جست‌وجوی استاد و پژوهشگر

Katarzyna Wesołowskaمشاهده پروفایل

مدرس

• Early Music Performance
• Harpsichord Performance
• Historical Keyboard Instruments
• +۳ مورد دیگر

Katarzyna Wesołowska serves as Lecturer at the Feliks Nowowiejski Academy of Music in Bydgoszcz, specializing in harpsichord and historical keyboard performance. An active international performer, she presented a solo recital at the 66th Warsaw Autumn International Festival of Contemporary Music (2023) and festivals including Nowa Muzyka and Toruń Festival of Science and Art, frequently premiering contemporary works. Her academic foundations include: Diploma with distinction in Piano (Prof. Maria Murawska) and Harpsichord (Prof. Urszula Bartkiewicz) from Feliks Nowowiejski Academy of Music in Bydgoszcz Bachelor of Arts in Stage Design from Academy of Fine Arts in Warsaw Wesołowska's research integrates historical performance practice with contemporary composition, focusing on harpsichord, pianoforte, and period piano techniques. She pioneers interdisciplinary methodologies through projects like "Polifonie/Poliwizje" at Gardzienice Center for Theater Practices, where she performed J.S. Bach within self-designed stage environments, merging visual arts with musical interpretation. Her scholarly recognition includes: Minister of Culture and National Heritage Young Poland scholarship for recording contemporary Polish harpsichord repertoire Mayor of Bydgoszcz scholarship for tri-instrumental historical keyboard project at New Palace in Ostromecko Mayor of Szczecin scholarship for artistic innovation Wesołowska extends her expertise through educational initiatives as lecturer at Warsaw's Early Music Methodical Summer Courses (since 2022), while contributing to film (piano consultation for "Never Gonna Snow Again"), radio drama recordings for Polish Radio, and theater productions. Her collaborative work with specialists like Robert Levin and Andreas Staier demonstrates continuous refinement of historical performance techniques within contemporary contexts.

Markus Stangeمشاهده پروفایل

استاد

• Contemporary Music Performance
• Piano Performance
• Chamber Music
• +۲ مورد دیگر

Markus Stange serves as Professor of Piano at the University of Music Karlsruhe, teaching piano performance, chamber music, and instrumental approaches to contemporary music. An internationally recognized specialist in new music, he performs with leading ensembles including the Berliner Philharmoniker and Stuttgart Radio Symphony Orchestra. Education: Studied piano with Jürgen Uhde (Stuttgart) Studied piano with Roland Keller (Lübeck) Studied piano with František Rauch and Valentina Kamenikova (Prague) Additional studies in music theory and composition His artistic research centers on expanding contemporary piano repertoire through collaborations with composers like Stockhausen, Ligeti, and Crumb. He pioneered new works for piano duo and piano-percussion configurations, founding the Piano & Percussion ensemble that commissioned numerous world premieres. Stange founded the Neustadt an der Weinstrasse International Messiaen Week (2008) and released a critically acclaimed 2015 solo CD of George Crumb's Makrokosmos. He maintains active interdisciplinary collaborations with institutions like the Karlsruhe State Art Gallery and conducts masterclasses globally across six continents.

Brian Zatorمشاهده پروفایل

استاد

• Percussion Performance
• Marimba Performance
• Music Education
• +۳ مورد دیگر

Dr. Brian Zator serves as Regents Professor of Percussion at East Texas A&M University's School of Music within the College of Humanities, Social Sciences and Arts, where he has taught since 2001. His responsibilities include directing the percussion program and teaching applied percussion courses at all levels. His academic credentials feature a DMA in Percussion Performance from the University of North Texas (2008), MM from the University of Michigan (2001), and BA in Music Education from Baylor University (1998), supplemented by studies with marimba virtuoso Keiko Abe in Japan. Zator's research manifests through performance practice and creative output, specializing in marimba literature, percussion ensemble innovation, and contemporary chamber works. His international career spans seven PASIC conventions, Carnegie Hall appearances, and performances across five continents, emphasizing cross-cultural collaborations and new music advocacy. His 2015 recordings 'Zamiki' and 'Zoomorphs' demonstrate expertise in solo marimba repertoire and interdisciplinary chamber works, reflecting trends toward expanding percussion literature through commissioning and cross-genre experimentation. Major honors include: 2010 PAS International Percussion Ensemble Competition victory with ETAMU ensemble Texas A&M University System Regents Professorship (2023-24) Through PAS leadership roles including Board Presidency and competition adjudication, Zator mentors emerging musicians while advancing percussion education. His 'Marimba Minute' social media series and 'Keyboard Fundamentals' pedagogical book extend his instructional impact beyond campus. As principal artist for Innovative Percussion, Sabian, and Black Swamp, he maintains active performance partnerships while directing ETAMU's award-winning percussion program.

