جست‌وجوی استاد و پژوهشگر

• twentieth-century American literature and culture
• trauma studies
• critical animality studies
• +۵ مورد دیگر

Tony M. Vinci is an Assistant Professor of English at Ohio University Chillicothe, where he teaches literature, humanities, creative writing, and composition across the campus curriculum. Education: PhD, Southern Illinois University His research spans interdisciplinary domains including: twentieth-century American literature and culture trauma studies critical animality studies posthumanism ethical frameworks genre fiction (Fantasy, Science Fiction, Horror) film studies Dr. Vinci has published scholarly work in The Journal of Popular Culture, Science Fiction Film and Television, The Faulkner Journal, and multiple academic collections. He serves as co-editor of the critical anthology 'Culture, Identities, and Technology in the Star Wars Films', demonstrating expertise in popular culture analysis. Outside academic duties, he engages in creative writing of literary fiction exploring vulnerability and despair, composes music from his Chillicothe studio, and maintains an active presence in local cultural communities while humorously aspiring to own unconventional pets like porcupines or dragons.

• Australian Cinema Studies
• Media Policy
• Screen Production
• +۵ مورد دیگر

Benedict Goldsmith is a distinguished Professor at Queensland University of Technology's Faculty of Creative Industries, School of Communication, specializing in Australian cinema, media policy, and screen production. With a prolific publication record spanning nearly two decades, he has established himself as a leading authority on Australian film history, creative industries, and digital media transformation. Goldsmith's research interests focus on Australian cinema studies, media policy, screen production, creative industries, digital media, and television studies. His scholarly work consistently examines the intersection of national identity and screen culture, with particular attention to how Australian cinema negotiates global influences while maintaining distinctive local characteristics. He has made significant contributions to understanding the evolution of Australian film genres, the impact of digital disruption on media education, and the changing landscape of creative work beyond traditional creative industries. His research portfolio demonstrates consistent engagement with contemporary media challenges, particularly the transformation of Australian television in the streaming era, the role of screen content in education, and the evolving pathways for creative graduates. Goldsmith has been particularly active in analyzing how digital platforms like Netflix, Stan, and Presto are reshaping Australian television consumption and production. As an academic leader, Goldsmith has served as co-editor of significant reference works including the 'Directory of World Cinema: Australia and New Zealand' series and 'Australian Screen in the 2000s,' establishing foundational resources for scholars of Australian and New Zealand cinema. His collaborative research projects, particularly with QUT's Digital Media Research Centre, have produced influential studies on screen content in Australian education. Goldsmith's scholarly impact extends beyond traditional academic publishing through his regular contributions to The Conversation, where he has provided expert commentary on critical media issues including media regulation, the future of the ABC, and the implications of streaming services for Australian content. His ability to bridge academic research and public discourse has made him a respected voice in Australian media policy debates.

• Film Directing
• Screenwriting
• Cinematography
• +۴ مورد دیگر

Jan Jakub Kolski (born January 29, 1956 in Wrocław) is a distinguished Polish film director, screenwriter, cinematographer, and writer who holds the academic title of Professor of Art. He graduated from the Cinematography Department of the National Film School in Łódź in 1985 and has maintained a strong connection with the institution as both an alumnus and faculty member. Kolski earned his PhD in Film Arts in 2007 and was awarded the prestigious title of Professor of Art in 2019, recognizing his significant contributions to Polish cinema and film education. Kolski's research interests span across film directing, screenwriting, cinematography, Polish cinema, art house cinema, documentary film, and experimental film. His work consistently explores the relationship between good and evil, the human condition in contemporary society, and the creation of unique cinematic worlds filled with distinctive characters. His films are characterized by fairy-tale poetry, stark realism, warmth, gentle humor, and a constant struggle between darkness and light. Kolski has developed a distinctive visual style that blends uncompromising nature with childlike naivety, creating works that analyze Polish provinciality and cultural identity. Throughout his prolific career, Kolski has directed numerous feature films, documentaries, television series, and student film projects. His most recent works include 'STADO' (2024), 'WARIACI' (2023), and 'REPUBLIKA DZIECI' (2022), demonstrating his continued relevance and creative output in contemporary Polish cinema. His films often examine social structures, family dynamics, and the human experience through a uniquely Polish lens while maintaining universal appeal. Officer's Cross of the Order of Polonia Restituta (2011) for outstanding contributions to national culture Gold Medal 'Gloria Artis - For Merit to Culture' (2020) 'Paszport Polityki' award (1995) for originality and rediscovery of Polish provinciality Crystal Boar for outstanding achievements in film directing (2018) Numerous 'Jańcio Wodnik' awards at the National Film Festival 'Prowincjonalia' As an educator, Kolski has provided pedagogical supervision for dozens of student films at the National Film School in Łódź, mentoring the next generation of Polish filmmakers. His approach to film education emphasizes creative rebellion, technical mastery, and the development of a personal cinematic voice. Kolski is also a published author, with works including the short story collection 'Jańcio Wodnik i inne nowele' and novels 'Kulka z chleba' and 'Egzamin z oddechania', demonstrating his literary talents alongside his cinematic achievements.

