresses social and political themes while experimenting with form and presentation. The Institute for Experimental Affairs (IXA), which she co-founded with Konrad Hempel, serves as a platform for exploring the interfaces between science and art through various projects and research initiatives. Dr. Lehmann has received several prestigious awards for her work: Samsung Smartfilm Award 2013 Shocking Shorts Award 2007 Nomination for German Documentary Film Music Prize 2013 Nomination for Studio Hamburg Young Talent Prize for Best Screenplay As an educator and researcher, Lehmann has developed numerous collaborative projects and performances that have been featured at major international festivals including the Berlin International Film Festival, Leipzig Documentary Film Festival, and various theater festivals. Her work with IXA represents a significant research initiative at the intersection of science and art. Lehmann co-founded the Institute for Experimental Affairs (IXA) with visual artist and composer Konrad Hempel. Through IXA, she conducts research and realizes projects at the interfaces between science and art. Her collaborative work spans theater productions, film projects, and interactive installations that have been presented at venues including the Schauspielhaus Zürich, Münchner Kammerspiele, Opéra Comique Paris, and various international festivals.

Patrik Wikstromمشاهده پروفایل

استاد

• Computational Communication
• Music Industries
• Algorithmic Culture
• +۳ مورد دیگر

Professor Patrik Wikstrom is a computational communication scholar at Queensland University of Technology (QUT), leading the School of Communication. He serves as Chief Investigator in QUT's Digital Media Research Centre (DMRC) and Associate Investigator in the Australian Research Council's ADM+S Centre. His expertise spans digital media's impact on music and meme cultures, algorithmic systems, and cultural economics. Education: PhD in Media and Communication Studies (Karlstad University), MScEng (Chalmers University). Former roles include Director of DMRC, Associate Dean (Research) at QUT's Creative Industries Faculty, and academic leadership at Northeastern University, Jönköping International Business School, and Karlstad University. Research focuses on digital technologies' societal impacts, including recommender systems, platform governance, and music industry dynamics. Key publications include TikTok: Creativity and Culture in Short Video and The Music Industry: Music in the Cloud . Active in grants like the Australian Cultural and Creative Activity Analysis project (LP160101724). Supervised over 10 doctoral and master's students on topics ranging from platform governance to decolonizing copyright. Current projects explore algorithmic culture, AI ethics, and fair payment models for artists. Labs/Teams: DMRC and ADM+S collaborate on automated decision-making's societal implications. Advocates for responsible AI and interdisciplinary computational methods in social sciences.

Jordan A. Y. Smithمشاهده پروفایل

دانشیار

• Comparative Literature
• Japanese Literature
• Translation Studies
• +۴ مورد دیگر

Jordan A. Y. Smith is an academic specializing in contemporary Japanese literature, comparative literature, and translation studies. He served as Associate Professor of Intercultural Studies at Josai International University, teaching in MA programs on Translation Studies and International Administration. He has also held visiting positions at UC Riverside, Pepperdine, Waseda University, and Sophia University. His research bridges literary analysis with cultural and translation studies, focusing on transnational ideologies and transpacific literary exchanges. Holding a Ph.D. in Comparative Literature from UCLA, Smith’s work spans poetry creation (in English and Japanese), literary translation of leading Japanese poets, and editorial roles including Editor-in-Chief (emeritus) of the Tokyo Poetry Journal. He is also an art curator for exhibitions at DIESEL Art Gallery (Shibuya), N&A Gallery (Tokyo), and Arts Maebashi. His creative output includes poetry volumes like Syzygy and Sea of Trees , showcasing experimental forms and thematic depth. Smith’s recent articles (2015–2018) explore topics such as transnational literary systems, gender dynamics in Japanese women’s poetry, and postcolonial narratives. His work exemplifies interdisciplinary approaches, merging literary criticism with cultural studies and visual arts. Though no formal awards are listed, his prolific publication record and curatorial activities highlight sustained academic and creative engagement. He has advised students across multiple institutions but none are explicitly listed here. Grants and funding details are not provided in the available text. Beyond academia, Smith has produced media content for BBC World Service, BBC Radio 4, and Naro TV, further demonstrating his multimedia and cross-cultural expertise.

