جست‌وجوی استاد و پژوهشگر

• Film Studies
• Teen Cinema
• Gender and Sexuality Studies
• +۷ مورد دیگر

Dr. Frances Smith is an Associate Professor in Film Studies at the University of Sussex's School of Media, Arts and Humanities. She holds a PhD in Film and Television Studies from the University of Warwick (2013), an MA in Management from Durham University (2008), and a Master of Modern Languages in French/Italian from Manchester University (2007). Her research focuses on teen cinema, female authorship, Hollywood and European cinema, and gender studies, with current work on Céline Sciamma's Girlhood. She authored Rethinking the Hollywood Teen Movie (2017) and co-edited Refocus: The Films of John Hughes (2021). Teaching includes convening Analysing Film, American Teen Cinema, and Working with Film modules. She has taught Gender and Representation, British Cinema, and Study Skills. Her awards include Fellowship of the Higher Education Academy (2016). Active in PhD supervision focusing on teen cinema, female authorship, and gender in cinema. Publications span over 25 articles/chapters addressing topics like queer youth representation, transatlantic media comparisons, and directorial authorship in John Hughes and Amy Heckerling films. Research explores intersections of gender, space, and cultural identity in global popular cinema.

Marianna Patrickمشاهده پروفایل

پژوهشگر ارشد

• Intercultural Communication
• Generative AI in Academic Writing
• Migration Studies
• +۳ مورد دیگر

Marianna Patrick is a Research Fellow at the School of Education, Learning and Communication Sciences (SELCS), University of Warwick. She holds a PhD in Intercultural Communication (2025), MA in Global Communication from the Chinese University of Hong Kong (2013), and BA (Hons) in Politics and International Studies from Warwick University (2012). Her research focuses on generative AI in academic writing, migration narratives, and intercultural communication. She leads a Leverhulme Trust-funded project on AI chatbots' impact on academic writing practices, collaborating with the University of Edinburgh and Sophia University Tokyo. Research & Education: Her doctoral work explored language and place construction in serial migration narratives, supervised by Prof. Stephanie Schnurr and Prof. Steve Mann. She also contributed to Monash-Warwick Alliance projects on multicultural cricket team inclusivity. She teaches professional skills and research methods across Computer Science and Applied Linguistics departments, supervising MSc dissertations in intercultural communication. Awards & Engagement: Received the People's Choice Prize at the Warwick Research Festival. Actively promotes interdisciplinary collaboration through initiatives like the Social Sciences Research Exchange Group (co-founder) and chairs the Applied Linguistics PGR Student-Staff Liaison Committee. She also contributed to EDI efforts as part of the Athena Swan team and served as Assistant Director of Student Experience and Progression for the Faculty of Arts.

• Critical AI Studies
• Victorian Literature and Culture
• Genre Theory and Seriality
• +۵ مورد دیگر

Lauren M.E. Goodlad is a Professor of English and Comparative Literature at Rutgers University, serving as Chair of Critical AI @ Rutgers and Editor of the journal Critical AI . She holds affiliations with the Center for Cultural Analysis (CCA), Rutgers British Studies Center, and Rutgers Center for Cognitive Science. Her research bridges 19th-century studies and critical AI, emphasizing 'critical AI literacies' and ethical AI development. Goodlad has held roles like Associate Chair of English and membership in Rutgers' AI Advisory Council and CASS (Cyberinfrastructure for Science, Engineering & Society). Her education includes a BSILR from Cornell University, MA in English from NYU, and PhD in English from Columbia University. Notable grants include NEH funding for global AI workshops ('Unboxing AI'), an NSF planning grant on teaching writing with AI, and an upcoming Global Humanities Institute on Design Justice AI. Research interests span Victorian literature, genre theory, television studies, and AI's sociocultural impacts. Awards include University of Illinois' Kathryn Paul Professorial Scholar and Provost Fellow for Undergraduate Education. Current projects include a book on 19th-century fiction's ontological influence and collaborations on AI ethics frameworks. Publications include The Victorian Geopolitical Aesthetic (Oxford, 2015), co-edited special issues on Mad Men and Victorian Internationalisms , and recent critical AI essays in Critical AI and New Literary History . She advocates for AI development aligned with public interest through pedagogical innovation and interdisciplinary collaboration.

