جستجوی استاد راهنمای دانشگاهی

William Robinمشاهده پروفایل

دانشیار

• Contemporary Classical Music
• American Music
• Musicology & Ethnomusicology
• +۳ مورد دیگر

William Robin is an Associate Professor of Musicology at the School of Music, University of Maryland , appointed in Fall 2016. His research focuses on institutional structures shaping contemporary classical music in the United States, with additional interests in early American hymnody, Stravinsky, and postwar European avant-garde. Education : PhD in Musicology (University of North Carolina at Chapel Hill, 2016) Doctoral dissertation: Analysis of American new music through "indie classical" lens Bachelor’s in Saxophone Performance & Musicology (Northwestern University’s Bienen School of Music) Research Expertise : Contemporary classical music institutional frameworks "Indie Classical" terminology analysis Bang on a Can collective’s market participation Transatlantic 19th century sacred music reform Stravinsky’s musical objectivity rhetoric Neoliberalism’s impact on music ensembles Scientific Contributions : Author of Industry: Bang on a Can and New Music in the Marketplace (Oxford University Press, 2021) Co-editor of On Minimalism: Documenting a Musical Movement (UC Press, 2023) Peer-reviewed publications in Musical Quarterly , Journal of the American Musicological Society , and Journal of the Society for American Music Awards & Recognition : ASCAP Deems Taylor/Virgil Thomson Award (2014) for NewMusicBox article University of Maryland Research Communicator Impact Award DAAD Study Scholarship recipient (Berlin, unfinished opera projects of Bernd Alois Zimmermann)

Claire Chaseمشاهده پروفایل

استاد

• New Music
• Experimental Music
• Contemporary Classical Music
• +۵ مورد دیگر

Claire Chase serves as Professor of the Practice in the Music Department at Harvard University's Faculty of Arts and Sciences, where she joined the faculty in 2017. Currently on leave for the 2022-23 academic year, she maintains her affiliation with Harvard while continuing her groundbreaking work in new music. Chase is a soloist, collaborative artist, educator, curator and advocate for new and experimental music. Her research interests span contemporary flute performance, interdisciplinary arts, community engagement through music, and the expansion of flute repertoire. She has championed new music internationally by forming organizations, cultivating intersectional alliances, founding commissioning initiatives, and supporting community and education programs that reach new audiences. Her work bridges the gap between traditional classical music and experimental performance practices. Her most significant scholarly contribution is Density 2036, a 24-year commissioning project to create an entirely new body of repertory for flute between 2013 and 2036. This ambitious initiative has resulted in numerous recordings and performances that represent the cutting edge of contemporary flute music. The project demonstrates her commitment to expanding the boundaries of musical expression and instrument technique. MacArthur Fellowship (2012) - First flutist ever to receive this honor Avery Fisher Prize (2017) - First flutist to receive this prestigious award Honorary Doctorates from The Curtis Institute of Music and The Cleveland Institute of Music Chase co-founded the International Contemporary Ensemble (ICE) in 2001, described as the United States' 'foremost new-music ensemble,' and served as its artistic director until 2017. She has collaborated with numerous composers to premiere hundreds of new works, significantly expanding the contemporary flute repertoire. Her work often intersects with social justice initiatives, as seen in her fellowship with Project& and collaborations on community-based performances like Pan. Her leadership extends to educational programming, having served as co-artistic director of Ensemble Evolution at Banff Centre for Arts & Creativity (2016-2019), and her Density 2036 project serves as both artistic output and educational resource for future generations of musicians.

Torunn Helene Robstadمشاهده پروفایل

دانشیار

• Dance
• Performance Studies
• Choreography
• +۳ مورد دیگر

Torunn Helene Robstad is an Associate Professor and Programme Coordinator for the Master's Programme in Dance at the Academy of Dance, Oslo National Academy of the Arts. Educated at the Norwegian National Opera Ballet School and Alvin Ailey American Dance Center, she specializes in communication/interpretation and production/performance work. Teaches in the Master's Programme in Dance Associated with Carte Blanche Dance Company and Cullberg Ballet Worked with international choreographers and institutional theatres in Oslo Rehearsal director at the Norwegian Opera and Ballet Research Interests focus on dance improvisation, artistic practice, and performance dynamics. Her work explores embodied cognition, choreographic innovation, and interdisciplinary approaches to movement and interpretation. Recent publications address improvisation, gesture documentation, and aesthetic experimentation. Scientific Contributions include collaborations in artistic research, with notable 2025 lecture on dance improvisation and 2024 works examining gestural frameworks and experimental performance. Earlier projects (2016-2019) investigated movement analysis, choreographic expression, and theatrical experimentation.

