John Redmond is Professor of English Literature at the University of Liverpool's School of the Arts, specializing in contemporary poetry and creative writing. He holds a D.Phil and is an established poet with three collections published by Carcanet Press. His critical work examines privacy in poetic interpretation and Irish literary traditions. Research intersects creative practice with critical analysis, exploring poetry's relationship with folk drama, online culture, and food (gastro-criticism). Authored the textbook 'How to Write a Poem' and edited James Liddy's Selected Poems. Current projects include a novel and new poetry collection. Regularly participates in literary events including readings at the Anthony Burgess Foundation and Christ Church, Oxford. Chairs the School Extenuating Circumstances Committee and contributes to the Centre for New and International Writing.
Andrea Selleri is an Assistant Professor in the Department of English Literature at Bilkent University, where he joined in September 2020. He holds a BA and MA from the University of Trieste and a PhD from the University of Warwick. His research focuses on the intersections between British literature, criticism, and philosophy in the long nineteenth century, with particular attention to authorship, aesthetics, and interdisciplinary approaches. Dr. Selleri has published extensively on Victorian literature and its philosophical contexts, including a monograph exploring the evolution of authorship concepts and co-editing Literary Studies and the Philosophy of Literature (Palgrave, 2016). His recent work includes a three-volume critical edition, Literature and Philosophy in Nineteenth-Century British Culture (Routledge, 2024), which compiles annotated primary sources. At Bilkent, he teaches courses such as ELIT 246 (Drama and Performance) , ELIT 366 (Victorian Literature) , and ELIT 458 (Literature and Philosophy in Nineteenth-Century British Culture) . He coordinates the Philosophy and Literature Colloquia series and serves as a review editor for the Journal of Victorian Culture . His research interests span literary history, modern literatures in English, French, Spanish, and Italian, and the philosophy of literature. Current projects include studies on free will in Victorian fiction and the legacy of Romantic authorship in formalist aesthetics.
John McAuliffe is Professor of Poetry at The University of Manchester, where he joined in 2004 and currently directs the Creative Manchester research platform focused on Creative Industries, Creativity/Health/Well-being, and Creative Civic Futures. He founded and directed the internationally renowned Centre for New Writing (2007-2021). Additional roles include Associate Publisher at Carcanet Press, co-editor of PN Review, and trustee of Manchester's UNESCO City of Literature. His creative scholarship centers on contemporary poetry with emphases on Irish literary traditions, cross-cultural translation, and poetry's civic applications. Work spans lyric composition, editorial curation of emerging voices, and critical analysis of poetry's intersections with theatre, conflict studies, and social identity. His practice bridges academic scholarship and public literary engagement through institutional leadership. Recent publications reveal evolving thematic trajectories: 2024's National Theatre examines theatricality in modern verse, while Selected Poems (2021/2022) consolidates decades of work exploring Irish landscapes and personal memory. The Kabul Olympics (2020) and Stockholm Syndrome (2019) demonstrate sustained engagement with geopolitical conflict and psychological dimensions of displacement through poetic form. Major recognitions include: Observer Book of the Year (2021/2022) for Selected Poems Guardian Poetry Book of the Month (June 2020) for The Kabul Olympics TLS and Irish Times Book of the Year (2020) for The Kabul Olympics Poetry Book Society Winter Pamphlet Choice (2019) for Stockholm Syndrome McAuliffe served as Deputy Director of the Irish Arts Council (2013-2018), chairs strategic initiatives, contributes to AHRC peer review, and writes extensively for The Irish Times (2013-2020 column). He actively shapes literary policy through Manchester City Council's Events Commission and UNESCO City of Literature governance.
