جست‌وجوی استاد و پژوهشگر

Luisa Calèمشاهده پروفایل

استاد

• Romantic Literature
• Visual Culture
• Material Cultures
• +۵ مورد دیگر

Dr. Luisa Calè is a Professor of Romantic and Nineteenth-Century Literature & Visual Culture and Research Lead at Birkbeck, University of London. She holds degrees from the University of Rome 'La Sapienza' (1993), University of Genoa (1997), and the University of Oxford (M.St. 1998, D.Phil 2002). Her research explores the interplay between literature and visual/material culture, focusing on book history, intermediality, and practices of reading/collecting. Her Leverhulme Trust-funded project 'The Book Unbound' examines how works by Blake, Walpole, and Dickens subverted traditional book formats. Education: PhD in Literary Studies, University of Genoa (1997) D.Phil., University of Oxford (2002) M.St. in English, University of Oxford (1998) Letters Degree, University of Rome (1993) Her research interests include Romantic aesthetics, material texts, and critical disciplinarity. Notable publications include Fuseli’s Milton Gallery (2006) and co-edited volumes like Dante on View (2007). She edits Blake/An Illustrated Quarterly and serves on editorial boards for Word & Image and Romantic Circles Gallery . Recent awards include a Leverhulme Trust Research Fellowship (2019) and a Mercator Fellowship (2018-19). She supervises graduate students in Romantic literature, material culture, and book history.

• Critical AI Studies
• Victorian Literature and Culture
• Genre Theory and Seriality
• +۵ مورد دیگر

Lauren M.E. Goodlad is a Professor of English and Comparative Literature at Rutgers University, serving as Chair of Critical AI @ Rutgers and Editor of the journal Critical AI . She holds affiliations with the Center for Cultural Analysis (CCA), Rutgers British Studies Center, and Rutgers Center for Cognitive Science. Her research bridges 19th-century studies and critical AI, emphasizing 'critical AI literacies' and ethical AI development. Goodlad has held roles like Associate Chair of English and membership in Rutgers' AI Advisory Council and CASS (Cyberinfrastructure for Science, Engineering & Society). Her education includes a BSILR from Cornell University, MA in English from NYU, and PhD in English from Columbia University. Notable grants include NEH funding for global AI workshops ('Unboxing AI'), an NSF planning grant on teaching writing with AI, and an upcoming Global Humanities Institute on Design Justice AI. Research interests span Victorian literature, genre theory, television studies, and AI's sociocultural impacts. Awards include University of Illinois' Kathryn Paul Professorial Scholar and Provost Fellow for Undergraduate Education. Current projects include a book on 19th-century fiction's ontological influence and collaborations on AI ethics frameworks. Publications include The Victorian Geopolitical Aesthetic (Oxford, 2015), co-edited special issues on Mad Men and Victorian Internationalisms , and recent critical AI essays in Critical AI and New Literary History . She advocates for AI development aligned with public interest through pedagogical innovation and interdisciplinary collaboration.

• Nineteenth-Century British Literature and Culture
• Periodical Studies
• Media History
• +۱۲ مورد دیگر

Professor Fionnuala Dillane is a leading scholar in nineteenth-century British literature and culture, periodical studies, memory studies, and gender, based at the School of English, Drama and Film, University College Dublin. She holds the academic rank of Professor and is actively engaged in research, teaching, and academic leadership. She currently serves as Academic Director of the UCD Writing Centre and Chair of the UCD Press Editorial Board, and previously served as Associate Dean for Arts and Humanities (2017–2020). Her collaborative research spans institutions including Ghent University, Newcastle University, and the University of Iceland. Her research interests include: Nineteenth-century British literature and culture Periodical studies and media history George Eliot and Marian Evans Memory studies and trauma Gender and sexualities Contemporary crime fiction Her recent publications explore affect in periodical encounters, editorial identities, transnational periodical research, and the literary afterlives of George Eliot. The trends in her work reveal a sustained engagement with print culture, narrative form, emotional communities, and the politics of memory. She is currently editing the Handbook of Transnational Periodical Research (Brill, 2026). Her scientific awards include: University Award for Outstanding Contribution to Student Learning, UCD (2017) Shortlisted for European Award in Teaching Excellence (2017) College of Arts and Humanities Outstanding Contribution to Student Learning (2017) Dillane has secured significant research grants, including from the Irish Research Council for her project on George Eliot and the Periodical Press, 1846–60 , and on The Future of Data Humanities . She has supervised doctoral students such as David Mitchell and mentors emerging scholars in periodical studies and trauma fiction. She has pioneered innovative teaching initiatives, including the first internship programmes for UCD Arts and Humanities undergraduates and the development of the UCD Writing Centre, now permanently funded. She is also deeply involved in national and international advocacy for the humanities, serving on editorial and advisory boards such as the Journal of Victorian Culture , the Memory Studies Association, and the European Society for Periodical Research.

