Musical Style Professors and Supervisors | ApplySharif

جست‌وجوی استاد و پژوهشگر

استاد راهنما، استاد دانشگاه یا پژوهشگر مناسب برای مسیر پژوهشی‌تان را پیدا کنید و با او ارتباط بگیرید.

نمایش ۳۱-۴۵ از ۱٬۶۲۸ استاد راهنما

اطلاعات این پروفایل‌ها از صفحات عمومی دانشگاه‌ها جمع‌آوری شده و ممکن است به‌روز نباشد.

Vassilios Tzerposمشاهده پروفایل

دانشیار

York UniversityCanada

Vassilios Tzerpos is an Associate Professor at the Lassonde School of Engineering, York University, where he has been since 2001. He holds a Ph.D. in Computer Science from the University of Toronto (2001). His research focuses on audio processing for musical applications, deep learning, digital signal processing, machine listening, and software engineering education. He directs the APTLY lab exploring music-technology intersections and leads the LaSSoftE lab developing socially-oriented software solutions. Education: Ph.D. in Computer Science, University of Toronto, 2001 Research Highlights: Dr. Tzerpos' work spans music information retrieval (e.g., automatic music classification), synthetic speech detection using neural networks, and software engineering pedagogy. His recent projects include Music-STAR for audio re-instrumentation and OER-based learning path creation systems. He has pioneered methods in design pattern detection and software clustering evaluation. Grants & Labs: Leads two research groups: APTLY (music-tech) and LaSSoftE (social impact software). Active in developing adaptive cybersecurity solutions against DoS attacks and refining software architecture recovery techniques. Key Themes in Publications: Recent work emphasizes machine learning applications in music technology and cybersecurity, with foundational contributions to software clustering methodologies and design pattern detection algorithms. His work bridges theoretical computer science with practical applications in education and creative industries.

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Sylwia Janiak-Kobylińskaمشاهده پروفایل

پژوهشگر

Stanislaw Moniuszko Academy of Music in GdańskPoland

Sylwia Janiak-Kobylińska is a Polish conductor, educator, and artistic leader currently serving as the Dean of the Faculty of Conducting, Composition, and Music Theory at the Stanisław Moniuszko Academy of Music in Gdańsk. She is President of the SAJ Foundation Supporting Young Artists, founder of the Baltic Philharmonic Orchestra of the Youth, and an active participant in international music competitions and festivals. Her work spans symphonic and opera conducting, artistic direction of multidisciplinary projects, and pedagogical leadership. Her research interests focus on Orchestral Conducting Contemporary Music Interpretation Artistic Education for Youth Symphonic and Opera Collaboration Cultural Management in Music Interdisciplinary Art Projects Her recent artistic projects, such as the inUnity. Contemporary Music from Gdańsk album and the Homage to Szymborska concert series, highlight collaborations between classical and jazz composers, youth orchestras, and interdisciplinary teams. These works emphasize themes of unity, cultural heritage, and innovation in music education. Scientific awards and recognitions include Meritorious for Polish Culture badge (2023) Antoni Wit Award at the G. Fitelberg Conducting Competition Multiple Rector’s Awards at the Academy of Music in Gdańsk Pomeranian Artistic Award in 'Artistic Hope' category As an educator, she leads orchestral workshops, mentors students across multiple faculties, and pioneered the 4C’s in Music Art program (Creativity, Collaboration, Critical Thinking, Communication). Her leadership in the SAJ Foundation and Baltic Philharmonic Orchestra of the Youth has fostered over 1000 young musicians since 2011.

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Derek H. Kiernan-Johnsonمشاهده پروفایل

استاد آموزشی

University of ColoradoUnited States

Derek H. Kiernan-Johnson is a Teaching Professor at the University of Colorado Law School, specializing in Legal Writing , Appellate Advocacy , and Judicial Opinion Writing . He has taught courses on legal reasoning, document design, and narrative techniques in legal argumentation since joining the faculty in 2007. JD, University of Michigan Law School BA, Princeton University (Religion, Dramatic Performance, Music) His research explores intersections of narrative theory , visual rhetoric , and legal persuasion , with a focus on typography, historical legal contexts, and the performative aspects of law. Publications examine Bluebook overlaps, narrativity in legal writing, and rhetorical influence on judicial decisions. Notable scholarly contributions include analyses of Supreme Court indifference , craft whiskey regulation , and typographic storytelling in legal briefs. He has no listed scientific awards or student advisees in the provided materials. Professional background includes clerking for Justice Michael L. Bender of the Colorado Supreme Court and six years of legal practice at Caplan and Earnest, LLC, representing public-school clients in diverse legal settings.

