جست‌وجوی استاد و پژوهشگر

• Modern Chinese literature
• Cinema and film history
• Cultural history
• +۵ مورد دیگر

Christopher Rea is a Professor of Modern Chinese Literature in the Department of Asian Studies at the University of British Columbia's Faculty of Arts. He serves as a faculty member and former Associate Head of the Department of Asian Studies, former Director of the Centre for Chinese Research, an associate of the Hong Kong Studies Initiative, and a Faculty Fellow of St. John's College. His academic journey includes a Ph.D. from Columbia University (2008) and a B.A. from Dartmouth College (1999). Rea's research focuses on the modern Chinese-speaking world, with particular expertise in Chinese literature, cinema, print culture, translation, and the cultural history of humor and deception. His scholarly approach bridges literary analysis, cultural history, and film studies, creating a distinctive interdisciplinary perspective on modern Chinese cultural production. He is particularly known for his work on Republican-era China (1912-1949), exploring how cultural forms evolved during this transformative period. His major publications reveal a trajectory from studies of humor and laughter in modern China ( The Age of Irreverence , 2015) to literary hoaxes and deception ( The Book of Swindles , 2017), Chinese cinema ( Chinese Film Classics , 2021), and research methodology ( Where Research Begins , 2022). His current projects include China on the Make: Stories of Chinese Deception and The Unfinished Comedy , a sequel to The Age of Irreverence . National Endowment for the Arts Translation Fellowship (2024) UBC Dean of Arts Mentorship Award (2024) UBC Killam Research Prize (2022) Joseph Levenson Book Prize (2017) Rea actively supervises graduate students and has developed significant digital resources, including the Chinese Film Classics project (chinesefilmclassics.org) featuring 40+ subtitled Chinese films and 22 video lectures, and a YouTube channel with over 250 videos on Chinese cinema and culture. His teaching extends to free online courses on The Modern Chinese Novel and early Chinese cinema, demonstrating his commitment to making scholarly resources accessible beyond traditional academic boundaries.

Robert Westمشاهده پروفایل

دانشیار

• Natural Language Processing (NLP)
• Machine Learning
• Computational Social Science
• +۴ مورد دیگر

Robert West is an Associate Professor at EPFL (École polytechnique fédérale de Lausanne) in the School of Computer and Communication Sciences , leading the Data Science Lab (dlab) . His research focuses on Natural Language Processing , Machine Learning , and Computational Social Science , analyzing human-generated data from the web, social media, and online platforms. Education : PhD in Computer Science (2016) - Stanford University MSc in Computer Science (2010) - McGill University BSc in Computer Science (2007) - Technische Universität München Research Interests : West develops algorithms for analyzing large-scale web data, with emphasis on multilingual NLP , social network analysis , and AI ethics . His work bridges machine learning with social science to understand digital human behavior. Scientific Awards : ICWSM’22 Adamic–Glance Distinguished Young Researcher Award Google Faculty Research Award Facebook Research Award Multiple Outstanding Paper Awards at ICWSM and WWW Advising & Grants : He advises 12 PhD students and has secured funding from the Swiss National Science Foundation , Swiss Data Science Center , and industry partners. His lab maintains collaborations with Microsoft Research and CROSS . Labs & Collaborations : West leads the Data Science Lab at EPFL, which focuses on web-scale data analysis , privacy-preserving machine learning , and AI for social good . The lab develops tools like Wikispeedia and Quotebank for public data exploration.