• Nineteenth-Century British Literature and Culture
• Periodical Studies
• Media History
• +۱۲ مورد دیگر

Professor Fionnuala Dillane is a leading scholar in nineteenth-century British literature and culture, periodical studies, memory studies, and gender, based at the School of English, Drama and Film, University College Dublin. She holds the academic rank of Professor and is actively engaged in research, teaching, and academic leadership. She currently serves as Academic Director of the UCD Writing Centre and Chair of the UCD Press Editorial Board, and previously served as Associate Dean for Arts and Humanities (2017–2020). Her collaborative research spans institutions including Ghent University, Newcastle University, and the University of Iceland. Her research interests include: Nineteenth-century British literature and culture Periodical studies and media history George Eliot and Marian Evans Memory studies and trauma Gender and sexualities Contemporary crime fiction Her recent publications explore affect in periodical encounters, editorial identities, transnational periodical research, and the literary afterlives of George Eliot. The trends in her work reveal a sustained engagement with print culture, narrative form, emotional communities, and the politics of memory. She is currently editing the Handbook of Transnational Periodical Research (Brill, 2026). Her scientific awards include: University Award for Outstanding Contribution to Student Learning, UCD (2017) Shortlisted for European Award in Teaching Excellence (2017) College of Arts and Humanities Outstanding Contribution to Student Learning (2017) Dillane has secured significant research grants, including from the Irish Research Council for her project on George Eliot and the Periodical Press, 1846–60 , and on The Future of Data Humanities . She has supervised doctoral students such as David Mitchell and mentors emerging scholars in periodical studies and trauma fiction. She has pioneered innovative teaching initiatives, including the first internship programmes for UCD Arts and Humanities undergraduates and the development of the UCD Writing Centre, now permanently funded. She is also deeply involved in national and international advocacy for the humanities, serving on editorial and advisory boards such as the Journal of Victorian Culture , the Memory Studies Association, and the European Society for Periodical Research.

Eric Rentschlerمشاهده پروفایل

استاد

• Film Studies
• German Cinema
• European Intellectual History
• +۵ مورد دیگر

Eric Rentschler is the Arthur Kingsley Porter Professor of Germanic Languages and Literatures at Harvard University, affiliated with the Film and Visual Studies Program. He holds a PhD from the University of Washington with academic training in German literature, history, and European intellectual history across Stuttgart, Bonn, and Prague. A leading scholar in German cinema and cultural studies, his work spans from Weimar-era films to contemporary German cinema, focusing on historical memory, political representation, and transnational cultural exchanges. Director of Harvard’s annual Berlin Film Program (coordinated with Deutsche Film- und Fernsehakademie Berlin) Editor of New German Critique and co-director of the German Film Institute Recipient of major grants including Guggenheim, Humboldt, ACLS, DAAD, and Fulbright fellowships His research integrates film theory with historical analysis, examining cinematic representations of Nazism’s legacy, post-wall German society, and transnational art movements. Notable publications include The Ministry of Illusion: Nazi Cinema and Its Afterlife (Harvard UP, 1996) and The Use and Abuse of Cinema: German Legacies from the Weimar Era to the Present (Columbia UP, 2015). Current projects explore German cinema during Helmut Kohl’s chancellorship. Award-winning educator, Rentschler has received Harvard’s Levenson Teaching Prize (2001) and Cabot Fellowship (2003). He organizes the monthly Film and Visual Studies Colloquium, fostering interdisciplinary dialogue between scholars and filmmakers.

Amanda Keelerمشاهده پروفایل

دانشیار

• Media Studies
• Television History
• Radio Preservation
• +۳ مورد دیگر

Dr. Amanda Keeler is an Associate Professor and Chair in the Department of Digital Media and Performing Arts, Journalism and Media Studies at Marquette University's Diederich College of Communication. She teaches courses on Media Aesthetics, Radio/TV History, Advanced Scriptwriting, and Crime and Storytelling. Her education includes a Ph.D. and B.A. from Indiana University and an M.A. from the University of Chicago. Her research focuses on media history, prestige television, true crime media, radio preservation, and cultural studies. Notable works include co-editing Prestige Television: Cultural and Artistic Value in 21st Century America (2022) and exploring topics like Star Trek 's utopian/dystopian spaces and the cultural impact of podcasts. Keeler has received multiple Dean's Recognition Awards for research, teaching, and advising. She serves on the Library of Congress Radio Preservation Task Force and the Society for Cinema and Media Studies. Her recent scholarship emphasizes sound history, true crime storytelling, and the intersection of media and cultural memory.

