جستجوی استاد راهنمای دانشگاهی

• Human-Technology Interaction
• Digital Intimacy
• Journalism Studies
• +۵ مورد دیگر

Dr Belinda Middleweek is a Senior Lecturer at the University of Technology Sydney , affiliated with the School of Communication and serving as Teaching and Learning Lead for Journalism . She currently acts as Higher Degree Research Coordinator in the Faculty of Arts and Social Sciences. Educational background: PhD in Journalism, University of Sydney (2007) BA (First Class Honors), University of Sydney (2002) Her research explores intersections between human-technology interaction , digital intimacy , and journalism/media studies . Key themes include: bodily engagement with AI, gendered technology positioning, media representation of technology, affective technology bonds, and ethical implications of digital intimacy. She co-authored Real Sex Films: The New Intimacy and Risk in Cinema (2017) and authored Feral Media? The Chamberlain case, 40 years on (2021), which re-examined Australia's most significant media-trial dynamics. Recent publications analyze: touch in journalism (2025), pre-digital sleuthing (2025), and data privacy in sexual health tech (2025). These works explore sensory news practices, historical public investigations, and gendered data ethics in biometric devices. Scientific recognition: Erasmus Mundus Scholarship (2018) Dean’s Teaching Awards (2024, 2013) Heroic Award for Outstanding Contribution (2023) As an educator, she leads journalism curriculum development and has 8 current/postgraduate HDR supervisees. Her industry experience includes senior roles at Sunrise, Today Tonight, and documentary production for multiple networks. Leadership roles: Teaching and Learning Lead for Journalism (2020–present) Acting HDR Coordinator (2025–present) UTS Expert Working Group on Human Rights and AI (2020)

• Digital Media Studies
• Streaming Technologies
• Music Distribution
• +۳ مورد دیگر

Hendrik Ernst Andreas Storstein Spilker is a Professor at the Department of Sociology and Political Science, Norwegian University of Science and Technology (NTNU). His research focuses on digital media, streaming technologies, music distribution, and the sociocultural implications of technology. He holds a PhD from NTNU (2005) and has authored influential works like *Digital Music Distribution: The Sociology of Online Music Streams* (2018). Teaching & Outreach: Spilker teaches courses such as *Media and Communication Theory* (MKI3001) and *Media, Communication, and Artificial Intelligence* (MV1110). He actively participates in academic events, including a 2025 symposium on 'The Platformization of Music Production' at the University of Oslo. Research Interests: His work explores streaming platforms, media policy, digital piracy, and the interplay between technology and cultural practices. Key themes include the hybridization of media consumption, the role of algorithms in music distribution, and ethical considerations in healthcare technologies like GPS tracking for dementia care. Publications & Impact: Spilker has published extensively in journals like *Media, Culture and Society* and *Information, Communication & Society*. His recent work critiques EU digital market policies and examines live-streamed concerts during the pandemic. He also contributes to public discourse through feature articles and media criticism.

Michael Wayneمشاهده پروفایل

استادیار

• Media Industry
• Television Studies
• Popular Television
• +۱۲ مورد دیگر

Michael Wayne is an Assistant Professor in the Department of Media and Communication at the Erasmus School of History, Culture and Communication, Erasmus University Rotterdam. His research centers on critical television studies, streaming media, and audience analysis, with a focus on global platforms like Netflix. He is affiliated with the Global Internet TV Consortium and has contributed extensively to journals such as Media, Culture & Society , Convergence , and Journal of Popular Television . PhD in Sociology, University of Virginia, USA Kreitman Post-Doctoral Research Fellow, Ben-Gurion University of the Negev, Israel (2015–2018) His research explores the intersection of media industries, cultural discourse, and audience reception, particularly in the context of global streaming. Using qualitative methods, he investigates how platforms like Netflix shape cultural authenticity, represent minority identities, and construct global audiences through data-driven metrics like the 'Global Top 10'. His work critically engages with the political, economic, and sociolinguistic dimensions of digital content distribution. Recent publications reveal a strong focus on transnational storytelling, cultural representation, and the geopolitical implications of streaming metrics. His articles analyze how local signifiers are adapted for global audiences and how platforms negotiate cultural differences in original programming. Themes of race, identity, and industry discourse recur across his scholarship. Michael previously served as managing editor of The Communication Review from 2011 to 2015, contributing to academic discourse in media studies. While no formal scientific awards are listed, his work has garnered attention in academic and public spheres, with citations and media mentions. He has delivered several academic presentations on OTT marketing, Netflix’s industry strategies, and media discourse, indicating active engagement with scholarly communities. Although no current grants or advising roles are specified, his collaborative publications suggest ongoing research partnerships. He is a key contributor to critical debates on the globalization of television and the cultural politics of streaming platforms.

