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Dr. Silvia VESCO is an Associate Professor in the Department of Asian and North African Studies at Ca' Foscari University of Venice, where she specializes in Japanese art history, particularly Edo-period visual culture, ukiyo-e prints, illustrated books, and the works of Katsushika Hokusai. She is actively involved in research, teaching, and cultural curation, with a strong focus on Italian collections of Japanese art and cross-cultural artistic dialogues between Japan and the West. Education: PhD in History of Indian and East Asian Art, Ca' Foscari University of Venice (1999) Master in Art & Archaeology, SOAS, University of London (1995) Degree in Oriental Languages and Literatures, University of Venice (1993, with honors) Her research interests encompass Japanese aesthetics, museum studies, and the global reception of Japanese art. She has led major digitization projects for the Museum of Oriental Art in Venice and contributed to the development of its new museological framework. Her scholarly work reveals a consistent focus on Hokusai, Edo-period print culture, and the philosophical dimensions of Japanese visual forms. The recent publications highlight a deep engagement with Hokusai’s pedagogical works, the aesthetics of emptiness, and contemporary reflections on nature in post-Fukushima Japan. Her interdisciplinary approach bridges art history, cultural studies, and museum practice. Scientific Recognition: Finalist, Premio Nazionale per la divulgazione scientifica 'Giancarlo Dosi' (2020) Japan Foundation Fellowship (1997) Postgraduate scholarship from the University of Venice (1994) She has supervised numerous MA theses, served on PhD committees, and mentored students in Japanese art history. Her research has been supported by grants from the Japan Foundation and institutional collaborations with museums and cultural centers. She is a referee for VQR, Edizioni Ca' Foscari, and international journals, and serves on the scientific committees of several academic and museum publications. Labs and Teams: Scientific Committee, Museum of Oriental Art, Ca' Pesaro, Venice Scientific Committee, Edizioni Ca' Foscari Coordinator, Scientific Committee for Ca' Foscari Japanese Studies, Arts and Literature Member of the editorial board of 'Venezia Arti' and 'Quaderni del Polo museale del Veneto'

• Japanese Art History
• Edo Period Art
• Ukiyo-e Prints
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D. Max Moerman is a Professor and Chair of the Department of Asian and Middle Eastern Cultures at Barnard College, Columbia University. He holds an A.B. from Columbia College (1986) and a Ph.D. from Stanford University (1999). His research focuses on East Asian Buddhism, particularly the visual and material culture of Japanese religions. His current book project, Geographies of the Imagination: Buddhism and the Japanese World Map , explores intersections between religious thought and cartographic representation. He serves as Co-Chair of Columbia’s Buddhist Studies Seminar and Associate Director of the Columbia Center for Buddhism and Asian Religions. Key research interests include sacred texts like the Lotus Sutra , medieval religious practices, and pilgrimage traditions. His work integrates textual analysis with material culture studies, addressing themes of defilement, sacred geography, and iconography. Teaching responsibilities include courses such as Colloquium on Major Texts: East Asia and The Lotus Sutra . He actively contributes to interdisciplinary dialogues on Japanese religious history through his academic leadership roles and publications in journals like the Japanese Journal of Religious Studies .

