جستجوی استاد راهنمای دانشگاهی

برای مسیر پژوهشی‌تان، استاد راهنما، استاد دانشگاه و پژوهشگر مناسب را پیدا کنید و با آن‌ها ارتباط بگیرید.

نمایش ۱-۱۵ از ۹۰ استاد راهنما

اطلاعات پروفایل‌ها از صفحات عمومی دانشگاه‌ها گرفته شده و ممکن است به‌روز نباشد.

Christian Luczanitsمشاهده پروفایل

مدرس ارشد

SOAS University of LondonUnited Kingdom

Dr Christian Luczanits serves as the David L. Snellgrove Senior Lecturer in Tibetan and Buddhist Art at SOAS University of London, where he also acts as Department Recruitment, Admissions and Marketing Convenor. He previously held research positions at the University of Vienna, Austrian Academy of Sciences, and Lumbini International Research Institute, followed by visiting professorships at UC Berkeley , Free University Berlin, and Stanford University. Before academia, he was Senior Curator at the Rubin Museum of Art, New York. PhD in Tibetan and Buddhist Studies (University of Vienna) under the late Maurizio Taddei Specializes in early Buddhist art (1st-5th centuries) and early Tibetan Buddhist art (7th-15th centuries) Key research topics: Maitreya iconography , development of Mahāyāna and esoteric traditions, Tibetan artistic adaptation of Indian forms, and AHRC-funded monastery collections documentation in Mustang and Ladakh His recent publications analyze transcultural dynamics in Himalayan Buddhist heritage, including monastic collections, mandala symbolism, and artistic revival movements. He co-curated the Gandhara – The Buddhist Heritage of Pakistan exhibition at Bonn's Kunst- und Ausstellungshalle der Bundesrepublik Deutschland. PhD supervisees include: Udomluck Hoontrakul (Political Economy of Marginal Polities) Qianhui Lin (Bodhisattva Conceptualization in Gandhāra) Agneta Niklasson (Esoteric Buddhism in Swat-Gilgit-Kashmir sculpture) Dr Lesley S Pullen (Angkorian Divine Adornment) Kulamitra David Zukas (Rock-Cut Buddhist Monasteries)

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Robert Mayerمشاهده پروفایل

مدرس

University of OxfordUnited Kingdom

Robert Mayer is a Faculty Associate at the Faculty of Asian and Middle Eastern Studies, University of Oxford, and a Fellow at the Oxford Centre for Buddhist Studies. Affiliated with Wolfson College, he specializes in Tibetan Buddhist studies with a focus on early Nyingma tantric traditions and scriptural revelation practices. His research centers on rNying ma tantric traditions , gTer ma (treasure) literature , the rNying ma'i rgyud 'bum (NGB) , Dunhuang tantric manuscripts , Tibetan ritual systems , and phur pa (kīla) traditions across both Buddhist and Bon contexts. Mayer examines textual transmission mechanisms, ritual innovation, and the historical formation of Tibetan Buddhism from the 10th-12th centuries, with particular attention to how revelation practices challenge conventional notions of authorship and originality. Analysis of his recent publications reveals a consistent trajectory exploring treasure literature's relationship to Indian Buddhist antecedents, comparative studies of Bon and Buddhist tantric systems, and critical editions of foundational texts like the Ancient Tantra Collection. His work demonstrates increasing interdisciplinary engagement with cultural history, myth-making processes, and the sociology of religious knowledge production in Tibetan contexts. Mayer directs the Treasure Seminar Series and has secured major funding from the AHRC, John Fell Fund, and DFG for projects including authorship studies in Tibetan scriptural revelations, comparative analyses of Bon/Buddhist phur pa traditions, and restoration of ancient tantric manuscripts. He teaches courses on Early Tantric Traditions in Tibet and Early Bon Tantric Literature, while maintaining the research blog kīli kīlaya documenting discoveries in Tibetan Buddhist studies.

