جست‌وجوی استاد و پژوهشگر

Alexandra Reinprechtمشاهده پروفایل

مدرس

• Operatic Performance
• Classical Singing
• Vocal Techniques
• +۳ مورد دیگر

Alexandra Reinprecht is a renowned Austrian soprano and lecturer at the MUK Faculty of Music, specializing in vocal training and operatic performance. She holds a lectureship in voice, focusing on classical singing techniques and operetta roles. Her career spans major opera houses including the Vienna State Opera, Berlin Staatsoper, and Munich State Opera, with notable roles such as Manon (debut replacing Anna Netrebko), Elisabetta (Don Carlo), and Desdemona (Otello). She has collaborated with renowned conductors like Zubin Mehta and composers including Marco Armiliato. Awarded for her vocal prowess, her performances emphasize operetta and classical repertoire. She maintains active engagements in festivals like Bregenz and Salzburg, and has recorded DVDs and CDs of key roles. As a lecturer, she integrates her performance expertise into teaching, emphasizing breathing techniques and stagecraft. Her work extends to horse therapy and social counseling, reflecting a holistic approach to art and well-being.

Eva Tacha-Breitlingمشاهده پروفایل

استاد

• Speech Therapy
• Voice Pedagogy
• Theater Studies
• +۳ مورد دیگر

Univ.-Prof. Dr. Eva Tacha-Breitling is a Professor at the Music and Arts University of the City of Vienna (MUK), affiliated with the Faculty of Performing Arts. Her roles include teaching breath, voice, and speech formation, as well as leading pedagogical initiatives in expression and stage presence. She has held a permanent position since 2005 and serves on the Study and Research Commission of the Faculty of Performing Arts. Education: Studied German and Theater Studies at Ludwig Maximilian University of Munich Certified speech therapist (LKH Graz) Master's in Rhythmics/Music and Movement Education (University of Music and Performing Arts Vienna) Training with renowned figures like Lauren Newton, Martin Klietmann, and Ferdinand Kaspar Research & Artistic Work: Focuses on word-sound-speech scores and artistic research. Her projects include music recitation programs with institutions like the Gustav Mahler Society. She has contributed to an anthology (2021) on interdisciplinary performance methodologies. Performance & Pedagogy: Acting in major festivals (Salzburg Festival, Steirischer Herbst) Speech coaching for opera productions (e.g., Faust I & II directed by Peter Stein) Pedagogical leadership at the Max Reinhardt Seminar (1996–2005) Developed the spiral(e) dance/theater project as artistic director Committee & Outreach: Active in curriculum development and artistic research advocacy within MUK. Provides speech training for actors, conductors, and dancers internationally.

Gabriel Wankaمشاهده پروفایل

مدرس

• Dance
• Choreography
• Musical Theatre
• +۳ مورد دیگر

Gabriel Wanka is a Lecturer at the Music and Arts University of the City of Vienna (MUK) since September 2018, specializing in dance, choreography, and performing arts. Born in Munich and raised in Vienna, he trained at the Vienna State Opera Ballet School, participating in productions like Spartacus , Coppélia , and The Nutcracker , and collaborated with renowned choreographers such as Hans Van Manen and Robert North. He holds a diploma from the Ballet Academy and worked for six years at the Landestheater Linz as a performer, guest dancer, and choreographer (e.g., The Merry Widow ). Since 2016, he has been freelancing internationally as a dancer, actor, choreographer, and musical performer, notably with Posterino Dance Company led by Gaetano Posterino. His education includes studies at Lycée Jean Renoir (Munich) and Lycée Français de Vienne. His artistic focus spans contemporary dance, ballet, and interdisciplinary performance, blending classical and modern techniques. Wanka’s work emphasizes collaborative artistry, having contributed to operatic, theatrical, and dance projects across Europe. No specific grants, labs, or doctoral supervision are mentioned. His professional network includes affiliations with leading European arts institutions and companies.

