جست‌وجوی استاد و پژوهشگر

Richard C. Harrisمشاهده پروفایل

استاد

• American Literature
• World War I Studies
• Literary Analysis
• +۳ مورد دیگر

Richard C. Harris is a Professor of Humanities at Webb Institute, where he has served since 1996 as Assistant Dean, Director of the Humanities Program, and Coordinator of Assessment. He previously held faculty positions at SUNY-Maritime College and Hofstra University, and his academic career spans over four decades. Ph.D. in English, UNC-Chapel Hill (1974) M.A. in English, UNC-Chapel Hill (1968) A.B. in English with Honors, Phi Beta Kappa, UNC-Chapel Hill (1967) Harris’s research focuses on Willa Cather’s literary works, particularly the interplay between historical contexts, chivalric traditions, and artistic influences in One of Ours . He explores connections between literature and visual arts, World War I narratives, and the cultural frameworks shaping Cather’s fiction. His recent publications analyze Cather’s use of medieval architecture, Wagnerian motifs, and editorial correspondence, reflecting trends in interdisciplinary scholarship and historical recovery. Harris has presented extensively at national and international conferences, including the International Willa Cather Seminar and Western Literature Association meetings. Certificate of Special Congressional Recognition (2019) John J. McMullen Professor of Humanities (2007) Distinguished Scholar, Willa Cather Scholar’s Summit (2004) Certificate of Commendation from AASLH (2002) Harris has chaired multiple committees at Webb Institute and co-edited the Scholarly Edition of Willa Cather’s One of Ours . He coordinates the Zeien Lecture Series and advises students on professional communication, blending pedagogy with administrative leadership.

Gayle Seymourمشاهده پروفایل

استاد

• Art History
• Pre-Raphaelites
• Public Art

Gayle Seymour is a Professor and Associate Dean affiliated with the University of Central Arkansas (UCA). She holds positions in the Department of Art & Design within the College of Arts, Humanities, and Social Sciences. Her research focuses on Art History, with specialization in the Pre-Raphaelites and Public Art. PhD - University of California, Santa Barbara MA - University of California, Santa Barbara BA - University of California, Santa Barbara Her scholarly interests explore the cultural and historical contexts of Pre-Raphaelite movements and the role of public art in society. While no specific publications or grants are listed, her work contributes to the academic discourse within art history.

Michele Martinezمشاهده پروفایل

مدرس ارشد

• Victorian Studies
• English Literature
• Visual Arts
• +۳ مورد دیگر

Michele Martinez is a Senior Lecturer in the English Department at Boston University. She holds an A.B. from Stanford University and M.A./Ph.D. from Yale University, both in English. Education: A.B. in English, Stanford University M.A. and Ph.D. in English, Yale University Her research focuses on interdisciplinary intersections in Victorian culture, particularly analyzing poetry, painting, and photography through the lens of multimediality. She is known for her innovative work on Victorian comics, exemplified by her award-winning 2018 article exploring Dante Gabriel Rossetti’s visual-literary experiments. Teaching interests include dystopian literature and film, family narratives, and Victorian adaptations in contemporary media. Her scholarly contributions bridge literary criticism and visual culture studies. Scientific Awards: Best Essay Prize, Northeast Modern Language Studies Association (2018) Her academic career spans teaching roles at Harvard University and Trinity College, with a consistent focus on integrating historical and visual methodologies into literary analysis.

• 19th- and 20th-century British and European Art
• Pre-Raphaelitism
• Aestheticism
• +۷ مورد دیگر

Andrea Rager is an Associate Professor in the Department of Art History and Art at Case Western Reserve University. She also serves as the Associate Director for Fine Arts at the Center for Medicine, Society and Culture at the CWRU School of Medicine. Education: Ph.D., Yale University (2009) B.A., Pomona College Dr. Rager specializes in 19th- and early 20th-century British and European art, with a focus on Edward Burne-Jones. Her research spans Pre-Raphaelitism, Aestheticism, the Arts & Crafts Movement, history of photography, art and medicine, eco-criticism, and decolonial approaches. Her work interrogates imperial legacies in academia and museums while exploring intersections of art with social justice and environmental issues. Her publications include the 2022 monograph The Radical Vision of Edward Burne-Jones and co-curated exhibitions like Edwardian Opulence (2012) and Shadows and Dreams (2015). Recent projects include the 2019 digital tour The Age of Empires funded by a Mellon Foundation Grant. Scientific Awards & Fellowships: Carl F. Wittke Award for Excellence in Undergraduate Teaching (nomination) John S. Diekhoff Award for Distinguished Graduate Student Teaching (2016) Robert W. Wark Fellowship at the Huntington Library Paul Mellon Centre Junior Fellowship Andrew W. Mellon Fellowship in Humanistic Studies Dr. Rager mentors graduate students in European art of the long 19th century through object-driven social art history across media. Her work extends into medical humanities via the CWRU School of Medicine’s Center for Medicine, Society and Culture.

