جست‌وجوی استاد و پژوهشگر

Vasili Byrosمشاهده پروفایل

دانشیار

• 18th-Century Music
• Schema Theory
• Formenlehre
• +۷ مورد دیگر

Vasili Byros is an Associate Professor in the Department of Music Theory & Cognition at Northwestern University. His research bridges compositional practices, listening cultures, and pedagogical methods of the long 18th century, integrating schema theory, Formenlehre, topic theory, and historical pedagogies to reconstruct 'insider' perspectives on music of the period. Education: PhD from Yale University. Awards: Outstanding Publication Award (SMT, 2017), Charles Deering McCormick Professorship (2017), Faculty Honor Roll (Northwestern, 2015-18). Research Interests Byros explores key perception, tonality, musical meaning, and the role of partimenti in free composition. His work reconstructs period-specific compositional techniques through historical documents and practical demonstrations, such as his own compositions based on the Langloz manuscript. Notable Publications His research appears in journals like Music Analysis , Music Theory Online , and Eighteenth-Century Music , as well as in edited volumes including the Oxford Handbook of Topic Theory and the Cambridge Companion to Beethoven’s 'Eroica' Symphony . Articles focus on scale-harmonization principles, stylistic imitation, and the interplay between structural and thematic invention. Scientific Recognition Outstanding Publication Award (SMT, 2017). Charles Deering McCormick Professorship (Northwestern, 2017). Faculty Honor Roll (ASG, 2015-18). Teaching and Leadership Byros coordinates the advanced music theory curriculum at Northwestern and emphasizes historically informed pedagogy. His teaching methods draw parallels to Bach’s Notenbüchlein tradition, combining technical rigor with creative invention.

Tim Kuhlmannمشاهده پروفایل

پژوهشگر

• Music Theory
• Instrumentation (Early 20th Century)
• Instrument Science
• +۴ مورد دیگر

Tim Kuhlmann is a researcher and academic affiliated with the Hochschule für Musik und Theater Rostock (hmt Rostock). Since February 2023, he has served as a scientific researcher at the Rostock office of the Erich Wolfgang Korngold Edition . He holds a background in music theory, music education, and German studies from Hanover, and has taught at institutions including the Universities of Hanover, Rostock, and Detmold. At hmt Rostock, he teaches Musiktheorie (music theory), Gehörbildung (aural training), Partiturkunde (score studies), Instrumentenkunde (instrument studies), and Akustik (acoustics). His research focuses on instrumentation (particularly early 20th-century works), instrument science, musical analysis, basso continuo/partimento practices, and editorial philology.

Daniel Freimuthمشاهده پروفایل

استاد

• Music Theory
• Music Education
• Musicology
• +۳ مورد دیگر

Prof. Daniel Freimuth holds a professorship in Music Theory at the University of Music Karlsruhe since 2024. He also serves as a lecturer in Music Theory and Partimento at the University of Music Freiburg (since 2023) and Applied Piano lecturer at the University of Music Freiburg (since 2024). His career includes roles as an academic assistant at the University of Music Karlsruhe (2020–2024) and lecturer positions at the Universities of Music Würzburg and Karlsruhe. He pursued advanced studies in piano improvisation, music theory, and pedagogy across institutions in Karlsruhe, Freiburg, and Stuttgart, culminating in a doctoral thesis on Abbé Vogler’s music theory (Freiburg). Education: Piano Improvisation Master (University of Music Freiburg) Music Theory Master (University of Music Freiburg) Piano Bachelor (University of Music Karlsruhe) Music Theory Bachelor (University of Music Karlsruhe) Music Education State Examination (HfM Karlsruhe) English Language and Literature State Examination (University of Stuttgart) Research & Performance: His work integrates music theory, historical improvisation practices, and jazz-classical fusion. He actively performs in classical, improvisation, and jazz concerts, and lectures on piano improvisation. His doctoral research focuses on Abbé Vogler’s theoretical contributions to music. Teaching & Labs: Engaged in aural training, composition, and applied piano instruction across multiple institutions. No specific labs/teams mentioned, but his teaching spans diverse musical disciplines.

Daniel J. Arthursمشاهده پروفایل

دانشیار

• Music Theory
• Composition
• Jazz Studies
• +۵ مورد دیگر

Daniel J. Arthurs is an Associate Professor of Music in the Department of Music at the University of Tulsa, part of the Kendall College of Arts & Sciences. He specializes in music theory, composition, and jazz studies, with additional expertise in 18th-century counterpoint, partimento tradition, Schenkerian analysis, big band arranging, and electronic music production. His educational background: Ph.D. in Music Theory, Indiana University (Dissertation: 'Reconstructing Tonal Principles in the Music of Brad Mehldau') M.M. in Music Theory, Indiana University B.M. in Music Theory, University of Tulsa Arthurs' research focuses on analytical frameworks for jazz and classical music, particularly evidenced by his award-winning dissertation on Brad Mehldau. He has presented findings at international conferences and is currently developing a book expanding this work while exploring electronic music production. His scholarly contributions intersect with creative practice: he composes for jazz ensembles and produces electronic music under contract with Petrichor Records. Performance experience includes trombone work with The Four Tops, The Temptations, and Wayne Newton, alongside regular local engagements in Tulsa. Key recognitions: Steve Larson Award for jazz scholarship (2014) Selected performer at Montreux Jazz Festival (Switzerland)