جستجوی استاد راهنمای دانشگاهی

Dr. Frances Smith is an Associate Professor in Film Studies at the University of Sussex's School of Media, Arts and Humanities. She holds a PhD in Film and Television Studies from the University of Warwick (2013), an MA in Management from Durham University (2008), and a Master of Modern Languages in French/Italian from Manchester University (2007). Her research focuses on teen cinema, female authorship, Hollywood and European cinema, and gender studies, with current work on Céline Sciamma's Girlhood. She authored Rethinking the Hollywood Teen Movie (2017) and co-edited Refocus: The Films of John Hughes (2021). Teaching includes convening Analysing Film, American Teen Cinema, and Working with Film modules. She has taught Gender and Representation, British Cinema, and Study Skills. Her awards include Fellowship of the Higher Education Academy (2016). Active in PhD supervision focusing on teen cinema, female authorship, and gender in cinema. Publications span over 25 articles/chapters addressing topics like queer youth representation, transatlantic media comparisons, and directorial authorship in John Hughes and Amy Heckerling films. Research explores intersections of gender, space, and cultural identity in global popular cinema.

• Film Studies
• Teen Cinema
• Gender and Sexuality Studies
• +۷ مورد دیگر

Dagfinn Aune serves as a Research Fellow at the Department of Epidemiology and Biostatistics within the School of Public Health, Faculty of Medicine at Imperial College London. He concurrently holds positions as Associate Professor at Oslo New University College and Senior Researcher at the Cancer Registry of Norway in Oslo. His work centers on large-scale epidemiological investigations into diet, obesity, and chronic disease mechanisms across international populations. Education: PhD in Epidemiology, Norwegian University of Science and Technology (2016) MSc in Nutrition, University of Oslo (2008) Research interests focus on the interplay between dietary patterns, adiposity, physical activity, and smoking with chronic disease outcomes. His work examines how these factors influence cancer risk (particularly breast, gastrointestinal, and hematological malignancies), pregnancy complications, diabetes progression, and mortality across diverse populations. He employs systematic review methodologies and analyzes data from major cohorts including EPIC and Norwegian registries. Publication trends reveal consistent emphasis on obesity-cancer relationships, with recent work (2023-2025) expanding into metabolomic mediators, cardiometabolic interactions, and rare cancer epidemiology. His research frequently utilizes systematic reviews, meta-analyses, and multinational cohort studies to establish evidence for cancer prevention guidelines. Scientific Awards: No awards specified in source materials Advising and grant activity centers on major collaborative projects including the World Cancer Research Fund's Continuous Update Project, the EPIC study, and South American case-control research. While specific student mentorship isn't documented, his leadership in systematic review protocols suggests substantial training responsibilities. His grant portfolio includes funding from WCRF International and Norwegian research councils for large-scale epidemiological analyses. Labs and teams include the Centre for Translational Nutrition and Food Research at Imperial College London, where he collaborates with nutrition scientists and biostatisticians. He maintains active roles in the EPIC consortium and WCRF International's CUP Global Programme, coordinating multinational analyses of diet-cancer relationships through the Cancer Registry of Norway.

• Nutrition and Chronic Disease
• Cancer Epidemiology
• Obesity and Physical Activity
• +۳ مورد دیگر