Sofia Bullمشاهده پروفایل

دانشیار

• Television Studies
• Science and Medicine on Television
• Medical Humanities
• +۳ مورد دیگر

Dr. Sofia Bull is an Associate Professor in Film and Television Studies at the University of Southampton, affiliated with the Faculty of Arts and Humanities. She holds roles as Senior Tutor in Film, Research Integrity Champion of the Faculty, and Deputy Chair of the Faculty Research Ethics Committee. Her expertise bridges Film and Television Studies, with a focus on televisual discourses surrounding science, medicine, policing, and feminist film history. She earned a PhD in Cinema Studies from Stockholm University and has held positions at institutions including the University of Gothenburg and Columbia University. Her research includes a monograph on 'Television and the Genetic Imaginary' (2019), exploring DNA representation, and ongoing projects on viral disease representation in UK television. She supervises PhD students and teaches modules like Television Studies: Key Debates and Crime TV: Technologies of Detection. Dr. Bull’s research interests span feminist film history (e.g., pioneering Swedish title designer Alva Lundin) and crime television, including analyses of CSI and Sherlock . She has contributed to the Women Film Pioneers Project and published on medical reality TV, such as Scandinavian birthing shows. Her work examines how television shapes public understanding of scientific, medical, and cultural concepts through narrative and aesthetic forms.

Shane Densonمشاهده پروفایل

استاد

• Film Studies
• Media Studies
• Digital Media
• +۵ مورد دیگر

Shane Denson serves as Professor of Film and Media Studies in the Department of Art & Art History at Stanford University's School of Humanities and Sciences. He also holds courtesy appointments in the Departments of German Studies and Communication. His academic profile spans multiple disciplines with a particular focus on the evolving relationship between media technologies and cultural forms across historical periods. Denson's research interests encompass a wide spectrum of media studies topics, with particular emphasis on phenomenological and media-philosophical approaches to film, digital media, comics, games, and serialized popular forms. His scholarly work investigates how media technologies shape human perception, embodiment, and cultural production, especially in the transition from cinematic to post-cinematic media environments. He has developed significant theoretical frameworks around concepts like discorrelation, post-cinema, and digital seriality that have influenced contemporary media studies discourse. An analysis of Denson's recent publications reveals consistent engagement with the philosophical implications of emerging media technologies, particularly artificial intelligence and digital platforms. His work demonstrates a distinctive trajectory from early research on Frankenstein adaptations and serial narratives toward contemporary examinations of AI aesthetics, desktop cinema, and the phenomenology of digital interfaces. Denson's scholarship bridges traditional academic writing with innovative digital and videographic forms, reflecting his commitment to multimodal scholarly expression. Denson has established himself as a leading voice in the study of digital seriality, with numerous publications exploring how serial forms evolve across media platforms. His research demonstrates how contemporary digital media environments transform traditional narrative structures while creating new forms of community and meaning-making through serialized content. This work intersects with his broader interests in media philosophy and the embodied experience of digital interfaces. Professor Denson maintains an active scholarly practice through his personal website (shanedenson.com) and ORCID profile, where he shares his publications, videographic essays, and experimental digital projects. His work with ROMhacking.net demonstrates his commitment to digital humanities methodologies that combine code analysis with cultural critique, particularly in examining how fan communities engage with and transform established media properties through modification and reinterpretation.