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Amy G Remensnyderمشاهده پروفایل

استاد

Brown UniversityUnited States

Amy G. Remensnyder is Professor of History and Giancarlo Family Provost's Professor of History at Brown University, where she has taught since 1993. She also holds the Royce Family Professor of Teaching Excellence title, reflecting her commitment to pedagogy. Her research focuses on medieval Europe, particularly the cultural and religious history of the Mediterranean, with emphasis on Muslim-Christian relations, monastic memory, and the global history of captivity. PhD, University of California, Berkeley (1992) A.B. summa cum laude, Harvard University (1983) Additional studies at Cambridge University and École des Hautes Études, Paris Her research interests include medieval Iberia, colonial Mexico, religious symbolism, transcultural history, and the role of memory in identity formation. She explores how religious figures like the Virgin Mary functioned as symbols of conquest, conversion, and interfaith entanglement. Her work bridges medieval and early modern periods, challenging disciplinary boundaries and incorporating insights from art history, anthropology, and literary studies. Her recent articles reveal a sustained engagement with themes of religious coexistence, sacred space, and cross-cultural devotion in the Mediterranean world. She examines how Muslim and Christian sailors shared shrines, how Moriscos developed their own Marian scriptures, and how Mary symbolized both war and diplomacy. Her scholarship combines deep archival research with theoretical sophistication, contributing to fields such as oceanic history, borderland studies, and the history of emotion. Van Courtland Elliott Prize (Medieval Academy of America) Fellow, Medieval Academy of America Berlin Prize, American Academy in Berlin Guggenheim Fellowship ACLS/SSRC/NEH Fellowship William G. McLoughlin Award for Teaching Excellence Remensnyder has directed major research initiatives and served on editorial boards, including Al-Masāq: Journal of the Medieval Mediterranean . She founded and directs the Brown History Education Prison Project, reflecting her commitment to engaged scholarship. She has received funding from the Swearer Center and has developed innovative courses on captivity and medieval lyric. Her leadership includes directing Brown’s Program in Medieval Studies (2010–2012) and serving on the Medieval Academy of America’s council. She is currently working on three book projects: Island of Trust in a Sea of Danger: Lampedusa , a maritime microhistory; Neighbors: Life in a Medieval Borderland , an archival study of Muslim-Christian relations in Iberia; and A Global History of Captivity , a synthetic overview of captivity across time and space.

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Philipp Niewöhnerمشاهده پروفایل

استاد مهمان

University of GöttingenGermany

PD Dr. Philipp Niewöhner is a distinguished Visiting Professor at the University of Vienna and Privatdozent at Göttingen University. His work focuses on Late Antique and Byzantine archaeology , particularly in Constantinople, Anatolia, and the Mediterranean . He has held significant roles including Associate Member at the Sapienza Centre for Late Antiquity, Director of Excavations at Miletus (Turkey) for the German Archaeological Institute, and Fellow at Dumbarton Oaks and Forschungskolleg Humanwissenschaften. His research spans architectural history, iconography, and provincial cultural diversity in early Christianity. Education: Doctorate (2004) and Master’s (2001) from Mainz University University studies at Heidelberg, Mainz, and Thessaloniki (Erasmus, 1997–2001) Research Themes: Byzantine architectural ornamentation and aniconism Iconoclast controversy and imperial symbolism Provincial vs. metropolitan Christian traditions Byzantine-Ottoman continuity and cultural exchange Article Trends: Analysis of Hagia Sophia ’s minimalist design Reinterpretation of the Trier Ivory as historical documentation Study of regional diversity in church architecture Examination of marble provenance and spolia practices Scientific Awards: DFG Project Funding for iconoclasm studies Gerda Henkel Foundation Scholarship (2006) William Golding Fellowship (2012–2014) Grants and Collaborations: Co-authored works with Anthony Cutler on Byzantine ivory carving Leadership roles in excavations and academic institutions Contributions to journals like Travaux et Mémoires and Dumbarton Oaks Papers

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Dan Ioan Muresanمشاهده پروفایل