Elizabeth Frood is an Associate Professor of Egyptology at the University of Oxford, affiliated with the Faculty of Asian and Middle Eastern Studies. She holds dual college fellowships as a Fellow of St Cross College and Honorary Fellow of The Queen's College, with research centered on ancient Egyptian self-presentation, sacred landscapes, and social experience including gender and disability studies. Her academic journey began with first degrees completed in Aotearoa New Zealand, establishing her foundation in Egyptology before her current Oxford appointment. Professor Frood's scholarship uniquely reconstructs non-royal Egyptian lives through biographical texts, graffiti, and visual culture, specializing in the late New Kingdom and Third Intermediate Period (mid-second to early first millennium BCE). Her work bridges textual analysis with material culture studies, examining how individuals expressed identity through sacred spaces, ritual practices, and social interactions. This approach has generated significant insights into elite self-representation and non-elite participation in religious contexts. Analysis of her 14 most recent publications (2007-2023) reveals consistent thematic threads: sustained focus on Karnak temple graffiti projects, evolving methodologies in biographical text interpretation, and increasing interdisciplinary engagement with gender/disability studies. Her collaborative work with the Centre Franco-Égyptien d’Étude des Temples de Karnak demonstrates fieldwork integration with epigraphic analysis. Her academic distinctions include: Fellow of St Cross College Honorary Fellow of The Queen's College Professor Frood actively mentors doctoral researchers across diverse topics including Deir el-Medina statuary, Hatshepsut's iconoclasm, ancient graffiti contexts, gendered domestic spaces, and kinship practices. Her Karnak Graffiti Project (2011-present), co-directed with Chiara Salvador and supported by CFEETK, represents a major sustained research initiative involving fieldwork at the temple of Ptah and eighth pylon, yielding publications, media features, and international scholarly collaborations. She co-directs the Karnak Graffiti Project, a decade-long international collaboration with the Centre Franco-Égyptien d’Étude des Temples de Karnak and Montpellier-based scholars, combining archaeological documentation, epigraphic recording, and digital analysis of temple graffiti across multiple Karnak sectors.

• Ancient Egyptian self-presentation
• Biographical texts
• Graffiti
• +۵ مورد دیگر

Jack Bowman is a Teaching Fellow in Modern History at the University of Warwick, School of Arts, Department of History. He teaches modules such as "Britain in the Twentieth Century" and "Race, Racism, and Resistance in Modern Britain," and serves as an Academic Writing Adviser and Teaching Representative for the Social Inclusion and Diversity Committee. PhD in History, University of Warwick (2019–2023) MA in Modern History, University of Warwick (2018–2019) BA (Hons) in History, University of Warwick (2015–2018) His research focuses on anti-colonial print cultures, particularly within the British Empire and the Pan-African movement. He specializes in book history, global histories of empire, queer histories, and visual media. His work explores the role of political publishing in anti-colonial activism and the intellectual networks of figures like V. K. Krishna Menon and Ras T. Makonnen. The recent publications and presentations reflect a strong engagement with transnational anti-colonial movements, Black radicalism, and the material culture of print. His work spans historical biography, archival research, and critical reviews of scholarship in visual culture, decolonization, and global knowledge systems. He frequently contributes to public history through outreach and digital media. University of Warwick, History Department Doctoral Scholarship (2019–2023) Jack Bowman advises undergraduate students and contributes to academic governance through committee roles. He is also involved in public engagement, including outreach to school children as the historian for George Padmore and creating educational resources for GCSE and A-Level students. He is a Convenor of the Modern British History Reading Group and a member of the Global History and Culture Centre and Manuscript and Print Cultures Research Group at Warwick. He is currently working on a new book project on the League Against Imperialism and maintains an active public presence through Twitter (@DrJackBowman) and podcast contributions, such as with Shoga Films on the Harlem Renaissance.

• Histories of Anti-Colonialism
• Book History
• Global Histories of Empire
• +۷ مورد دیگر

Dr. Laura McMahon is an Associate Professor in Film and Screen Studies at the Faculty of Modern and Medieval Languages and Linguistics , University of Cambridge. She is currently on sabbatical leave and will return in Easter Term 2024. Her research explores intersections between film and philosophy , with a focus on French and Francophone cinema , decolonial approaches , feminist theory , and ecocritical perspectives . Dr. McMahon’s work examines how contemporary feminist filmmakers like Onyeka Igwe and Khady Sylla engage with archives to reframe history through speculative reimagining . She also investigates ecological themes in Claire Denis’s films and the ethics of animality in global art cinema. Her monograph Animal Worlds: Film, Philosophy and Time (2019) and edited collections like Animal Life and the Moving Image (2015) highlight her contributions to debates on nonhuman representation and deconstructive aesthetics . Her recent publications analyze documentary practices , postcolonial archives , and critical repurposing in moving image work. She welcomes inquiries from MPhil and PhD students working on related topics. Her teaching and research are affiliated with the Cambridge Film and Screen initiative and the Cambridge Italian Research Network (CIRN).