• Pragmatics
• Lexicon-Syntax-Interface
• Grammar-Pragmatics-Interface
• +۸ مورد دیگر

Rita Finkbeiner is a Professor of German Linguistics at Johannes Gutenberg-Universität Mainz, where she has held a W3 professorship since April 2020 and served as managing director of the German Institute from 2022-2023. Previously, she was a W2 Professor at Heinrich-Heine-Universität Düsseldorf (2018-2020) and has been affiliated with Johannes Gutenberg-Universität Mainz since 2010. Her research focuses on the critical interface between grammatical structures and pragmatic functions in language use. Her academic background includes: Magistra Artium in German Linguistics and European Ethnology from Humboldt-Universität zu Berlin (2000) Ph.D. in German Linguistics from Stockholm University (2009) Habilitation at Johannes Gutenberg-Universität Mainz (2016) Professor Finkbeiner's research examines how linguistic constructions operate at the grammar-pragmatics interface, with particular attention to speech acts, implicit meaning, and expressivity in German. She investigates phenomena such as wh-headlines in newspapers, reduplicative constructions, expressive morphology, and the pragmatics of social media commenting. Her work bridges theoretical linguistics with practical applications in language teaching and media discourse, demonstrating how linguistic form and communicative function interact systematically. Analysis of her recent publications reveals a consistent focus on construction grammar and pragmatics, with increasing attention to digital communication patterns while maintaining strong theoretical foundations. Key trends include exploration of wh-headlines across discourse types, expressive morphology in German word formation, and the pragmatics of social media commenting, demonstrating both theoretical depth and practical relevance to contemporary communication contexts. Professor Finkbeiner actively supervises doctoral and master's students, with numerous successful completions including Julian Stawecki (2024) and Robert Külpmann (2019). She has led significant research projects including the DFG-funded "W-Überschriften im Deutschen" (2018-2022) on German wh-headlines, and is coordinating the development of a German linguistics textbook. She collaborates closely with researchers including Dr. Robert Külpmann, Dr. Paul Reszke, and Charlotte Eisenrauch. She leads a research team at Johannes Gutenberg-Universität Mainz that investigates construction grammar and pragmatics across various discourse contexts, with particular attention to digital communication and educational applications. Her work environment provides a strong interdisciplinary context connecting theoretical linguistics with language education and media studies.

• Cultural Memory
• Screen Tourism
• Spectral Spaces
• +۷ مورد دیگر

Christina Lee is an Associate Professor in English and Cultural Studies at Curtin University, affiliated with the School of Media, Creative Arts and Social Inquiry and the Faculty of Humanities. She earned her PhD in Communication Studies from Murdoch University. Her research focuses on cultural memory, screen tourism, spectral spaces, and representations of gender/race in popular culture. Current projects explore affective landscapes in screen tourism (e.g., Bridgerton , Harry Potter ), urban ghost cities, and nostalgia in youth cinema. She edits peer-reviewed books and contributes to The Conversation . Teaching: Leads undergraduate units like Engaging Narratives and supervises postgraduate students in cultural/media studies. Active in curriculum development and assessment reform. Research Interests: Combines cultural theory with film/media analysis, emphasizing how spaces and spectrality shape cultural narratives. Recent projects include Screen Tourism and Affective Landscapes (2023) and Haunted Futures (2023). Her work often bridges academic critique with creative practice, as seen in video-installation collaborations. Memberships: Association for Cultural Studies, Cultural Studies Association of Australasia, and Graduate Women Western Australia. Her work has been showcased at venues like the John Curtin Gallery and PICA (Perth Institute of Contemporary Arts). Grants/Labs: Leads Curtin University’s tourism futures research (e.g., 2032 Western Australia Vision). Collaborates with interdisciplinary teams on projects like sustainable mining paradoxes (2018) and Hong Kong’s educational reforms (2016).

