جستجوی استاد راهنمای دانشگاهی

Arnold Jacobshagenمشاهده پروفایل

استاد

• Opera Studies
• Music History (18th–20th centuries)
• Music Historiography
• +۳ مورد دیگر

Arnold Jacobshagen is a Professor and Chair of Musicology at the University of Music and Dance Cologne since 2006. His academic career includes lecturing at the University of Vienna (2006) and Bayreuth University (1997–2006), where he also completed his habilitation on 19th-century Italian opera semiseria in 2003. Education: Studied musicology, modern history, and philosophy in Berlin, Vienna, and Paris; PhD at Freie Universität Berlin (1996). Jacobshagen specializes in opera studies and the history of music from the 18th to 20th centuries, with a focus on cultural transfer, performance practice, and historiography. His work explores the Rhinelands' musical legacy and interdisciplinary intersections between music, politics, and visual culture. His recent publications span opera semiseria, Romanticism, and modernist compositions. Notable contributions include analyses of Rossini, Verdi, Wagner, and Berlioz, emphasizing cross-cultural dialogues and evolving performance paradigms. Scientific Awards: Deutsches Historisches Institut Rome Fellowship (2001–2002); Deutsches Studienzentrum Venice Fellowship (2002); Member of Academia Europaea (2015). Jacobshagen serves as editor of Die Musikforschung and has co-edited 18 books, fostering scholarly discourse on opera and music history. His research bridges historical analysis and contemporary cultural critique.

Amélie Niermeyerمشاهده پروفایل

استاد

• Theatre Directing
• Opera Direction
• German-Language Drama
• +۲ مورد دیگر

Amélie Niermeyer serves as University Professor of Acting & Directing and Department Head at the Thomas Bernhard Institute, Mozarteum University Salzburg since 2011. Her distinguished career spans theatre and opera direction across major European venues including Residenztheater Munich, Thalia Theater Hamburg, Deutsches Theater Berlin, and Vienna State Opera. Her research interests center on theatrical interpretation of classical and contemporary texts , with specialization in German-language drama, opera direction, and cross-disciplinary performance practices. She has pioneered innovative approaches to Shakespeare, Chekhov, and modern playwrights like Branden Jacobs-Jenkins, consistently collaborating with leading actors including Juliane Köhler. Recent artistic output reveals sustained engagement with Russian literary adaptations (Anna Karenina, Uncle Vanya) Verdi's operatic canon (La Traviata, Otello) European modernist traditions (Chekhov, Ibsen) while maintaining active direction in both German-speaking and international contexts through 2025. Notable honors include: Munich Promotion Prize for Spring Awakening Nestroy Award Nomination (2020) for Cherry Orchard Niermeyer maintains dual practice as academic leader and active director, currently preparing 2025 premieres of Buddenbrooks (Schauspiel Stuttgart) and La Traviata (Opéra de Dijon) while overseeing curriculum development at Mozarteum's Thomas Bernhard Institute. Her work consistently bridges academic training with professional production demands across theatre and opera disciplines.

Friedrich Geigerمشاهده پروفایل

استاد

• Music History
• Music in Dictatorships
• Popular Music Studies
• +۳ مورد دیگر

Friedrich Geiger is a Professor of Historical Musicology at the Hochschule für Musik und Theater München since 2020. Previously, he held the same position at the Universität Hamburg (2007–2020) and was Research Associate at Freie Universität Berlin (2003–2007). He led the Dresden Center for Contemporary Music’s research initiative on persecuted music (1997–2003). His research focuses on music history from the 19th century to present, emphasizing music in dictatorships, popular music, and geographical influences in music history. Education: Studied historical/systematic musicology and Latin philology in Munich and Hamburg, earning his doctorate in 1997. Completed Habilitation in 2003 at Hamburg University. Professional milestones include leadership roles in collaborative research on aesthetic experience and musicological historiography. Research interests explore intersections of music with political systems, cultural identity, and institutional contexts. Notable work includes studies on Wagner’s operas under Nazi ideology, comparative analysis of musical suppression under Hitler/ Stalin, and the evolving relationship between popular music and religious institutions. Publications span monographs on composers like Wladimir Vogel and Aleksandr Skrjabin, as well as anthologies reinterpreting Carl Dahlhaus’s musicological frameworks. His articles critically examine musical propaganda, intertextuality in composition, and the role of music in post-war societal reconstruction.