مدرس

University of Rouen NormandyFrance

Dan Ioan Muresan is a Lecturer in Medieval History at the University of Rouen Normandy, specializing in the history of the Patriarchate of Constantinople, medieval imperialism, and the Mediterranean. He holds a Doctorate from the École des Hautes Études en Sciences Sociales (EHESS) with a thesis on the Patriarchate of Constantinople and the Romanian Principalities (2005). He teaches courses on Byzantine history, Mediterranean thalassocracies, and the medieval Maghreb, and has been affiliated with prestigious research centers like the Centre d’Études Byzantines and the Centre d’Études des Sciences Sociales du Religieux. His research focuses on Byzantine institutional history, imperial ideologies in Southeastern Europe, and the interplay between religion and politics. He has led projects like the Leverhulme Trust-funded study on fifteenth-century crusades and edited volumes on topics such as the Ecumenical Patriarchate’s jurisdictional spaces and medieval siege warfare. His work bridges historical analysis with interdisciplinary approaches, emphasizing comparative imperial studies and cultural transmission. Notable publications include Ioan Basarab, un domn român la începuturile Ţării Româneşti (2013, awarded the Dimitre Onciul Prize) and co-edited collections like An Ecumene of Changes (2020). He actively participates in international conferences, addressing themes such as Byzantine historiography, Ottoman expansion, and medieval ecumenical politics. His academic contributions reflect a deep engagement with both primary sources and modern historiographical debates.

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Tomasz Moskalمشاهده پروفایل

استاد

John Paul II Catholic University of LublinPoland

Rev. Dr. hab. Tomasz Moskal, Professor at the Department of Church History, Faculty of Theology, The John Paul II Catholic University of Lublin (KUL), is a distinguished scholar in Polish ecclesiastical history and archival studies. His career spans editorial leadership (e.g., ROCZNIK KOLBUSZOWSKI ), thematic editorship in Archives, Libraries and Church Museums , and extensive historical source analysis. Education : Doctorate habilitation (Dr. hab.), formal theological training Research focuses on Church history , historical source studies , liturgical evolution , and monastic archives . His work bridges medieval Poland with interwar Church reconstruction , analyzing parish inventories, diocesan structures, and liturgical practices across centuries. Key publications include studies on Sandomierz diocesan records, Koprzywnica church history, and 900th anniversary of Clairvaux monastery. Articles reveal expertise in archival science (e.g., 18th-century parish libraries), religious sociology , and Polish Catholic identity . Scientific Awards : Bronze Medal for Long-Term Service (2016), KUL Rector's Individual Award II stopnia (2006) As a reviewer and editor, he contributes to doctoral dissertations (e.g., Ursuline schools in PRL) and jubilee publications. His academic service includes scientific councils and thematic editorship in library science, shaping Polish theological historiography.

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Ion Valer Xenofontovمشاهده پروفایل

دانشیار

Academy of Sciences of MoldovaMoldova

Ion Valer Xenofontov serves as an Associate Professor and Coordinating Scientific Researcher at the Faculty of History and Philosophy, State University of Moldova, where he holds a Doctor of History degree. His research spans multiple historical domains with emphasis on: Military history, particularly the Soviet-Afghan War History of medicine and religion Oral history methodologies and collective mentalities Interwar period urban development in Chisinau Soviet-era cultural and educational institutions Xenofontov's scholarly output reveals consistent focus on Bessarabian regional history through publications examining aviation, automotive culture, conservatories, and religious sites during the interwar period. His methodological approach integrates archival analysis with oral history techniques to reconstruct social dynamics. While no formal awards are documented in current sources, his research demonstrates sustained institutional affiliation with Moldovan academic structures and collaborative work with archivists like Lidia Prisac. His investigations into foreign student adaptation at medical universities and spiritual resistance at Japca Monastery indicate engagement with both educational sociology and religious studies within Moldova's complex historical landscape.