Margit Leglerمشاهده پروفایل

استاد

• Historical Performance Practices
• Baroque Dance
• Early Music
• +۳ مورد دیگر

Margit Legler is a Professor of Historical Dance and Period Acting Techniques at the Musik und Kunst Privatuniversität der Stadt Wien (Music and Arts University of the City of Vienna), holding roles since 2015. She teaches in dance, early music, and opera programs, specializing in historical performance practices. Her career spans international engagements as a dancer, singer, and director in baroque and classical productions. Education includes extensive training in classical ballet, modern dance (Horton/Graham techniques), flamenco, and historical performance studies. Notable mentors include Violanta Stromeyer, Susan Dennis Gabriel, and Dene Barnett. She holds a diploma in speech therapy from AKH Wien (2006), focusing on breath techniques and vocal therapy. Research interests center on integrating historical dance, acting, and vocal techniques into modern performance. She founded ensembles like L’Azione Teatrale (historical theater) and Les plaisirs de la danse (historical dance), staging works by Gluck, Gassmann, and Purcell. Key productions include Zauberflöte (1994), Il Parnaso Confuso (1998, 2012), and L’Etearco (2022). Teaching spans workshops in 17th/18th-century acting and dance across Europe and Japan. She has held positions at the Vienna State Opera Ballet Academy (2010–2020) and Salzburg Mozarteum’s Opera Institute. Her work emphasizes interdisciplinary training for singers and dancers in historical contexts.

• Conducting
• Choral Music
• Opera
• +۳ مورد دیگر

Univ.-Prof. Manfred Schiebel is a Professor at the Music and Arts University of the City of Vienna, specializing in conducting, choir leadership, and musical coaching. Since 1991, he has held roles as repetiteur, chorus leader, and educator. His career includes leadership positions with the Chorvereinigung Jung-Wien and Wiener Männergesang-Verein, alongside collaborations with renowned artists like Grace Bumbry and Edita Gruberová. Teaching roles: Korrepetition (coaching) at the Universität für Musik und darstellende Kunst Wien since 2002. Artistic activities: Musical assistance at Festspielhaus St. Pölten (2000), accompanist for lied concerts, and international masterclasses (e.g., Wiener Meisterkurse, Musikforum Stift Viktring). His expertise spans opera coaching, choral direction, and historical performance practices, with a focus on fostering young talent through pedagogical work in music education.

Lutz Standopمشاهده پروفایل

استاد

• Musical Theatre
• Voice Pedagogy
• Opera Performance
• +۳ مورد دیگر

Univ.-Prof. Lutz Standop is a faculty member at the Music and Arts University of the City of Vienna (MUK), holding a Professorship in the Faculty of Music. His career spans extensive stage performances in musicals, operettas, and theater across German-speaking regions, including roles at institutions like the Staatsoperette Dresden and Theater Magdeburg. He is known for his vocal versatility, having performed in renowned productions such as EVITA , CABARET , and world premieres like DER MEDICUS . Education: BA in 'Musikalische Unterhaltungstheater' from MUK Teaching: Voice instruction since 2018 (privately and at Stage School Hamburg until 2023) Certifications: Estill Voice Training, Camera Actors Studio, Cultural Management (HfMT Hamburg) His professional affiliations include the Bundesverband Deutscher Gesangspädagogen (BDG) and Deutsche Musicalakademie. Standop's work extends to film, TV, and voice-over roles, alongside leadership in artistic-scholarly research at MUK's doctoral program.

Dorothee Oberlingerمشاهده پروفایل

استاد

• Early Music
• Baroque Music
• Historical Performance Practice
• +۳ مورد دیگر

Univ.-Prof. Dorothee Oberlinger is a globally influential figure in early music, serving as Professor of Recorder at Mozarteum University. She leads the Institute for Early Music and co-founded Ensemble 1700. Her roles include Deputy Department Head, Deputy Head of Institute, and Festival Director for the Potsdam Sanssouci and Bad Arolsen Baroque Festivals. She has conducted operas such as Handel’s Lucio Cornelio Silla and Scarlatti’s Il giardino d'amore . Education: Recorder, School Music, and German studies in Cologne, Amsterdam, and Milan. Awards: Opus Klassik, Echo Klassik, Federal Cross of Merit. Her research focuses on Baroque performance practices and contemporary collaborations, such as the album Touch with Yello. She directs major festivals and has been funded by NEUSTART KULTUR and NRW Ministry for opera projects (2022–2024). Operas conducted include Polifemo (Bononcini, 2019), Pastorelle en musique (Telemann, 2021), and Scarlatti’s I portentosi effetti (2022). She is an honorary citizen of Simmern and actively promotes early music through teaching and performance.