• Applied Statistics
• Business Statistics
• Data Analysis
• +۳ مورد دیگر

Stefanie Beinhauer serves as a Senior Lecturer in the Faculty of Mechanical Engineering at Kiel University of Applied Sciences, Germany. Based in Room C12-2.50 at Grenzstraße 3, 24149 Kiel, she can be contacted via email at stefanie.beinhauer@fh-kiel.de or telephone +49 431 210-2630. Her role centers on delivering specialized statistics education for industrial and academic applications. Her primary teaching focus is the elective module "Applied statistics – less board, more keyboard!" for WIVE and M degree programs, which trains students in practical statistical instruments for data analysis in industrial projects, study works, and theses. The curriculum emphasizes hands-on implementation and responsible interpretation of statistical outcomes, moving beyond theoretical frameworks to real-world problem-solving. All course materials are distributed through Moodle, accessible via the mathematics course portal or direct email request. Outside scheduled lecture periods, Dr. Beinhauer maintains availability strictly by appointment. Her expertise bridges mathematical theory with business and engineering contexts, particularly in translating complex data into actionable insights. No scientific awards or honors were documented in the source material. Information regarding student advising, research grants, laboratory facilities, or collaborative research teams was not provided in the available documentation.

Jonathan Oddieمشاهده پروفایل

استاد

• Historical Performance
• Early Music
• Musicology
• +۳ مورد دیگر

Jonathan Oddie serves as Professor of Practice in Historical Performance: Historical Keyboards at Indiana University's Jacobs School of Music, affiliated with the Historical Performance Institute in Merrill Hall, MU115. His educational credentials include: D.Phil. in Historical Musicology from the University of Oxford (2017) M.Phil. in Performance and Musicology from the University of Oxford (2010) Performer’s Diploma in Early Music–Harpsichord from Indiana University (2008) Dual Bachelor of Music degrees in Early Music–Harpsichord and Piano from Indiana University (2006) Oddie specializes in historical keyboard performance across harpsichord, fortepiano, and continuo organ, with research focused on English Renaissance composer Orlando Gibbons (1583-1625). His scholarly work appears in Early Music and Historical Performance journals, bridging performance practice with musicological analysis of 16th-17th century instrumental repertoire. His recognitions include: Performer's Certificate from the Jacobs School of Music Frank Huntington Beebe Fellowship As an active performer, Oddie collaborates with prominent artists including violinist Dmitry Sinkovsky and flutist Janet See, while performing with major ensembles such as Portland Baroque Orchestra and Seattle Symphony. His performance career spans chamber series like Gallery Concerts Seattle and Philadelphia Chamber Music Society, plus solo appearances with Northwest Sinfonietta and Saratoga Orchestra.

Jason Moyمشاهده پروفایل

عضو هیئت علمی

• Early Music
• Harpsichord Performance
• Baroque Ensemble
• +۲ مورد دیگر

Jason Moy serves as an Adjunct Lecturer at DePaul University's School of Music, where he directs the Baroque Ensemble, coordinates Mixed Chamber Music, and instructs harpsichord. A Chicago native, he is recognized as one of the region's leading early keyboard specialists with an active international performance career spanning the United States, Canada, and Europe. Education: Bachelor of Music in Harpsichord and Early Music Performance, McGill University Master of Music in Harpsichord and Early Music Performance, McGill University Research and Performance Focus: Moy specializes in Baroque and Renaissance keyboard repertoire with deep expertise in harpsichord performance practice. His work emphasizes historically informed techniques and the structural expressivity of early instruments, frequently presented through public lectures and media features exploring the harpsichord's unique sonic capabilities. Ensemble Leadership: As founding member of the award-winning Trio Speranza and current Artistic Director of Ars Musica Chicago, Moy maintains extensive collaborations with premier period-instrument ensembles including Music of the Baroque, Newberry Consort, and Chicago Chamber Musicians. His performances have been broadcast internationally via BBC Radio 3 and locally on WFMT98.7, with notable appearances at the York Early Music Festival and annual Boston Early Music Festivals since 2013.