Maria Laura Frigottoمشاهده پروفایل

استاد

• Organizational Theory
• Organizational Learning
• Organizational Culture
• +۱۲ مورد دیگر

Maria Laura Frigotto is a Professor at the University of Trento, Italy, where she works in the Department of Economics and Management. Her academic career focuses on organizational studies with particular emphasis on novelty, innovation, creativity, resilience, and organizational mindfulness. She has established herself as a leading scholar in the field of organizational resilience, especially as it applies to cultural institutions like opera houses. Her research spans multiple domains within organizational theory, with significant contributions to understanding how organizations respond to novelty and unexpected challenges. She has developed theoretical frameworks for understanding organizational resilience, particularly in contexts where traditional approaches may fail, such as emergency situations and cultural institutions facing modernization pressures. Professor Frigotto's work on white novelties and black novelties represents a significant theoretical contribution to the field. Organizational Resilience : Capabilities for responding to unexpected challenges and novel adversities Novelty Studies : Understanding emergence of novelty in organizational contexts Arts Management : Specialized research on opera house management and cultural institutions Organizational Mindfulness : Attention processes in high-reliability organizations Innovation Management : Processes for generating and implementing novel ideas Emergency Management : Organizational responses to crises and unexpected events Her recent publications reveal a growing interest in the intersection of public policy, hybrid governance, and organizational resilience, particularly in the context of public cultural institutions. Professor Frigotto has been actively contributing to academic discourse through conference participation and collaborative research projects across European institutions, with significant publications extending through 2025. Scientific Recognition With 55 publications and over 379 citations, Professor Frigotto has established a significant scholarly presence in organizational studies. Her work has been featured in numerous academic journals and books, with particular recognition for her contributions to understanding resilience in cultural institutions. She maintains an active scholarly network with frequent collaborations across European institutions. Professional Engagement Professor Frigotto maintains active engagement with the academic community through ResearchGate and other scholarly networks. She collaborates extensively with researchers across Europe, particularly in the areas of public administration, organizational studies, and cultural management. Her work bridges theoretical insights with practical applications in organizational settings, with particular relevance to public cultural institutions navigating modernization pressures while preserving cultural heritage.

Scott Terrellمشاهده پروفایل

دانشیار

• Orchestral Conducting
• New Music
• Vocal and Operatic Repertoire
• +۳ مورد دیگر

Scott Terrell is an Associate Professor of Orchestral Studies and holds the Virginia Martin Howard Chair at the Louisiana State University School of Music. He is a renowned conductor with a focus on artistic excellence, new music, and diverse repertoire. His career spans guest conducting with major orchestras like the San Francisco Symphony, teaching at institutions such as the Aspen Music Festival, and leading international collaborations in Bulgaria and Austria. Education: Bachelor's degree from Western Michigan University Master's in Orchestral Conducting from the University of Minnesota Fellowship conductor at the American Academy of Conducting at Aspen Terrell's research interests include vocal/operatic repertoire (e.g., collaborations with Kentucky Opera and Arizona Opera), educational outreach through honor orchestra events across multiple U.S. states, and international conducting masterclasses. His work emphasizes community engagement and innovative programming, demonstrated during his transformative decade as Music Director of the Lexington Philharmonic (2009-2019). Scientific Awards: Conducting Prize from David Zinman at Aspen Music Festival As an educator, Terrell mentors conducting students at Aspen, adjudicates competitions, and serves as a guest clinician. He previously held roles as Resident Conductor at Charleston Symphony Orchestra and Assistant Conductor of Minnesota Orchestra, while studying under Leonard Slatkin, Robert Spano, Jorma Panula, and David Robertson.