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Tancredi Maria BELLAمشاهده پروفایل

دانشیار

Catania UniversityItaly

Tancredi Maria BELLA is an Associate Professor of Medieval Art History at the Department of Humanities, University of Catania, where he has been a faculty member since October 2020. He previously held research positions at the same department, including RTD-B researcher (2017–2020) and MIUR research fellow (2011–2017). He is also an associated external researcher at the Centre d'Études Supérieures de Civilisation Médiévale (CÉSCM), University of Poitiers (France), since 2012, where he was also a postdoctoral fellow. His research interests include: Norman architecture in eastern Sicily Medieval religious settlements linked to the Holy Land Lombard Romanesque architecture The work of art historian Fernand de Dartein 19th-century reception of Italian medieval art internationally The recent scholarly articles reflect a strong focus on Sicilian cathedral architecture, crypts, monastic spaces, and the transmission of medieval architectural forms across the Mediterranean and into the New World. His work combines architectural analysis with art historical interpretation, archival research, and cultural context. He frequently collaborates with scholars such as Giulia Arcidiacono and participates in international research networks. His scientific awards include a Congress Travel Award for the 55th International Congress on Medieval Studies. He has also led multiple research projects funded by the University of Catania and participated in international collaborations, including those with the Politecnico di Torino and French institutions. He has supervised several graduate students on topics related to medieval architecture in Sicily and has taught as a contract lecturer at the Catholic University of Milan. He is actively involved in academic conferences and public engagement, regularly presenting at national and international venues. His research is supported by affiliations with key institutions such as CÉSCM (Poitiers), CNRS (France), and participation in projects like the Cistercian Cultural Heritage (CCH) initiative.

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Chiara BELLINIمشاهده پروفایل

پژوهشگر

Ca' Foscari University of VeniceItaly

Chiara Bellini is a Researcher in Archaeology and Art History of India and Central Asia at Ca' Foscari University of Venice, where she also serves as Director's Delegate for Gender Equality Plan. She holds a Ph.D. in Indian and Tibetan Studies from the University of Turin. Previously, she held positions at Northumbria University (UK) as Ronald Stride Lecturer in Technical Art History and at SOAS (University of London) as a Postdoctoral Researcher on Tibetan monastery collections. Her research focuses on Buddhist art across Central Asia and South Asia, with particular emphasis on Tibetan and Himalayan cultural heritage, iconography, and material culture. She has conducted studies on temple restoration, scroll paintings, and ritual objects, contributing to the understanding of religious art in trans-Himalayan contexts. Teaching includes courses on South Asian visual culture, modern Indian art, and conservation studies. Her publications span peer-reviewed journals and edited volumes, addressing topics from 15th-century temple paintings to contemporary museum practices.

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Amir Harrakمشاهده پروفایل

استاد

University of TorontoCanada

Amir Harrak is Professor of Aramaic and Syriac in the Department of Near and Middle Eastern Civilizations at the University of Toronto. He is based at the St. George campus and is a leading scholar in Syriac studies, with expertise in epigraphy, chronography, art, and the history of Middle Eastern Christianity. Education: Diploma in Classical Philosophy, Syro-Chaldean Dominican Seminary, Iraq (1973) Diploma in Theology, Syro-Chaldean Dominican Seminary, Iraq (1973) Licence in Semitic Philology, Catholic University of Louvain, Belgium (1980) Licence in Archaeology and Art History, Catholic University of Louvain, Belgium (1980) MA and PhD in Assyriology and Aramaic Studies, University of Toronto (1987) His research centers on Syriac language and literature, with a focus on Syriac chronography, legal texts, inscriptions, and the art and architecture of Christian sites in Iraq. He also explores the relations between Syriac Christianity and Islam, and the use of Syriac script for writing other languages like Kurdish (Garshuni). His teaching includes Biblical Aramaic, Aramaic epigraphy, and Syriac historical and exegetical texts. The 15 most recent articles reflect a sustained focus on Syriac manuscripts, chronicles, inscriptions, and cultural history. They span disciplines such as historical linguistics, religious studies, art history, and Middle Eastern archaeology, with recurring themes in Syriac Orthodox historiography, Christian-Muslim interactions, and the material culture of Eastern Christianity. Scientific Awards: No awards mentioned in the provided text. Advising and Grants: No information provided on students or advisees. No grants or funding sources are mentioned in the text. Labs and Teams: No specific research labs, teams, or collaborative groups are mentioned in the source material.