Professor Peter John Edgley Robinson is a distinguished academic and poet at the University of Reading, where he holds the position of Professor in the Department of English Literature, part of the School of Humanities. He is renowned for founding the English Literature with Creative Writing joint degree program and the MA in Creative Writing. His research focuses on modern and contemporary poetry, publishing, and translation, with a particular interest in 20th-century literary movements and interdisciplinary studies. Responsibilities include leading the Poetry & Poetics strand of the Modern Studies Centre and supervising doctoral research in creative writing and academic topics such as post-war Japanese poetry, Muriel Rukeyser’s work, and travel writing. He has held roles as poetry editor for Two Rivers Press and contributed to academic publications like The Fortnightly Review . His career includes teaching at Tohoku University in Japan and organizing events like the Reading Poetry Festival. Key awards include the Cheltenham Prize (1988), the John Florio Prize (2008), and Poetry Book Society recommendations. His publications span poetry collections, critical essays, translations, and novels, reflecting his expertise in literary analysis and creative expression. Notable works include The Sound Sense of Poetry (2018), Ravishing Europa (2019), and Retrieved Attachments (2023). Education: BA from University of York (1974), PhD from University of Cambridge (1981). Translations: Includes works by Vittorio Sereni, Pietro De Marchi, and Giorgio Bassani. Editorial Roles: Numbers magazine, Reading Poetry Festival , and The Oxford Handbook of Contemporary British and Irish Poetry . His research explores intersections between poetry, economics, and cultural identity, with a focus on publishing policies and lyrical forms. He remains active in mentoring emerging writers and fostering interdisciplinary collaboration.
Laura Maria Lojo Rodriguez is a Professor in the Department of English and German Philology at the University of Santiago de Compostela , specializing in British literature and modernist/postmodernist fiction. She leads the Discourse and Identity research group (GI DI-1924), focusing on English language, literature, and culture through interdisciplinary frameworks. Her work intersects with the Humanities Research Institute (iHUS) . Her research spans: Gender and identity in Woolfian studies Migration narratives in contemporary short fiction Postcolonial themes in British-Irish literature Ecocritical and posthuman anxieties in Johnson's works Recent publications examine border politics, maternal discourses, and cross-cultural literary bonds. She has also contributed to translation studies, particularly Woolf's Spanish reception. Her academic output bridges literary theory with socio-political analysis.
Professor Fionnuala Dillane is a leading scholar in nineteenth-century British literature and culture, periodical studies, memory studies, and gender, based at the School of English, Drama and Film, University College Dublin. She holds the academic rank of Professor and is actively engaged in research, teaching, and academic leadership. She currently serves as Academic Director of the UCD Writing Centre and Chair of the UCD Press Editorial Board, and previously served as Associate Dean for Arts and Humanities (2017–2020). Her collaborative research spans institutions including Ghent University, Newcastle University, and the University of Iceland. Her research interests include: Nineteenth-century British literature and culture Periodical studies and media history George Eliot and Marian Evans Memory studies and trauma Gender and sexualities Contemporary crime fiction Her recent publications explore affect in periodical encounters, editorial identities, transnational periodical research, and the literary afterlives of George Eliot. The trends in her work reveal a sustained engagement with print culture, narrative form, emotional communities, and the politics of memory. She is currently editing the Handbook of Transnational Periodical Research (Brill, 2026). Her scientific awards include: University Award for Outstanding Contribution to Student Learning, UCD (2017) Shortlisted for European Award in Teaching Excellence (2017) College of Arts and Humanities Outstanding Contribution to Student Learning (2017) Dillane has secured significant research grants, including from the Irish Research Council for her project on George Eliot and the Periodical Press, 1846–60 , and on The Future of Data Humanities . She has supervised doctoral students such as David Mitchell and mentors emerging scholars in periodical studies and trauma fiction. She has pioneered innovative teaching initiatives, including the first internship programmes for UCD Arts and Humanities undergraduates and the development of the UCD Writing Centre, now permanently funded. She is also deeply involved in national and international advocacy for the humanities, serving on editorial and advisory boards such as the Journal of Victorian Culture , the Memory Studies Association, and the European Society for Periodical Research.