• Vocal Performance
• Opera Studies
• Music Education
• +۳ مورد دیگر

Christoph Strehl is a Professor of Singing at the Mozarteum University in Salzburg, specializing in vocal studies. Born in Lübeck, he is an internationally renowned tenor with a career spanning major opera houses and festivals globally. Since 2013, he has dedicated himself to teaching young singers. He holds a faculty position in the Department of Vocal Studies within the School of Music & Art Education. Education: Studied at Folkwang University in Essen with Soto Papulkas, later with Silvana Bazzoni-Bartoli in Zurich. Completed masterclasses with notable mentors including Axel Bauni and Norman Shetler. Performance Highlights: Member of Zurich Opera House ensemble (2002-2011), Salzburg Festival debut (2003), collaborations with conductors like Claudio Abbado and directors such as Claus Guth. Notable roles include Tamino in The Magic Flute , Rodolfo, Don José, and Oronte in Alcina . Extensive discography includes recordings with Deutsche Grammophon and EMI Classics. Teaching Focus: Emphasizes historical performance practices, vocal technique, and stagecraft for classical singers. Active in promoting young talent through masterclasses and university training programs.

Dario Zingalesمشاهده پروفایل

مدرس ارشد

• Clarinet performance
• Chamber music
• Orchestral music
• +۲ مورد دیگر

Dario Zingales is a Senior Lecturer for Clarinet & Chamber Music at the Wind, Brass & Percussion Department of the Mozarteum University in Salzburg. He holds a venia docendi (habilitation) and leads his own clarinet class since 2018. A dedicated performer, he specializes in German clarinets and has extensive experience in orchestral and chamber music. Education & Career: Master's degree in Clarinet (Mozarteum University, 2012) under Alois Brandhofer Habilitation (venia docendi) completed in 2018 Assistant to clarinet classes of Alois Brandhofer (2012–2017) and Wenzel Fuchs (2015–present) Performance & Recordings: 1st clarinetist with the Philharmonic of Nations (2009–2012) Solo clarinetist at the Gut-Immling Opera Festival (since 2012) Chamber collaborations with artists like Wenzel Fuchs, Benjamin Schmid, and Jacques Rouvier CD recordings for labels including Deutsche Grammophon, Brilliant Classics, and Urania Records Teaching & Legacy: Zingales emphasizes transmitting his passion for clarinet performance and recording techniques to students. His pedagogical approach combines classical training with modern studio practices.

Sandra Jostمشاهده پروفایل

استاد

• Piano Accompaniment
• Chamber Music
• Violin Pedagogy
• +۳ مورد دیگر

Sandra Jost is a professor at the Music and Arts Private University of the City of Vienna (MUK), specializing in piano and violin accompaniment. She has held roles as an accompanist since 1994 and has collaborated with renowned orchestras such as the Vienna Philharmonic and Tonkünstler Orchestra of Lower Austria. Her expertise spans chamber music, opera, and vocal accompaniment, with extensive performance experience in international festivals and concert halls. Educations: Teaching qualifications in violin (1990) and piano (1991) Diploma in violin (1995) Diploma in instrumental and vocal accompaniment (1995-1996) Bachelor of Arts in Japanese Studies (2004, University of Vienna) Key Activities: Accompanist at the international Allegro Vivo chamber music festival Official accompanist for orchestral auditions and competitions Member of ensembles like the Piano Trio Amica Vienna Solo performances with orchestras including the Austrian Chamber Symphony Orchestra Her career includes international tours across Europe, Asia, and South America, alongside radio/CD recordings and pedagogical contributions in music education.

• Interpretation research
• Early reception of Mozart
• Canon and repertoire formation
• +۶ مورد دیگر

Reiner Josef Schwob is a Researcher and University Assistant (Postdoc) at the Mozarteum University in Salzburg, serving as Deputy Head of the Institute for Research on Musical Reception & Interpretation . He holds a doctorate from the University of Vienna (2004) and has taught extensively in Vienna before joining Mozarteum in 2014. His academic background includes studies in musicology and ancient history at the Universities of Graz and Vienna. Key research focuses include Mozart’s early reception, Monteverdi’s 20th-century interpretation, music databases, and the works of Alban Berg and Ernst Krenek. He supervises scientific and artistic theses at both bachelor’s and master’s levels. Notable projects involve Mozart’s portrayal in early music journalism and the analysis of canonical repertoire formation. His work bridges historical performance practice, music theory, and institutional music historiography.

