جست‌وجوی استاد و پژوهشگر

Juan Garzaمشاهده پروفایل

استاد مدعو

• Vocal Performance
• Opera
• Music Theater
• +۲ مورد دیگر

Juan Garza is an Adjunct Professor of Voice in the School of Music at Sam Houston State University (SHSU), joining the faculty in fall 2024. He concurrently serves as an Adjunct Professor of Voice at Lone Star College-Kingwood and as Musikdirigent for the Houston Saengerbund, Houston's oldest musical society. His academic background includes: Master of Music in Vocal Performance and Pedagogy from the University of Houston (studied under Dr. Timothy Jones) Bachelor of Music in Vocal Performance from Stephen F. Austin State University (instructed by Dr. Scott LaGraff) Garza's professional focus centers on vocal arts, with expertise spanning classical opera, contemporary music theater, and oratorio performance. His research interests emphasize practical vocal pedagogy, operatic interpretation, and the integration of historical performance practices in modern productions. He actively bridges scholarly knowledge with stage experience through his dual teaching and performance roles. His professional accolades include: Stephen F. Austin State University Concerto/Aria Competition winner Four-time Texoma Regional NATS auditions finalist Second place in El Paso Society of Musicians for the Future Young Musicians Competition As an educator, Garza mentors students who consistently achieve exceptional recognition, including UIL State Solo and Ensemble Superior Ratings, Texas All-State Choir placements, Tommy Tune Awards, Greater Houston NATS victories, admission to the Houston Grand Opera Bauer Family High School Voice Studio, and participation in national Broadway tours. His teaching philosophy integrates vocal technique with dramatic interpretation across diverse repertoire. Garza maintains active engagement with the Houston Saengerbund as Musikdirigent, contributing to Houston's cultural landscape through choral leadership while balancing his academic responsibilities across two institutions.

Traian Ichimمشاهده پروفایل

دانشیار

• performing arts
• cultural management
• theater history
• +۱ مورد دیگر

Traian Ichim is an Associate Professor at the Department of Musical Performance and Pedagogy within the Faculty of Music at Transilvania University of Brașov. His work bridges performing arts, cultural management, theater history, and musicology, with a focus on Romanian and Bessarabian operatic traditions. Current affiliation: Faculty of Music, Transilvania University of Brașov Academic rank: Associate Professor Research interests center on the intersection of opera, cultural management, and historical analysis. He investigates: 20th-century opera performance innovations Historical development of the opera genre Cultural exchanges between Romanian Principalities and Austria Bessarabian lyrical theater figures His publications highlight trends in opera studies , emphasizing historical contexts , Bessarabian cultural influences , and cross-regional musical connections . Despite no listed scientific awards, his work contributes to understanding Romanian and Eastern European performing arts traditions.

• Classical Western Music Interpretation
• Musicology
• Orchestral Conducting
• +۳ مورد دیگر

Prof. Dr. Lale Huseynova is a Professor at Kastamonu University's Faculty of Fine Arts and Design, Department of Musicology. She holds a PhD in Music from A. Huseyinzade Azerbaijan State University of Civilization and Fine Arts, complemented by dual Bachelor's degrees from Azerbaijan State Conservatory in Piano/Organ and String Instruments, and a Master's in String Instrument Interpretation from Uzeyir Hacibeyli Baku Music Academy. Her research focuses on: Interpretation techniques in Classical Western Music Musicological analysis of Eastern-Western synthesis Violin pedagogy and performance traditions Cultural dimensions of orchestral conducting She explores cross-cultural musical dialogues, particularly in violin literature and ethnomusicology. Her publications demonstrate concentrated work in violin performance analysis (50%), cultural musicology (30%), and music education (20%), with increasing focus on East-West synthesis in contemporary repertoire since 2018. Awards include: 2025: Eğitimin Yüzyılı (Kastamonu İl Milli Eğitim) 2024: Klasik Dönem Yorumlama Başarı Ödülü (Mozart Akademi) 2022: Plaket (Milli Eğitim Bakanlığı) 2015: Kristal Ödül (Mehmet Akif Ersoy Üniversitesi) She actively advises graduate students with 14 completed supervisions since 2014, predominantly in violin performance analysis, folk music studies, and music education. Current students include researchers investigating Safranbolu wedding music and Izmir Köy Enstitüleri's music traditions. She directs departmental ensembles and frequently performs in faculty recitals, including 31 artistic events since 2015 featuring violin resitals and chamber music collaborations.