• Film and Philosophy
• Decolonial Studies
• Feminist Theory
• +۶ مورد دیگر

Johnny Golding is a Professor at the Royal College of Art (RCA), School of Arts & Humanities. His career spans roles such as Director of the Centre for Fine Art Research at Birmingham City University, Professor of Philosophy in the Visual Arts & Communication Technologies (2000–2012), and honorary Professorship in Philosophy and Imaging at Dundee School of Art (2009). Born in New York, he holds a PhD from the Universities of Toronto and Cambridge. Education : - PhD in Philosophy from the Universities of Toronto and Cambridge. - Earlier studies in Toronto and New York. Research Interests : Golding’s work explores post-Newtonian analytics, new materialisms, and the erotics of sense as 'radical matter.' His interdisciplinary approach bridges art, philosophy, and 'wild sciences' like AI, robotics, and quantum theory. Key themes include data proliferation's societal impact, emergent systems, and the interplay between art and technology. Recent Articles & Projects : Focus on Data Loam (2020), exploring future knowledge systems through art and science collaborations. Recent works address radical empathy, distributed intelligence, and the ethics of AI. His 2018 opera Entanglement: The Opera and installations like Of The Thick and the Raw exemplify his practice-led philosophy. Grants & Leadership : - Led the Data Loam project (FWF-PEEK funded), involving over 20 artists and scholars. - PI for AiDesign Labs on generative AI at RCA. Labs & Collaborations : - Radical Matter Lab (2017–2018), a pedagogical experiment at RCA. - Collaborations with institutions like the University of Applied Arts Vienna and the British Library.

• Contemporary Philosophy
• Art Theory
• New Materialisms
• +۳ مورد دیگر

Kamila Kociałkowska is an Assistant Professor in the Department of History of Art at the University of Warwick, Faculty of Arts. She joined the department in 2024 after holding postdoctoral fellowships at the Metropolitan Museum of Art, the Getty/ACLS, and Harvard University’s Davis Center. Education: PhD in History of Art, University of Cambridge MA in History of Art, Courtauld Institute of Art MA in Fine Art, University of Edinburgh Her research centers on modernism in Eastern Europe, especially the interplay between artistic production and systems of censorship and surveillance in the Soviet Empire and its peripheries. She employs new materialist approaches to analyze redacted and fragmented visual and textual sources, rethinking the origins of abstraction beyond traditional resistance narratives. Her work also explores the cryptographic imagination and the impact of surveillance technologies on interwar avant-garde aesthetics. Her recent publications span topics such as Suprematist resistance, undead imagery in Stalinist propaganda, and explosive futurist texts, reflecting a deep engagement with avant-garde experimentation under repression. These works reveal recurring themes: the materiality of censorship, subversive semiotics, and the transformation of political constraint into aesthetic innovation. Scientific Awards and Fellowships: Leonard A. Lauder Postdoctoral Fellow, Metropolitan Museum of Art Getty/ACLS Postdoctoral Fellow in the History of Art Visiting Scholar, Davis Center, Harvard University She is currently completing her first book, The Black Square and the Blue Pencil: Censorship and the Stimulation of Modernist Style , which charts how censorship shaped avant-garde aesthetics in Russia, Georgia, Ukraine, and Azerbaijan. Her second project, Coding Modernity: The Cryptographic Imagination and the Interwar Avant-Garde , investigates the cultural history of spying and secret policing in interwar Europe. She does not currently have any listed advisees or research grants in the provided text.

• Modernism
• Eastern European Art
• Soviet Empire Art and Culture
• +۷ مورد دیگر

Dr Helen Gittos is a Senior Lecturer and Fellow in Medieval History at Balliol College and Brasenose College, University of Oxford. She holds a PhD in early medieval history from Oxford, following an undergraduate degree in English Literature at Newcastle University. Her research focuses on medieval church history, liturgy, and the role of language in religious practices, with expertise in archaeological evidence and textual analysis. She teaches British and European medieval history at both undergraduate and graduate levels, including the MSt and MPhil programs in Medieval History. Her major publications include Liturgy, Architecture and Sacred Places in Anglo-Saxon England (2013) and co-edited volumes on medieval liturgy. Current projects explore the use of English in medieval liturgy and collaborative research on Cerne Abbas’s early medieval history with archaeologists. She leads the Oxford Centre for Early Medieval Britain and Ireland and participates in interdisciplinary initiatives like the Worked in Stone project. Dr Gittos actively supervises DPhil students in areas related to her research, with recent advisees focusing on topics like shrines, liturgical charms, and Anglo-Saxon burial practices. She is also a media commentator, appearing in BBC News and podcasts discussing Anglo-Saxon history and archaeological discoveries.