Neil Thurmanمشاهده پروفایل

استاد

• Digital Journalism
• Online Journalism
• News Automation
• +۵ مورد دیگر

Dr. Neil Thurman is a Professor at Ludwig Maximilian University of Munich and a Senior Honorary Research Fellow at City, University of London. His career spans over two decades in digital journalism, focusing on news production and consumption in the internet era. He has held leadership roles in academic programs like the Erasmus Mundus Master's in Journalism and directed research initiatives on media automation, personalization, and audience behavior. Neil's research explores the impact of AI and social media on journalism, with a focus on automated newsgathering, content personalization, and audience analytics. His work has been honored with four 'Best Paper' awards at the International Symposium on Online Journalism (2006–2009). He has published extensively on live blogging, computational journalism, and ethical challenges in digital media. His recent publications highlight trends in news automation and AI ethics audience perception of algorithmic content streaming platform influence on media choices cross-border media consumption regulatory challenges in digital spaces journalistic principles in multiplatform environments Scientific Awards : Top Paper, International Symposium on Online Journalism (2006–2009) Staff Research Prize, City University London (2007) Award for Distinguished Contributions to Teaching and Learning (2001) Silver Apple Award (1995) As an external examiner and academic leader, Neil has shaped journalism education globally. He mentors PhD candidates and collaborates with institutions like Google, Reuters Institute, and the BBC. His work bridges theory and practice, influencing both scholarly and industry standards.

Simon S.Y. Shimمشاهده پروفایل

استاد

• Internet Computing
• Database Management
• Machine Learning
• +۳ مورد دیگر

Simon S.Y. Shim is a Professor in the Computer Engineering Department at San Jose State University (SJSU). He holds a PhD in Computer Science from the University of Minnesota (1997). His research focuses on Internet Computing, Database Management, Machine Learning, and Information Retrieval. He has extensive industry experience as a Director at SAP Labs, working on in-memory database systems. Shim has served on the editorial board of IEEE Computer, including a 5-year tenure as Area Editor for Internet Computing. He has guest-edited special issues on High-Speed Security (2004), CAP Theorem (2012), and Next-Gen Memory (2013). He co-authored one technical book and holds multiple patents. His professional contributions include organizing IEEE Data Engineering workshops, IEEE Mobile Commerce, and IEEE Electronic Commerce events. Shim has published over 50 peer-reviewed articles and actively participates in academic service roles. His work emphasizes interdisciplinary applications of computer science in e-commerce, distributed systems, and multimedia technologies.

• Media Sociology
• Digital Media Studies
• Technology and Society
• +۷ مورد دیگر

Hendrik Ernst Andreas Storstein Spilker is a Professor in the Sociology of Media and Technology at the Department of Sociology and Political Science, Norwegian University of Science and Technology (NTNU), since 2019. He previously held positions as Associate Professor (2007–2019) and Postdoctoral Fellow (2004–2007) at NTNU. His academic journey began with a PhD in Interdisciplinary Cultural Studies (1999–2004), focusing on the evolution of commercial internet services in Norway. His research spans digital media sociology, focusing on platforms like Spotify, Twitch, and YouTube, exploring topics such as music streaming paradigms, algorithmic mediation, and the interplay between technology and cultural practices. He has extensively studied piracy cultures, healthcare technology implementation (e.g., GPS in dementia care), and the sociological dimensions of digital distribution models. Spilker's publications reflect a critical engagement with media policy, platform governance, and the ethical implications of technological adoption. Notable works include the monograph *Digital Music Distribution: The Sociology of Online Music Streams* (2018), which analyzes streaming's sociocultural impact, and contributions to debates on EU digital market regulations and pandemic-era live-streamed performances. He has supervised over 30 master's theses and collaborative research projects, often addressing emerging digital challenges in media, healthcare, and technology governance. His academic affiliations include the Institute for Social Research (ISS) at NTNU and involvement in interdisciplinary initiatives like the ENOVA energy communication project.

