جست‌وجوی استاد و پژوهشگر

Maxim Kuzinمشاهده پروفایل

مدرس

• Orchestral Conducting
• Chamber Music
• Opera Conducting
• +۳ مورد دیگر

Maxim Kuzin is a Lecturer in Chamber Orchestra and Orchestral Conducting at the University of California, Santa Barbara's Department of Music. He also serves as Music Director for the Palisades Symphony Orchestra, Thousand Oaks Philharmonic, UC Santa Barbara Chamber Orchestra, and Irvine Classical Players Youth Orchestra. His roles include co-directing the Hankuk University of Foreign Studies Chorale and leading opera productions internationally. Education: Doctorate of Musical Arts in Orchestral Conducting (UCLA, under Neal Stulberg); studies at Tchaikovsky National Musical Academy of Ukraine and Lysenko Specialized Boarding Music School. Professional experience includes leadership at Ukraine's National Symphony Orchestra, National Philharmonic Orchestra, and Dnipro Glinka Conservatory Opera Program. Research interests focus on orchestral and opera conducting, contemporary music curation, and youth musical education. He has conducted over 20 opera productions (e.g., Rossini's Barber of Seville , Stravinsky's Mavra ), founded Kyiv's Ricochet New Music Ensemble, and pioneered modern music festivals across Ukraine. Awarded the Elaine Krown Klein Scholarship and recognized as an 'Emerging Artist,' Kuzin's work spans TV appearances ( Dancing with the Stars in Ukraine) and academic lectures (Harvard University on opera's cultural impact). He actively nurtures talent through competitions like Colibri International Arts and Philadelphia International Music Festival.

Christina McCarthyمشاهده پروفایل

مدرس

• Contemporary Dance
• Puppetry Design
• Theater Choreography
• +۳ مورد دیگر

Christina McCarthy is a Lecturer and Director of Performance in the Department of Theater and Dance at the University of California, Santa Barbara (UCSB). As a multi-disciplinary artist, she specializes in dance, aerial circus arts, theater, puppetry, film, and visual art. Her work integrates movement training across ballet, modern techniques, and aerial disciplines, emphasizing collaborative projects with UCSB's Music Department and external theater companies. Her teaching focuses on contemporary dance technique, choreography, puppet making, and interdisciplinary performance practices. Notable collaborations include the puppet theater adaptation of Mozart's The Magic Flute (performed in NYC Opera For Kids! series) and site-specific performances for UCSB's Library and Arts Walk events. She has directed numerous musical theater productions in Santa Barbara, including Something Rotten , Grease , and Cabaret . McCarthy is the resident movement director for Naked Shakes and has contributed puppet designs to productions like State Street Ballet's Sleeping Beauty and Ensemble Theater Company projects. Her ceramic art has been exhibited locally, showcasing her diverse creative portfolio. Her professional engagements include roles with Lit Moon Theater Company, Proboscis Theater, and the Arizona Shakespeare Festival. She was featured as a puppet artist at the 2018 Santa Barbara International Puppet Palooza Festival, highlighting her innovative contributions to puppetry and theater.

Greg Mitchellمشاهده پروفایل

دانشیار

• Scenic Design
• Projection and Video Design
• Lighting Design
• +۱ مورد دیگر

Greg Mitchell is an Associate Professor of Theatre Design at the University of California, Santa Barbara (UCSB), where he teaches courses in scenic design, digital rendering, and projection techniques. His work spans international collaborations in opera, site-specific theatre, and cross-cultural productions. BFA in Theatre Design from Pennsylvania State University MFA in Theatre Design from New York University Tisch School of the Arts Research interests focus on integrating technology and tradition, with notable projects including scenic design for Nepal’s first Western-style opera Arjuna’s Dilemma , projection mapping in Panama’s 400-year-old Convento de las Monjas, and immersive theatre at New York’s Coney Island Boardwalk. Mitchell’s work bridges historical preservation and modern media, emphasizing cultural storytelling in architectural spaces. Recent articles highlight his opera in Nepal’s UNESCO site and Panama’s ruins, underscoring themes of cultural healing and site-specific innovation. Awards include nominations for the Helen Hayes Award and BroadwayWorld Awards. He has collaborated with over 30 theatre companies nationally and internationally, including Opera Panama, Washington Stage Guild, and the Kennedy Center. Teaching includes foundational and advanced design courses, as well as special projects in 3D printing, CAD drafting, and laser cutting. His work extends beyond academia to commercial clients like ESPN and Burning Man installations.