Andrew Daviesمشاهده پروفایل

استاد

• Biblical Reception History
• Pentecostal and Evangelical Studies
• Religion and Public Policy
• +۶ مورد دیگر

Andrew Davies is a Professor of Public Religion at the Department of Theology and Religion, University of Birmingham , and Director of the Edward Cadbury Centre for the Public Understanding of Religion. He also serves as Head of Education for the School of Philosophy, Theology & Religion and leads the Master of Public Administration in Faith-Based Leadership and MA in Religion, Politics and Society programs. BD(Hons) in Divinity, University of London (1992) MA in Biblical Studies, University of Sheffield (1994) PhD in Biblical Studies, University of Sheffield (1998) His research focuses on cultural-critical approaches to biblical interpretation, Pentecostal/evangelical hermeneutics, and religion's role in public policy. He explores the Bible's societal impact, faith-based leadership, and global freedom of religion. His work bridges biblical ethics with contemporary social engagement, particularly through megachurch studies and faith communities' civic roles. Key article themes include biblical reception history, digital religion, pandemic responses, and theological approaches to social justice. Awards include a University Teaching Fellowship (2014) and Principal Fellow of the Higher Education Academy (2018). He has managed £2.5m+ in funded projects, including the AHRC-supported 'Megachurches and Social Engagement in London' (2013-16) and the interdisciplinary 'Birmingham Project' with IBM, Jaguar LandRover, PwC, and KPMG. He collaborates with UK government departments on faith-related policy and advises international faith communities.

• Modern European History
• Cultural and Urban History
• East-Central Europe
• +۴ مورد دیگر

Dr. Markian Prokopovych is a Researcher in the Department of History at Durham University and a member of the Centre for Ukraine Studies. He specializes in Modern European History, Cultural and Urban History, East-Central Europe, the Habsburg Empire and its successor states, Ukraine, Museums and Visual Culture, and Migration. Research Interests: Modern European History, Cultural and Urban History, East-Central Europe, Habsburg Empire, Ukraine, Museums and Visual Culture, Migration. His scholarly work focuses on the interplay between urban development, cultural institutions, and imperial dynamics in the Habsburg Empire and successor states. He has published extensively on topics such as the role of art museums in shaping urban elites, the architectural evolution of design museums, and the impact of migration on 19th-century European cities. Prokopovych has contributed to edited volumes and journals like Austrian History Yearbook and Austrian Studies , addressing themes such as language diversity, opera networks, and the materiality of identification in urban contexts. His co-edited works include The Museum Age in Austria-Hungary and Liberalism, Nationalism and Design Reform in the Habsburg Empire .

Johannes Brachtendorfمشاهده پروفایل

استاد

• Metaphysics
• Philosophy of Mind
• Philosophy of Religion
• +۴ مورد دیگر

Professor Johannes Brachtendorf is a faculty member at the University of Tübingen , holding the Chair of Fundamental Philosophical Questions of Theology within the Faculty of Catholic Theology . Additionally, he is an associated member of the Philosophical Seminar at the University of Tübingen. His office is located at 12 Liebermeisterstraße, Tübingen , and he can be reached at +49 (0)7071 29 72670 or via email at johannes.bringendorf@uni-tuebingen.de . Academic Focus: His research spans Metaphysics , Philosophy of Mind , and Philosophy of Religion , with a particular emphasis on the works of Augustine , Fichte , and Kant . He explores intersections between Classical Chinese Philosophy and Augustinian Theology , as well as themes like Infinity , Divine Attributes , and Religious Ethics . Publications and Contributions: He has authored monographs such as Augustins Confessiones and Die Struktur des menschlichen Geistes nach Augustinus , with translations into English and Chinese. He co-edits the Augustinus-Opera-Werke and Augustinus – Werk und Wirkung series, and has contributed to The Oxford Guide to the Historical Reception of Augustine . International Engagements: His visiting professorships include appointments at Villanova University (USA) , Doshisha University (Japan) , and Minzu University (China) . He has presented at conferences globally, including in Chile , Malta , and China .

Michelle Siemensمشاهده پروفایل

استاد مدعو

• Opera
• Classical Voice
• Vocal Performance
• +۱ مورد دیگر

Michelle Siemens is a dramatic mezzo-soprano and academic professional based in the New York Metro Area. Currently serving as an Adjunct Professor of Voice and Arts Administration at Wagner College, she combines her performance expertise with educational leadership. Her performance career highlights include roles such as Der Komponist in Ariadne auf Naxos , Ines in Il Trovatore , and Daughter of Akhnaten in Akhnaten at Los Angeles Opera. A graduate of the University of Toronto (BMus) and Manhattan School of Music (MMus), she has performed with prestigious companies like Central City Opera, Opera on the Avalon, and Los Angeles Opera. Recognized for her vocal prowess, Ms. Siemens has earned accolades including the Classical Singer Fall Competition's Classical Emerging Professional Category win (2020) and victories in Los Angeles Metropolitan Opera National Council Auditions. Performance Specializations : Opera, Classical Voice, Mezzo-Soprano Repertoire Notable Roles : Der Komponist ( Ariadne auf Naxos ), Ines ( Il Trovatore ), Daughter of Akhnaten ( Akhnaten ) Major Collaborations : Matthew Aucoin (Artist-in-Residence, Los Angeles Opera)