• Distributed Systems
• Human-Computer Interaction
• Mobile Computing
• +۴ مورد دیگر

Mirjana Spasojevic is a researcher and collaborator in Human-Computer Interaction , Distributed Systems , and Interactive Media . She has contributed to innovations in Augmented Reality for family engagement Context-aware mobile interfaces Collaborative digital storytelling Ubiquitous computing systems Preschooler communication tools Her work bridges technical research with social implications, emphasizing user experience and accessibility. Research Trends from her 15 most recent publications (1994-2023) show sustained focus on Human-robot interaction and failure detection (2023) Smart jewelry and wearable interfaces (2015) Family videochat and connected reading (2010-2011) Early mobile photoware systems (2010) Networked toys for distance play (2011) Asynchronous messaging for children (2011) Academic Contributions span from foundational distributed systems research in the 1990s to modern interactive media explorations. Her collaborations with institutions like Carnegie Mellon University (via Mahadev Satyanarayanan) and tech companies suggest cross-disciplinary impact.

Filipa Reisمشاهده پروفایل

استادیار

• Media Consumption
• Digitization
• Convergence Technologies
• +۵ مورد دیگر

Filipa Reis serves as an Invited Assistant Professor of Data Science at Católica Lisbon School of Business and Economics, Catholic University of Portugal, where she is affiliated with the Operations and Data Science scientific area. She teaches undergraduate courses including Statistics I, Statistics II, Statistics for Business and Economics, and Advanced Data Analytics. Her academic credentials include: PhD in Public Policy and Management from Carnegie Mellon University MSc from Católica Lisbon School of Business and Economics Bachelor's degree from Nova School of Business and Economics Reis's research investigates media consumption patterns and digitization impacts on consumer behavior, with emphasis on convergence technologies and policy evaluation in telecommunications. Her work bridges data science applications with behavioral economics, particularly examining innovation mechanisms and digital market dynamics through experiment-driven analytics. Analysis of her publication timeline (2009-2024) reveals an evolution from innovation market design (stock market for innovation, intra-corporate crowdsourcing) toward contemporary digital policy issues, including natural experiments on digital piracy and television consumption analytics. This trajectory demonstrates consistent focus on empirical validation of technology-mediated consumer behavior. Her scholarly contributions appear in Management Science and presentations at premier venues like the International Conference on Information Systems and National Bureau of Economic Research seminars, highlighting interdisciplinary impact across information systems, economics, and policy research.

Chris Laneمشاهده پروفایل

مدرس ارشد

• Digital Media
• New Media Studies
• Gender and Technology
• +۳ مورد دیگر

Chris Lane is currently the Head of the School of Computing and Digital Media at London Metropolitan University. He has held various academic leadership roles including Senior Lecturer (2009–2015), Associate Dean (2015–2016), and Head of Academic and Business Partnerships (2016–2019). His teaching focuses on digital media, cyberspace, and interactive design, coordinating modules like Cyberspace, Technoculture and Virtual Futures and Responsive Environments . His research interests span digital media theory, gender studies in technology, and new media art. Notable projects include Liminal - A Question of Position (2009) and Re-Possessed art exhibitions exploring participatory culture and digital narratives. He has published works on DVD analysis, web development, and media consumption patterns. Lane secured significant funding including £58,000 for Digital Communities of Practice (2008) and £6,000 for Liminal (2009). He has also contributed to consultancy projects like Workonline (2002–2003) addressing telework barriers and e-learning strategies. Externally, he has served as an examiner for digital media programs at Canterbury Christchurch University and the University of East London. His community engagement includes roles as a Trustee for the Hackney Youth Orchestra and Rainbow Community Nursery.