• East Asian Buddhism
• Visual Culture of Japanese Religions
• Material Culture Studies
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Lucia Dolce serves as the Numata Professor of Japanese Buddhism within the Department of Religions and Philosophies at SOAS University of London, part of the School of History, Religions and Philosophies. Her academic base is room 342 in the Russell Square: College Buildings campus. Her educational background includes: Laurea MA (University of Venice) PhD (Leiden University) Professor Dolce's research centers on two interconnected projects: first, the discourse on the body in medieval Japanese Buddhist rituals and its connections to continental Tantric practices, emphasizing ritual fluidity and performative theory applications; second, contemporary Buddhism-Shinto syncretism with focus on revival of premodern practices in Kyoto shrines. She also examines Tokyo's urban pilgrimage routes like the Seven Gods of Fortune, analyzing institutional negotiations and religious marketing dynamics. Her journal articles (1992-2023) consistently explore ritual knowledge transfer in Japanese Buddhism, with recent works on scriptural repurposing and tantric exegesis highlighting material culture and practice-centered approaches. Earlier publications establish foundational studies on Nichiren Buddhism's esoteric dimensions, astrological cults, and celestial body worship, revealing enduring thematic threads across three decades of scholarship. Scientific awards: No awards listed in provided text Advising and grants: She currently supervises four PhD candidates: Rachel Williams (Japanese Secularity), Haruka Saito (Repentance Rituals), Sooyeun Yang (Korean Astrological Buddhism), and Yeonju Lee (Korean Nationalism). Previous supervisees include twelve PhD graduates such as Emanuela Sala (2022, Sannō Shintō), Ronit Wang (2022, Thai Hell Parks), and multiple 2011 completions. Dolce led the Newton Fellowship-associated project 'The Lucky Gods of Tokyo' (2014-2016), investigating spatial politics in Buddhist-Shinto pilgrimage networks.

• Japanese Buddhism
• Medieval Japanese Religious Culture
• Ritual Studies
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Hiroto Yoshihara is a Professor at Waseda University's Faculty of Letters, Arts and Sciences, School of Culture, Media and Society, specializing in Japanese intellectual history, Buddhist studies, and Sino-Japanese comparative literature. With a Master of Arts from Waseda University, he has conducted extensive research on ancient and medieval Japanese literature, religious history, and cultural exchange between Japan and China. Yoshihara's research interests focus on Japanese intellectual history, ancient and medieval history, Japanese and Chinese literature, Buddhist studies, and Shinto studies. His work particularly examines the intersection of religious thought and literary expression in premodern Japan, with special attention to figures like Prince Shotoku and Sugawara no Michizane (deified as Tenjin). His comparative approach reveals the complex cultural flows between Japan and continental Asia. His scholarly output shows a consistent focus on religious narratives, particularly Buddhist traditions, and their literary expressions. A significant portion of his recent work analyzes the reception and adaptation of Chinese literary and religious traditions in Japan, especially during the Heian period. His research demonstrates how Japanese intellectuals engaged with continental models while developing distinctive local traditions. Yoshihara received the Kubota Utsuho Award in 1987 for his contributions to Japanese literary studies. His research has been supported by numerous grants from the Japan Society for the Promotion of Science, including projects on East Asian cultural exchange and religious thought during Japan's regency and Insei periods. He has directed significant research projects, including the Institute for Japanese Religions and Cultural History at Waseda University (2021-2025). His international collaborations, particularly with Chinese academic institutions, reflect his commitment to cross-cultural scholarship and the global dimensions of Japanese religious and literary history.

• Japanese literature
• Japanese history
• History of thought
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Takashi Miura is an Associate Professor at the University of Arizona specializing in Japanese religions from the early modern to modern periods. His work explores millenarian movements, Shinto practices, and Buddhist visual culture. He holds degrees from the University of Hawai'i at Mānoa (B.A./M.A.) and Princeton University (Ph.D.). Dr. Miura's research examines religious innovations like the rise of 'yonaoshi' renewal gods and deified peasants. His 2019 monograph Agents of World Renewal analyzes apocalyptic concepts in Japanese history. Current projects include a study on early modern peasant deification and its societal impacts. He teaches courses on Buddhism and Japanese religious practices, including EAS 160A1 and JPN 220. His publications span academic journals and edited volumes, addressing topics from Meiji-era polemics to post-war new religions. His work frequently bridges textual analysis with visual and material culture studies.