• Medieval Church History
• Medieval Liturgy
• Old English Language
• +۳ مورد دیگر

Dr. Catherine Wynne is a Reader in Victorian and Early Twentieth-Century Literature and Visual Cultures at the University of Hull, where she also serves as Associate Dean for Research and Enterprise in the Faculty of Arts, Cultures and Education. She teaches undergraduates and supervises PhD students, with a focus on literature and creative writing. B.A., English and French, University of Galway M.A., Modern English and American Literature, University College Dublin D.Phil., University of Oxford (on Bram Stoker, Arthur Conan Doyle, and the Colonial Gothic) Her research spans Victorian and early 20th-century literature and visual cultures, with a focus on the Gothic, war art and memoir, Victorian theatre, travel writing, colonialism, and contemporary adaptations. She has published monographs on Bram Stoker, Conan Doyle, and Lady Butler, a biography of the Victorian war artist. Her work intersects with cultural studies, material culture, and pandemic narratives, particularly through the University of Hull's Living with Death – Learning from COVID research cluster. Recent projects include editing new editions of The Adventures of Sherlock Holmes (Oxford University Press, 2025) and co-editing works on The Hound of the Baskervilles and The Valley of Fear for Edinburgh University Press. She contributes to public discourse as co-host of the Pandemic Pages podcast and through media engagements with the BBC, Channel 4, CBC, and Deutsche Welle. Scientific Awards Fellowship from the English Association (2023) Her research has been funded by the British Academy, the Marc Fitch Fund, the Society for Theatre Research, and the Royal Society of Edinburgh. She organized the Bram Stoker Centenary Conference (2012), contributes to the Barbara Canham Turner Lecture series, and collaborates with local charities on cultural heritage access for children with SEND.

• Victorian Literature
• Gothic Literature
• War Art and Memoir
• +۱۰ مورد دیگر

David John Procter is a Professor of Organic Chemistry and Head of the Department of Chemistry at the University of Manchester. His career includes academic roles at the University of Glasgow (Lecturer, Senior Lecturer) and a Readership at the University of Manchester, where he became a Professor in 2008. His research focuses on developing new synthetic methods, catalysis, and materials chemistry, with applications in drug discovery, biocatalysis, and organic electronics. Education: BSc Chemistry (University of Leeds, 1992), PhD (1995, supervised by Prof. Christopher Rayner). Postdoctoral work: Florida State University (Prof. Robert Holton, Taxol analog synthesis). Research interests include samarium diiodide-mediated reactions, metal-free coupling processes, and sustainable synthesis methods. He leads projects funded by EPSRC, Industry (30 grants), and international collaborations. Awards include the EPSRC Established Career Fellowship (2015–2020), Bader Prize (2014), and Young Heterocyclic Chemist Award (2015). Key contributions: Total synthesis of natural products (e.g., pleuromutilin), development of copper-catalyzed multicomponent couplings, and innovative methods for organic materials. His work aligns with UN Sustainable Development Goals related to affordable and clean energy and responsible consumption. Collaborations span academic and industrial partnerships in chemistry, physics, and biology. He supervises 60+ students and contributes to the Organic Materials Innovation Centre (OMIC). His group’s research is detailed at proctergroupresearch.com .