Everist Mark Egertonمشاهده پروفایل

استاد

• Music of Western Europe (1150-1350)
• 19th-Century French Stage Music
• Cultural Transfer and Music
• +۳ مورد دیگر

Everist Mark Egerton is a Professor of Music at the University of Southampton and holds leadership roles as Associate Dean (Research) in the Faculty of Humanities and Director of the Humanities Graduate School. His academic career spans over four decades, including previous positions at King’s College London and visiting professorships across Europe and Australia. Specializing in Western European music from the medieval period to the 19th century, his research explores themes like cultural transfer, music historiography, and digital musicology. Key scholarly contributions include works on 19th-century French stage music, Mozart's posthumous reception, and medieval polyphony. He has secured major grants such as the £593,470 AHRC award for his 'Cantum pulcriorem invenire' project. His awards include the American Musicological Society’s prestigious Ruth A. Solie and H. Colin Slim prizes for scholarly excellence. Egerton’s academic leadership includes overseeing research strategy at Southampton and directing interdisciplinary graduate training. His work bridges historical analysis with modern methodologies, reflected in publications like *The Cambridge Companion to Medieval Music* and *Mozart’s Ghosts*. He has collaborated internationally, contributing to musicological encyclopedias and editing critical editions of medieval manuscripts.

Gundula Kreuzerمشاهده پروفایل

استاد

• Musicology
• Opera Research
• Cultural History
• +۱۰ مورد دیگر

Gundula Kreuzer is a Full Professor at Yale University's Department of Music and has served as Chair since 2023. Her academic career at Yale began in 2005 as Assistant Professor, progressing to Associate Professor in 2010 and Full Professor in 2019. She was a Junior Research Fellow at Merton College, Oxford (2002), and has held editorial roles for The Opera Quarterly (Reviews Editor) Cambridge Opera Journal Musiktheorie VerdiPerspektiven MGG Online "Opera Lab" series, University of Chicago Press Her academic work focuses on interdisciplinary approaches to opera, combining cultural history, technology, media theory, and political context. Notably, her books Verdi and the Germans (2010) and Curtain, Gong, Steam (2018) have received multiple awards, including the Lewis Lockwood Award, Gaddis Smith International Book Prize, and the Dent Medal. Her recent research explores contemporary experimental opera and postwar memory cultures. The trends in her research and publications span from Wagnerian technologies in 19th-century opera to modern "indie" opera, screen media, and media archaeology. Her work bridges historical analysis with contemporary reinterpretation, emphasizing the ephemerality and legacy of operatic productions. Scientific awards and honors she has received include Studienstiftung des deutschen Volkes grant (1994) DAAD scholarship (1997) British Academy grant (1999) Paul A. Pisk Award (2000) Jerome Roche Prize (2005) Alfred Einstein Award (2006) Hilles Publication Awards (2008, 2015) Samuel and Ronnie Heyman Prize (2010) Martin Chusid Award (2013) Dent Medal (2019) Elected member, Academia Europaea (2022) Kreuzer also contributes to public engagement through radio presentations (SWR, WNYC, BBC Radio3), program notes, lectures, and the Metropolitan Opera Quiz. She founded the YOST: Yale Opera Studies Today conference series (2019) and leads the Opera Studies Today Working Group at Yale, fostering dialogue between artists and scholars.