• Japanese Religions
• Early Modern and Modern Japanese History
• Millenarianism
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Ryuichi Abe is the Reischauer Institute Professor of Japanese Religions at Harvard University, currently on leave during 2025-26. He holds a Ph.D. in Religious Studies from Columbia University and teaches graduate and undergraduate courses on East Asian religions, premodern Japanese religions, and Buddhism. Education B.A. in Economics from Keio University M.A. from School of Advanced International Affairs, Johns Hopkins University M.Phil. and Ph.D. in Religious Studies from Columbia University Professor Abe's research focuses on Japanese Buddhism and its intersections with visual culture, literature, and gender studies. He explores historical developments of esoteric Buddhist traditions and interactions between Shinto and Buddhist practices. His work spans critical analyses of Buddhist textual theory, medieval origin narratives, and the cultural impact of figures like Zen Master Ryōkan. Publications include studies on Kūkai's esoteric discourse, the Lotus Sutra's medieval interpretations, and Xuanzang's Heart Sutra in Japanese kami worship contexts. Key themes in his research include ritual consecration, medieval Buddhist environments, and the symbolic integration of Shinto elements into Buddhist frameworks. He has contributed to journals such as Japanese Journal of Religious Studies and Impressions .

• Buddhism and visual culture
• Buddhism and literature
• Buddhist theory of language
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Michael Como Tōshū Fukami is an Associate Professor of Shinto Studies at Columbia University's Department of East Asian Languages & Cultures. He holds a BA from Harvard University (1985) and a PhD from Stanford University (2000). His research focuses on the transmission of rituals, deities, and technologies to Japan, particularly during the Asuka to Heian periods. Current projects include a monograph on urbanization and materiality of religious performance in 8th–9th century Japan. His teaching includes courses such as the Colloquium on Major Texts in East Asia and Graduate Seminar in Japanese Religion. Research interests span cultural transmission, local religious traditions, and theological innovation tied to urbanization. Recent publications examine medieval Shintō, immigrant deities in ancient Japan, and the role of violence in Buddhist formation. He has held office at Columbia’s 307 80 Claremont and is listed among faculty in the department. No awards are explicitly mentioned in the provided text.

• Transmission of Rituals
• East Asian Religious Traditions
• Urbanization and Theological Innovation
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Robert L. Chard is a Professor of Chinese Classics and Tutorial Fellow in Chinese at St Anne's College, University of Oxford. He is affiliated with the China Centre, a leading institution for East Asian studies. His research focuses on the cultural history of Confucianism, Confucian ritual studies (禮學), and the intersection of religion, politics, and military history in early China and premodern East Asia. He teaches courses on classical Chinese texts, historical methodologies, and Chinese religious traditions. His recent scholarship explores Confucian ritual authority in early China, the role of Confucian temples in Japanese domain (han) education systems during the Tokugawa period, and transnational intellectual exchanges between China and Japan. He has published extensively on topics such as ritual practices, temple symbolism, and the socio-political dimensions of Confucian learning. While no specific grants or awards are listed, his work demonstrates deep engagement with primary sources and cross-cultural analysis. He advises students in classical Chinese studies and oversees tutorial programs at St Anne's College.

• Cultural history of Confucianism
• Confucian ritual studies (禮學)
• History of Chinese religion and magical beliefs
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Prof. Roger Goodman is the Nissan Professor of Modern Japanese Studies at the University of Oxford and Warden of St. Antony's College. He holds leadership roles in the Oxford School of Global and Area Studies (OSGA) and the Social Sciences Division. His career spans over 40 years, including a doctorate in social anthropology (1982), a Junior Research Fellowship (1985–88), and professorships at the University of Essex and Oxford. His research focuses on Japanese education, social policy, and comparative studies of East Asia and the UK. Education: PhD in Social Anthropology (St Antony’s College, 1982) Affiliations: Nissan Institute of Japanese Studies, OSGA, St Antony’s College Research interests include Japanese education systems, youth culture, social welfare policies, and cross-cultural comparisons. His work bridges anthropology and sociology, addressing themes like demographic shifts, university governance, and policy reform. Notable publications include Family-Run Universities in Japan (2020) and Children of the Japanese State (2000). Awards: Fellow of the Academy of Social Sciences (2013), Academy President (2020–) He has supervised ~40 doctoral theses, covering topics from Shinto shrines to education reform. His teaching emphasizes anthropological perspectives on Japanese society, including kinship systems, gender, and popular culture.