Delila Moseleyمشاهده پروفایل

مدرس

• Dance Choreography
• Modern Dance
• Ballet
• +۳ مورد دیگر

Delila Moseley is a Continuing Lecturer in the Division of Dance at the University of California, Santa Barbara (UCSB), where she holds a B.A. in Dance and an M.A. in Dramatic Art. She is a seasoned choreographer, teacher, and director with extensive professional experience in ballet, jazz, and modern dance. Her career includes performances with renowned companies such as the Alvin Ailey American Dance Theatre and Repertory-West Dance Company, with tours across the U.S., Europe, Mexico, and Washington, D.C. For fifteen years, Moseley directed UCSB's student Dance Company, organizing performances in Santa Barbara and statewide, including international tours to Mexico and a gala in Washington, D.C. for the American College Dance Festival. She produced over fifty concerts, including Choreographer's Showcases and experimental performances, earning her the 1997 Lifetime Achievement Award from the Santa Barbara Dance Alliance. Her choreography spans UCSB, Cal Poly San Luis Obispo, and the Santa Barbara Civic Light Opera. Education: B.A. in Dance, UCSB M.A. in Dramatic Art, UCSB Awards: 2nd Annual Lifetime Achievement Award (1997) Key Roles: Director, UCSB Dance Company Choreographer for Santa Barbara Dance Alliance and City College

Paula Tuttleمشاهده پروفایل

مدرس پاره‌وقت

• Cello Pedagogy
• Chamber Music Performance
• Latin American Music
• +۲ مورد دیگر

Paula Tuttle is a Part-Time Lecturer in cello at the University of Pittsburgh, Chatham University, and Carnegie Mellon University, maintaining an active career as performer and educator. She teaches applied cello studies across academic levels while performing professionally with Pittsburgh Opera, Pittsburgh Ballet Theatre, and various chamber ensembles. Education: M.A. from Carnegie Mellon University Post-Graduate Studies at New England Conservatory and University of Akron B.M. in Piano Performance and Strings Education from Eastman School of Music Tuttle directs Pittsburgh Festival Orchestra/Chambersite, producing community concerts and commissioning new works. Her performing ensembles include Diamante Trio (Latin American music), Quartz Quartet, Zaffiro Trio, and Emerald Celtic Trio, frequently supported by university grants for outreach programs. She created the Accelerando podcast exploring music industry topics and maintains an extensive private teaching studio. As orchestral musician, Tuttle performs regularly with Pittsburgh Opera and Ballet orchestras and serves as solo cellist for PBS MyMusic productions, having recorded with over 100 popular artists across genres. Her interdisciplinary work connects classical training with community engagement through innovative educational initiatives.

David Yezziمشاهده پروفایل

استاد

• Poetry
• Literary Criticism
• Drama
• +۳ مورد دیگر

David Yezzi is a Professor in The Writing Seminars at Johns Hopkins University, part of the Krieger School of Arts & Sciences. His work bridges poetry, literary criticism, and theater. He authored Late Romance: Anthony Hecht—A Poet’s Life (2023) and edited The Swallow Anthology of New American Poets . As an actor, he performed roles like King Lear and Hamlet’s Ghost. His verse play Schnauzer (2018) and libretto for the opera Firebird Motel showcase his creative versatility. Yezzi’s research interests emphasize 20th-century poetry, dramatic adaptation, and poetic biography. His publications span interviews, critical essays, and creative works that explore themes of memory, tragedy, and cultural history. He held a 2022 visiting fellowship at Jesus College, Oxford, and previously directed the Unterberg Poetry Center in New York. His articles reflect a focus on literary figures like Anthony Hecht, T.S. Eliot, and Louise Glück, analyzing their techniques and legacies. While no formal awards are listed, his contributions to poetry and criticism are widely recognized. He advises through his teaching and creative mentorship, though specific grant details are not documented here.