Trace E. Reddellمشاهده پروفایل

استاد

• Sound Studies
• Digital Media Studies
• New Materialism
• +۱۲ مورد دیگر

Trace E. Reddell is a Professor and Director of Emergent Digital Practices at the University of Denver’s College of Arts, Humanities and Social Sciences. He is affiliated with the Department of Media, Film & Journalism Studies and the School of Art and Art History, reflecting his interdisciplinary work at the intersection of digital media, sound, and theory. Education: Ph.D., English Literature, University of Colorado at Boulder, 1997 M.A., Creative Writing, University of Colorado at Boulder, 1989 B.A., English Literature, Texas Tech University, 1986 (Magna Cum Laude) Trace Reddell’s research and creative work center on the interactions of sound, cosmology, and the imagination. His expertise spans Sound Studies, Digital Media, Science Fiction, New Materialism, and Philosophy of Technology . He explores how sonic cultures—particularly in science fiction, psychedelic music, and audiovisual performance—shape new modes of being and understanding. His work integrates critical theory, media philosophy, and hands-on artistic practice, including live cinema and net.art. He teaches courses in sonic arts, expanded cinema, speculative cultures, and critical digital media. His publications reveal a strong trajectory in sound and media studies, with recent work focusing on sonic innovation in science fiction cinema, Afrofuturism, and cybernetic performance . His 2018 book, The Sound of Things to Come , is a landmark study in film sound, and he is preparing a sequel and additional books on psychedelic rock and space music. His upcoming MIT Press book, The Magic Circle: Sonic Substance in Psychedelic Music , further establishes his authority in sound culture. Scientific Awards: Dean’s Award for Excellence, AHSS Dean, University of Denver (2018) “Excellent Artists” Honorary Award, Art on the Net Competition, Tokyo (2001) George F. Reynolds Fellowship, University of Colorado (1994–1995) Wiegers' Appointment, University of Colorado (1994) Trace Reddell actively mentors graduate students, serving as a Ph.D. advisor and MFA thesis committee lead. He has directed numerous graduate research projects and served on dissertation and exhibition committees. He has secured multiple research grants from the University of Denver, including Faculty Research Funds and Creative Arts Material Funds, supporting projects like Sonic Science Fiction 2 and international academic exchanges. His creative work—ranging from live audiovisual performances to commissioned soundtracks—has been exhibited globally in venues from Amsterdam to Seoul. He also contributes to academic service through manuscript review for presses like Routledge and the University of Minnesota Press, and has held leadership roles including Graduate Director and Director of Digital Media Studies. Labs and Teams: He has been closely associated with the Boulder Laptop Orchestra (BLOrk), contributing live visual performances. His collaborative projects, such as microMacroCosm with Timothy Weaver, reflect his engagement with interdisciplinary artistic teams. He has also led visiting artist series and founded digital media outreach initiatives at the university.

• Conspiracy Narratives
• Media Theory
• Crisis Communication
• +۵ مورد دیگر

Dr. Deborah Wolf is a Researcher at the Institute for Media and Cultural Studies within the Faculty of Philosophy at Heinrich Heine University Düsseldorf, where she has been employed since October 2021. Prior to this position, she worked as a research associate at the Graduate College 'Factual and Fictional Narration' at Albert-Ludwigs-Universität Freiburg (2018-2021), where she completed her doctoral project on 9/11 conspiracy theories. She also served as a research assistant at Philipps-Universität Marburg (2017-2018) on a project examining television specials in German political media culture. Wolf's research focuses on conspiracy narratives, the mediality of living spaces, crisis and conflict communication, and internet research using qualitative methods, political theory, and subjectivity concepts. Her work demonstrates a consistent interest in how conspiracy theories function within media culture, particularly examining their audiovisual representation, rhetorical strategies, and social dynamics across digital platforms. She has made significant contributions to understanding how conspiracy theories operate in media ecosystems, with particular expertise in 9/11 conspiracy narratives and their representation across different media forms. Wolf has published extensively on conspiracy theories in academic journals and edited volumes, with her most recent work analyzing the audiovisual dimensions of conspiracy content. Her publications reveal a trajectory of increasingly sophisticated analysis of conspiracy media, moving from textual analysis of YouTube content to examining the broader cultural and political implications of conspiracy narratives in contemporary society. As an active member of the academic community, Wolf has served as co-spokesperson for the Media Studies and Political Theory working group of the German Society for Media Studies (GfM) since November 2020 and was a founding member of the Conspiracy Narratives, Tribalization and Political Polarization working group in March 2023. She has organized numerous workshops and conferences, including the 2024 workshop 'Exploring. Media Studies in Times of Climate Catastrophe' in Düsseldorf. Wolf is also deeply engaged in science communication, having participated in numerous public events, interviews, and podcasts to discuss conspiracy theories with broader audiences. Her public outreach includes appearances in FAZ, university podcasts, radio interviews, and public lectures aimed at improving media literacy and critical understanding of conspiracy narratives in contemporary society.

KRASEN KIROV ANGELOVمشاهده پروفایل

استاد

• Wireless Communication Systems
• 5G Networks
• Internet of Things (IoT)
• +۷ مورد دیگر