Gerd Kührمشاهده پروفایل

استاد

• Composition
• Music Theory
• Opera
• +۳ مورد دیگر

Gerd Kühr is a full Professor of Composition and Music Theory at the University of Music and Performing Arts Graz since 1995. He is renowned for his operas, including *Stallerhof* (1988) and *Death and the Devil* (1999), and has received prestigious awards such as the Austrian Art Prize for Music and the Andrzej Dobrowolski Composition Prize. His work spans composition, conducting, and collaborations with leading ensembles like Ensemble Modern and Klangforum Wien. Kühr’s music often explores contemporary techniques while engaging with theatrical and dramatic elements. His compositional style emphasizes precision and emotional depth, blending historical and modernist influences. Notable works include chamber pieces like *Con Sordino* (1996) and ensemble works such as *Música Pura* (2011). He has conducted major orchestras, including the RSO Graz, and his music is frequently performed at festivals like Wien Modern and the Salzburg Festival. Awards: Austrian Art Prize for Music, Andrzej Dobrowolski Composition Prize Ensembles Collaborated With: Ensemble Modern, Klangforum Wien, Bavarian Radio Symphony Orchestra Kühr’s research interests focus on advancing contemporary composition while maintaining a connection to theatrical and narrative structures. His discography includes over 50 commissioned works across operas, orchestral pieces, and chamber music.

Bernadette Bartósمشاهده پروفایل

مدرس ارشد

• Vocal Music
• Classical Piano
• Chamber Music
• +۳ مورد دیگر

Bernadette Bartós is a Senior Lecturer in Vocal Studies at the Mozarteum University in Salzburg, Austria. She has been part of the faculty since 2012, working in the vocal classes of renowned artists like Helmut Deutsch, Wolfgang Holzmair, and currently Pauliina Tukiainen and Stephan Genz. Her expertise spans lied accompaniment, chamber music, and solo piano performance. Education includes studies at the University of Music and Performing Arts Vienna under Imola Joó and Stephan Möller, a master's in vocal accompaniment at the Royal College of Music (London), and further training with mentors like Roger Vignoles and Graham Johnson. She has performed internationally, collaborating with artists such as Benjamin Appl, Wolfgang Holzmair, and her husband Josef Herzer. Her research interests focus on 19th-century vocal repertoire, particularly the works of Schubert, Mahler, and Wagner. She has released acclaimed recordings, including a Grammy-nominated album of Beethoven songs and a Wagner paraphrase collection with Gerald Schubert. Awards: Beethoven Chamber Music Competition (2012), Young Songmakers Almanac (2010) Key Roles: Song coach for masterclasses, accompanist for international festivals, chamber musician Bartós regularly performs in venues like the Wiener Musikverein and collaborates with orchestras such as the Johann Strauss Ensemble. She also manages a private teaching practice through Vienna Music Connection, alongside her academic duties.

Regina Sibylle Sgierمشاهده پروفایل

مدرس ارشد

• Voice Pedagogy
• Children's Voice Development
• Opera Performance
• +۲ مورد دیگر

Regina Sibylle Sgier is a Senior Lecturer for Voice (Music Education) at the Department of Vocal Studies, Mozarteum University. Since 1989, she has taught singing and contributed to voice education. She is a lyric soprano with notable performances at the Salzburg Festival, Salzburg Mozart Week, and Zurich Festival Weeks. Her expertise extends to children's and youth voice development, serving as a voice coach and co-director of the 'Salzburg Festival and Theater Children's Choir.' Her research interests focus on vocal pedagogy and the development of young singers, combining her performance background with educational innovation. Though no recent articles are listed, her work emphasizes practical and theoretical advancements in voice training. No scientific awards are explicitly mentioned. She has advised no students listed here. She collaborates with institutions like the Salzburg Festival and contributes to the Mozarteum University's initiatives in music education.

• Vocal Music
• Singing
• Voice Training
• +۳ مورد دیگر

Matjaz Robavs serves as a Professor at the University of Music and Performing Arts Graz (KUG) in Austria, where he is based in the Institute of Vocal Studies. His academic role centers on vocal performance pedagogy within the institution's music programs. His primary research and teaching interests include: Vocal Music: Historical and contemporary repertoire analysis Singing: Technical mastery across classical and contemporary genres Voice Training: Physiological and artistic development methodologies Opera: Interpretation and stagecraft for vocal performers Choral Music: Ensemble techniques and conductor-performer dynamics Music Pedagogy: Curriculum design for vocal education Professor Robavs contributes to advancing vocal artistry through systematic training approaches and performance practice, shaping professional singers at Austria's premier music institution.