Dr. Deirdre Serjeantson is an Undergraduate Tutor and Fellow at Sidney Sussex College, University of Cambridge. Her research focuses on Renaissance literature, translation studies, and the cultural intersections of early modern Ireland and England. Her work explores the interplay between Petrarchism and Protestant theology in sonnet sequences, the history of the book, and the adaptation of classical and biblical motifs in early modern writing. She has published extensively on topics such as Anne Lock's A Meditation of a Penitent Sinner , Richard Verstegan's symbolic use of Babylon, and the influence of Scottish reformation poetry on English verse. Her recent articles analyze the religious and national identities embedded in sixteenth- and seventeenth-century texts, with a particular interest in gender, authorship, and cross-cultural transmission. She can be contacted at tutors@sid.cam.ac.uk or dcs40@cam.ac.uk .
Dr Ian W. Archer is an Associate Professor in History at the University of Oxford and a Fellow of Keble College. His research focuses on early modern London’s social, political, and cultural history, with a particular emphasis on urban transformation, uses of history, and governance. He co-edited The Oxford Handbook of Holinshed’s Chronicles and is currently working on a book exploring London’s evolution from 1550 to 1700. Dr Archer has held roles as Academic Editor of the Bibliography of British and Irish History and Literary Director of the Royal Historical Society. His research interests include social welfare, crime, taxation, and London’s cultural identity. He teaches courses on early modern British history at Oxford and supervises postgraduate students in related fields. Recent projects involve interdisciplinary collaborations, such as digitizing Holinshed’s Chronicles and analyzing royal entries and lord mayor’s shows.
Professor Helen Finch (University of Leeds) is a leading scholar in German Literature , with a focus on Holocaust Studies , Queer Memory , and German-Jewish Cultural Production . Affiliated with the School of Languages, Cultures and Societies and the Centre for Jewish Studies , she co-leads the LCS Queer Area Studies Network and contributes to equality initiatives through the LGBT+ staff network . Research: Holocaust representation in German works, queer identity in postwar literature, transnational memory studies, curriculum design in German studies Awards: Fellow of the Higher Education Academy (2014) Academic Output : Her 15 most recent publications span Holocaust poetics , queer life writing , translation ethics , and Sebaldian intertextuality , with a particular focus on intersections between trauma , identity , and intergenerational testimony . Supervision : Currently guides PhD research on topics including transnational transphobia , queer art practices , and LGBTQ+ cross-cultural representation . Her students explore areas from German exile photography to postcolonial queer narratives .
Niamh Pattwell is Associate Professor and Head of School at the School of English, Drama and Film, University College Dublin. She holds a PhD from Trinity College Dublin and has been a faculty member at UCD since 2004, progressing from Lecturer in Old and Middle English to her current role. Her academic leadership extends to curriculum development, postgraduate teaching, and serving on university committees, including the Board of Trustees for UCD Volunteer Overseas. Her educational background includes a BA, H.Dip.Ed., H.Dip.T.Rel.Ed., and MA from University College Cork, and a PhD from Trinity College Dublin. She taught secondary school in Co. Wexford and Co. Cork before transitioning to higher education, holding teaching fellowships at Queen’s University Belfast and Trinity College Dublin. Niamh Pattwell's research focuses on the circulation and transmission of vernacular religious prose in the late Middle Ages. She has developed expertise in codicology, palaeography, and manuscript fragment studies, particularly through her work with Marsh's Library and the Index of Middle English Prose at Trinity College Dublin. Her scholarship explores the production, readership, and theological context of both orthodox and Wycliffite texts. Her recent publications show a consistent focus on Middle English religious prose, manuscript provenance, and the material culture of books. She has contributed to the Year's Work in English Studies and published on fragments, personal notebooks, and devotional texts, reflecting a deep engagement with the material and spiritual dimensions of medieval manuscripts. National Digital Learning Resources Award (2012) Broad Curriculum Post-doctoral Teaching Fellow, Trinity College Dublin (2003–2004) Irish Research Council for the Humanities and Social Sciences Postgraduate Scholarship (1999–2002) Niamh Pattwell has successfully supervised postgraduate students to MA and PhD completion and has led curriculum innovation at UCD, including the development of research-based modules on medieval manuscript fragments. She has secured internal research grants such as the HoS Research Support Scheme and has been actively involved in organizing major academic events, including the Early Book Society Biennial Conference in 2019 and 2023. Her teaching includes modules on King Arthur, medieval literature, and animal narratives, emphasizing student engagement with primary texts. She collaborates with institutions such as Marsh's Library and Trinity College Dublin and has contributed to public engagement through radio appearances and public lectures. Her work bridges academic research, teaching innovation, and cultural heritage preservation.