• Organic Synthesis
• Catalysis
• New Synthetic Methods
• +۵ مورد دیگر

Dr Ann Lewis is Senior Lecturer in French Studies at Birkbeck, University of London, within the School of Creative Arts, Culture and Communication . Since her appointment in 2008 she has held numerous leadership roles, including Subject Lead for Languages and Linguistics and programme director for several BA and MA programmes. Education: BA Joint Honours in History and French, New College, University of Oxford M.St. in European Literature, University of Oxford PhD in French Literature, Queen Mary, University of London PGC-HE (with distinction), Fellow of the Higher Education Academy Research Interests: Dr Lewis’s scholarship is situated at the intersection of eighteenth-century French literature and visual culture. Her work pursues two complementary strands: the first investigates text–image relations , exploring how eighteenth-century French novels were illustrated, re-imagined and circulated beyond the book through almanacs, extra-illustrated editions and domestic display. The second strand interrogates the representation of prostitution in eighteenth-century France, combining literary analysis with cultural history to illuminate questions of gender, commerce and morality. Both research lines deploy interdisciplinary methodologies that draw on illustration studies, adaptation theory and material bibliography. Publications profile: Across more than two decades, Dr Lewis has produced a monograph, three major edited collections and a series of peer-reviewed articles and book chapters (2004-2021). Her output charts an evolving focus from close readings of illustrated novels toward broader questions of intermediality, adaptation and the social lives of images, culminating in recent work on Rousseau’s Julie as material artefact. Honours & Awards: Leverhulme Early Career Fellowship, Leverhulme Trust (2009) Ronald Tress Prize, Birkbeck, University of London (2012) Haydn Mason Lecture, British Society for Eighteenth-Century Studies (2012) Nominated for Aurora Women into Leadership programme, Advance HE (2016) Doctoral supervision & grants: Dr Lewis welcomes proposals in eighteenth-century French literature and culture. She currently co-supervises two doctoral researchers: Miki Jablkowska – “The Reception and Cultural Adaptation of Voltaire in Eighteenth-Century Poland” Kirsten Tambling – “Watteau and Hogarth: Seduction, Space and Time” (awarded 2019) Laboratories, networks & teams: She is Co-founder and Co-convenor of the Birkbeck Eighteenth-Century Research Group , an interdisciplinary forum spanning French, English, History of Art and Comparative Literature. She additionally serves on the steering group of the Illustr4tio international research network devoted to illustration studies and is a member of the executive committee of AUPHF+ (Association of University Professors and Heads of French +).

• Eighteenth-century French literature and culture
• Text/image relations
• Book illustration
• +۴ مورد دیگر

Pawan Adhikari is a Professor of Accounting at Essex Business School, University of Essex , where he serves as Director of Impact and Enterprise and Director of Essex Accounting Centre . He is an Associate Editor of the Journal of Public Budgeting, Accounting and Financial Management and a Executive Board Member of the Comparative International Governmental Accounting Research Network (CIGAR) . Previously, he led accounting reforms at Nepal’s Accounting and Auditing Standards Board and lectured at Nord University, Norway. PhD, Nord University Business School Fellow of the Higher Education Academy His research focuses on public sector accounting in developing countries, particularly accounting reforms , public value creation , and climate accountability . He explores how accrual accounting and participatory budgeting can enhance transparency in South Asian and African contexts. His work has influenced policy-making in Nepal and is recognized with the 2023 Best International Research Impact award by the University of Essex. Recent publications analyze wellbeing economies (2025), NGO accountability in disasters (2024), and climate budgeting (2023). He collaborates with institutions like the World Bank , European Commission , and British Academy , focusing on projects related to financial resilience , circular economy , and health sector accountability . Supervising 8 current PhD students, his advisees have produced work on topics like accrual accounting in Bangladesh and NGO accountability in Palestine . World Bank/PEFA Research Award African Accounting and Financial Association (AAFA) Award ESRC IIA Impact Fund GCRF and SeNSS Grants 2019 Best Postgraduate Supervisor (Essex)

• Public Sector Accounting
• Government Accounting and Budgeting
• Accounting Reforms in Developing Countries
• +۵ مورد دیگر

Virginia Leavell serves as Assistant Professor in Organisational Theory and Information Systems at Cambridge Judge Business School, University of Cambridge. Her research investigates how organisations anticipate technological change through digital prediction systems, AI, and infrastructure transformation, drawing on her decade-long background in political organising for non-profits and labour groups across the US and Thailand. Her academic credentials include: BA in Interdisciplinary Studies, Georgetown University MA in Sociology, University of California Santa Barbara PhD in Technology Management, University of California Santa Barbara Leavell's scholarly work centers on organisational anticipation of technological futures, employing ethnographic and social network analysis methods to examine digital transformation in critical infrastructure contexts. She explores how predictive technologies reshape organisational structures and actions before technological change fully materializes, with particular focus on water systems, urban planning, and labor industries where digital twins and simulation technologies create new governance challenges. Analysis of her 2017-2024 publications reveals consistent examination of prediction performativity across sectors, demonstrating how digital models influence physical realities in infrastructure management. Her research trajectory shows increasing emphasis on sociomaterial dimensions of anticipatory organising, with recent work interrogating the equalization of human and technological agency in digital transformation processes. No scientific awards were specified in source materials. Leavell actively contributes to the Organisational Theory and Information Systems subject group at Cambridge Judge Business School, which engages cross-disciplinary leadership themes. Information regarding student advising and research grants remains unspecified in available documentation.