Ayendy Bonifacioمشاهده پروفایل

استادیار

• American Literature
• Latine Studies
• Diaspora Studies
• +۷ مورد دیگر

Ayendy Bonifacio is a Dominican American scholar, writer, and poet currently serving as Assistant Professor of English at the University of Toledo's College of Arts and Letters. Born in Santiago De Los Caballeros, Dominican Republic, and raised in East New York, Brooklyn, he earned his Ph.D. from Ohio State University and has established himself as a significant voice in American literature, Latine studies, and diaspora studies. His research focuses on the intersections of memory, migration, race, and colonial legacies in the Americas, with particular attention to nineteenth-century to contemporary print culture. Bonifacio's scholarly work bridges academic and public discourse, appearing in venues ranging from American Periodicals and ASAP/Journal to The New York Times and Slate . He explores how literary forms negotiate cultural identity across borders, with special emphasis on Dominican and Latinx experiences. Bonifacio's publications reveal a consistent trajectory examining transnational literary connections, particularly between Anglophone and Hispanophone traditions. His work frequently addresses anti-Blackness within Latinx communities, diasporic identity formation, and the material history of print culture. The 2024 monograph Paratextuality in Anglophone and Hispanophone Poems in the U.S. Press, 1855–1901 represents a significant contribution to understanding how multilingual poetry circulated in nineteenth-century American periodicals. Top ten best non-fiction books of 2017 (The Latino Author for Dique Dominican ) Bonifacio's writing has received support from prestigious organizations including the National Endowment for the Humanities (NEH), the Digital Media and Composition Institute (DMAC), the Ohio Arts Council, and the Society for Nineteenth-Century Americanists. His creative work spans multiple genres, including the memoir Dique Dominican (2017), poetry collection To the River, We Are Migrants (2020), and the forthcoming novel Bless Me, Papi (2025). He maintains an active presence in public intellectual discourse through contributions to major media outlets where he addresses contemporary issues of race, immigration, and academic labor.

Travis Zadehمشاهده پروفایل

استاد

• Religious Studies
• Islamic Studies
• Qur’anic studies
• +۷ مورد دیگر

Travis Zadeh is a Professor and Chair of Religious Studies at Yale University, and Chair of the Council on Middle East Studies. He holds a Ph.D. in Comparative Literature from Harvard University, following an A.M. and B.A. from Middlebury College. His research bridges early Mediterranean/West Asian religions and Islamic studies, focusing on the interplay between science, magic, law, and religion. Key interests include encyclopedism, cosmography, Arabic/Persian intellectual cultures, and the history of the book. Zadeh’s work examines how translation, geography, and textual interpretation shaped medieval Islamic empires. His landmark publications include Mapping Frontiers across Medieval Islam (2011), The Vernacular Qurʾan (2012), and Wonders and Rarities (2023). He has been awarded Fulbright grants, a Mellon Fellowship, and a Guggenheim Fellowship. Research Themes : Qur’anic Studies, Occult Sciences, Medieval Intellectual History, Sacred Geography, Translation Theories Recent Focus : Marvelous natural histories, pre-modern cosmographies, and the socio-political role of textual transmission Zadeh’s scholarship emphasizes interdisciplinary approaches, blending textual analysis with material culture studies. His current projects explore the codicological dimensions of medieval Arabic/Persian manuscripts and the digital humanities’ impact on Islamic studies.

Gordon Hughesمشاهده پروفایل

دانشیار

• Early 20th-Century European Modernism
• French Painting
• Abstract Art
• +۶ مورد دیگر

Gordon Hughes is an Associate Professor of Art History in the Department of Art History at Rice University, specializing in early 20th-century European modernism with concentrated expertise in French painting and abstract art. His research significantly reinterprets foundational narratives of abstraction while extending into contemporary art and photographic history. His academic credentials include: Ph.D. in Art History from Princeton University (2004) M.A. from the University of Western Ontario (1996) M.F.A. in Studio Art from the University of Illinois at Chicago (1992) B.F.A. from the Nova Scotia College of Art and Design (1989) Professor Hughes' scholarship centers on re-examining abstract painting's origins through meticulous visual analysis, particularly focusing on Robert Delaunay's contributions to modernist vision. His work bridges pre-war European art with American conceptual practices from the 1960s-1980s, evidenced by influential publications on Fernand Léger, Georges Braque, Douglas Huebler, and Jenny Holzer. His theoretical approach integrates continental philosophy while prioritizing phenomenological engagement with artworks, reflected in his current book project Seeing Red: Murder, Abstraction, Machines which investigates intersections of art, technology, and violence. Analysis of his recent publications (2006-2022) reveals consistent scholarly engagement with French modernism's theoretical underpinnings while progressively incorporating contemporary critical frameworks. His work demonstrates evolving methodological sophistication through examinations of visual perception, medium specificity, and post-structuralist theory across diverse artistic movements from Cubism to Conceptual Art. His distinguished recognitions include: Getty Research Institute Scholar-in-Residence (2012-2013) Barr Ferree Foundation Publication Grant (2011) Terra Foundation for American Art support (2010) Professor Hughes mentors graduate students in Rice's Art History program with emphasis on close visual analysis and theoretical rigor. His research has received significant institutional support including Getty Research Institute residencies and major publication grants that facilitated his influential monograph Resisting Abstraction and editorial projects like October Files: Richard Serra .