Yvonne Hartingerمشاهده پروفایل

استاد مدعو

• Classical Vocal Performance
• Opera
• Vocal Chamber Music
• +۳ مورد دیگر

Yvonne Hartinger is an Adjunct Professor of Voice at Mozarteum University (since 2013) and Senior Lecturer for Voice at the University of Miami Frost School of Music at Salzburg, Salzburg Institute of Gordon College, and Kentucky Institute of International Studies in Salzburg. She serves as Artistic Director of Salzburg Chamber Music Concerts since 2019 alongside her husband, tenor Virgil Hartinger. Education: Doctorate in Voice from Eastman School of Music Master's degree from University of Houston Initial studies in Baton Rouge, Louisiana Her artistic career spans operatic roles ( L'Incoronazione di Poppea , Les Contes d'Hoffmann , Beethoven's Ninth ), oratorio works ( Handel's Messiah , Bach's Christmas Oratorio ), and vocal chamber music through participation in the Marlboro Music Festival. She specializes in diverse genres including Baroque, classical, and contemporary repertoire. Her teaching focuses on voice pedagogy and music education through the Orff Institute. She collaborates with renowned artists such as Robert McIver, Benita Valente, and Richard Miller, and has performed across Houston, Natchez, Baton Rouge, and Ohio Light Opera venues.

• Early Music
• Baroque Guitar
• Viola da Gamba
• +۳ مورد دیگر

Pierre Pitzl is a Lecturer at the Faculty of Music, Music and Arts Private University of the City of Vienna. He is a renowned viola da gamba and baroque guitar specialist, active as a soloist, chamber musician, and ensemble leader (PRIVATE MUSICKE). His career spans performances at prestigious European festivals and collaborations with ensembles like Concerto Köln and Concentus Musicus Wien. Education: Guitar studies at University of Music and Performing Arts Vienna (soloist diploma cum laude at 19), lute/chamber music/basso continuo at Schola Cantorum Basiliensis, and viola da gamba at Conservatorium The Hague. As a recording artist, his CDs with ORF Edition Alte Musik, ACCENT, and Deutsche Grammophon have earned critical acclaim, including the Diapason d'Or. Recently, he has expanded into directing baroque vocal and operatic projects. His teaching career includes viola da gamba instruction at Vienna University of Music and Performing Arts, and baroque guitar positions at both Vienna University of Music and Performing Arts Vienna and Bremen University of Music (2017/18).

Akiko Nakajimaمشاهده پروفایل

استاد

• Opera Singing
• Classical Voice
• Music Education
• +۲ مورد دیگر

Akiko Nakajima is a Japanese soprano and academic faculty member at the Music and Arts University of the City of Vienna (MUK) in the Faculty of Performing Arts , where she has taught since February 2016. She serves as General Director of the Gunma Opera Academy 'Noura-Juku' and Artistic Advisor at the Mozarthaus Vienna . Her career spans international opera stages and artistic direction. Specialization in classical and early music opera roles Founder and director of innovative cross-cultural productions like Mugen Noh - Pierrot Lunaire Active in music festivals and recording projects at venues such as the Musikverein Scientific Awards & Recognitions: Australian Singing Competition (1990) - First Prize European Broadcasting Union Award for Alcina production Opernwelt Best Young Artist of the Year nomination Her academic contributions focus on vocal pedagogy, operatic performance, and bridging European classical traditions with Japanese artistic concepts. She continues to shape opera education while maintaining her performance career.