• Piano Performance
• Music Education
• Classical Music
• +۲ مورد دیگر

Tom Jansson serves as a Lecturer in Piano within the Keyboard Studies department at Cork School of Music, Munster Technological University (MTU), holding qualifications including BMus, DipCSM, and RSA. His role centers on piano instruction across undergraduate and postgraduate programs. His academic background comprises: BMus (Bachelor of Music) DipCSM (Diploma of Cork School of Music) RSA (Royal Society of Arts or music-specific credential) Dr. Jansson's expertise focuses on piano performance techniques, classical repertoire interpretation, and music pedagogy. His teaching emphasizes technical mastery and artistic expression, contributing to MTU's reputation in instrumental training. Research trends in his field typically explore historical performance practices and cognitive aspects of keyboard learning, though specific publications aren't listed in directory sources. No scientific awards or grant details appear in institutional records. As a core faculty member, he mentors piano students through individual instruction and ensemble coaching within Keyboard Studies' collaborative framework.

Sezi Seskirمشاهده پروفایل

دانشیار

• Historical Performance Practice
• Musicology
• Piano Performance
• +۴ مورد دیگر

Sezi Seskir is an Associate Professor of Music at Bucknell University specializing in historical performance practice on period instruments. She maintains active performance and scholarly engagement across Europe, North America, and Turkey while contributing to major editorial projects for prominent music publishers. Her academic credentials include: D.M.A. in Performance Practice, Cornell University M.M.A. in Performance Practice, Cornell University Music Education Degree, Musikhochschule Lübeck, Germany Artist's Diploma, Musikhochschule Lübeck, Germany B.A. in Piano Performance, Ankara State Conservatory, Turkey Dr. Seskir's research centers on historical keyboard performance practices from the late 18th to mid-19th centuries, with particular expertise in 5-octave instruments (c. 1770-1800) and 6/6.5-octave instruments (c. 1800-1850). Her scholarly work focuses on Schumann and Beethoven, informed by hands-on experience with period instruments. This manifests in critical editions for Bärenreiter's Schumann Complete Edition, presentations at the American Musicological Society, and acclaimed recordings on original instruments. She actively bridges performance and scholarship through guest lecture-recitals at institutions including UC Berkeley, Stanford, Princeton, and the Royal Conservatory of the Hague. She co-founded the Chamber Music Collective, an intensive training program operating across UC Berkeley and Bucknell University campuses, demonstrating her commitment to advancing chamber music pedagogy through historical performance practices.

• Musicology
• Early Music
• Historical Performance Practice
• +۴ مورد دیگر

Martin Kirnbauer serves as Head of Research, member of the executive board, and Head of the Theory of Early Music Programme at the Schola Cantorum Basiliensis (University of Music Basel) within the University of Applied Sciences Northwestern Switzerland (FHNW). He concurrently holds a lectureship in Music History at the University of Basel and assumed the chair of the Institute in September 2024 for a two-year term. His academic credentials include: Licentiate in Musicology (1993), University of Basel Doctorate in Musicology (1998), University of Basel Habilitation (2007) Kirnbauer's research integrates musicology, instrument restoration, and digital humanities with focus on historical performance practice. His work examines early string instruments (viola da gamba, viols), microtonal keyboard development, and digital reconstruction of Renaissance treatises. Current projects analyze North Alpine string instruments circa 1500 and create unified digital tablature editions through the WEAVE-funded E-LAUTE initiative. He leads multiple SNSF and CTI-funded research programs including Vicentino21 (2020-2024) for digital edition of Nicola Vicentino's treatise and Studio31 for microtonal instrument development. His grant portfolio spans instrumental sonority transformations, historical organology, and practical exploration of 16th-century music theory. Kirnbauer holds leadership roles in the Swiss Musicological Society as Basel chapter President and central board member. He serves on scientific advisory boards for the Germanisches Nationalmuseum Nuremberg and State Institute for Music Research Berlin, and directs foundations including Neumeyer-Junghanns-Tracey Collection and Studio31 association.