• Literary Theory
• Narrative Theory
• General Semantics
• +۶ مورد دیگر

Professor Bohumil Fořt is a distinguished academic specializing in Literary Theory and Narratology at Masaryk University's Faculty of Arts in Brno, Czech Republic. He serves as a Professor in the Department of Linguistics and Baltic Languages, having been promoted to this rank in 2019 after serving as Associate Professor since 2011. Professor Fořt also maintains a concurrent position as Senior Researcher at the Institute of Czech Literature, The Academy of Sciences of the Czech Republic since 2003, demonstrating his dual academic affiliation. Professor in Czech Literature and Literary Theory (2019-present) Associate Professor in Czech Literature and Literary Theory (2011-2019) Ph.D. in Literary Theory, Charles University, Prague (2004) M.A. in Mathematics and Czech Language and Literature, South Bohemian University (1997) Professor Fořt's research spans Literary Theory, Narrative theory, General Semantics, Possible-Worlds Semantics, Semiotics, Literary Structuralism, Modern Czech Literature, Narrative Semantics of Fictional Worlds, and Literary Realism. His scholarly output demonstrates deep expertise in Fictional Worlds Theory, particularly building on the work of Lubomír Doležel, and Czech Structuralism. His publications reveal a consistent focus on narrative structures, fictional world construction, and the theoretical frameworks that underpin literary analysis. He has made significant contributions to understanding how narrative gaps function, how fictional worlds achieve coherence, and how Czech literary theory connects with international scholarly discourse. His recent publications show continued theoretical development in narratology, with particular attention to classic Czech literary works like Hašek's Švejk, Kafka's fiction, and the evolution of literary realism. Professor Fořt's work bridges historical analysis of Czech literary theory with contemporary applications of narrative frameworks across multiple languages and literary traditions. Professor Fořt has served as principal investigator on several research projects including the Grant Agency of the Czech Republic's "Dictionary of Literary Structuralism" (2013-2018) and currently supervises multiple doctoral students across disciplines including Czech Literature, Narratology, and Translation Studies. His supervision covers diverse topics from Czech Comics analysis to Memory Worlds in Holocaust literature, reflecting the breadth of his theoretical expertise. His international scholarly engagement is extensive, including a Visiting Professorship at the University of Maryland (2018-2019) and numerous research trips to institutions across Europe and North America, with documented visits to universities in Sweden, Austria, UK, Canada, France, Germany, Slovakia, Russia, Israel, and the United States.

Sabine Meineمشاهده پروفایل

استاد

• Historical Musicology
• Music Culture of Early Modern Period
• Music Culture of Modern Period
• +۵ مورد دیگر

Prof. Dr. Sabine Meine serves as Professor of Historical Musicology at Cologne University of Music and Dance (Hochschule für Musik und Tanz Köln), where she also holds the position of Pro-Dean of Department 5. She is spokesperson for the Institute for Historical Musicology at HfMT and maintains active roles in multiple scholarly organizations including the German Musicological Society, Deutsches Studienzentrum in Venedig e.V., and Villa Vigoni e.V. Meine's research focuses on music within its broader cultural context from a distinctly historical perspective, examining relationships between music and other arts and knowledge domains, as well as music's significance in social contexts. Her scholarly work centers on music cultures of the Early Modern period and Modern era in Italy and France, countries where she spent ten years of her academic career. She approaches music through interdisciplinary and practice-oriented project frameworks that emphasize networking and collaboration. Her publications reveal consistent engagement with cultural transfer processes, gender perspectives in music, and the interplay between popular and elite musical cultures across historical periods. The thematic threads connecting her diverse publications include cultural mobility, gender dynamics in musical spaces, and the complex interrelationships between music, power structures, and social identity formation. Meine serves as editor of the book series 'Musik - Kultur Geschichte' (together with Arnold Jacobshagen and Michael Rappe) and holds advisory roles for several other academic publications including 'Culturae – Historische Anthropologie und Intermedialität' and 'Voci di Scena. Culture per lo spettacolo.' Her academic background combines musicology with school music education and Romance studies, reflecting her interdisciplinary approach to music scholarship. She has received recognition through invitations to contribute to prestigious reference works including the Enzyklopädie der Neuzeit and MGG (Die Musik in Geschichte und Gegenwart).