• Musicology
• Classical Turkish Music Interpretation
• Music Education
• +۳ مورد دیگر

Prof. Dr. Sıtkı Akarsu is a full-time Professor at Kastamonu University's Faculty of Fine Arts and Design, Department of Musicology, where he also serves as Department Chair. His academic journey includes a Ph.D. in Curriculum and Instruction from Yüzüncü Yıl University (2015) and Atatürk University (2014), an M.Sc. in Educational Sciences from Kafkas University (2007), and a B.A. in Musicology from Atatürk University (2002). His research explores Musicology , Classical Turkish Music Interpretation , and Music Education , with emphasis on pedagogical methodologies, cultural preservation, and ethnomusicology. Akarsu's work bridges traditional Turkish music forms with contemporary educational frameworks. Publication analysis reveals a focus on music pedagogy , cultural heritage , and performance analysis , particularly examining Turkish operas, folk traditions, and curriculum design. His recent works prioritize interdisciplinary approaches linking musicology with linguistics, sociology, and educational policy. Scientific Awards: TÜBİTAK Project Incentive Award (2024) Golden Pen & Golden Human Award (2024) Jury Honor Award in Minstrel Competitions (2005) National Championships in Turkish Folk Music (2003) He mentors 9 Master's students in projects spanning Turkish folk music analysis, instrument craftsmanship, and regional ethnomusicology. Grants include 11 projects, notably TÜBİTAK-funded initiatives like OKULLARI DEĞER-LENDİRELİM (2023) promoting music in value education. Akarsu leads the Musicology Department's research teams and coordinates cultural events, including international music festivals.

Manuela Randlingerمشاهده پروفایل

استاد مدعو

• Harp Performance
• Music Education
• Orchestral Studies
• +۳ مورد دیگر

Prof. Manuela Randlinger is an Adjunct Professor of Harp at the College for Music and Art , Folkwang University of the Arts, Essen. She studied harp at the Mozarteum in Salzburg and the Musikhochschule Würzburg, graduating with artistic and pedagogical diplomas in 2001 and a concert diploma in 2004. Her career spans orchestral performance, solo work, and chamber music collaborations. Faculty: 1 (College for Music and Art) Department: Harp Research and Teaching Interests: Her work focuses on harp pedagogy, performance techniques, and interdisciplinary musical collaborations. She has held teaching positions at Robert-Schumann-Hochschule Düsseldorf, Orchester-Zentrum Dortmund, and Folkwang University since 2013, with a current professorial appointment from winter semester 2024|25. Performance Career: Randlinger was a leading orchestral harpist with the Wuppertal Symphony Orchestra from 2002, a member of Bayreuth Festival Orchestra since 2015, and has contributed to numerous recordings. She performs regularly as a soloist with prestigious German symphony and opera orchestras.

Dirk D’Aseمشاهده پروفایل

استاد

• Music Composition
• Orchestral Music
• Traditional African Music

Dirk D’Ase is a Professor at the Faculty of Music of the University of Music and Performing Arts Vienna. He studied composition under renowned composers Luciano Berio, Friedrich Cerha, and Krzysztof Penderecki. Education: Composition studies under Berio, Cerha, and Penderecki. D’Ase’s research and compositional work is deeply influenced by his extensive travels and research into traditional Southeast African music. His portfolio includes operas, orchestral works, and chamber music that integrate cross-cultural elements. Notable commissions include works for the Vlaamse Opera, the Vienna Musikverein, and the Vienna Symphony Orchestra. His recent articles and compositions focus on contemporary opera , symphonic and instrumental arrangements , and interdisciplinary music blending scientific themes (e.g., Einstein in Amerika ) with avant-garde classical forms. Awards include the Wiener Symphoniker Kompositionsstipendium for his cello concerto. Scientific Awards: Wiener Symphoniker Kompositionsstipendium (2003) D’Ase has held key roles such as Composer-in-Residence at the Wiener Musikverein and contributed to major festivals like the Bregenzer Festspiele. His work bridges modern classical composition with global musical traditions .