Jonathan Allentoffمشاهده پروفایل

مدرس

• Klezmer Music
• Hebraic Liturgical Music
• Music Composition
• +۲ مورد دیگر

Jonathan Allentoff is an accomplished conductor, composer, performer, and educator affiliated with the Eastman Community Music School. He serves as music director for multiple orchestras, including the Brockport Symphony, Greece Community, and Temple Beth El Orchestras, and holds leadership roles such as President of the Greece Performing Arts Society and co-founder of the Los Angeles Inception Orchestra. Education: Master of Arts (Stony Brook University), Bachelor of Science (SUNY Brockport) Key Roles: Conductor, composer, strings instructor, clinician His research and artistic contributions focus on the cultural impact of community orchestras and the interdisciplinary intersection of music, technology, and education. Notably, he created the "Music of the Soul" Selichot Service and composed scores for theatrical productions like Love Letters from the Cold War . Allentoff actively participates in professional organizations including APME, ASCAP, ASMAC, ASTA, CODA, NAfME, and NYSSMA. He received the Dr. Deborah C. Hecht Award for his thesis on community orchestras and has conducted and performed globally with ensembles such as the Pittsburgh Symphony Orchestra and the Sydney Opera House.

Chaojun Yangمشاهده پروفایل

مدرس

• Piano Performance
• Chamber Music
• Music Education
• +۳ مورد دیگر

Chaojun Yang is a renowned pianist and educator whose career spans international performance and teaching. Currently pursuing a Doctoral of Musical Arts (DMA) at the Eastman School of Music under Douglas Humpherys, she teaches Secondary Piano lessons at the University of Rochester and Eastman School of Music. Yang has performed globally, including at prestigious venues such as the Sydney Opera House and Shanghai Grand Theater, and has received accolades like the Jack Kent Cooke Young Artist Award. Education: Interlochen Arts Academy (2013), Bard College (B.M. and B.A. in Piano Performance and French Studies), Juilliard School (M.M. in Piano Performance) Teaching Roles: Morse Artist Teaching Fellow at Juilliard, Teaching Assistant at Juilliard, and lecturer at Eastman/University of Rochester Her research interests focus on Piano Performance , Artistic Expression , and Music Pedagogy , emphasizing the development of inner artistry and life-enhancing habits through music. Yang’s scientific awards include notable honors for musical excellence. Piano Pedagogy: Concentration on liberating student creativity and public expression

Monika Hennemannمشاهده پروفایل

استاد

• Musicology
• Cultural History
• 19th-Century Opera
• +۷ مورد دیگر

Professor Monika Hennemann holds the Professor of Music position at Cardiff University's School of Music and serves as International Dean for the College of Arts, Humanities and Social Sciences . She co-directs the Centre for Interdisciplinary Research into Opera and Drama (CIRO) . A scholar with expertise in musicology, cultural history, linguistics, and translation, her research spans German- and English-speaking worlds from the late 18th century to contemporary music , focusing on 19th-century opera , Lieder and performance practice , and the works of Mendelssohn, Liszt, and Webern . Education : Johannes Gutenberg-Universität (Germany), Florida State University (US) International Engagement : Negotiates partnerships with institutions across US, Europe, China, and Southeast Asia, including oversight of collaborations with South China Normal University and Singapore's Raffles Institutions Her research interests center on intercultural theater , particularly Western opera's adaptation in the East, and the theatrical performance history of Liszt's St Elizabeth oratorio. She explores libretto studies , musical adaptation , and 19th-century cultural transfer through works like her monograph Felix Mendelssohn’s Opera Projects in the Cultural Context of German Opera and Libretto History (2020). Scientific Awards include the Music & Letters Research Grant (twice) and shortlisting for the Ruth A. Solie Award from the American Musicological Society. She has presented at major conferences like the American Musicological Society , Royal Musical Association , and Gesellschaft für Musikforschung in Germany. As a professional translator and Goethe Institut examiner , she has lectured internationally and contributed to BBC Proms , ORF , and Deutsche Welle broadcasts. Her teaching portfolio covers repertoire studies , gender in music , and German language for musicians , with supervision available for interdisciplinary postgraduate research.