Jonathan Nangle is a Lecturer in Music Technology and Electro-Acoustic Composition at the Royal Irish Academy of Music. His work spans acoustic/electro-acoustic composition, live electronics, installations, and improvisation. Educated at Trinity College Dublin under Donnacha Dennehy, Rob Canning, and later privately with Kevin Volans, his music has been performed by ensembles like RTÉ National Symphony Orchestra and Crash Ensemble. Research interests include spatial music, interactive installations, and hybrid acoustic/digital forms. Notable works include Pause (Ergodos, 2017), Iridescent Cobalt Glow (2015), and our headlights blew softly... which earned a 2009 Rostrum commendation. Awards include dual Irish Rostrum representations (2009/2011) and the 2007 AIC/Music 21 Prize. Recordings span solo piano works to ensemble commissions, often integrating innovative electronic elements. His work has been broadcast internationally and choreographed for stage/film. Current roles include academic teaching and ongoing creative exploration at the intersection of technology and traditional composition.
Eoghan Smith is a Lecturer in English and Creative Writing at Carlow College, St. Patrick's, where he has taught since 2011. He specializes in modern and contemporary Irish writing, creative writing, and world literature, bringing both scholarly expertise and creative practice to his academic role. As an active contributor to Irish literary studies, Smith bridges academic research with creative production, enriching both fields through his dual perspective. Dr. Smith's academic background includes: PhD in English from Maynooth University (2009), with dissertation 'John Banville: Art, Authenticity and Epic' MA in Anglo-Irish Writing and Drama from University College Dublin (2003) BA (Hons) in English & Philosophy from University College Dublin (2002) Smith's research focuses on twentieth- and twenty-first-century Irish literature, particularly fiction, with specific expertise in contemporary Irish writing, John Banville's work, literary and visual cultures of suburban Ireland, and intersections between philosophy and Irish writing. His scholarship demonstrates how Irish literature has evolved through periods of social and economic transformation, especially examining the post-Celtic Tiger era. As a creative writer himself, he brings practical insight to theoretical concepts, creating a dynamic dialogue between academic study and literary creation. Analysis of Smith's recent publications reveals a consistent engagement with contemporary Irish literary developments, particularly the flourishing post-recession literary scene. His work spans scholarly analysis, book reviews in major publications, and creative fiction, demonstrating his multifaceted contribution to Irish letters. He shows particular interest in how Irish writers navigate identity, authenticity, and social change through innovative literary forms. As chair of the Carlow College Research Hub, Smith has co-organized numerous conferences and symposiums that foster academic exchange. His 2024 appointment as editor for the Irish Literature in English area of the Literary Encyclopedia marks significant recognition of his expertise. Smith regularly peer-reviews for journals in contemporary Irish literary studies and contributes to public discourse through reviews in the Irish Times, Books Ireland, and Literary Review. Smith is also an accomplished novelist with three published works: The Failing Heart (2018), A Provincial Death (2022), and A Mind of Winter (2023). His creative output informs his scholarly perspective, creating a rich interdisciplinary approach to Irish literary studies. His leadership in the Research Hub and editorial work on publications like 'Imagining Irish Suburbia in Literature and Culture' (2018) demonstrates his commitment to advancing scholarship in Irish literary studies.