Shawn Spicerمشاهده پروفایل

مدرس

• Trumpet Performance
• Orchestral Music
• Chamber Music
• +۲ مورد دیگر

Shawn Spicer is a Lecturer in Trumpet at Western University's Don Wright Faculty of Music, Department of Music Performance Studies. Active as a professional trumpet player and educator since 1990, he has performed with orchestras across Canada, including serving as principal trumpet of Orchestra London Canada (1999-2014) and currently as principal trumpet of the London Symphonia. Spicer's career spans chamber music collaborations with ensembles like True North Brass, Trillium Brass, and Foothills Brass, with festival appearances in Ottawa, Aspen, Santa Fe, and Bamfield. In the early music domain, he has played with renowned groups such as Tafelmusik, Toronto Consort, and Opera Atelier. He maintains a multifaceted performance career including regular appearances at the Stratford Festival in musicals and onstage roles. As an educator, he previously taught at the Canadian Forces School of Music (1991-1998) before joining Western University in 2002. Performance Specializations: Orchestral trumpet, chamber music, early music Teaching Roles: Lecturer at Western University, former instructor at Canadian Forces School of Music Ensemble Affiliations: London Symphonia, True North Brass, Trillium Brass, Foothills Brass Festival Participation: Ottawa, Aspen, Santa Fe, Bamfield, Stratford Festival

Mark Christopher Lutzمشاهده پروفایل

استاد

• Classical Percussion
• Marimba and Vibraphone Performance
• Timpani
• +۴ مورد دیگر

Mark Christopher Lutz is a Professor of Classical Percussion and Timpani at the University of Music Würzburg, where he has led the Percussion Department and directed the Percussion-Studio since 1993. A graduate of Northwestern University (B.Mus., M.Mus.), he earned a Meisterklassendiplom with a DAAD scholarship. His career includes solo performances with orchestras like the Queensland Symphony Orchester and leadership roles in international percussion education. Education : Bachelor and Master of Music from Northwestern University, Meisterklassendiplom via DAAD Fellowship Roles : Professor at University of Music Würzburg, Percussion Department Head, Masterclass Organizer Lutz specializes in classical percussion pedagogy, marimba/vibraphone performance, and timpani techniques. His creative work spans compositions for theater productions (e.g., "The Bacchae," "Antigone") and film scores like "The Lottery Rose." He also pioneers percussion improvisation for lectures and dance collaborations. His students, including Nikolai Siebenhaar (1. Preis, Nuremberg Percussion Competition) and Joshua Perret (Bayreuth Festival performer), consistently win awards and secure positions in top orchestras. The Percussion Department under his leadership offers state-of-the-art facilities, including seven dedicated percussion rooms with marimbas, vibraphones, timpani, and drum kits. Scientific Awards : DAAD Scholarship 1. Preis, Musikalische Akademie Würzburg Competition 1. Preis, ABC Young Performers Competition (Australia, 1990) Lutz's "Percussion Around the World Vol. 1" CD showcases his global influence. Notable collaborations include masterclasses with Eric Sammut (Paris), Marinos Tranoudakis (Athens State Opera), and Simone Rubino (Italy). He has held solo recitals and composed for projects like "Natural Fur" with Robert Cürlis.

• Popular Music Education
• Percussion Performance
• Music Ensemble Practice
• +۳ مورد دیگر

Johannes Hornberger serves as a Lecturer for school ensemble practice in the field of practice and communication of popular music at the University of Music Würzburg, where he has held this position since 2010. He is also a doctoral candidate in the program "Design and Recognition - Competence Building in Artistic Subjects and School Departments" sponsored by the Hanns Seidel Foundation in collaboration with LMU Munich and FAU Erlangen. Hornberger completed his drum and percussion studies at the Dinkelsbühl vocational music school (2003-2005) with instructors Joachim Sponsel and Claus Hessler, participating in master classes with renowned musicians including Dom Famularo and David Garibaldi. He earned his qualification for artistic teaching of music at grammar schools with a percussion specialization at the University of Music Würzburg (2005-2011), while simultaneously pursuing additional music studies (DM) and music teacher (DML) qualifications with Prof. Mark Lutz (2010-2012). His academic focus centers on the intersection of popular music performance and educational methodology, particularly examining how aesthetic experience spaces can be staged within practical music-based approaches to popular music education. His doctoral research explores innovative frameworks for integrating contemporary music practices into formal educational settings, with particular attention to ensemble work as a vehicle for meaningful musical engagement. Beyond his university responsibilities, Hornberger maintains an active presence in the broader music education community as a lecturer and workshop leader at the music academies in Hammelburg and Jeunesses Musicales Germany in Weikersheim. He also sustains a professional performance career as a percussionist, timpanist, and drummer in various opera, musical, and theater productions, currently performing with the group Funkstreet.