• Intelligent imaging
• Animation games
• AIGC (Artificial Intelligence Generated Content)
• +۲ مورد دیگر

Ma Xufeng is an Assistant Professor in the Animation Department at the School of Art and Media, Tongji University , Shanghai. She earned her PhD in Image Arts from Chung-Ang University, South Korea , and completed a postdoctoral fellowship at the School of Journalism and Communication, Tsinghua University . Her research bridges intelligent imaging, animation games, AIGC, new media art, and the metaverse , focusing on intelligent image production and dissemination, AI-driven art therapy, and serious games . Education: PhD in Image Arts, Chung-Ang University, South Korea (2018.09–2021.02) Master of Image Arts, Chung-Ang University, South Korea (2016.09–2018.06) Bachelor of Art Design (Animation), Zhongnan University of Economics and Law, China (2011.09–2015.07) Research Interests: Dr. Ma’s scholarship sits at the intersection of artificial intelligence, digital media, and therapeutic applications . She explores how AI-generated content (AIGC) can revolutionize animation, game design, and immersive storytelling . A second strand investigates serious games and VR systems for autism rehabilitation and emotional therapy , leveraging game psychology to craft interventions that blend aesthetics, technology, and mental health . Publications & Research Trends: Her most recent work (2021-2024) charts a trajectory from VR-based rehabilitation games to AI painting for art therapy , demonstrating a shift from interactive technology prototypes toward critical and aesthetic theories of AI art . Collectively, her publications map the evolution of intelligent media ecosystems and their societal impact. Scientific Awards & Grants: Principal Investigator, Korean BK21+ CFT Convergence Research Project – VR immersive game for autistic children (2020) Principal Investigator, Korean BK21+ CFT Convergence Research Project – Fitness-bicycle functional game (2019) Special Selection Award, Seoul International Animation & Cartoon Festival (2020) Nomination, Golden Kuker–Sofia International Animation Festival (2020) Teaching & Labs: At Tongji University, Dr. Ma contributes to undergraduate and postgraduate curricula in animation, new media art, and game design . She is affiliated with the Omnimedia Research Institute and the Media Experiment and Practice Teaching Center , where she guides students in AI-driven content creation and VR/AR prototyping .

MARIA CRUZ NEGREIRA REYمشاهده پروفایل

استادیار

• Digital Communication
• Journalism Studies
• Media Innovation
• +۶ مورد دیگر

Maria Cruz Negreira Rey is an Assistant Professor at the Department of Communication Sciences, Faculty of Communication Sciences, University of Santiago de Compostela. She is affiliated with the Institute of Studies and Development of Galicia (IDEGA). Her research focuses on digital media innovation, hyperlocal journalism, and the intersection of technology with news production. She holds a Doctorate (2020) from the same university, with a thesis on hyperlocal cybermedia in Spain, supervised by Dr. Xosé López García. Her academic work emphasizes the transformation of journalism in the digital age, particularly exploring AI integration in communication sectors, audience-driven journalism, and challenges posed by news deserts. Key research areas include media geography, risk communication (e.g., radon gas reporting), and the adaptation of journalism to platforms like TikTok and Twitch. She has also studied comparative models of hyperlocal media in Spain and the Netherlands, and the role of digital native media in societal communication. Her publications highlight trends such as the blurring boundaries between traditional journalism and citizen-generated content, the ethical implications of AI in media, and the strategic reinvention of local journalism in the face of technological disruption. While no formal awards are listed, her prolific output reflects significant contributions to media studies and communication science. Her research extends to media labs, innovation in public service broadcasting, and the sociability functions of online media networks. She collaborates on projects mapping media landscapes, such as Galicia’s digital media ecosystem, and analyzing the impact of instant messaging platforms like WhatsApp in news dissemination.

• Media Writing and Production
• Documentary Storytelling
• Public Memory

Brian Graves is an Associate Professor of Media and Technology at Florida State University's School of Communication. His research focuses on media writing and production, documentary storytelling, and public memory. He holds a Ph.D. in Communication Studies from the University of North Carolina at Chapel Hill, an M.A. in Communication Studies from the same institution, and a B.A. in Media Arts from the University of South Carolina Honors College. Ph.D., Communication Studies, 2010; University of North Carolina at Chapel Hill M.A., Communication Studies, 2005; University of North Carolina at Chapel Hill B.A., Media Arts, 1999; University of South Carolina Honors College His work explores the interplay between media technologies and narrative structures, with a focus on ethical challenges in documenting public memory. Recent publications examine streaming media's impact on storytelling and the evolution of documentary techniques in the digital era. These studies highlight trends in decentralized media platforms, interactive narratives, and technological innovations like virtual reality and AI-driven storytelling. Beyond technical aspects, his research delves into the sociocultural implications of digital storytelling, including the preservation of collective memory, the role of archival footage, and the representation of marginalized communities. His contributions span topics such as social justice advocacy, media ethics, and the commercialization of memory in transnational contexts.