Jeremy Meliusمشاهده پروفایل

مدرس

• Art History
• British Art
• Victorian Studies
• +۹ مورد دیگر

Jeremy Melius is a Lecturer in the Department of History of Art at the University of York, specializing in modern British art and criticism since the 1840s. His research explores the entanglements of word and image, particularly in anglophone art writing, and examines themes such as affect, ethics, environment, and empire. He joined the university in 2024 and holds a BA from Yale University and a PhD from the University of California, Berkeley. His work has been supported by institutions like the Huntington Library, the American Council of Learned Societies, and the Clark Art Institute. He focuses on figures such as John Ruskin and Walter Pater, alongside topics like the history of connoisseurship and the relationship between photography and sculpture. Current projects include The Invention of Botticelli , reinterpreting the artist’s rediscovery in the 19th century, and a study on Ruskin’s complex engagement with art history. Jeremy’s articles and book projects reflect his interdisciplinary approach, blending art history with literary and cultural studies. He has organized conferences, such as Description and the Art of Response at the University of Oxford and a Study Day on John Ruskin at the Morgan Library & Museum. His invited lectures include the Tomás Harris Lectures at University College London and the Richard McDougall Lecture on British Watercolour at The Courtauld Institute of Art.

Peter Trippiمشاهده پروفایل

استاد مهمان

• British Art
• Nineteenth-Century European Academic Art
• Art History
• +۳ مورد دیگر

Peter Trippi is an Honorary Visiting Fellow in the Department of the History of Art at the University of York. Based in New York City, he is an arts professional with extensive experience in museums, independent curating, fundraising, art journalism, and editing. His career spans leadership roles at major art institutions, independent curatorial projects, and editorial work. Trippi's educational background includes: BA from College of William and Mary, Virginia MA from New York University MA from Courtauld Institute of Art Trippi's primary research focuses on British art from c.1850 to c.1925, particularly members of the Royal Academy who worked in the academic tradition during the late nineteenth century. He has deep expertise in the Pre-Raphaelites, Lawrence Alma-Tadema, and John William Waterhouse. His research also encompasses the history of collecting and museums, the evolution of artists' studio-houses, and connections between British artists and the Paris art world. As Editor-in-Chief of Fine Art Connoisseur magazine, he has developed significant knowledge of contemporary realist art in the United States. Trippi's publications reveal a consistent focus on nineteenth-century British academic art, with particular emphasis on Waterhouse and Alma-Tadema. His work bridges historical scholarship with contemporary art appreciation, showing how Victorian art continues to influence modern movements. His exhibition catalogs and scholarly articles demonstrate expertise in both academic art history and accessible art writing for broader audiences. Among his notable recognitions: Victorian Society in America's William E. Fischelis Prize for best book on Victorian art or architecture (2003) Longlisted for William MB Berger Prize for British Art History (2003) Finalist in the 2017 Global Fine Art Awards program for Best Impressionist and Modern Solo Artist Exhibition Trippi has served as a prominent advisor and collaborator on major international exhibitions, working with institutions including the Groninger Museum, Royal Academy of Arts, Montreal Museum of Fine Arts, Fries Museum, Österreichische Galerie Belvedere, and Leighton House Museum. His fundraising expertise developed during his tenure at the Brooklyn Museum of Art has supported numerous art initiatives. He has held leadership positions in several art organizations including President of the Historians of British Art (2011-2013) and President of the Association of Historians of Nineteenth-Century Art (2013-2019). As Editor-in-Chief of Fine Art Connoisseur Magazine, Trippi leads a publication serving North American collectors of representational art. He is also an associate brother of the Art Workers' Guild (London) and a member of the Century Association (New York), connecting him to vibrant artistic communities on both sides of the Atlantic.