• Materials Science
• Condensed Matter Physics
• Thin Film Deposition
• +۷ مورد دیگر

Ingrid Gullikstad Hallsteinsen is an Associate Professor in the Department of Materials Technology at NTNU's Faculty of Natural Sciences. Her research focuses on thin films of functional materials like complex oxides and 2D materials, investigating the interplay between atomic structure and functional properties such as magnetism and ferroelectricity. She leads the Thin Film Deposition research area, specializing in Pulsed Laser Deposition and sputtering techniques, and directs the X-ray Diffraction Lab. Collaborations include the Advanced Light Source (USA) and the National Center for Neutron Research (USA). Key projects include the NFR-funded HONEYCOMB (2021-2025) and SuSoltech (2021-2025), as well as the COST Action OPERA (2022-2026) on advanced epitaxy. Her research interests span geometric boundary layer control, antiferromagnetic spintronics, and novel deposition methods. She is a member of the FACET group, integrating materials science, physics, and electronics to explore functional materials. Publications highlight contributions to strain-engineered magnetism, spin current control, and structural characterization of oxide heterostructures. Her work bridges fundamental material science with applications in energy, electronics, and nanotechnology.

• 18th Century British Civilization
• Cultural and Artistic History
• Opera
• +۷ مورد دیگر

Xavier Cervantes is a Professor at the University of Toulouse-Jean Jaurès, affiliated with the Centre for Anglophone Studies (CAS). His academic career began as a Lecturer in 1996, and he was promoted to Professor in 2006. He holds a doctorate (1995) and a habilitation to supervise research (2004), both from French universities, and specializes in 18th-century British cultural and artistic history. Doctorate: 1995, University of Toulouse II-Le Mirail Habilitation: 2004, University of Bordeaux III-Michel de Montaigne Lecturer: 1996–2006, University of Toulouse II-Le Mirail Professor: 2006–present, University of Toulouse-Jean Jaurès His research interests include 18th-century British civilization, opera, music, visual culture, Anglo-Italian cultural exchanges, and satire. He explores the cultural politics of Italian opera in London, the Grand Tour, and representations of identity in art and literature. His work bridges musicology, history, literature, and cultural studies. The articles in his recent publication record reveal a consistent focus on 18th-century British cultural life, particularly the intersection of music, politics, and identity. His research often examines how opera and artistic expression served as arenas for national rivalry, religious anxiety, and diplomatic exchange. Themes of cosmopolitanism, insularity, and satire recur, with attention to figures like Farinelli and visual culture such as Batoni's portraits. His editorial work, including a 2023 special issue on Kate Bush, indicates an ongoing engagement with interdisciplinary cultural analysis. Scientific Awards: No awards explicitly mentioned in the text. Advising and Grants: Xavier Cervantes has supervised research, as evidenced by his habilitation to supervise research. While specific students and grants are not listed, his editorial roles and collaborative publications suggest active mentorship and participation in academic networks. He has directed collective works and contributed to international conferences, indicating leadership in his field. Labs and Teams: He is a core member of the Centre for Anglophone Studies (CAS) at the University of Toulouse-Jean Jaurès, a research unit engaged in multidisciplinary studies of the English-speaking world. His involvement in projects like SpirHAL and HAL/CAS indicates engagement with digital scholarly platforms and open-access dissemination.

Eduardo Navegaمشاهده پروفایل

مدرس ارشد

• Orchestral Conducting
• Choral Music
• Music Education
• +۳ مورد دیگر

Eduardo Navega is a Senior Lecturer in Music and Director of Orchestral Activities at Vassar College since 1999. He leads the Vassar College Orchestra and teaches at the Conductors Institute at Bard College. His roles include conducting orchestras and choirs, composing arrangements, and mentoring students in orchestral and choral conducting. Education: Bachelor’s in Composition and Conducting, State University of Campinas (Brazil) Master’s in Music, University of Sheffield (UK) Artist Diploma in Orchestral Conducting, Hartt School of Music (USA) Research & Interests: Navega specializes in orchestral and choral conducting, Brazilian musical heritage, and modern music. He has conducted world premieres of works by contemporary composers and is renowned for arranging Brazilian popular songs for choirs. His teaching focuses on MUSI 44 (Chamber Music) and MUSI 52 (Orchestra). Awards: 1995 APCA “Up and Coming Conductor of the Year” Other Activities: Guest-conducted the Varna Philharmonic Orchestra and numerous Brazilian orchestras/choirs. Directed opera productions in Brazil and the U.S. Founded and maintained a lasting repertoire of Brazilian choral arrangements.