Tom Leeمشاهده پروفایل

مدرس ارشد

• Contemporary Fiction
• Memoir Writing
• Creative Writing
• +۳ مورد دیگر

Dr. Tom Lee is a Senior Lecturer in Creative Writing at Goldsmiths, University of London, where he also serves as convener of the MA Creative and Life Writing program and co-director of the Goldsmiths Writers' Centre. His academic work focuses on contemporary fiction and memoir, blending literary analysis with personal narrative. Lee holds a PhD in Creative Writing from Goldsmiths (2016), following an MA (2002) and BA (1997) in related fields. His publications include the 2024 memoir The Bullet , 2017 novel The Alarming Palsy of James Orr , and 2008 short story collection Greenfly . His writing has appeared in The Guardian , Granta , and The Paris Review , among others. He has received awards including the Royal Society of Literature’s Brookleaze Grant and was shortlisted for The Sunday Times Short Story Award in 2012. Lee’s research explores intersections of mental health, family history, and institutional critique. His audio works like The Current (2022) and How I Write (2022) showcase innovative narrative forms. He previously served as Royal Literary Fund Fellow at the University of Greenwich (2019–2022) and supervises Creative Writing PhD students at Goldsmiths.

Sherice Gearhartمشاهده پروفایل

دانشیار

• Social Media
• Health Communication
• Political Communication
• +۷ مورد دیگر

Sherice Gearhart is an Associate Professor in the Department of Public Relations & Strategic Communication Management at Texas Tech University's College of Media & Communication. She holds a Ph.D. from Texas Tech University (2013) and an M.A. from the University of Texas San Antonio (2009). Her research focuses on media effects, public opinion formation, and digital technology impacts. Key interests include spiral of silence theory in online contexts, health communication (e.g., Native American health news framing), environmental issues (e.g., fracking, wind energy), and political communication. She has conducted grant-funded studies with the Native Health News Alliance and led survey experiments on topics like data quality in web-based surveys and journalist practices. Research Methodologies: Survey experiments, content analysis, and mixed-methods approaches. Leadership: Research Chair for AEJMC’s Political Communication Interest Group and committee member for the Inez Kaiser Graduate Students of Color Award. Teaching: Courses include mass communication research methods, public opinion, and quantitative research. Her work bridges theory-driven analysis with real-world applications, emphasizing digital media’s role in shaping public discourse and behavior.

• Communication Sciences
• New Media Studies
• Social Media Analysis
• +۷ مورد دیگر

Neslihan Bulur is a Researcher at Uskudar University's Department of New Media and Communication. Currently completing her PhD in Communication Sciences at Marmara University (2025), she holds a Master's in Strategic Communication Management (Galatasaray University, 2020) and a double major in Communication Design & Management and Sociology (Anadolu University, 2017/2018). PhD Candidate: Communication Sciences, Marmara University (2025) MSc: Strategic Communication Management, Galatasaray University (2020) BSc: Communication Design & Management + Sociology, Anadolu University (2017/2018) Her research combines techno-political analysis with cultural studies, examining AI perception, climate change discourse, and digital inequality. Recent work investigates: AI representation in Global South vs. North Algorithmic framing of environmental issues Crisis communication during pandemics and disasters Digital media's role in identity formation Key article trends show growing focus on: Technopolitical dimensions of social media Critical AI studies in communication Data colonialism in digital spaces Visual culture in conflict representation Administrative roles include: Co-editor for national academic journals (2022–present) Member of accreditation working groups (2024–present) Web development commissions (2018–present)

• Innovations
• Social Media
• Relationship Management
• +۲ مورد دیگر

Dr Magdalena Sawczuk is an Assistant Professor at the Jagiellonian University within the Faculty of Management and Social Communication . She is affiliated with the Institute of Entrepreneurship and serves as an Erasmus+ Program Coordinator. Her office is located at room 3.317, and she can be contacted at +48 12 664 5798. Teaching: Marketing Communication, Crowdsourcing, UX Design for Mobile Applications, Strategic Management, Social Media in Tourism Research Focus: Innovations, Social Media, Value Co-creation, Museum Management Administrative Role: Erasmus+ Program Coordinator Her research explores social media dynamics in museums , including platforms like TikTok and LinkedIn, with emphasis on stakeholder engagement , value co-creation , and crisis communication . She investigates how museums leverage crowdfunding platforms like Kickstarter and integrate creative industry practices for financial sustainability and audience interaction. She supervises the student organization SOCIAL NINJA ACADEMY and contributes to conferences such as the International Conference Tourism in Social Sciences and the Jagiellonian Seminar on Entrepreneurship . Her work bridges digital marketing , nonprofit management , and cultural innovation .