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Mark Simonsمشاهده پروفایل

مدرس

McGill UniversityCanada

Mark Simons is an Early Clarinet Instructor at the Schulich School of Music, McGill University, and teaches at Marianopolis College. He specializes in early music performance on period instruments such as the chalumeau and classical clarinet. His expertise spans baroque, classical, jazz, and klezmer styles, with a focus on historical performance practices. Education: Studied at Marianopolis College, McGill University, and Temple University. Research interests include exploring sonorities of period instruments and chamber music collaborations. He has performed with renowned ensembles like Les Boréades, Arion Baroque Orchestra, and the Daponte String Quartet. Notable recordings include CDs on the Analekta label: Viole D’Amour and Telemann et les Gitans . No scientific awards listed. His advising and grants details are unspecified. Active in ensembles such as the Arthur Leblanc and Bozzini quartets, and regularly performs with l'Orchestre Symphonique de Québec and I Musici de Montréal.

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Linda D. Groomsمشاهده پروفایل

استاد

Regent UniversityUnited States

Dr. Linda D. Grooms is a Professor of Educational Leadership at Regent University's School of Business and Leadership. With over three decades of experience, she specializes in integrating faith-based principles into educational systems. Her leadership spans university teaching, international training, and longitudinal research in online pedagogy, computer-mediated communication, and virtual leadership development. Education: BM in Music Theory, Furman University (1976) MA in Educational Administration, Regent University (1984) Certificate of Advanced Graduate Studies & PhD in Organizational Leadership, Regent University (1997 & 2000) Research Interests: Dr. Grooms focuses on distance learning innovation, constructivist online education models, leadership resilience in cross-cultural contexts, and the intersection of ethical leadership with educational equity. Her work emphasizes leveraging technology to democratize education and foster global leadership. Awards & Grants: Regent Professor of the Year (2015-16) Recipient of multiple faculty research grants Certified Master Instructor (2003) Over $15,000 in external grants for educational initiatives Professional Contributions: She serves on editorial boards for journals like International Journal of Leadership Studies and has reviewed for publishers including Sage and Rowman & Littlefield. Her work appears in prestigious encyclopedias and peer-reviewed journals, with a focus on bridging theory and practice in educational leadership. Future Focus: Continues advocating for faith-infused education systems, cross-cultural leadership development, and expanding access to quality education through digital innovation.

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Danuta Mirkaمشاهده پروفایل

استاد

Northwestern UniversityUnited States

Danuta Mirka is a Professor at Northwestern University's Bienen School of Music in the Department of Music Theory and Cognition. She holds the Harry N. and Ruth F. Wyatt Chair in Music Theory and has been recognized with major awards for her scholarship. PhD in Musicology from University of Helsinki Senior Fulbright Fellow at Indiana University Humboldt Fellow and DFG Research Fellow at University of Freiburg Leverhulme Trust Research Fellow at University of Southampton Her research synthesizes historical music theory with contemporary cognitive approaches, focusing on metric manipulations in Haydn/Mozart, sonoristic structuralism in Penderecki, and topic theory in eighteenth-century music. She has developed analytical frameworks for textural and timbral systems in avant-garde compositions. Key trends across her publications include: cross-disciplinary application of semiotics and fuzzy logic to music analysis; systematic studies of cadential structures in Classical-era works; and innovative methodologies for analyzing non-traditional instrumental techniques. Her article on Penderecki's sonoristic style introduced groundbreaking concepts of six-dimensional textural analysis. Society for Music Theory Citation of Special Merit (2015) Wallace Berry Award (2011) Marjorie Weston Emerson Award (2023) Roland Jackson Award (2017) Mirka has edited major reference works and served on editorial boards of leading journals. Her scholarship bridges Polish avant-garde traditions with Western analytical methodologies.

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Brandon A. Boydمشاهده پروفایل