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Yasmin Feddaمشاهده پروفایل

مدرس ارشد

Queen Mary University of LondonUnited Kingdom

Dr. Yasmin Fedda is a Senior Lecturer in Film Studies at Queen Mary University of London, specializing in documentary filmmaking, interactive storytelling, and political sciences. She holds a PhD in Trans-Disciplinary Documentary Film from the University of Edinburgh and a Master's in Visual Anthropology from the University of Manchester. British School at Rome Residency National Theatre Immersive Storytelling Studio CPH:Lab Residency Mothlight Micro Cinema Residency Her research explores intersections between film, anthropology, and human rights, with focus areas in forced migration, representation ethics, disability studies, and activism. She leads the UKRI-funded Protracted Displacement Economies project (2020-2024) and co-created How We Work with 39 collaborators across five countries. Recent works include the immersive documentary The Pathogen of War (2024) about antibiotic resistance in Iraq, and the BAFTA-nominated Breadmakers (2007) on disability inclusion in Edinburgh bakeries. Her Syrian-focused films include Ayouni (2020) on forced disappearances and Queens of Syria (2014) about refugee women's theater. RAI Film Prize Commendation (2021) Best Documentary Director, Abu Dhabi FF (2014) Best Female Director, Carthage FF (2015) Best Doc, Arab FF Minneapolis (2016) Sundance Collection inclusion As Fellow at QMUL's Institute for Humanities and Social Sciences, Fedda combines academic research with practice-led filmmaking. She has programmed festivals like Reel Afghanistan and Reel Syria, and taught film globally through universities and NGOs.

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Alexey Morozovمشاهده پروفایل

پژوهشگر ارشد

University of FribourgSwitzerland

Alexey Morozov is a Research Fellow at the Department of Patristics and Church History within the Faculty of Theology at the University of Fribourg, Switzerland. He serves as an FNS Postdoc (Swiss National Science Foundation Postdoctoral Fellow) working on critical editions of early Christian texts with particular focus on Methodius of Olympus and Coptic literature. His research interests span Patristics, Church History, Coptic Studies, and Syriac Studies. Morozov specializes in the textual transmission of early Christian works, with significant contributions to the study of Methodius of Olympus' De Resurrectione , Coptic biblical translations, and pseudepigraphic literature. His work demonstrates deep engagement with manuscript traditions across multiple languages including Greek, Coptic, Syriac, and Old Church Slavonic. Analysis of his recent publications reveals a consistent focus on critical editions of patristic texts, particularly those preserved in Eastern Christian traditions. His work shows strong methodological rigor in textual criticism while making valuable contributions to understanding the transmission history of early Christian literature across linguistic boundaries. Morozov has established himself as a specialist in the intersection of Greek patristics and Coptic/Syriac traditions. Currently, Morozov leads the FNS-funded research project 'Lebendige Tradition: Der pseudoklementinische Oktateuch als historisches Dokument von der Spätantike bis ins arabisch-muslimische Mittelalter' (2023-2027), which examines the Arabic and Coptic traditions of the Pseudo-Clementine Octateuch. His academic activities include extensive bibliographic reviews of Coptic studies publications, demonstrating his commitment to documenting and advancing research in this specialized field. Morozov's work bridges Eastern and Western scholarly traditions, with publications in multiple languages including English, French, German, and Russian.