• Cultural Studies
• Gender Representation
• British Literature
• +۴ مورد دیگر

Dr. Anna Antonowicz is an Assistant Professor at the Department of English Literature and Culture, Faculty of Humanities, John Paul II Catholic University of Lublin. She specializes in cultural studies with a focus on Victorian aesthetics, fashion history, and media representations of gender and subcultures. Research Interests: Her work explores the intersection of cultural identity, historical fashion, and societal norms, particularly examining how Victorian design reform, subcultural expressions (punk, dandyism), and media narratives shape perceptions of gender, class, and modernity. Publications Overview: Antonowicz's recent publications analyze Victorian dress reform, industrial aesthetics, and subcultural fashion. Key themes include anti-fashion movements, cultural hierarchies, and the sociopolitical dimensions of design, with recurring explorations of gender performativity and class identity. Awards and Fellowships: Medal of the National Education Commission (2021) Erasmus+ Mobility Fellowships (2017, 2018, 2019, 2021, 2022, 2023) for teaching at institutions like Salem State University, USA Teaching and Advising: She supervises numerous bachelor's and master's theses analyzing cultural representations in film, literature, and subcultures. Topics include gender stereotypes in media, class dynamics in British/American productions, and subcultural identity (punk, metal, hip-hop).

Anne-Florence Gillard-Estradaمشاهده پروفایل

استاد

• Victorian literature
• Art criticism
• Aesthetics
• +۷ مورد دیگر

Anne-Florence Gillard-Estrada is a Professor at the University of Rouen Normandy, affiliated with the UFR Letters and Human Sciences and the Department of English. She holds accreditation to supervise research in Anglophone Studies and is a member of ERIAC (Équipe de Recherche Interdisciplinaire sur les Aires Culturelles). Her expertise lies in 19th-century British literature and visual arts, with a focus on the Aesthetic Movement, Hellenism, and Pre-Raphaelitism. Education includes a PhD from the University of Paris VII-Denis Diderot (2002) on Walter Pater’s Hellenism and a doctoral supervision accreditation (2017). She teaches Victorian literature, Gothic studies, and visual arts history. Her research explores intersections between literature, art criticism, and aesthetics, particularly in Victorian contexts. Gillard-Estrada has authored/co-edited numerous volumes, including The Greek Body in Victorian Painting (2024) and Beyond the Victorian/Modernist Divide (2018). She actively contributes to academic governance, serving as Vice-President for Culture at the University of Rouen and as a member of the French National Council of Universities (CNU, 11th section). Her work bridges literary and visual studies, analyzing representations of antiquity, gender, and cultural mythologies in Victorian art. She organizes international conferences, such as the 2024 colloquium on Whistlerism, and collaborates with institutions like the Musée des Beaux-Arts de Rouen.

Serena Trowbridgeمشاهده پروفایل

مدرس ارشد

• Victorian Literature
• Gothic Literature
• Graveyard Poetry
• +۴ مورد دیگر

Dr. Serena Trowbridge is a Reader in Victorian Literature at Birmingham City University (BCU). She holds a Senior Fellowship from the Higher Education Academy and serves as Vice-President of the Pre-Raphaelite Society and Senior Vice-President of the Birmingham & Midland Institute. Previously, she served as Editor of the Review of the Pre-Raphaelite Society from 2004 to 2017. Dr. Trowbridge earned her undergraduate degree in English and Art History from King's College London, followed by an MA in Textual Studies at the University of Birmingham. She completed her PhD, titled ' Christina Rossetti's Fractured Gothic ', at Birmingham City University in 2010 under the supervision of Professor Fiona Robertson. Her monograph Christina Rossetti's Gothic was published by Bloomsbury in 2013. Her research focuses on Gothic literature, graveyard poetry, Pre-Raphaelitism in art and literature, lunatic asylums, ecocriticism, and 18th- and 19th-century literature. She employs interdisciplinary approaches, blending literary analysis with art history and cultural studies. Her work explores themes of gender, identity, and the intersections between literary movements and societal contexts. Senior Fellow of the Higher Education Academy Dr. Trowbridge supervises PhD candidates researching topics such as Pre-Raphaelite women, Walter Bagehot, Swinburne, and weather poetry. She has extensive experience as an external examiner for doctoral theses. While specific grant details are not provided, her research aligns with BCU's themes of Creative Cultures and Equitable Societies, emphasizing cultural heritage and inclusive scholarship. As part of BCU's vibrant academic community, Dr. Trowbridge contributes to interdisciplinary research initiatives within the Birmingham Centre for Media and Cultural Research (BCMCR), though her primary focus remains within literary studies.