Laurie Shannonمشاهده پروفایل

استاد

• Early Modern Literature
• Gender & Sexuality Studies
• Environmental Humanities
• +۵ مورد دیگر

Laurie Shannon is the Franklyn Bliss Snyder Professor of English at Northwestern University, with a J.D. from Harvard Law School and a Ph.D. from the University of Chicago. She studies English literature and culture in the long sixteenth century, focusing on the history of ideas in language, stakeholdership, embodiment, and cross-species relations. She serves as convener of The Anne Lister Society and is collaborating with Oxford University Press on a scholarly edition of Anne Lister’s Journal. Education: J.D., Harvard Law School; Ph.D., University of Chicago Shannon’s research explores the political imagination in early modern literature, particularly through friendship (Sovereign Amity: Figures of Friendship in Shakespearean Contexts) and animal studies (The Accommodated Animal: Cosmopolity in Shakespearean Locales). Her current monograph, 'Frailty’s Name: Shakespeare and the Natural History of Human Being,' examines human negative exceptionalism in Renaissance thought and its implications for climate crisis ethics. Her publications span Shakespeare studies, queer theory, environmental humanities, and textual editing. Notable awards include the Elizabeth Dietz Memorial Award, Robert B. Cox Teaching Award, and Dean’s Award for Graduate Mentoring. She has held NEH, ACLS, and Guggenheim fellowships. Scientific Awards: Elizabeth Dietz Memorial Award, Robert B. Cox Distinguished Undergraduate Teaching Award, Dean's Award for Graduate Mentoring, NEH Fellowship, ACLS Fellowship, Guggenheim Fellowship Shannon contributes to the Anne Lister Diary Transcription Project and has served as English Department Chair at Northwestern. Her recent articles focus on Shakespeare’s engagement with natural history, queer cosmology, and animal sovereignty, reflecting her interdisciplinary approach.

Elaine Chunمشاهده پروفایل

دانشیار

• Sociolinguistics
• Linguistic Anthropology
• Language and Racism
• +۴ مورد دیگر

Elaine Chun is an Associate Professor in the Department of English Language and Literature at the McCausland College of Arts and Sciences, University of South Carolina. She holds a Ph.D. in Linguistics from the University of Texas at Austin (2007) and an A.B. in Linguistics from Stanford University (1995). Education: Ph.D. in Linguistics, University of Texas at Austin (2007); A.B. in Linguistics, Stanford University (1995). Research Interests Dr. Chun specializes in sociolinguistics and linguistic anthropology, with a focus on language, race, gender, and sexuality. Her work examines how language practices traverse racial and national boundaries, particularly in contexts like Asian American YouTube commentary, K-pop fandom, and U.S. public spaces. She investigates ideologies of race and gender, collaborative interpretation in social media, and anti-racist strategies. Publication Trends Her recent publications emphasize language in digital media, racial ideologies, and sociocultural identity. Topics include racism in public discourse, transnational social media analysis, racial parody, and the intersection of language with race and gender. Her work spans journals like American Speech , Language in Society , and Discourse & Society .

William Boydمشاهده پروفایل

مدرس

• English Literature
• Screenwriting
• Creative Writing
• +۳ مورد دیگر

William Boyd is an Honorary Fellow of Jesus College, Oxford, and an alumnus who earned a DPhil in English Literature there in 1975. Formerly a Lecturer in English Literature at St. Hilda’s College, Oxford (1980–83), he is renowned as an award-winning author and screenwriter. His works include novels like A Good Man in Africa and Any Human Heart , which have garnered accolades such as the Whitbread Award and BAFTA. Boyd’s screenwriting spans films like Chaplin and adaptations of his own novels, including the BAFTA-winning Any Human Heart (2010). Education : DPhil in English Literature, Jesus College, Oxford (1975). Boyd’s research interests center on creative writing, novel adaptation, and narrative techniques, blending literary excellence with cinematic storytelling. His screen credits include original films and adaptations of literary works, showcasing versatility across mediums. Awards span literature and film, including honorary doctorates from four Scottish universities and the CBE. Literary and cinematic themes in his work explore human psychology, historical contexts, and social dynamics, often with satirical or existential undertones. His contributions to both page and screen have solidified his international reputation.