Eric Rentschlerمشاهده پروفایل

استاد

• Film Studies
• German Cinema
• European Intellectual History
• +۵ مورد دیگر

Eric Rentschler is the Arthur Kingsley Porter Professor of Germanic Languages and Literatures at Harvard University, affiliated with the Film and Visual Studies Program. He holds a PhD from the University of Washington with academic training in German literature, history, and European intellectual history across Stuttgart, Bonn, and Prague. A leading scholar in German cinema and cultural studies, his work spans from Weimar-era films to contemporary German cinema, focusing on historical memory, political representation, and transnational cultural exchanges. Director of Harvard’s annual Berlin Film Program (coordinated with Deutsche Film- und Fernsehakademie Berlin) Editor of New German Critique and co-director of the German Film Institute Recipient of major grants including Guggenheim, Humboldt, ACLS, DAAD, and Fulbright fellowships His research integrates film theory with historical analysis, examining cinematic representations of Nazism’s legacy, post-wall German society, and transnational art movements. Notable publications include The Ministry of Illusion: Nazi Cinema and Its Afterlife (Harvard UP, 1996) and The Use and Abuse of Cinema: German Legacies from the Weimar Era to the Present (Columbia UP, 2015). Current projects explore German cinema during Helmut Kohl’s chancellorship. Award-winning educator, Rentschler has received Harvard’s Levenson Teaching Prize (2001) and Cabot Fellowship (2003). He organizes the monthly Film and Visual Studies Colloquium, fostering interdisciplinary dialogue between scholars and filmmakers.

Anthony Faramelliمشاهده پروفایل

مدرس

• Psychosocial Studies
• Coloniality and Postcolonial Theory
• Digital Cultures and Media Studies
• +۳ مورد دیگر

Dr Anthony Faramelli is a Lecturer in Visual Cultures at Goldsmiths, University of London, serving as Programme Leader for the BA in Fine Art and History of Art, and co-Leader of the PhD in Visual Cultures. He holds a PhD in Critical Humanities from The London Graduate School, Kingston University (2014). His research focuses on psychosocial studies, coloniality, institutional analysis, digital cultures, and psychotherapy aesthetics, with notable works including Resistance, Revolution and Fascism: Zapatismo and Assemblage Politics (2018) and The Mass Psychology of Fascism in the Age of Machines (forthcoming). He is affiliated with the Goldsmiths Centre for Migrant Futures and the Psychosocial Studies Association. Faramelli also consults for mental health and housing organizations, applying institutional psychotherapy principles in practice. Education: PhD in Critical Humanities (2014), The London Graduate School, Kingston University Research Interests: Coloniality, institutional psychotherapy, digital surveillance, micro-fascist movements, Fanon’s ethico-aesthetic paradigm, Zapatismo, and decolonial mental health practices. His work bridges psychoanalytic theory, political philosophy, and postcolonial critique. Recent Projects: Refugee Cartographies (mapping Latin American diaspora networks), and critical analyses of the Alt-Right and algorithmic fascism. He has presented at conferences such as the IV Jornadas Deleuze in Buenos Aires and the Université Le Havre-Normandie. Professional Roles: Editor of Deleuze and Guattari Studies , Executive Board member of the Psychosocial Studies Association, and consultant for Southwark Council’s Housing Solutions.