• Italian Literature
• Comparative Romanticism
• Dante Studies
• +۳ مورد دیگر

Fabio Camilletti is Professor of Italian Studies and Literature at the University of Warwick, where he has taught since 2010. He holds dual PhDs from the Scuola Normale Superiore di Pisa/Paris Sorbonne (Modern Literary Studies) and the University of Birmingham (Italian Studies). His academic journey includes visiting positions at Oxford, Berlin Institute for Cultural Inquiry, IULM Milan, and Università del Piemonte Orientale, with an upcoming Visiting Research Fellowship at the University of London (2024-25). Education: BA/MA in Modern Literary Studies, University of Pisa (1998–2002) Diploma in Philology, Scuola Normale Superiore di Pisa (1998–2003) DEA in French/Comparative Literature, Paris Sorbonne (2002–2003) PhD in Philology/Literary Studies, Scuola Normale Superiore di Pisa/Paris Sorbonne (2003–2006) PhD in Italian Studies, University of Birmingham (2007–2011) Research Interests: Camilletti's work bridges Italian literature, Gothic studies, and occultism. His three primary research clusters are: Italian/Comparative Romanticism (Leopardi, Manzoni), Dante's literary afterlife (Vita Nova translations, Rossetti), and Gothic/Occulture (1960s–2000s Italian media/politics). He explores spectrality, intertextuality, and transnational cultural exchanges. Publication Trends: His recent books (2013–2024) analyze Gothic subversion in canonical Italian texts, Dante's modern reinterpretations, and occult symbolism in postwar culture. Works like Italia lunare (2018) and Spettri familiari (2024) highlight his focus on literary hauntology and metapsychics. Awards: Edinburgh Gadda Prize-Crolla Amato Prize (5th place ex aequo) for Italia lunare (2018) Grants & Advising: Major grants include AHRC Networking Grant (Roman Modernities, 2012–15) and BA/Leverhulme Grant (Fantasmagoriana and the Others, 2018–20). He has supervised 10+ PhD students on topics ranging from Italian Gothic to Leopardi’s visual culture. Professional Networks: He collaborates with the Laboratorio Leopardi (Rome), Leopardi Centre (Birmingham), and REELC/ENCLS. He serves on editorial boards for Italian Culture and Leopardiana and is an honorary fellow at CRLC Sorbonne.

Liisa-Helena Lumberg-Paramonovaمشاهده پروفایل

مدرس

• 19th-century art historiography
• Baltic art history
• Knowledge production in art
• +۳ مورد دیگر

Liisa-Helena Lumberg-Paramonova is a Lecturer and Doctoral Student at the Estonian Academy of Arts , where she teaches art history from Renaissance to Romanticism and serves as Head of the BA Programme in Art History and Visual Culture (currently on parental leave). Her research focuses on 19th-century Baltic art historiography, examining art as a system of knowledge production that intertwines rational and emotional endeavors. PhD candidate, supervised by Krista Kodres Master's degree (cum laude) in Art History Bachelor's degree (cum laude) in Art History Her scholarly work bridges art history with cultural studies, analyzing topics such as Baltic German artists' travel practices, Enlightenment-era knowledge exchange, and the role of art in institutional contexts. She has presented at international conferences including the Association for the Advancement of Baltic Studies (2024) and The Making of the Humanities XI (2024). Recent publications explore art's activist potential in 19th-century Estonia, digital media's impact on art historical emotions, and lithography's role in European art dissemination. She has received multiple awards including the Estonian National Culture Foundation scholarship (2021) and the President Lennart Meri award (2018). 2021 Estonian National Culture Foundation Young Art Scholar Scholarship 2020 EKA Research Publication Award 2019 Böckler-Mare-Balticum Stipendium 2018 Lennart Meri Award for Master's thesis

Alison Price-Moirمشاهده پروفایل

مدرس

• Art History
• 19th Century Art
• Modern Art
• +۳ مورد دیگر

Alison Price-Moir is a Lecturer in the History of Art at the University of Hull, affiliated with the Faculty of Business, Law and Politics. She has been teaching at the university for over three decades and is based in Hull, identifying proudly as a 'Beverlonian'. Her primary research and teaching interests lie in Art History , with a focus on 19th Century Art , Modern Art , French Art from Revolution to Romanticism, and the Pre-Raphaelite movement . She also teaches modules on Classical Civilisations and historical interpretation. Alison teaches the following modules: The Past: Reality and Reconstruction Classical Civilisations From Revolution to Romanticism to Sex and the City: Nineteenth Century French Art Pre-Raphaelites (Special Subject) There are no recent publications listed in the provided materials, so no discernible publication trends can be identified at this time. She is not currently available for PhD supervision, and no awards, grants, or research teams are mentioned in the available information.