Heather Knightمشاهده پروفایل

استادیار

• Social Robotics
• Human-Robot Interaction
• Non-Verbal Machine Communication
• +۳ مورد دیگر

Heather Knight is an Assistant Professor in the Department of Electrical Engineering and Computer Science at Oregon State University, part of the College of Engineering. Her research focuses on social robotics and human-robot interaction, emphasizing non-verbal communication and the design of non-anthropomorphic robots. She directs the CHARISMA Research Lab, which applies principles from performing arts to enhance robot charisma through expressive motion and interaction design. Dr. Knight holds a Ph.D. in Robotics from Carnegie Mellon University (2016), and dual M.S. degrees in Robotics (Carnegie Mellon) and Electrical Engineering & Computer Science (MIT, 2008), alongside a B.S. in Electrical Engineering from MIT (2006). She also leads Marilyn Monrobot, a robot theater company producing comedic performances and an annual Robot Film Festival. Her work bridges technical innovation with societal impact, exploring how robots can better communicate intent through motion and interaction. Notable contributions include the 'Sanitizerbot' project for playful public health support and the development of Laban-based motion frameworks for expressive robotics. Awards include being named to Forbes' 30 Under 30 in Science (2011) and her TED talk on robot comedy. Key Research Themes: Multi-robot formations, expressive motion design, human-robot social dynamics, and ethical integration of AI in robotics. Recent Projects: VR storytelling with social robots, service robots in workplace environments, and motion-based affective communication. Her articles span topics from robot humor generation to industrial light communication systems, reflecting a commitment to both foundational research and applied solutions for human-robot coexistence.

Maxwell Boykoffمشاهده پروفایل

استاد

• Climate Change Communication
• Science-Policy Interactions
• Political Economy
• +۶ مورد دیگر

Maxwell (Max) Boykoff is a Professor in the Environmental Studies department at the University of Colorado Boulder and a Fellow in the Cooperative Institute for Research in Environmental Sciences (CIRES). He holds a PhD in Environmental Studies from the University of California, Santa Cruz (2006) and an MBA from the University of Colorado Boulder (2023), complementing his BS in Psychology from The Ohio State University. His research focuses on two primary arenas: the cultural politics of science, climate change and environmental issues, examining how attitudes and behaviors shape action possibilities; and transformations of carbon-based economies, with emphasis on science-policy interfaces and decarbonization politics. His work explores how climate science finds meaning in everyday life and feeds back into policy decisions. Boykoff's publications demonstrate consistent focus on climate communication, media representations, policy conflicts, and societal transformations. His recent work emphasizes digital communication strategies, climate health connections, countermovement analysis, and creative engagement methods. Article trends show increasing attention to social media dynamics, global comparative studies, and interdisciplinary approaches spanning environmental studies, communication, and political science. Awards & Recognition: CU Excellence in Leadership Program (2022) Contributing Author to IPCC Sixth Assessment Report Deputy Editor at Climatic Change journal (over a decade) He leads significant research initiatives including the Media and Climate Change Observatory (MeCCO) monitoring global climate coverage across 82 sources in 40+ countries, Inside the Greenhouse (creative climate communication project), and the Colorado Local Science Engagement Network . He serves on the Independent Science Panel for New Zealand's Deep South Challenge. Boykoff teaches courses including Climate Change Politics & Policy, Creative Climate Communication, Political Economy and the Environment, and Science & Environmental Communication. He mentors through the Red Cross/Red Crescent Climate Centre Internship Program and integrates research with teaching and service commitments.

Philip Kirbyمشاهده پروفایل

مدرس ارشد

• History of Education
• Education Policy
• Disability Studies
• +۳ مورد دیگر

Dr. Philip Kirby is a Senior Lecturer in the History of Education at King’s College London’s School of Education, Communication & Society. He joined in 2020 after roles at the University of Oxford, the Sutton Trust, and the University of Exeter. His research focuses on the historical and social dimensions of specific learning difficulties like dyslexia and dyspraxia, alongside children’s culture and education policy. His notable work includes Dyslexia: A History (2022, co-authored with Prof. Margaret J. Snowling) and entries in encyclopedias like Palgrave Encyclopedia of Disability . He also explores geopolitical themes in media, including film scores and video games. Recent projects include Delphi studies on dyslexia assessment and policy reform. His research spans education policy, private tuition dynamics, and the intersection of popular culture with disability ethics. He actively contributes to interdisciplinary initiatives like the Centre for Public Policy Research, addressing social justice in education and policy.