Edyta Bojanowskaمشاهده پروفایل

استاد

• 19th century Russian literature
• intellectual history
• empire and nation in Russian culture
• +۱۲ مورد دیگر

Edyta Bojanowska serves as Professor of Slavic Languages and Literatures at Yale University with an affiliated appointment in the Department of History. Her academic career bridges literary scholarship and historical analysis, focusing on imperial and postcolonial frameworks within Russian and Central European contexts. Bojanowska earned her Ph.D. in Slavic Languages and Literature from Harvard University and completed her undergraduate studies at Barnard College with a dual major in English and Russian. Her educational trajectory established the foundation for her interdisciplinary approach to Slavic studies. Her research program critically examines 19th-century Russian literature through the lenses of empire, nationalism, and globalization. Key interests include settler colonial dynamics, spatial theory, travel writing, and the interplay between ideology and literary form. She has pioneered methodologies connecting Russian cultural production to global imperial histories, particularly through her award-winning work on Goncharov's The Frigate Pallada and Gogol's Ukrainian-Russian identity negotiations. Bojanowska's publication record reveals consistent engagement with colonial paradigms in Russian literature, evolving from early studies of Gogol and Pushkin toward broader imperial frameworks. Her recent scholarship demonstrates increasing focus on racial discourse, indigenous land rights, and the spatial dimensions of empire, culminating in the Ab Imperio Award-winning analysis of Tolstoy's Bashkir estate. The thematic continuity across her work establishes her as a leading voice in post-Soviet imperial historiography. National Humanities Center Fellowship (Spring 2025) Ab Imperio Award for Best Study in New Imperial History (2022) Guggenheim Fellowship (2020-2021) AATSEEL Best Book in Literary Scholarship (2019) MLA Scaglione Prize for Best Book in Slavic Studies (2007-2008) Bojanowska actively shapes her field through editorial leadership on Ab Imperio and the PMLA Advisory Committee. Her teaching portfolio reflects her research expertise, featuring undergraduate seminars on War and Peace and Russian short fiction alongside graduate courses on spatial theory and imperial culture. Current leave status for Spring and Fall 2025 accommodates her National Humanities Center residency while maintaining her position as a central figure in Slavic literary studies.

• Literary Theory
• Cultural History
• German Literature
• +۱۰ مورد دیگر

Yashar Mohagheghi is a Researcher at the Department of German and General Literary Studies, RWTH Aachen University, where he has worked since 2018 under Prof. Dr. Caroline Torra-Mattenklott. His academic trajectory includes a postdoctoral fellowship at Bielefeld University's Graduate School of Linguistics and Literary Studies (2012–2017), a research stint at the Bibliothèque Nationale de France (2015), and a Junior Lecturer position at Johns Hopkins University (2011). His research interests span Literary Theory, Cultural History, and German Literature with specialized focus on Time Theory, Festival Culture, Material Philology, and Small Literary Forms. Mohagheghi's work bridges systematic analysis of concepts like Festkultur and Zeitlichkeit with historical investigations of Early Modern literature, Goethe-era writings, Aestheticism, and Modernism. His scholarship frequently examines intersections between material culture, sensory theory, and political communication across different historical periods. Mohagheghi's publications reveal a trajectory emphasizing temporal aesthetics in Hölderlin's work, material philology in 19th-century literature, and sociological analyses of Weimar Republic culture. His research demonstrates increasing engagement with ecological perspectives in literary studies, particularly regarding resource economies in book production and sustainability in literary materiality. Publikationspreis 2021 der Philosophischen Fakultät der RWTH Aachen Dissertationspreis 2018 der Kulturwissenschaftlichen Gesellschaft As an active academic organizer, Mohagheghi has co-chaired significant conferences including Wissenschaften des Konkreten (2023) and Ressource ‚Schriftträger‘ (2021), demonstrating leadership in contemporary literary theory discussions. His scholarly network extends across German, French, and American institutions, with particular strength in European literary theory and cultural history.