• Scenography
• Contemporary European Theatre
• Voice and Performance
• +۳ مورد دیگر

Lara Maleen Kipp is a part-time Lecturer in Scenography and Theatre within the Department of Theatre, Film, and Television Studies at Aberystwyth University. As an early career researcher and practitioner, she integrates industry experience from Vivienne Westwood Studios and the Salzburg Opera Festival into her academic work, contributing to UN Sustainable Development Goals through cultural and gender studies research. Her educational background includes: PhD in Theatre and Performance from Aberystwyth University (2016), thesis: "The Scenographic Sublime: An Aesthetic Analysis of Howard Barker's Work 1998-2011" Master’s degree in Practising Theatre & Performance Joint BA (Hons) in Scenography & Theatre Design and Drama & Theatre Studies Kipp's research centers on visual and spatial dimensions of theatre, analyzing scenography, voice, and contemporary European performance. She investigates how costume and stage design construct identity through gender performativity and iconicity in fashion, with seminal work on Howard Barker's treatment of death, violence, and domesticity, extended to contemporary explorations of Eurovision's political staging and queer desire in Welsh drama. Her publication trajectory (2017-2025) evolved from Barker-focused analyses (2017-2018) to broader cultural critiques addressing Eurovision's national representation, gender performativity in "naked" dresses, and queer politics in Welsh theatre (2023-2025). This demonstrates consistent thematic progression from textual analysis to real-world political and identity applications in international performance contexts. While no specific advising roles or grants are documented, Kipp maintains active scholarly engagement through publications with Intellect, De Gruyter, Palgrave Macmillan, and media contributions like her 2023 Eurovision commentary, indicating robust academic-practitioner integration.

Clare M. Wilkinsonمشاهده پروفایل

استاد

• Cultural Anthropology
• Media Production Cultures
• Craft Specialities
• +۳ مورد دیگر

Clare M. Wilkinson is a Professor of Cultural Anthropology at Washington State University Vancouver. She holds a BA from Durham University and a PhD from the University of Pennsylvania. Her research focuses on material culture, craft specialities, and labor in artistic industries, with particular emphasis on Hindi film production and Indian craftsmanship. She has authored/co-edited books such as Embroidering Lives , Stardom in Contemporary Hindi Cinema , and Critical Craft . Her work bridges anthropology with media studies, exploring how artisans and designers navigate creative processes within globalized economies. Dr. Wilkinson teaches courses on global media, cultural theory, and material culture. She has conducted extensive fieldwork in Lucknow and Mumbai, examining embroidery industries and film costume production. Her research highlights underappreciated labor in media industries and the socio-cultural dimensions of craft. She is an Associate of the London College of Music and has collaborated with institutions like the University of Westminster. Key research areas: Craft anthropology, Hindi film aesthetics, labor in media production Publications span journals like Bioscope , Visual Anthropology Review , and Anthropological Quarterly Graduate supervision includes studies on Arab-American identity, Japanese fashion communities, and Bombay soap opera production Her upcoming projects include a monograph on Hindi film production design and continued exploration of creative economies in South Asia.

Gabriela Cruzمشاهده پروفایل

دانشیار

• Music History
• Nineteenth-Century Music
• Opera Studies
• +۴ مورد دیگر

Gabriela Cruz is an Associate Professor of Music at the University of Michigan, where she has been since 2012. She holds affiliations with the Weiser Center for Europe and Eurasia and focuses on opera studies, 19th-century music history, music aesthetics, and the intersection of music with technology and film. Prior to U-M, she taught at Tufts University, the New University of Lisbon, and the University of Coimbra in Portugal. Her research explores topics such as phantasmagoria in opera, the role of opera under totalitarian regimes, and the remediation of grand opera. Notable works include analyses of Wagner’s The Flying Dutchman and studies on Portuguese musical icon Amália Rodrigues. Cruz has contributed to scholarly debates on composers like Meyerbeer and Offenbach, emphasizing their cultural impact and historical contexts. Her publications reflect a thematic focus on music’s relationship with politics, technology, and cultural identity, evident in works like Lisboa, terra dos sorrisos (2020) and Grand Illusion (2020). Cruz has also engaged with media studies through analyses of Disney’s engagement with bel canto traditions and the role of gesture in operatic performance.