• Journalism
• Media Studies
• Digital Communication
• +۳ مورد دیگر

Marie Verstappen is a Research Fellow at KU Leuven within the Faculty of Arts, affiliated with the Lab for Media, Information & Influence. She maintains offices at both the Antwerp campus (St. Jacobsmarkt 49-51) and Leuven campus (Parkstraat 45), actively contributing to research and teaching in media communication through courses Y03370 (Mediacommunicatie) and Y03527 (Medialandschap). Her research centers on social media's transformative impact on journalism, with deep investigation into editorial decision-making processes on TikTok, Facebook, and Instagram. She examines how news organizations influence platform-specific content creation, the psychological effects of anticipated audience backlash on fact-checkers, and the complex remediation of traditional news formats for digital consumption. This work bridges communication theory with urgent practical challenges in contemporary news ecosystems. Analysis of her 2024-2025 publications reveals consistent focus on platform-native journalism practices, particularly the evolving role of social media editors as gatekeepers. Key trends include comparative studies of news remediation across platforms, methodological innovation through participant observation, and critical examination of audience-editor dynamics in hostile online environments. Scientific Awards: No awards were documented in the provided information. Advising and Grants: The available materials contain no references to student supervision or grant funding activities. Labs and Teams: Verstappen is integral to the Lab for Media, Information & Influence while holding significant governance roles: Faculty Council of Arts (representing AAP-BAP-OP1-OP2) POC Applied Linguistics Antwerp Campus Council of the Faculty of Arts, Antwerp Artesraad Her ORCID profile (0000-0002-5712-4341) provides persistent access to her scholarly contributions.

• Digital Communication
• Sociology of Communication
• History of Communication
• +۲ مورد دیگر

Alpaslan ÖNGEL, Kırşehir Ahi Evran Üniversitesi Sosyal Bilimler Meslek Yüksekokulu'nda Görsel-İşitsel Teknikler ve Medya Yapımcılığı Bölümü'nde Teaching Assistant olarak çalışmaktadır. Tam zamanlı olarak görev yapan ÖNGEL, dijital iletişim, iletişim sosyolojisi ve iletişim tarihi alanlarında araştırmalar gerçekleştirmektedir. PhD, Media and Communication Studies, Istanbul Commerce University (2023) Master's Degree, International Relations (Thesis), Istanbul Commerce University (2017) Bachelor's Degree, Media and Communication, Istanbul Commerce University (2013) Araştırmaları Yapay Zekâ ve Medya Teknolojileri 'nin haber üretim süreçlerine entegrasyonu, sosyal medya platformlarının toplumsal etkileri ve bilgi-iletişim teknolojilerinin mekânsal dönüşümü üzerine odaklanmaktadır. Son 5 yılda 3 makale, 3 kitap bölümü ve 1 bildiri yayınlayarak TÜBİTAK Sosyal Bilimler alanında 78860 akademisyen içinde 299. sırada yer almaktadır. 2025: TikTok ve sosyal medya aracılığıyla şöhret kültürü oluşumu 2024: Bilgi ve iletişim teknolojilerinin coğrafi dönüşüm etkisi 2023: Yapay zekânın haber üretim süreçlerine entegrasyonu

Michael Kho Limمشاهده پروفایل

مدرس

• Asian Cinema
• Independent Filmmaking
• Film Distribution and Exhibition
• +۴ مورد دیگر

Dr Michael Kho Lim is a Lecturer in Creative Industries and Cultural Policy at the University of Glasgow, specializing in Theatre, Film, and Television Studies. He holds a PhD and has extensive industry experience as a film producer, executive director, and content creator across the Philippines, Australia, and the UK. His research focuses on Asian cinema, film distribution, cultural economy, and creative industries policy, with particular attention to Southeast Asian contexts. Affiliations: Editorial roles: Review Editor for Frontiers in Communication , Editorial Advisory Board member for Arts and the Market Professional memberships: UK Research and Innovation Peer Review College, Climate Social Science Network Research Interests: Lim's work interrogates the intersections of film distribution, cultural policy, and urban development. Notable contributions include analyses of Lav Diaz's cinematic distribution strategies, creative placemaking in Thai cities, and the socio-economic impacts of K-drama during the pandemic. His 2019 monograph Philippine Cinema and the Cultural Economy of Distribution remains a seminal text in Southeast Asian film studies. Publications Trends: Recent work emphasizes transnational cultural flows (e.g., K-drama's pandemic role), urban policy (creative districts in Thailand/Philippines), and fan cultures (Boys' Love phenomena). Earlier research explored queer media histories and media production pedagogy. Grants & Projects: Scotland Asia Partnerships Fund: Creative District Development Study (2023) GCID Small Grants: QCinema Sustainability Study (2023-24) NCCA Philippine Cinema Sector Report (2018-19) Teaching & Supervision: Leads modules on screen production, media entrepreneurship, and cultural policy. Supervises PhD projects on NFTs in film, Chinese short-form video commentary, and virtual reality integration in media.