• Victorian Literature
• Art History
• Visual Culture
• +۷ مورد دیگر

Elizabeth Helsinger holds the John Matthews Manly Distinguished Service Professorship in the Department of English at the University of Chicago, with joint appointments in Art History and Visual Arts within the Division of the Humanities. Her distinguished career centers on the intricate relationships between literary and visual cultures of the long nineteenth century (c. 1770-1910), bridging disciplines through rigorous interdisciplinary scholarship. Her research explores Victorian poetry, fiction, and non-fiction prose alongside painting, illustrated books, and design history, with seminal contributions to Pre-Raphaelite studies through analyses of William Morris and Dante Gabriel Rossetti. Key themes include landscape as a site of national identity construction, the social history of 19th-century women, and the interplay between historiography and historical fiction. She investigates how image-text relations evolved through museum cultures, book design, and artistic movements, while also examining gothic, fantasy, and uncanny narratives in visual and literary contexts. Helsinger's publication trajectory reveals consistent engagement with Victorian aesthetics and material culture, demonstrating how artistic forms reflect political contingencies and social transformations. Her work consistently centers on the Pre-Raphaelite movement while expanding into broader investigations of visuality, color theory, and cross-media experimentation during Britain's cultural reformation.

• Art History
• Musicology
• Visual Culture
• +۷ مورد دیگر

Aleš Filip, Ph.D. serves as an Assistant Professor in the Department of Musicology at Masaryk University's Faculty of Arts in Brno, Czech Republic. His academic work bridges musicology and art historical studies, with particular focus on Czech and Central European visual culture. Dr. Filip's research interests span multiple domains of art historical studies. His expertise encompasses Czech art and cultural history from the 19th and 20th centuries, with special attention to Art Nouveau (Secese) movements, Pre-Raphaelite influences, and Baroque fine arts. He has developed significant expertise in historical urbanism, particularly examining Brno's art culture through both historical and contemporary lenses. His interdisciplinary approach connects visual culture studies with musicological perspectives, creating a unique scholarly trajectory that examines the interplay between different art forms within Central European contexts. Specializes in Czech art history from the 19th-20th centuries Expertise in Art Nouveau/Secese movements Research on Pre-Raphaelite influences in Central Europe Baroque fine arts in contemporary historiography Historical urbanism with focus on Brno's art culture Visual culture studies across multiple media Dr. Filip has served as a thesis supervisor for numerous bachelor's and master's students across multiple academic years, guiding research in art history and cultural studies. His teaching portfolio demonstrates consistent engagement with methodological approaches to art historical research and the organization of artistic operations within cultural institutions. His academic activities include regular participation in the Program Board for Combined Arts Studies and serving on the Council for Culture and Arts at Masaryk University, demonstrating institutional engagement beyond classroom instruction.

Shannon Danielle Taylorمشاهده پروفایل

استادیار

• Illustration
• Watercolor Painting
• Figurative Art
• +۳ مورد دیگر

Shannon Danielle Taylor serves as Assistant Professor and Assistant Chair of the Illustration Program at California College of the Arts (CCA) in Oakland, California. She simultaneously holds the position of Director of Art and Restoration at Children's Fairyland in Oakland, a role she has maintained since 2012. Taylor is a painter and illustrator renowned for her distinctive watercolor technique featuring rich colors, layered blending, dry-brushing, and intricate pattern work. Her artistic philosophy centers on the exploration of beauty through decorative and figurative qualities reminiscent of the Pre-Raphaelite Brotherhood and aesthetic movement. Her primary research and creative interests include: Illustration Watercolor Painting Figurative Art Decorative Arts Visual Storytelling Pre-Raphaelite Aesthetics Taylor exhibits extensively across the United States with galleries including Spoke Art, Hashimoto Contemporary, and Modern Eden in San Francisco, and Arch Enemy Arts in Philadelphia. Her diverse client portfolio spans Paragon Books, Pikchur Magazine, Monsa Publications, Nooworks, Cincinnati Magazine, Field Day, and Discount Universe. Professional recognitions include: Final recipient of the Artist in Residency at Redux Gallery/St. Vincent de Paul Featured guest on the Jealous Curator's "Art for your Ears" podcast Her academic foundation includes: BFA from California College of the Arts, San Francisco MA from University of the Arts London, Camberwell College of Arts, London