• Cultural Memory
• Screen Tourism
• Spectral Spaces
• +۷ مورد دیگر

Christina Lee is an Associate Professor in English and Cultural Studies at Curtin University, affiliated with the School of Media, Creative Arts and Social Inquiry and the Faculty of Humanities. She earned her PhD in Communication Studies from Murdoch University. Her research focuses on cultural memory, screen tourism, spectral spaces, and representations of gender/race in popular culture. Current projects explore affective landscapes in screen tourism (e.g., Bridgerton , Harry Potter ), urban ghost cities, and nostalgia in youth cinema. She edits peer-reviewed books and contributes to The Conversation . Teaching: Leads undergraduate units like Engaging Narratives and supervises postgraduate students in cultural/media studies. Active in curriculum development and assessment reform. Research Interests: Combines cultural theory with film/media analysis, emphasizing how spaces and spectrality shape cultural narratives. Recent projects include Screen Tourism and Affective Landscapes (2023) and Haunted Futures (2023). Her work often bridges academic critique with creative practice, as seen in video-installation collaborations. Memberships: Association for Cultural Studies, Cultural Studies Association of Australasia, and Graduate Women Western Australia. Her work has been showcased at venues like the John Curtin Gallery and PICA (Perth Institute of Contemporary Arts). Grants/Labs: Leads Curtin University’s tourism futures research (e.g., 2032 Western Australia Vision). Collaborates with interdisciplinary teams on projects like sustainable mining paradoxes (2018) and Hong Kong’s educational reforms (2016).

Edyta Bojanowskaمشاهده پروفایل

استاد

• 19th century Russian literature
• intellectual history
• empire and nation in Russian culture
• +۱۲ مورد دیگر

Edyta Bojanowska serves as Professor of Slavic Languages and Literatures at Yale University with an affiliated appointment in the Department of History. Her academic career bridges literary scholarship and historical analysis, focusing on imperial and postcolonial frameworks within Russian and Central European contexts. Bojanowska earned her Ph.D. in Slavic Languages and Literature from Harvard University and completed her undergraduate studies at Barnard College with a dual major in English and Russian. Her educational trajectory established the foundation for her interdisciplinary approach to Slavic studies. Her research program critically examines 19th-century Russian literature through the lenses of empire, nationalism, and globalization. Key interests include settler colonial dynamics, spatial theory, travel writing, and the interplay between ideology and literary form. She has pioneered methodologies connecting Russian cultural production to global imperial histories, particularly through her award-winning work on Goncharov's The Frigate Pallada and Gogol's Ukrainian-Russian identity negotiations. Bojanowska's publication record reveals consistent engagement with colonial paradigms in Russian literature, evolving from early studies of Gogol and Pushkin toward broader imperial frameworks. Her recent scholarship demonstrates increasing focus on racial discourse, indigenous land rights, and the spatial dimensions of empire, culminating in the Ab Imperio Award-winning analysis of Tolstoy's Bashkir estate. The thematic continuity across her work establishes her as a leading voice in post-Soviet imperial historiography. National Humanities Center Fellowship (Spring 2025) Ab Imperio Award for Best Study in New Imperial History (2022) Guggenheim Fellowship (2020-2021) AATSEEL Best Book in Literary Scholarship (2019) MLA Scaglione Prize for Best Book in Slavic Studies (2007-2008) Bojanowska actively shapes her field through editorial leadership on Ab Imperio and the PMLA Advisory Committee. Her teaching portfolio reflects her research expertise, featuring undergraduate seminars on War and Peace and Russian short fiction alongside graduate courses on spatial theory and imperial culture. Current leave status for Spring and Fall 2025 accommodates her National Humanities Center residency while maintaining her position as a central figure in Slavic literary studies.