Susan Bialekمشاهده پروفایل

استاد مدعو

• Choral Conducting
• Music Education
• Piano Pedagogy
• +۳ مورد دیگر

Susan Bialek is an Adjunct Professor in the Music Department at Vassar College, where she leads the Vassar College Treble Chorus, directs the Music Theory Skills Lab, and teaches Introductory Piano. She has extensive experience in choral education, having previously served as Artistic Director of the Children’s Chorus of Maryland School of Music and Director of Music at Dutchess Day School in New York. Her work emphasizes youth choral development and the Kodály approach to music education. Education: BA from Vassar College and MAT from Manhattanville College, complemented by Kodály Certification from The Hartt School of Music. Professional experience includes guest conducting roles across multiple states, mentorship under Jean Ashworth Bartle, and collaborations with opera companies like Annapolis Opera and Baltimore Concert Opera. Key contributions include building a 90% participation rate in middle school choirs at Dutchess Day School and leading ensembles that performed with prestigious groups such as Cappella Festiva and The Handel Choir of Baltimore. Her teaching philosophy integrates sight-singing, theory, and practical performance skills, informed by summer studies with Phyllis Lehrer and mentorship from luminaries like Morris Borenstein.

Rochelle K. Ellisمشاهده پروفایل

مدرس

• Classical Vocal Performance
• African Diaspora Music
• Opera
• +۳ مورد دیگر

Rochelle K. Ellis is a Performance Faculty member in Voice at Princeton University, concurrently serving on the voice faculty at Westminster Choir College. She specializes in oratorio, opera, and chamber music performance, with notable engagements including roles in Porgy and Bess (Serena) and Verdi’s Requiem with the National Opera of China. Her teaching emphasizes vocal technique and cultural context, exemplified in courses like Exploring Art Songs from the African Diaspora . Education: D.M.A. in Voice (Rutgers University), M.M.Ed. (Westminster Choir College) Affiliations: Board Member of New York Singing Teachers Association, Vocal Consultant for Trenton Children’s Chorus Her outreach work includes directing opera education programs through The Princeton Festival and mentoring youth choirs. Ellis’s performances frequently bridge classical traditions with cross-cultural exploration, reflecting her commitment to accessibility and community engagement.

• Operatic Rehearsal Dynamics
• Monodrama and Expressionism
• Creativity in Music Education
• +۳ مورد دیگر

Associate Professor Narelle Yeo is a distinguished academic and performer at the Sydney Conservatorium of Music, University of Sydney. Her roles include Associate Professor, opera director, and vocal instructor with extensive experience in professional opera and musical theatre in the USA and Australia. Education highlights include graduate studies at Rice University and San Francisco Conservatory of Music. Her research focuses on operatic rehearsal dynamics, monodrama, and fostering creativity in music education. She has premiered works by composers like Thomas Rimes, Luke Byrne, and Sally Whitwell, and directed productions across institutions including Opera Carnivale and Pacific Repertory Theatre. Teaching spans stagecraft, voice pedagogy, and human rights law supervision at University of Sydney, Wesley Institute, and San Francisco Conservatory. Current projects explore creativity in disengaged students and sociological aspects of performance. Notable collaborations include the Moorambilla Festival, Brisbane Festival, and Sydney Conservatorium's Inclusion Project. Her work has been featured in venues like Sydney Opera House's Utzon Room and Hobart's St. David's Cathedral. Grants include the 2021 Equity Prize for collaborative projects. She has conducted choirs such as CBCC and Aqua Luna, and pioneered new programs like the Music Theatre voice specialization at Sydney Conservatorium.