Hannah Grannemannمشاهده پروفایل

دانشیار

• Arts Administration
• Arts Marketing
• Nonprofit Management
• +۵ مورد دیگر

Hannah Grannemann is an Associate Professor of Arts Administration at the School of Art , University of North Carolina at Greensboro (UNCG), where she has served since 2017 as the program’s first full-time faculty member and director. Her academic and professional background bridges theater management , business strategy , and cultural innovation , with a focus on arts audiences , marketing , and nonprofit sustainability . She holds dual master’s degrees in Theater Management and Business Administration from Yale University, and a BFA in Theatre from New York University. Her research explores museum accessibility , audience development , and creative responses to crises , including pandemic-era entrepreneurship and the use of NFTs in theater . She contributes to the field through editorial roles, panel service for organizations like the National Endowment for the Arts , and ongoing academic pursuits in Marketing Analytics at North Carolina State University. Co-authored Sustainable Fundraising (forthcoming, Columbia Business School Publishing) Editor, Teaching Notes section of the American Journal of Arts Management Active in arts boards and grants panels across the U.S.

Yuji Soneمشاهده پروفایل

مدرس ارشد

• Nonhuman Performance
• Performing Body and Technology
• Japanese Technoculture
• +۳ مورد دیگر

Yuji Sone is a Senior Lecturer at the School of Humanities, Macquarie University , specializing in performance research that bridges technology, culture, and cross-disciplinary analysis. His academic journey includes a Vice-Chancellor's Postdoctoral Fellowship at the University of New South Wales (2003–2006) and significant contributions as a board member of Artspace Sydney (1995–1998). He has participated in policy roundtables (e.g., New Media Arts/Arts in a Multicultural Australia Policy Roundtable, 2002) and grant assessments for the Australia Council. Yuji’s research focuses on Nonhuman performance and technoculture Cross-cultural performance studies Robotics and artificial intelligence in the performing arts Theatrical integration of digital systems His work interrogates how technology mediates cultural representation, particularly in Japanese and global contexts. Publications like Japanese Robot Culture: Performance, Imagination, and Modernity (Palgrave, 2017) and 2025’s Cultural Technologies anthology reflect his expertise in Robot avatars Android opera Digital ethnography Posthuman performance Scientific Awards & Grants: Vice-Chancellor's Postdoctoral Fellowship (UNSW, 2003–2006) MQNSRGS Grant (2008) The Japan Foundation Grants (2009, 2017) Australia Council for the Arts Grants (2006, 2002, 2001, 2000, 1997, 1996, 1994, 1992) Yuji’s collaborative projects include MQRIS: Virtual Reality Fieldwork Research System (2021–present) and MQRIS: Observational Documentary Fieldwork Kit (2019–present). He also led the Toshiba International Foundation-funded International Seminar Series on Programming Japanese Affinity for Robots (2021–2023).

• Musicology
• Historical Musicology
• Opera Studies
• +۵ مورد دیگر

Christine Martin is a Lecturer at the Musicological Institute , University of Tübingen, since 2007. She serves as a Research Assistant in the third-party funded New Schubert Edition project since 2018, focusing on Schubert's autographs through the Schubert Digital portal. Her academic journey includes a PhD (2000) from the University of Music and Performing Arts Frankfurt/M., a Master's in Musicology (1998) from Frankfurt/M., Heidelberg, and Turin, and roles at institutions like the German Historical Institute in Rome (1988) and RISM Frankfurt (1989–1998). Research Interests: Centered on 19th-century musicology, particularly Schubert's operatic works , Händel's sacred compositions , and historical editorial practices . She explores textual-musical interactions in art songs, parody techniques in Baroque compositions, and cross-cultural influences in European opera traditions. Her work bridges manuscript studies, critical editions, and digital humanities. Publications & Contributions: Key works include analyses of Schubert’s choral compositions, Brahms’ reception of Schubert, Handel’s oratorios, and Mozart’s motets. She contributes to critical editions of Schubert’s operas ( Rosamunde , Fierabras ) and participates in the New Schubert Edition project since 2003. Her research spans from 18th-century operatic adaptations to digital archiving of autographs . Scientific Awards & Memberships: Member, German Schubert Society (2012) Member, International Schubert Society (2003) Member, Society for Music Research (1985) Labs & Teams: Collaborates with the University of Tübingen's Musicological Institute and the Academy of Sciences and Literature, Mainz , contributing to digital musicology and international editorial projects like Schubert Digital .