• Literary Theory
• Cultural History
• German Literature
• +۱۰ مورد دیگر

Yashar Mohagheghi is a Researcher at the Department of German and General Literary Studies, RWTH Aachen University, where he has worked since 2018 under Prof. Dr. Caroline Torra-Mattenklott. His academic trajectory includes a postdoctoral fellowship at Bielefeld University's Graduate School of Linguistics and Literary Studies (2012–2017), a research stint at the Bibliothèque Nationale de France (2015), and a Junior Lecturer position at Johns Hopkins University (2011). His research interests span Literary Theory, Cultural History, and German Literature with specialized focus on Time Theory, Festival Culture, Material Philology, and Small Literary Forms. Mohagheghi's work bridges systematic analysis of concepts like Festkultur and Zeitlichkeit with historical investigations of Early Modern literature, Goethe-era writings, Aestheticism, and Modernism. His scholarship frequently examines intersections between material culture, sensory theory, and political communication across different historical periods. Mohagheghi's publications reveal a trajectory emphasizing temporal aesthetics in Hölderlin's work, material philology in 19th-century literature, and sociological analyses of Weimar Republic culture. His research demonstrates increasing engagement with ecological perspectives in literary studies, particularly regarding resource economies in book production and sustainability in literary materiality. Publikationspreis 2021 der Philosophischen Fakultät der RWTH Aachen Dissertationspreis 2018 der Kulturwissenschaftlichen Gesellschaft As an active academic organizer, Mohagheghi has co-chaired significant conferences including Wissenschaften des Konkreten (2023) and Ressource ‚Schriftträger‘ (2021), demonstrating leadership in contemporary literary theory discussions. His scholarly network extends across German, French, and American institutions, with particular strength in European literary theory and cultural history.

Ayendy Bonifacioمشاهده پروفایل

استادیار

• American Literature
• Latine Studies
• Diaspora Studies
• +۷ مورد دیگر

Ayendy Bonifacio is a Dominican American scholar, writer, and poet currently serving as Assistant Professor of English at the University of Toledo's College of Arts and Letters. Born in Santiago De Los Caballeros, Dominican Republic, and raised in East New York, Brooklyn, he earned his Ph.D. from Ohio State University and has established himself as a significant voice in American literature, Latine studies, and diaspora studies. His research focuses on the intersections of memory, migration, race, and colonial legacies in the Americas, with particular attention to nineteenth-century to contemporary print culture. Bonifacio's scholarly work bridges academic and public discourse, appearing in venues ranging from American Periodicals and ASAP/Journal to The New York Times and Slate . He explores how literary forms negotiate cultural identity across borders, with special emphasis on Dominican and Latinx experiences. Bonifacio's publications reveal a consistent trajectory examining transnational literary connections, particularly between Anglophone and Hispanophone traditions. His work frequently addresses anti-Blackness within Latinx communities, diasporic identity formation, and the material history of print culture. The 2024 monograph Paratextuality in Anglophone and Hispanophone Poems in the U.S. Press, 1855–1901 represents a significant contribution to understanding how multilingual poetry circulated in nineteenth-century American periodicals. Top ten best non-fiction books of 2017 (The Latino Author for Dique Dominican ) Bonifacio's writing has received support from prestigious organizations including the National Endowment for the Humanities (NEH), the Digital Media and Composition Institute (DMAC), the Ohio Arts Council, and the Society for Nineteenth-Century Americanists. His creative work spans multiple genres, including the memoir Dique Dominican (2017), poetry collection To the River, We Are Migrants (2020), and the forthcoming novel Bless Me, Papi (2025). He maintains an active presence in public intellectual discourse through contributions to major media outlets where he addresses contemporary issues of race, immigration, and academic labor.