• Japanese Education
• Social Policy
• Youth Culture
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Ken Miichi is a Professor at the Graduate School of Asia-Pacific Studies, Waseda University (since 2019). His research focuses on Indonesian politics , political Islam , gender dynamics , and religious pluralism in Southeast Asia. He has received the Ishibashi Memorial Asia-Pacific Research Incentive Award (2002) and led numerous grants from Japan Society for the Promotion of Science , including projects on COVID-19 political impacts and conflict resolution in polarized societies . His work bridges academic research and public commentary , with contributions to books, edited volumes, and policy-oriented articles. Research Highlights : Anti-Feminist Discourse in Indonesia (2024) and Gender Politics in presidential elections (2020) Religious Pluralism in post-authoritarian Indonesia (2020) Indigenization of Islamism through grassroots networks (2023) Cultural Preservation of folk performing arts after disasters (2016) Scientific Awards : Ishibashi Memorial Asia-Pacific Research Incentive Award (2002) Grants include: Political Impact of the COVID-19 Crisis (2022-2027) Trust and Peacebuilding in Conflict-Affected Regions (2020-2025) Feminist Movements and Islam in Indonesia (2020-2024)

• Southeast Asia
• Indonesia
• Islam
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Emi Foulk Bushelle is an Associate Professor at Western Washington University, specializing in Japanese intellectual history and cultural studies. Her research bridges early modern Japan with medieval traditions, focusing on nativism (Kokugaku), Buddhist thought, and waka poetics. Research Interests Early Modern Japan Kokugaku (Japanese Nativism) Japanese Intellectual History Medieval Waka Poetics Japanese Buddhism Publications Trends Her recent publications emphasize the interplay between Buddhist soteriology, ritual practices, and nativist ideologies in pre-modern Japan. Key themes include the works of Motoori Norinaga, Japan-centrism, and the sacralization of Japanese language and literature, reflecting her interdisciplinary approach to historical and religious analysis.

• Early Modern Japan
• Kokugaku (Japanese Nativism)
• Japanese Intellectual History
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Professor Aike Peter Rots holds a position at the University of Oslo's Faculty of Humanities, Department of Japanese Studies. His research examines religion, culture, and nature in contemporary Asia, with specialization in Japan and Vietnam. Rots leads the ERC-funded project 'Whales of Power' (2019-2025) investigating cetacean worship and environmental change in maritime East Asia. His scholarship spans multiple domains: sacred space and ritual theory; heritage-making processes; environmental humanities; Shinto transformations; indigenous traditions; and religion-corporate interactions. His work critically analyzes how religious practices adapt to environmental crises and heritage preservation efforts. Publications demonstrate consistent focus on nature-culture relationships, with recent work examining Vietnamese whale worship amid plastic pollution crises, Japanese whale festivals, and East Asian perspectives on utopia and ritual. His research methodology emphasizes cross-cultural comparison and challenges methodological nationalism. Rots received the prestigious European Research Council Starting Grant for his innovative work on human-aquatic mammal relationships. He has authored 'Shinto, Nature and Ideology in Contemporary Japan' and co-edited volumes including 'Sacred Heritage in Japan'. Current projects include monographs on whale rituals in Japan/Vietnam and an introductory Shinto textbook.