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Kevin Kainمشاهده پروفایل

دانشیار

University of Wisconsin-Green BayUnited States

Kevin Kain is an Associate Teaching Professor in the Department of Humanities at the University of Wisconsin–Green Bay, within the College of Arts, Humanities and Social Sciences. He teaches courses such as Foundations of Western Culture I and II, Introduction to the Humanities, and The Eurasian Frontier, often in online formats. His primary research focuses on the cultural and religious history of Russia, particularly the visual, print, and spiritual cultures of Russian Orthodoxy. He specializes in the life and legacy of Patriarch Nikon, the development of the Moscow Patriarchate, and the construction of sacred spaces such as the New Jerusalem Monastery. His work bridges history, art, religion, and digital humanities. Kain’s recent publications include co-editing and contributing to the two-volume Russia's Early Modern Orthodox Patriarchate (2020–2021), along with numerous articles in journals such as Canadian-American Slavic Studies and Cahiers du monde russe . His publications reflect strong interdisciplinary trends, combining visual analysis, archival research, and cultural theory, with recurring themes in Orthodox hierotopy, monasticism, and Soviet antireligious propaganda. He has received significant recognition, including the 2021 UW-Green Bay Founders Award for Excellence in Scholarship. His research has been supported by major grants such as the European Research Council Grant "Orthodoxies and Politics," the National Endowment for the Humanities, the Kennan Institute, and the Fulbright-Hays Fellowship. 2021 UW-Green Bay Founders Award for Excellence in Scholarship Kain has advised various collaborative digital projects, including a virtual heritage installation for the Museum of Russian Icons and contributions to online exhibits at the Hillwood Estate and Moscow State University. He has not listed formal advisees, but his collaborative work suggests mentorship in digital scholarship. He is currently serving as a Researcher on a $1.45 million European Research Council project, indicating active grant leadership. He is involved in digital scholarship through collaborations with institutions such as the Museum of Russian Icons, the Hillwood Estate, and the Virtual Open Research Laboratory (VORL) at the University of Illinois. These projects focus on visualizing Russian religious culture through digital galleries and virtual exhibitions.

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Andrzej Kwaśniewskiمشاهده پروفایل

استادیار

John Paul II Catholic University of LublinPoland

Rev. Dr. Andrzej Kwaśniewski is an Assistant Professor at the Center for Church Archives, Libraries and Museums (ABMK) of the John Paul II Catholic University of Lublin. His work focuses on Church history, archival science, and the intellectual culture of religious orders in Poland. Affiliation : John Paul II Catholic University of Lublin Academic Rank : Assistant Professor Research Themes : Church archives, sermons, religious orders, biblical reception, Polish-Lithuanian Commonwealth history His research spans medieval to modern historical sources, including memoirs, book collections, and diaries. He has collaborated with institutions like the Abraham J. Heschel Center for Catholic-Jewish Relations and the Archdiocesan Archives in Gniezno . Scientific memberships include the Polish Society for Eighteenth Century Studies (2025), Polish Society of Seventeenth Century Researchers (2024), and the Society of Friends of Diocesan Archives in Kielce (since 2012). He has managed and contributed to Ministry of Education and Science-funded projects, including Modern Literature of the Order of the Holy Sepulcher in Poland (2024), and analyzed the wartime losses of church archives in Kielce diocese (2023).

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Márcia Gomes Vilariguesمشاهده پروفایل

دانشیار

NOVA University LisbonPortugal

Márcia Gomes Vilarigues serves as Associate Professor with Tenure at the Department of Conservation and Restoration (DCR) within NOVA School of Science and Technology, NOVA University Lisbon. She holds dual leadership roles as President of DCR and Coordinator of both Vicarte research unit and the Master's in Glass Art and Science program. Her research pioneers interdisciplinary approaches at the intersection of Technical Art History and Materials Degradation, with groundbreaking contributions to glass conservation science. Over the past decade, she has redefined methodologies for studying historical glassmaking techniques and their degradation patterns, establishing technical art history as a critical framework for cultural heritage preservation. Her work emphasizes direct collaboration with museum conservators and material scientists to address real-world conservation challenges. Analysis of her recent publications reveals a consistent focus on analytical characterization of historical materials, particularly glass and enamel artifacts. Her research employs multi-technique approaches to decode manufacturing processes and corrosion mechanisms, directly informing conservation practice. Key thematic threads include historical recipe reconstruction, degradation pathway mapping, and development of preservation strategies for vulnerable cultural materials. Dr. Vilarigues demonstrates significant grant leadership as Principal Investigator for major funded projects including 'The Stained-glass collection of King Ferdinand II of Portugal – Assembling the puzzle' (National Science Foundation) and 'Provenance study of the glass collection from the Monastery of Sta. Clara-a-Velha' (Calouste Gulbenkian Foundation). Her coordination of international multidisciplinary teams has produced high-impact outcomes in conservation science methodology. Through her Vicarte coordination and Master's program leadership, she actively shapes next-generation conservation education with specialized focus on glass and ceramic heritage, bridging scientific analysis with art historical context in curriculum development.

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