Shane Densonمشاهده پروفایل

استاد

• Film Studies
• Media Studies
• Digital Media
• +۵ مورد دیگر

Shane Denson serves as Professor of Film and Media Studies in the Department of Art & Art History at Stanford University's School of Humanities and Sciences. He also holds courtesy appointments in the Departments of German Studies and Communication. His academic profile spans multiple disciplines with a particular focus on the evolving relationship between media technologies and cultural forms across historical periods. Denson's research interests encompass a wide spectrum of media studies topics, with particular emphasis on phenomenological and media-philosophical approaches to film, digital media, comics, games, and serialized popular forms. His scholarly work investigates how media technologies shape human perception, embodiment, and cultural production, especially in the transition from cinematic to post-cinematic media environments. He has developed significant theoretical frameworks around concepts like discorrelation, post-cinema, and digital seriality that have influenced contemporary media studies discourse. An analysis of Denson's recent publications reveals consistent engagement with the philosophical implications of emerging media technologies, particularly artificial intelligence and digital platforms. His work demonstrates a distinctive trajectory from early research on Frankenstein adaptations and serial narratives toward contemporary examinations of AI aesthetics, desktop cinema, and the phenomenology of digital interfaces. Denson's scholarship bridges traditional academic writing with innovative digital and videographic forms, reflecting his commitment to multimodal scholarly expression. Denson has established himself as a leading voice in the study of digital seriality, with numerous publications exploring how serial forms evolve across media platforms. His research demonstrates how contemporary digital media environments transform traditional narrative structures while creating new forms of community and meaning-making through serialized content. This work intersects with his broader interests in media philosophy and the embodied experience of digital interfaces. Professor Denson maintains an active scholarly practice through his personal website (shanedenson.com) and ORCID profile, where he shares his publications, videographic essays, and experimental digital projects. His work with ROMhacking.net demonstrates his commitment to digital humanities methodologies that combine code analysis with cultural critique, particularly in examining how fan communities engage with and transform established media properties through modification and reinterpretation.

Guillaume SOULEZمشاهده پروفایل

استاد

• Media Studies
• Cinema Studies
• Television Studies
• +۶ مورد دیگر

Guillaume Soulez is a Professor of Cinema, Audiovisual Studies, and Communication at the Sorbonne Nouvelle - Paris 3 University, specializing in the Department of Cinema and Audiovisual. He holds an HDR (2009) and a PhD in Rhetorical Mediation (1998). His research focuses on the 'deliberation of images,' analyzing how audiences interpret cinematic and audiovisual works through formal and pragmatic frameworks. He leads the 'Renaissance of Television' research group at IRCAV and co-directs the international 'Cinema and Visual Culture Colloquium Series' with institutions like NYU and Duke University. Recent projects include Innov'zone (Labex ICCA) exploring experimental zones in cinema and the Pierre Schaeffer Archive Project. His work bridges media morphology, reception studies, and intermediality, with publications in Théorème , CiNéMAS , and Communication & Langages . Key research themes include: the fragmented cinema, media formats, TV series seriality, and the legacy of the ORTF Research Service (1960-74). He has directed the Cinema and Audiovisual Department (2014-2016) and IRCAV (2016-2021), fostering collaborations with institutions like the Ministry of Defense and La Poste. His publications emphasize theoretical models like 'format analysis,' 'pragmatic interpretation,' and 'intermedial dialogue.' Recent works include Uses of Interpretation, Interpretations of Use (2023) and Le Cinéma Éclaté (2018). He actively engages in public scholarship through radio interviews and educational outreach.