• Organisational Anticipation
• Digital Prediction Technologies
• AI and Autonomous Systems
• +۴ مورد دیگر

Dr. Jennifer Cearns is an Associate Professor in AI at the University of Manchester and a Visiting Professor at KU Leuven . Previously, she held roles as an ESRC Postdoctoral Fellow and Lecturer in Digital Anthropology at University College London , an Associate Postdoctoral Fellow at the Alan Turing Institute , and a Leach Fellow in Public Anthropology at the Royal Anthropological Institute . Her work bridges digital anthropology and AI , focusing on culturally-constructed empathy and the reproduction of norms in algorithmic systems. PhD in Anthropology (University College London, 2016-2020) Languages : English, Portuguese, Spanish (Latin American) Her research spans Artificial Intelligence , Algorithms , and Data Practices , with ethnographic fieldwork in Brazil, Cuba, the US, Guyana, Panama, Mexico, Spain, and the UK. Current projects explore the ethics of AI in mental healthcare, transnational digital networks , and contraband economies in Latin America. Recent publications analyze cultural norms in AI , transnational exchange , and digital piracy , with a focus on Latin America. Her 2023 monograph Circulating Culture (University Press of Florida) examines postsocialist networks and contraband economies. Nominated for Association of Latina and Latino Anthropologists First Book Prize Nominated for Society for Latin American & Caribbean Anthropology Book Prize Finalist, BBC New Generation Thinker Award She collaborates with institutions like UCL's Centre for Digital Anthropology and KU Leuven, and has advised the technology industry for over a decade. Her ORCID identifier is 0000-0001-6498-1766.

• Artificial Intelligence
• Algorithms
• Digital Technology
• +۱۰ مورد دیگر

Professor Kay O'Halloran serves as Chair Professor and Head of Department of Communication and Media within the School of the Arts at the University of Liverpool since August 2019. She concurrently holds the position of Co-Director for the Digital Media and Society Institute (DMSI), demonstrating significant leadership across academic and research domains. Her career spans prestigious institutions including Curtin University (2013-2019) and National University of Singapore (1998-2013), where she directed the Multimodal Analysis Lab and served as Deputy Director of the Interactive & Digital Media Institute. PhD from Murdoch University (1996) Postdoctoral position at Martin Luther University (1997-1998) Visiting Distinguished Professor at Shanghai Jiaotong University (2017-2020) Professor O'Halloran's research focuses on multimodal discourse analysis, particularly the interaction of language with visual and mathematical resources. Her pioneering work in systemic functional multimodal discourse analysis (SF-MDA) has significantly impacted mathematics education and digital communication studies. Current research emphasizes digital tools for multimodal analysis and mixed methods approaches to big data analytics, addressing contemporary challenges in misinformation and public health communication. Her recent publications reveal strong thematic concentration in pandemic-related communication analysis, misinformation resistance mechanisms, and multimodal argumentation across social and cultural contexts. The 15 most recent articles demonstrate consistent application of multimodal frameworks to urgent societal issues including public health crises, political discourse, and digital literacy challenges. Founding editor of Routledge Studies in Multimodality book series (57+ volumes) Over 150 publications in leading international journals 50+ plenary/keynote presentations globally Competitive funding from National Research Foundation, MOE Singapore, US Air Force, ARC, NHMRC, and others Professor O'Halloran has directed interdisciplinary research teams comprising social scientists, computer scientists, and designers. Her leadership extends to developing commercial multimodal analysis software (Multimodal Analysis Image and Video) adopted internationally. Current projects include Eurovision 2023 wellbeing evaluation and COVID-19 misinformation immunity development, demonstrating continued relevance to contemporary societal challenges.

• Multimodal Discourse Analysis
• Systemic Functional Linguistics
• Digital Humanities
• +۶ مورد دیگر