Jörg Rothkammمشاهده پروفایل

استاد

• Music history (17th–21st centuries)
• Musical theatre
• Ballet music (19th–20th centuries)
• +۹ مورد دیگر

Jörg Rothkamm is a Professor at the University of Tübingen's Musicological Institute, with a focus on music-choreography relationships, 20th-century composers, and post-war musicological reconstruction. His roles include Deputy Director (2013–2017), member of editorial boards, and organizer of international symposia. Key Research Areas: Ballet music history, Mahler studies, post-war musicology, film music dramaturgy, gender in composition, genre-specific composition techniques Academic Collaborations: Co-edited Mahler-Gropius correspondence, led DFG projects on academic continuity, and VolkswagenStiftung ballet-choreography research Recent publications analyze Parsifal staging (2023), Russian ballet (2016), and Ligeti's polyrhythmic innovations. Articles emphasize interdisciplinary approaches, historical continuity, and genre-specific compositional strategies in ballet and opera. Notable Awards: Nominations for 'Best Book of the Year' (2024), Hermann-Abert-Preis (2012), Karl H. Ditze-Preis (2002) Students: Supervises/has supervised 12 PhD/Master's candidates, including Fabian Kurze and Angelo Pinto Current projects include the DFG-funded Alma Mahler-Walter Gropius annotated edition and digital teaching material development (BMBF). He leads a team of 6 postdocs, 7 doctoral candidates, and 4 research assistants.

• Art of Accompaniment
• Vocal Performance
• Piano Performance
• +۴ مورد دیگر

Beata Andriuškevičienė serves as an Associate Professor in the Piano Department at the Music Academy of Vytautas Magnus University. With extensive performance experience, she specializes in vocal accompaniment and musical interpretation across diverse repertoire including Lithuanian folk music, Italian opera, and contemporary crossover works. Her research interests primarily focus on the Art of Accompaniment , exploring the nuanced relationship between vocalists and pianists in performance settings. She has demonstrated particular expertise in Lithuanian musical traditions while also maintaining strong connections to international repertoire, especially works by composers like Verdi and popular crossover artists such as Andrea Bocelli and Sarah Brightman. Analysis of her recent publications reveals a consistent pattern of concert performances featuring Lithuanian cultural themes alongside international repertoire. Her work demonstrates significant activity in musical interpretation, particularly in adapting classical works for Lithuanian audiences and preserving traditional Lithuanian song forms through contemporary performance practices. Professor Andriuškevičienė maintains active performance schedules with numerous concert appearances annually, focusing on vocal-piano collaborations, opera productions, and cultural events celebrating Lithuanian heritage. Her professional activities include regular participation in major cultural events and benefit concerts that support artistic communities.

Maureen E. O'Boyleمشاهده پروفایل

دانشیار

• Violin
• Orchestral studies
• Suzuki pedagogy
• +۲ مورد دیگر

Maureen E. O'Boyle serves as an Associate Professor of Music at The University of Tulsa within the Kendall College of Arts & Sciences, where she directs the TU Chamber Camp and performs as concertmaster of the Signature Symphony at Tulsa Community College (TCC). Education: Bachelor of Music (B.M.) from the University of New Mexico Master of Music (M.M.) from Yale University Research Expertise: Professor O'Boyle specializes in violin performance pedagogy, with deep focus on Suzuki methodology, orchestral training techniques, string ensemble instruction, and chamber music collaboration. Her teaching integrates performance practice with educational theory to develop comprehensive musicianship. Professional Experience: She maintains an active performance career including guest concertmaster roles with Poland's Symphony Orchestra of Torun, associate concertmaster of the Tulsa Philharmonic, concertmaster of the Tulsa Opera Orchestra, and positions with the Omaha Symphony, New Mexico Symphony, New Haven Symphony, Grand Teton Music Festival, and Santa Fe Concert Association. Recent solo engagements feature collaborations with both the Signature Symphony and University of Tulsa Symphony Orchestra.