• Religion and Ecology
• Sacred Space and Ritual Theory
• Heritage-Making and Tourism
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Dr. Ronald Green is a Professor and Department Chair at the Department of Philosophy and Religious Studies at Coastal Carolina University. He specializes in Japanese Buddhism and Shinto traditions, examining their historical roots and modern expressions through movies, anime, novels, and lived religious practices. His scholarly work includes translating primary Buddhist texts, particularly focusing on Nara and Heian Buddhism, Shingon Esoteric Buddhism, and East Asian Yogacara. Education: Ph.D. in Buddhist Studies from the University of Wisconsin-Madison (2003) M.A. in South Asian Religions from the University of Wisconsin-Madison M.A. in Japanese Literature from the University of Oregon M.S. in Sociology from Virginia Tech Dr. Green's teaching areas include Buddhism, Shinto, Asian Religions, Buddhist meditation traditions, and representations of religion in Japanese popular culture. His fieldwork includes repeated participations in the Shikoku Pilgrimage in Japan, culminating in a 2019–2020 ASIANetwork Freeman Foundation Student-Faculty Fellows Program grant with Dr. Susan Bergeron to develop the Virtual Shikoku platform, which integrates technology with religious studies. As co-editor of the ASIANetwork Exchange , he contributes to academic discourse on Asian religions. His work emphasizes immersive scholarship, blending historical analysis with contemporary cultural interpretations, and he actively engages public audiences through lectures, webinars, and accessible writing. His book publications include Shintō in the History and Culture of Japan , Gyonen’s Transmission of the Buddha Dharma in Three Countries , and Buddhism Goes to the Movies .

• Japanese Buddhism
• Shintoism
• Religious Studies
• +۱۲ مورد دیگر

Jonathan M. Reynolds is Professor of Art History at Barnard College, Columbia University, where he has been a member of the faculty since 2007. He teaches courses on Japanese art and architecture, with a focus on the late nineteenth and twentieth centuries. His academic work bridges architectural history, visual culture, and Japanese identity formation. Education: A.B., Harvard College A.M., Stanford University Ph.D., Stanford University Reynolds’ research centers on modern and contemporary Japanese architecture and visual arts. His work explores how architectural forms and photographic representations construct cultural and national identity. He has published extensively on Japanese modernism, the professionalization of architecture in Japan, and the reinterpretation of tradition in modern contexts. His scholarship reveals deep engagement with spatial allegory, temporal narratives, and the interplay between tradition and modernity. The selected publications reflect a sustained scholarly trajectory in Japanese architectural modernism, cultural identity, and pedagogical frameworks. Key themes include the construction of tradition, the emergence of professional architectural practice, and the role of education in shaping contemporary design. His work often intersects photography, spatial theory, and national identity. Scientific Awards: Arthur Kingsley Porter Prize, awarded by the College Art Association for outstanding article in art history Professor Reynolds has received research support from major institutions including the National Endowment for the Humanities, the Japan Foundation, and the Center for Advanced Study in the Visual Arts. These grants have enabled extensive archival and field research in Japan. While no formal advisees are listed, his professorial role and publication record suggest active mentorship and academic leadership. His work contributes significantly to transnational dialogues in architectural history. Reynolds is affiliated with the Department of Art History at Barnard College, contributing to a vibrant program in Asian and global art studies. His teaching and research form part of a broader scholarly community engaged in critical visual and cultural analysis.

• Japanese Art History
• Japanese Architecture
• Modernist Architecture
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Dr. Renata Iwicka is a researcher at Jagiellonian University's Department of Comparative Civilization Studies, Faculty of Oriental Studies. Specializing in Japanese and Sinology within literary studies, she holds a PhD in Cultural Studies and maintains significant translation work of Japanese literature from the Taishō period, particularly focusing on Akutagawa Ryūnosuke. Key Research Areas: Nationalism in East Asia, Japanese-Korean cultural relations, social media impact on national identity, and demonology in historical contexts. Academic Contributions: Edited volumes on male image representations, explored post-war reconciliation mechanisms through media, and analyzed the evolution of masculinity in Korean television. Publications Trend: Recent works focus on internet-era nationalism (Kamikakushi, Dokdo disputes) and cultural cross-pollination between Japan and Korea, with methodological approaches combining narrative analysis, cultural anthropology, and media studies. Awards: Pro Arte Docendi Award (2016/17), ID.UJ research funding (2023) Projects: Neonationalism on the Internet, Zainichi ethnic minority studies, and historical analysis of Japanese demonology. Her non-scientific interests include physics and toxicology, while maintaining active research trips and interdisciplinary approaches blending literary analysis with cultural theory.

• Nationalism
• East Asian Cultural Studies
• Cultural Anthropology
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