• Opera Studies
• Italian Language Teaching
• Language Didactics
• +۳ مورد دیگر

Alberto Sana serves as a Lecturer of Italian at the Music and Arts Private University of the City of Vienna (MUK) since 2013 and concurrently at the Romance Studies Institute of the University of Vienna since 2004. He delivers language courses, subject-specific didactic workshops, and instruction in Italian and French across general and vocational secondary schools (AHS/BHS) in Vienna. His academic foundation includes distinguished studies in Italian and French at the University of Vienna (2000-2003), culminating in a thesis on vocabulary didactics in Italian language education. This work was condensed into a published chapter within a didactics-focused volume edited by Prof. Dr. Tanzmeister. Sana specializes in the intersection of Italian language pedagogy and operatic arts, with deep expertise in Italian librettos and vocal repertoire. His research integrates linguistic theory with practical music education, emphasizing vocabulary acquisition strategies for opera-focused language learners and the cultural dimensions of Italian musical heritage. This dual focus bridges linguistic scholarship and performance practice. His sole documented publication (2008) examines vocabulary teaching methodologies within Italian language instruction, reflecting his commitment to innovative didactic frameworks. The work establishes connections between linguistic theory and applied educational contexts, particularly relevant for students engaged with Italian operatic literature. Professionally, Sana maintains active involvement in Vienna's musical ecosystem beyond academia. As a tenor in the Vienna Singverein choir under Johannes Prinz's direction, he embodies the practical application of his scholarly interests in Italian opera. His career trajectory—from international business to language education—demonstrates a unique synthesis of commercial experience and artistic scholarship.

Simon Goldhillمشاهده پروفایل

استاد

• Classical Studies
• Greek Literature
• Literary Theory
• +۴ مورد دیگر

Simon David Goldhill is a Professor in Greek Literature and Culture at the University of Cambridge, affiliated with King's College as a Fellow and Director of Studies in Classics. He served as Director of the Centre for Research in the Arts, Social Sciences, and Humanities (CRASSH) from 2010–2017 and held the John Harvard Professorship in Humanities (2010–present). His research focuses on Greek tragedy, 19th-century literature, and classical reception. Goldhill has been honored with fellowships from the British Academy (2016), American Academy of Arts and Sciences (2009), and Australian Academy of Humanities (2020), along with major book prizes including the Runciman Prize (2013) and Robert Lowry Patten Award (2012). His scholarly work bridges classical antiquity and modernity, exploring themes such as temporality in late antiquity, Victorian engagements with classical culture, and queer family dynamics in Victorian Britain. Goldhill currently chairs the European Institutes for Advanced Study (NetIAS) and sits on multiple national and international academic councils. His research has been supported by a €2.5M ERC Advanced Grant (2011–2017) examining 19th-century interactions between biblical texts and antiquity.

Gesine Manuwaldمشاهده پروفایل

استاد

• Latin literature
• Reception of Latin literature
• Neo-Latin literature

Gesine Manuwald is a Professor of Latin at University College London, specializing in Latin literature, its reception, and Neo-Latin studies. She has held significant academic positions, including Senior Lecturer at UCL (2007–2011) and Heisenberg Fellowship at Freiburg (2003–2007). Promotion: 1998 Habilitation: 2000 Her research focuses on Roman drama, Latin literature, and the transformation of classical sources in later periods. Her publications include critical editions, commentaries, and monographs on works such as Valerius Flaccus' Argonautica, Pacuvius' tragedies, and Cicero's Philippics. Her scholarly output spans studies on Roman Republican theatre, fragmentary Roman drama, and the reception of classical texts in operatic contexts, reflecting interdisciplinary approaches to classical scholarship. Förderpreis der Albert-Ludwigs-Universität (2000) Heinz-Maier-Leibnitz-Preis der Deutschen Forschungsgemeinschaft (2001)

Mücke Panjaمشاهده پروفایل

استاد

• Music History
• Performance Practice
• Theatre Music
• +۳ مورد دیگر

Professor Mücke Panja serves as Vice President for Research and Teaching at the University of Music and Performing Arts Mannheim, where she has held the full professorship in Historical Musicology since 2015. Previously, she served as Director of the Institute for Music Research (2017–2019) and held adjunct professorships across German universities, including a one-year term at the University of Vienna (2012/13). She earned her PhD in 2000 (awarded the Marburg University Dissertation Prize) and habilitation in 2008 at Philipps University Marburg. Her research focuses on 18th-century opera, 20th-century theatre/film music, and European court music cultures. She is president of the German Musicological Society (GfM) and co-director of the Hof | Music | City Research Center in Schwetzingen. Panja has authored/co-authored six edited volumes, over 50 articles, and serves on editorial boards for major musicological journals. Education: PhD (2000), Habilitation (2008) from Philipps University Marburg Awards: 2002 Marburg University Dissertation Prize Leadership roles: Vice President (2019–present), President of GfM (2021–present) Key research areas: Opera history, performance practice, music-medial intersections Her recent publications explore topics like Händel's operas, Puccini's late works, and the role of programme sheets in Mannheim opera production. Panja actively engages in academic governance, serving on committees for digitalization, cultural heritage, and diversity in music.