دانشیار

University of Missouri , ColumbiaUnited States

Dr. Brandon A. Boyd serves as Associate Professor and Director of Choral Activities at the University of Missouri's College of Music, holding the Marie M. and Harry L. Smith Endowed Chair. He directs the MU University Singers, Sankofa Chorale, and Choral Union Symphonic Chorus while teaching graduate courses in choral conducting, literature, and arranging. His research focuses on community-building through choral singing, with specific interests in organizing choirs for homeless populations, studying the social and physical effects of choral singing on senior citizens, and creating authentic field experiences for music therapy and choral education students. His work extends internationally through partnerships with Bolivian universities and domestic community initiatives including prison choirs and senior citizen ensembles. As a composer and arranger, Dr. Boyd's works appear in publications by Hinshaw Music, Gentry Publications, GIA, and Kjos Music Press. He curates the 'Brandon A. Boyd Choral Series' with Hinshaw Music and serves as Executive Choral Editor for Gentry Publications. His compositions primarily focus on African-American spirituals and traditional arrangements, often incorporating gospel elements and contemporary rhythmic signatures. Notable performances include collaborations with the London Symphony Orchestra, NDR Elbphilharmonie Orchestra, Nashville Symphony, Missouri Symphony, and St. Louis Symphony, with multiple appearances at Carnegie Hall as conductor, composer, and collaborative pianist. Marie M. and Harry L. Smith Endowed Chair National ACDA Composition Initiative committee member Executive Choral Editor of Gentry Publications Dr. Boyd maintains active community engagement through initiatives like the Santa Fe Desert Chorale's 'Giving Voice to the Voiceless' program, where he served as Composer-in-Residence and created the Interfaith Community Shelter Street Choir for homeless populations. His international work includes conducting workshops at Universidad Católica Boliviana and Universidad Evangelica in Bolivia through Partners of the Americas. He directs significant choral community partnerships including the Tallahassee Senior Choir, RAA Middle School Partnership Choir, and MTC Women's Prison Glee Club, demonstrating his commitment to music's social impact beyond traditional academic settings.

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Gusti Komin Dartaمشاهده پروفایل

استاد مهمان

Massachusetts Institute of TechnologyUnited States

Gusti Komin Darta is a Visiting Professor and Guest Director of Gamelan Galak Tika at the Massachusetts Institute of Technology (MIT). Born in 1978 in Bali, he is a renowned composer, performer, and educator in Balinese music, known for blending traditional and modern gamelan styles. He teaches at MIT and other U.S. institutions, leading ensembles like Saiban and Gamelan Galak Tika. His expertise includes the gendér wayang, reyong, and kendang instruments, with over 25 years of teaching experience globally. Research interests focus on innovative approaches to Balinese gamelan music, emphasizing its evolution through contemporary compositions and cross-cultural collaboration. His work challenges conventional performance techniques, pushing boundaries for musicians. A master of gendér wayang and a rebellious innovator, Komin’s compositions are celebrated for their experimental nature. He actively engages in community-based music education, bridging traditional Balinese practices with modern pedagogical methods.

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Simon Dixonمشاهده پروفایل

استاد

Queen Mary University of LondonUnited Kingdom

Simon Dixon is a Professor of Computer Science and Director of the UKRI Centre for Doctoral Training in Artificial Intelligence and Music (AIM CDT) at Queen Mary University of London. He also serves as Deputy Director of the Centre for Digital Music (C4DM). His work focuses on music informatics, AI, and computational musicology, with emphasis on music signal analysis, performance modeling, and MIR applications. He leads projects funded by UKRI, Innovate UK, and industry partners like Yamaha and Spotify. Dixon has supervised over 20 PhD students and contributed to major initiatives like the Jazz Digital Archives Project and the Dig that Lick study on jazz melodic patterns. His research has been recognized with awards including the Peter Claricoats Award and Turing Fellowship. Education: PhD in Computer Science, BSc(Hons) in related field, with music qualifications (AMusA LMusA) Roles: AIM CDT Director, C4DM Deputy Director, EU H2020 MIP-Frontiers PI Research: Music transcription, expressive performance analysis, MIR, and AI applications in music education Key projects include industry collaborations (e.g., Yamaha for jazz piano modeling), semantic audio analysis, and large-scale music corpus studies. His team has pioneered methods in chord detection, source separation, and alignment algorithms, with top rankings in MIREX evaluations. Publications span journals like TISMIR and ICASSP, with a focus on foundational MIR techniques and AI-driven music systems. His work bridges technical innovation with cultural heritage through projects like JazzDAP and the Dig that Lick analysis of jazz solos.

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Maria Isabel Siewers De Pazurمشاهده پروفایل