Sara Tanderup Linkisمشاهده پروفایل

دانشیار

• Literary Studies
• Publishing Studies
• Digital Culture
• +۷ مورد دیگر

Sara Tanderup Linkis serves as Senior Lecturer in Publishing Studies and Associate Professor in Digital Cultures at Lund University's Department of Arts and Cultural Sciences, Faculty of Humanities and Theology. Her academic work bridges literary scholarship with contemporary digital media analysis, focusing on how technological transformations reshape literary production, distribution, and consumption. Her research program centers on several interconnected domains: Audio literature and audiobook culture in the digital age Intermediality and transmedia storytelling practices Serial narrative forms across media platforms Social media literary communities, particularly BookTok Publishing economics in the streaming era Memory representation in contemporary literature Dr. Linkis's recent publications reveal a methodological commitment to interdisciplinary approaches, combining publishing studies, literary theory, sound studies, and digital culture analysis. Her work demonstrates how literary experiences are being fundamentally reshaped by audio formats and social media platforms, with particular attention to the material and economic dimensions of these transformations. Her scholarly contributions have been recognized through: Inga och John Hains Stiftelse för Vetenskaplig Humanistisk Forskning stipend (2024) International postdoctoral funding from the Independent Research Fund Denmark (2018-2020) As a research leader, Dr. Linkis currently directs the Swedish Research Council-funded project "Between Sound and Text: Production, Content and Experiences of Multimodal Audio Literature" (2024-2026) and contributes to the multi-year project "Lyssningsnjutningar: Sexuell hälsa och ljudfiktion i den digitala intimitetens tid" (2024-2028). She actively supervises doctoral research, including M. Uhlmann Lindberg's work on Swedish self-publishing history. Dr. Linkis maintains an active presence in both academic and public discourse, regularly contributing to media discussions about literary trends and participating in international research networks focused on digital literary cultures and publishing studies.

• Cinema Studies
• Italian Film History
• Media Studies
• +۳ مورد دیگر

Paolo Noto is an Associate Professor at the Department of the Arts, Università di Bologna. He specializes in film studies, focusing on post-war Italian cinema, genre transformations, and intertextuality. He holds a PhD in Theatre and Film Studies from the University of Bologna. His research explores the interplay between national and foreign cinematic models, particularly in 1950s Italian cinema. He has presented at conferences such as the NECS Conference 2012 (Lisbon) and contributed to journals like The Italianist and Bianco e nero . His publications include works on Italian neorealism, digital media, and television history. Noto has collaborated with institutions like the University of Bristol and Harvard University through academic exchanges and research projects. His work bridges historical analysis with contemporary media practices, emphasizing cultural and technological intersections.

Jaimey Fisherمشاهده پروفایل

استاد

• German Cinema
• Film Genre Studies
• Intellectual History
• +۲ مورد دیگر

Jaimey Fisher is Professor and Chair of Cinema and Digital Media and Professor of German at UC Davis. He holds a PhD from Cornell University with emphases in German intellectual history and film studies. His research explores German cinema, postwar reconstruction, and genre theory. Fisher authored four books: German Ways of War (2022), Treme (2019), Christian Petzold (2013), and Disciplining Germany (2007). He edited seven volumes including The Berlin School and Its Global Contexts (2018) and publishes widely on war films, transnational cinema, and critical theory. His articles analyze affective geographies in war cinema, transnational art film movements, and ethics in speculative media. Recent work examines New German Cinema's global resonances and AI ethics in Black Mirror . Fisher developed a summer-abroad course at the Locarno Film Festival and received grants from the Mellon Foundation and NEH. He directs graduate studies and mentors students in critical media analysis.

Vance Byrdمشاهده پروفایل

دانشیار

• German Literature
• Visual Culture
• Print Culture
• +۱۰ مورد دیگر

Vance Byrd is an Associate Professor of Germanic Languages and Literatures at the University of Pennsylvania , with a secondary appointment in History of Art. He serves as Special Advisor in the Office of the Vice Provost for Faculty (2024–2025) and is completing an Ivy+ Mellon Leadership Fellowship. Education: Ph.D., M.A. University of Pennsylvania B.A., University of Georgia Research Interests: Byrd’s work focuses on late-eighteenth- and nineteenth-century German literature , visual and print culture , media history , and commemoration . He engages with race, gender, and sexuality studies , environmental humanities , and the history of books and periodicals . His scholarship examines how panoramic media, illustrated journals, and printed materials shaped cultural memory and identity. Scientific Awards: New Directions Fellowship, Andrew W. Mellon Foundation (2019) Residential Fellow, National Humanities Center (2021–2022) Getty Scholar, Getty Research Institute (2021–2022) Ivy+ Mellon Leadership Fellow (2024–2025) Grants and Affiliations: His research has been supported by grants from the National Endowment for the Humanities, Fulbright Commission, and the Quadrangle Historical Research Foundation. He serves on editorial boards for Monatshefte , The German Quarterly , and the Signale book series, and participates in international academic networks like the Berlin Program for Advanced German and European Studies.