Melba Ramosمشاهده پروفایل

استاد

• Operatic Performance
• Lyric Soprano Roles
• Classical Opera
• +۲ مورد دیگر

Melba Ramos is a Professor and a core ensemble member of the Volksoper Wien since the 2004/05 season. She completed her training at the Conservatorio Pablo Casals in San Juan, Puerto Rico, and has established herself as a leading lyric soprano with a focus on classical and historical operatic roles. Her career spans major European and international stages, including roles such as the Queen of the Night (Die Zauberflöte), Donna Anna (Don Giovanni), and Violetta (La Traviata). Education: Conservatorio Pablo Casals, San Juan, Puerto Rico Research Interests: Specialization in operatic repertoire, historical performance practices, and vocal artistry. Her career highlights include acclaimed performances in works by Mozart, Verdi, and Haydn, with a particular emphasis on Baroque and Classical-era operas. Awards: First Prize, Metropolitan Opera Auditions, District, 1987 Advising/Grants: No explicit details on advising or grants provided. Active in artistic research through MUK's doctoral programs. Labs/Teams: Member of the Volksoper Wien ensemble and affiliated with the MUK Faculty of Music's vocal and opera programs.

Alexandra Reinprechtمشاهده پروفایل

مدرس

• Operatic Performance
• Classical Singing
• Vocal Techniques
• +۳ مورد دیگر

Alexandra Reinprecht is a renowned Austrian soprano and lecturer at the MUK Faculty of Music, specializing in vocal training and operatic performance. She holds a lectureship in voice, focusing on classical singing techniques and operetta roles. Her career spans major opera houses including the Vienna State Opera, Berlin Staatsoper, and Munich State Opera, with notable roles such as Manon (debut replacing Anna Netrebko), Elisabetta (Don Carlo), and Desdemona (Otello). She has collaborated with renowned conductors like Zubin Mehta and composers including Marco Armiliato. Awarded for her vocal prowess, her performances emphasize operetta and classical repertoire. She maintains active engagements in festivals like Bregenz and Salzburg, and has recorded DVDs and CDs of key roles. As a lecturer, she integrates her performance expertise into teaching, emphasizing breathing techniques and stagecraft. Her work extends to horse therapy and social counseling, reflecting a holistic approach to art and well-being.

Gabriel Wankaمشاهده پروفایل

مدرس

• Dance
• Choreography
• Musical Theatre
• +۳ مورد دیگر

Gabriel Wanka is a Lecturer at the Music and Arts University of the City of Vienna (MUK) since September 2018, specializing in dance, choreography, and performing arts. Born in Munich and raised in Vienna, he trained at the Vienna State Opera Ballet School, participating in productions like Spartacus , Coppélia , and The Nutcracker , and collaborated with renowned choreographers such as Hans Van Manen and Robert North. He holds a diploma from the Ballet Academy and worked for six years at the Landestheater Linz as a performer, guest dancer, and choreographer (e.g., The Merry Widow ). Since 2016, he has been freelancing internationally as a dancer, actor, choreographer, and musical performer, notably with Posterino Dance Company led by Gaetano Posterino. His education includes studies at Lycée Jean Renoir (Munich) and Lycée Français de Vienne. His artistic focus spans contemporary dance, ballet, and interdisciplinary performance, blending classical and modern techniques. Wanka’s work emphasizes collaborative artistry, having contributed to operatic, theatrical, and dance projects across Europe. No specific grants, labs, or doctoral supervision are mentioned. His professional network includes affiliations with leading European arts institutions and companies.