استاد

Mozarteum University SalzburgAustria

Maria Isabel Siewers De Pazur is a distinguished Professor of Guitar at Mozarteum University in Salzburg, Austria, where she has led the Guitar Department since 1989. She also maintains connections with the Department of Music Education in Innsbruck. Born in Argentina, she has established an international career as both a performer and educator, with her work deeply rooted in Latin American musical traditions while embracing contemporary classical repertoire. Her research and performance interests center on Classical Guitar Performance, Latin American Music, Chamber Music with Guitar, 20th Century Guitar Repertoire, Contemporary Classical Music, Argentine Music, and Guitar Education. Siewers has dedicated her career to expanding the guitar repertoire through commissions of new works and premieres of contemporary compositions, with a particular focus on Latin American composers. Her recordings demonstrate remarkable diversity across musical eras and styles, with special emphasis on 20th century masterpieces, Latin American repertoire, and chamber music collaborations. The trajectory of her work shows a consistent commitment to bridging traditional and contemporary forms, with increasing focus on cross-cultural musical dialogues and innovative arrangements that honor historical contexts while speaking to modern audiences. Critic's choice (Gramophone) Best record of the year (Acoustic Guitar) Latin Grammy Award 2018 in the category Classical Throughout her career, Siewers has maintained a strong commitment to education, founding the Musicampus Classical Guitar program that has nurtured over 170 guitarists from throughout Latin America. Her teaching philosophy emphasizes chamber music, community engagement through public performances, and fostering international musical exchange. She has also been involved in recording projects that serve both educational and artistic purposes, documenting important repertoire and commissioning new works that expand the guitar's expressive possibilities. Siewers maintains active collaborations with composers, orchestras, and fellow musicians worldwide, regularly performing with ensembles such as the Prague Virtuosi, Bohemian Chamber Orchestra, and various string quartets. Her work with the Musicampus program demonstrates her commitment to developing the next generation of guitarists while preserving and innovating within the classical guitar tradition.

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Daniel Kidaneمشاهده پروفایل

عضو هیئت علمی

Royal Northern College of MusicUnited Kingdom

Daniel Kidane is a British composer and Visiting Tutor in Composition at the Royal Northern College of Music and University of Cambridge. His works blend multicultural influences with contemporary classical techniques, exploring themes of identity, conflict, and social justice. Key roles include commissions from major orchestras like the BBC Symphony and London Symphony Orchestra, alongside awards such as the Paul Hamlyn Award (2016) and an honorary doctorate from Coventry University (2022). Education: Began violin at age 8, composition studies at Royal College of Music Junior Department Private study in St. Petersburg with Sergey Slonimsky BMus and postgraduate studies at Royal Northern College of Music under Gary Carpenter and David Horne Research Interests: Kidane’s music merges traditional orchestration with modernist innovation. Key themes include multiculturalism (evident in works like Aloud reflecting his Russian-Ukrainian heritage), pandemic reflections ( Be Still ), and socio-political commentary ( Dream Song setting MLK’s texts). His compositional style draws from Russian chant, Messiaen, and Janáček, creating vivid soundscapes that balance tension and resolution. Awards: Royal Philharmonic Society Prize (2013) Paul Hamlyn Award for Artists (2016) Jerwood Composer+ (2018) Coventry University Honorary Doctorate (2022) Current Projects: 2024 violin concerto Aloud with Julia Fischer and London Philharmonic Orchestra. Upcoming works include a cello piece Sarabande and continued exploration of pandemic-era compositions. Labs/Teams: Collaborates with ensembles like Chineke! Orchestra (pioneering BAME representation) and mentors through Music Masters charity.

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Steven D. Zohnمشاهده پروفایل

استاد

Temple UniversityUnited States

Musicology
Baroque Music
Bach Family
+۶ مورد دیگر

Steven D. Zohn is the Laura H. Carnell Professor at Temple University’s Boyer College of Music and Dance. He holds a PhD and MA in musicology from Cornell University and an AB in music from Vassar College. As a leading Telemann scholar, his research spans intersections of style and genre, print culture, reception history, domestic music-making, historical performance practices, and music as intellectual property. PhD, Musicology, Cornell University MA, Musicology, Cornell University AB, Music, Vassar College Zohn’s research emphasizes Telemann’s instrumental works, sacred vocal music, and cultural contexts, as well as Bach family studies and Enlightenment-era salon culture. His publications include influential books like Music for a Mixed Taste and Telemann Studies , alongside critical editions and articles in Journal of the American Musicological Society and Oxford Handbooks Online . In 2022, he received the Georg Philipp Telemann Award from Magdeburg for his contributions to Telemann research. Other accolades include the Noah Greenberg Award and the William H. Scheide Prize. He co-edits the Bach Perspectives series and serves on editorial boards, including Telemann’s Musikalische Werke . Zohn also performs on historical flutes with ensembles like Night Music and Philadelphia Bach Collegium, with recordings on Acis, Avie, and Chandos labels. His courses explore domestic musicking, Bach’s cantatas, and unaccompanied instrumental works.