Mirosław Wołoszynمشاهده پروفایل

دانشیار

• Magnetometry Methods
• Ship Magnetic Signatures
• Electromagnetic Field Analysis
• +۵ مورد دیگر

Dr. Mirosław Wołoszyn is a prominent academic and administrator at Gdańsk University of Technology (Gdańsk Tech), serving as the Dean of the Faculty of Electrical and Control Engineering since 2020. He holds a Ph.D. (1997) and habilitation (2013) from Gdańsk Tech's Faculty of Electrical and Control Engineering. His career spans roles as an assistant (1988–1997), assistant professor (1997–2012), senior lecturer (2012–2013), and associate professor (since 2013). He has led the Department of Electrical Engineering, Control Systems and Informatics (2017–2020) and previously served as Vice-Dean for Organizational Studies (2016–2020). His research focuses on magnetometry methods for detecting ferromagnetic objects, ship magnetic signatures, electromagnetic field analysis in maritime environments, and defense technologies. Key areas include developing multi-dipole models for magnetic signature reproduction, analyzing ship deperming processes, and improving underwater detection systems. His work integrates FPGA-based signal processing and mathematical modeling for practical applications in defense and maritime security. Academically, Wołoszyn is a member of the Polish Society of Theoretical and Applied Electrical Engineering, the Committee on Thermodynamics and Combustion PAN (since 2007), and the European Defence Agency's expert panel (2004–2008). His awards include the Silver Medal in the INNOWACJE 2010 competition for superconducting magnet technology and multiple Rector Awards for scientific and didactic achievements. Wołoszyn's research also addresses railway turnout heating systems and energy efficiency analysis, reflecting his interdisciplinary interests in electrical engineering and applied physics. His contributions span over 50 publications, emphasizing cutting-edge methods for magnetic field manipulation and detection in complex environments.

Thomas FitzStephensمشاهده پروفایل

استادیار مهمان

• Music Education
• Lifelong Learning
• Musical Amateurism
• +۳ مورد دیگر

Dr. Thomas FitzStephens is a Visiting Assistant Professor of Music at Oglethorpe University in Atlanta, Georgia. He holds a B.Mus. from the University of Michigan School of Music, Theatre & Dance, an M.Mus. in Conducting from Michigan State University’s College of Music, and a Ph.D. in Music Teaching and Learning from Georgia State University. His research focuses on lifelong music learning and musical amateurism, with publications in Visions of Research in Music Education and Teaching Music magazine. Prior to joining Oglethorpe in 2023, he spent 18 years teaching music in public and private schools, including a decade as Vocal Music Director at the Georgia Governor’s Honors Program at Berry College. He also served as Music Director for Capitol City Opera of Atlanta’s Madrigal Singers. Currently, he leads Harmonia Atlanta, an intergenerational community chorus, and directs Oakhurst Baptist Church’s choir. His teaching includes courses like Music and Culture and directs university choral groups such as the Oglethorpe Chorale. His work emphasizes accessible, inclusive music education practices and the role of music in fostering lifelong amateur participation. Dr. FitzStephens has presented at international music education conferences and contributed to scholarly works on pandemic-era pedagogy adaptation. He studied conducting under Dr. Jerry Blackstone, Dr. Sandra Snow, and others, and voice with George Irving Shirley and Molly Fillmore.

Frans Beversمشاهده پروفایل

مربی

• Interior Architecture
• Exhibition Design
• Museum Interiors
• +۳ مورد دیگر

Frans Bevers is a Visiting Tutor at the Royal Academy of Arts (The Hague), specifically within the INSIDE Master Department for Interior Architecture. He has held academic roles since 1979, including Head of the Architectural Design Department at the Gerrit Rietveld Academy (1979–2007) and lecturing positions at institutions like Parsons School of Design (NYC), Shanghai Normal University, and the University of Illinois at Chicago. Currently, he also teaches at the Design Academy Eindhoven's Master of Information Design program. His professional background includes co-directing OPERA Amsterdam (1981–2012), a renowned design studio specializing in museum interiors, exhibition design, and healthcare sector projects. Notable clients include the Victoria & Albert Museum, Rijksmuseum, and National Museum of Ethnology. His work has garnered awards such as the Dutch Design Award (2004) and the Lensvelt-De Architect Interior Prize (2001). Research interests focus on spatial design, exhibition curation, and the intersection of architecture with cultural institutions. His academic contributions emphasize practical application through design education and collaborative projects with global institutions.