Steven G. Kellman is a Professor of English at the University of Texas at San Antonio (UTSA), where he has taught since 1976. A leading scholar in comparative literature and literary translingualism, he was UTSA's first Ashbel Smith Professor (1995-2000) and has received numerous accolades including the National Book Critics Circle Balakian Citation and the New York Society Library Award for Biography. His academic foundation includes: Ph.D. in Comparative Literature, University of California at Berkeley (1972) M.A. in Comparative Literature, University of California at Berkeley (1969) B.A. in English & General Literature, State University of New York at Binghamton (1967) Kellman's research focuses on comparative literature, modern and contemporary literature, prose fiction, literary translingualism, film, and biography. He pioneered the study of writers who create in non-native languages, examining how linguistic displacement fuels creativity and shapes identity across cultural boundaries. His work bridges literary analysis with cultural history, particularly in American literature and biography. His recent publications demonstrate sustained engagement with translingualism, pandemic-era literary interpretation, and biographical recovery of marginalized voices. Articles from 2022-2025 reveal consistent thematic threads: re-examining classic texts like Camus' The Plague through contemporary crises, analyzing translingual writing as spiritual practice, and recovering erased narratives in literary partnerships. Honors include the National Book Critics Circle Nona Balakian Citation (2006), New York Society Library Award for Biography (2006), and Gemini Ink Literary Excellence Award (2008). Additional distinctions: UTSA COLFA Researcher of the Year Award (2019-2020) McGinnis-Ritchie Award for Nonfiction (2008) San Antonio Public Library Foundation Arts and Letters Award (2005) Two UTSA President's Distinguished Achievement Awards in Research Excellence (1990-91, 2005-2006) Kellman has secured prestigious fellowships including the Fulbright Distinguished Chair at Sofia University and Harvard's John E. Sawyer Fellowship. He served four terms on the National Book Critics Circle board and edits Brill's Literary Multilingualism series, demonstrating sustained commitment to advancing literary scholarship through editorial leadership and institutional service.
Hilary Biehler is a Professor of Public Law at the Law School, Trinity College Dublin. She holds a B.A.(Mod.), M.Litt., Ph.D., and LL.D. from Trinity College Dublin. Her career includes roles as Head of the Law School (2003-2005, 2008-2010, 2011-2014), Vice Dean of the Schools of Law and Education (2005-2006), and Pro-Dean of the Faculty of Social and Human Sciences (2007) and Arts, Humanities, and Social Sciences (2010-2011). She was a Commissioner with the Law Reform Commission (1997-2005) and Editor of the Irish Law Reports Monthly (1993-2008). Her research focuses on Equity and Trust Law, Administrative Law (particularly judicial review), and Civil Procedure. She has authored seminal texts like Equity and the Law of Trusts in Ireland and Judicial Review of Administrative Action , and co-edited Delany & McGrath on Civil Procedure . Over 120 peer-reviewed publications reflect her expertise in procedural fairness, legal remedies, and administrative decision-making standards. Recognition includes Fellowship of Trinity College Dublin (1998). Her work bridges academic scholarship, legal practice, and institutional leadership, shaping Irish legal education and jurisprudence.
Dr. Caoimhe Nic Lochlainn holds the rank of Professor at Dublin City University's Fiontar & Scoil na Gaeilge, the university's School of Irish and Celtic Studies. She earned her BA Joint Honours in Irish and French, MA in Irish, and PhD in Irish at Queen's University Belfast. Her research focuses on translation methodologies, children's literature, and cultural history with a particular emphasis on Irish-language texts. Her academic contributions include co-editing major volumes such as Laethanta Gréine & Oícheanta Sí (2013) and Thar an Tairseach (2014), as well as publishing extensively on children's literary culture and folklore adaptation. She has also authored children's books like Scéalta le hInsint don Ghealach (2018). Recent publications explore representation in Irish-language YA fiction (2025), Scottish cultural depictions in Irish prose (2023), and Gaelic translation challenges (2022). Awards include the 2025 Research Ally designation and 2019 IBBY Honour List recognition. Current supervision includes three PhD candidates: Dara De Poire, Eilis Neary, and Mohamed Yazjeen. She actively participates in academic committees such as the Irish Association for the Study of Children's Literature (EASCL) and serves on Rádio na Life's board.