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Donato Totaroمشاهده پروفایل

مدرس پاره‌وقت

Concordia UniversityCanada

Donato Totaro is a Part-time Lecturer in Film Studies at Concordia University's Faculty of Fine Arts in Montreal, Canada, where he has taught since 1990. He holds a PhD in Film & Television from the University of Warwick (UK), supervised by Victor F. Perkins, and serves as founding editor of the online film journal Offscreen since 1997. Totaro is also a member of the Association québécoise des critiques de cinéma (AQCC) since 2004. Education: PhD in Film & Television, University of Warwick (UK) Research Interests: Totaro's work spans film criticism , the horror genre , Andrei Tarkovsky , cinema and temporality , and film style . His research explores theoretical and aesthetic dimensions through projects like The Face at the Window (analyzing horror motifs), Women in Horror (documenting post-2010 female contributions), and Monster Kid Generation (tracing cultural impacts of 1950s-1970s horror fandom on filmmakers like Spielberg and Del Toro). He pioneers audio-visual essays as critical tools. Publication Trends: His scholarship reveals evolving focus from Tarkovsky's temporal aesthetics to contemporary horror studies and genre hybridity (e.g., apocalyptic westerns). Recent works demonstrate increasing interdisciplinary reach, connecting film theory with cultural studies, gender analysis, and fan communities while maintaining rigorous formal analysis of cinematic techniques. Scientific Awards: Canada Council for the Arts Grants to Literary Magazines (2002-2019, $200,000+) SSHRC Scholarship (1997-2000) FCAR Quebec Research Grants (1987-1989) York University Research Grant (1988-89) Teaching & Editorial Impact: Totaro has received multiple teaching honors including the Faculty of Fine Arts Distinguished Teaching Award (2017) and Oksana and John Locke Award (2018). He teaches courses ranging from introductory film studies to specialized seminars on horror, Tarkovsky, and film criticism. As Offscreen's editor, he has shaped critical discourse for 25+ years, publishing hundreds of essays while mentoring emerging critics through this influential platform.

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Mauro Calcagnoمشاهده پروفایل

دانشیار

University of PennsylvaniaUnited States

Mauro Calcagno is an Associate Professor of Music at the University of Pennsylvania, specializing in opera studies, early modern music, performance studies, critical theory, and digital humanities. He holds a Ph.D. in Music from Yale University (2000) and previously taught at Harvard University (until 2008) and Stony Brook University (until 2013). His research focuses on Baroque opera, Monteverdi’s works, and digital editions of early music. Notable publications include From Madrigal to Opera: Monteverdi's Staging of the Self and contributions to the Journal of the American Musicological Society . His edition of Cavalli's Eliogabalo has been internationally performed and critically praised. He co-directs the Marenzio Online Digital Edition (MODE), funded by a NEH grant, and is involved in initiatives like the Bibliotheca Dantesca online journal and the Music in the Pavilion concert series. His awards include the Alfred Einstein Award for an essay on 17th-century vocal aesthetics. At Penn, he directs undergraduate education in the Music Department, chairs the Center for Italian Studies (2017–2021), and co-leads the Rodin Arts Collective. His teaching spans doctoral seminars on opera theory, Baroque music, and digital editing, as well as undergraduate courses on opera history. He actively collaborates with institutions like the Juilliard School and the Centre for Baroque Music in Versailles, offering workshops on Baroque performance practices. His current projects include a book on modern stagings of Baroque opera and a comparative literature initiative through Penn’s graduate programs.

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John Buttمشاهده پروفایل

استاد

Graz University of TechnologyAustria

Bach Studies
Baroque Music
Seventeenth and Eighteenth Century Music
+۳ مورد دیگر

John Butt is a distinguished academic and performer, currently holding the Gardiner Chair of Music at the University of Glasgow and serving as Head of Department (2001-05). His career spans prestigious institutions including UC Berkeley, King’s College Cambridge, and Magdalene College Cambridge. He is renowned for integrating performance practice with scholarly research. Education : PhD in Bach studies, University of Cambridge Research Interests : Bach interpretation, Baroque music, historical performance practices, modernity in musicology, and the intersection of plainchant with Roman Catholic culture in Elgar's work. His research explores the ontology of 17th-century music and the cultural implications of historically informed performance. Articles and projects highlight his interdisciplinary approach, linking musicology with philosophy and cultural studies. He has received major awards including Gramophone, MIDEM, and Fellowships from the British Academy and Royal Society of Edinburgh. Scientific Awards : Royal Academy of Music/Kohn Foundation Bach Prize (2010) Gramophone Award (2007) MIDEM Award (2008) Fellow of the British Academy (2006) Dent Medal (2003) As a conductor and keyboardist, he leads the Dunedin Consort and has produced acclaimed recordings of Bach and Handel. His work bridges academic and performative realms, emphasizing the dialogue between historical and contemporary musical understanding.

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