Krassen Kirov Angelov is a full professor at the Department of Communication Equipment and Technologies within the Faculty of Electrical Engineering and Electronics at Technical University - Gabrovo . He has led and participated in 15 research projects, focusing on wireless communication platforms, IoT systems, and optical network optimization. Head, Department of Communication Equipment and Technologies Project Manager for 5G/IoT research (2022) Co-author of 3 textbooks on communication circuits Research Interests include: 5G network design and optimization IoT communication protocols Optical network modeling Secure data transmission Satellite broadcasting systems Smart infrastructure development His recent publications (2021-2025) demonstrate expertise in: Chaotic encryption techniques Neural network applications LoRaWAN coverage planning DVB-S2 signal transmission Passive optical network modeling Radio frequency optimization PhD Students : Plamen Tashev (Radio Channel Monitoring) Mikhail Angelakis (Wireless Resource Management) Victor Krustev (Security Identification) Ivan Zlatev (Network Resource Allocation) Evelina Vaseva (Beekeeping Monitoring)

• Digital Media Studies
• Assemblage Theory
• Interactive Documentary
• +۴ مورد دیگر

Dr. Yianni Hondros is an Assistant Professor in Digital Practice and Online Distance Learning (ODL) at the University of Sussex, affiliated with the School of Media, Arts and Humanities. His work bridges academic theory and industry practice, with 25 years of experience in digital media. He authored Ecologies of Internet Video: Beyond YouTube (2018), analyzing internet video ecosystems through assemblage theory. His research focuses on digital media systems, interactive documentary, and the application of actor-network theory. Hondros has held senior industry roles in multiplatform television and internet video development internationally. Research interests emphasize relational materialism, media assemblages, and the material turn in digital studies. His publications span crisis media representation, internet video systems, and interactive media design. Teaching covers media theory and practice in both traditional and online formats. His edited works include Westminster Papers in Communication and Culture (2015).

• Web Series
• Creative Careers
• Journalism and New Media
• +۲ مورد دیگر

Dr. Steinar Ellingsen is a Senior Lecturer at the School of Arts and Humanities , Edith Cowan University , specializing in web series, digital journalism, and media ethics. He coordinates Broadcast and Digital Journalism programs and serves as Chief Investigator for the ARC Linkage project Valuing Web Series . Doctor of Philosophy , La Trobe University (2014) Bachelor of Journalism , La Trobe University (2008) His research focuses on web series , creative industries , and digital media ethics . Recent work examines pandemic-era digital communication, content cancellation dynamics, and generative AI's impact on journalism. Steinar has co-authored 2024 research on AI-driven journalism trends and 2023 analyses of web series' cultural value, with earlier studies tracing online media evolution from 2012 to 2014. Scientific Awards SKUP nominee (2007) Outstanding Achievement in Production (LAWEBFEST x2, 2012-2013) Best Documentary (Austin WebFest & K WebFest, 2016) Vice-Chancellor's award for Supporting Student Employability (2015) DM Myers University Medal nominee (2007) He holds competitive research grants including the ARC Linkage Project (LP180100626) and ECU's Early-Mid Career Researcher Grant for AI's impact on journalism practices.

Michael Aronsonمشاهده پروفایل

دانشیار

• Early Cinema
• Exhibition Studies
• Film History
• +۳ مورد دیگر

Michael Aronson serves as Associate Professor and Department Head of Cinema Studies and Theatre Arts within the University of Oregon's College of Arts and Sciences. Based in PLC 101, Eugene, he teaches courses including History of Motion Pictures, Exhibition & Audiences, and Cinematography Theory & Practice, while maintaining active research in early cinema history and digital scholarship. His educational background features a BA in Film Studies from Penn State University (1990) and MA/PhD in Cultural and Critical Studies from the University of Pittsburgh (2002). Research Focus: Early and transitional cinema (particularly 1910s) Exhibition and moviegoing culture Digital humanities applications in film history Cinematography history and theory Silent film era studies Industry-exhibition community dynamics Aronson's work bridges academic film history with practical filmmaking experience, emphasizing how communities created and consumed films through collaborative projects like the Oregon Theater Project. His publication trends reveal consistent exploration of regional cinema history through digital methodologies, with recent works focusing on Pacific Northwest exhibition networks, independent theater operations, and the integration of archival research with student-led digital projects. The 2024 monograph on Blue Mouse Cinemas exemplifies his deepening analysis of regional exhibition patterns. Scientific Awards: No major scientific awards are documented in the provided materials. Advising and Grants: Aronson co-teaches CINE 335 with Librarian Elizabeth Peterson, guiding undergraduate students in producing original research for the Oregon Theater Project. This sustained collaboration represents significant investment in student research mentorship, though specific grant funding details remain unlisted in available sources. Labs and Teams: The Oregon Theater Project functions as Aronson's primary research collective—a digital humanities lab where students, faculty, and librarians collaboratively document and analyze Oregon's cinematic history through geospatial mapping, archival digitization, and public-facing digital scholarship.