Ute Fendlerمشاهده پروفایل

استاد

• Francophone Literatures
• Postcolonial Studies
• African Cinema
• +۷ مورد دیگر

Prof. Dr. Ute Fendler holds the Chair of Romance Literature and Comparative Studies with Special Emphasis on Africa at the University of Bayreuth. Her academic journey includes a 2006 Habilitation and 1992 PhD from Saarland University, with research spanning Francophone African literatures , intermedial phenomena , and postcolonial cinematic analysis . She coordinates the Bayreuth Academy of Advanced African Studies as Vice-Director and serves on multiple editorial boards. 2006-Present: Professor at University of Bayreuth 2011-2015: Director of Institute for African Studies 2015-Present: Vice-Director of Bayreuth Academy of Advanced African Studies Her research interrogates urban ecotonal spaces through African music videos, transnational cinematic flows in African and Afro-Asian contexts, and mediated memory practices . Recent publications explore post-apocalyptic storytelling and decolonial aesthetics in music videos and films. Scientific contributions include: 2025: Staging Atmosphere: Urban Ecotonal Spaces in African Music Videos (Brill) 2024: Co-edited Asia-Africa: Multifaceted Engagement (Palgrave Macmillan) 2022: Animating the Future: Superheroes in Africa (Brill) 2020: Ghosts as Mediators: Memory and Hauntology (iwalewabooks) 2019: K-Pop Fandom in Germany (Korea University Press) She received the Faculty Enrichment Award from the Canadian Embassy in 2005 and serves on multiple academic committees including the University Library Commission (2007-2016).

Aida Levy-Hussenمشاهده پروفایل

دانشیار

• African American Literature
• American Literature
• Gender and Sexuality Studies
• +۴ مورد دیگر

Aida Levy-Hussen is an Associate Professor in the Department of English Language and Literature at the University of Michigan's LSA (Literature, Science, and the Arts) College. Her research focuses on African American literature, trauma studies, gender and sexuality studies, and 20th-century American literature. She holds an A.B. from Harvard University (2003) and a Ph.D. from Emory University (2009). Levy-Hussen's work interrogates the intersections of race, memory, and cultural expression. She examines how African American writers engage with historical trauma, particularly slavery's legacies, and explores themes like boredom, affect, and narrative form in contemporary works. Her recent scholarship includes analyses of Ishmael Reed’s postmodern historiography and Spike Lee’s satirical film Bamboozled . She currently teaches courses on African American literature, Toni Morrison, and narrative theory. Her office is located in 3232 Angell Hall, with regular appointment-based office hours. No scientific awards are explicitly mentioned, but her prolific publication record reflects sustained academic impact in literary studies. Levy-Hussen’s writing emphasizes interdisciplinary approaches, blending literary criticism with cultural theory, psychoanalysis, and historical analysis. Her book How to Read African American Literature (2016) provides a transformative framework for interpreting post-civil rights fiction.

Sianne Ngaiمشاهده پروفایل

استاد

• Aesthetic Theory
• Critical Theory
• American Literature
• +۲ مورد دیگر

Sianne Ngai is the Andrew W. Mellon Professor in the Department of English at the University of Chicago, where she has taught since 2017. Her work bridges aesthetic theory, critical theory, and cultural studies, with a focus on the affective dimensions of capitalist culture and equivocal aesthetic judgments. Her educational background includes: Ph.D., Harvard University, 2000 Ngai's research centers on everyday aesthetic categories (cute, zany, interesting, gimmick) and their relationship to capitalism, revolutionizing affect theory through analyses of politically ambiguous emotions. Her work critically intersects with feminist and queer studies , examining how gender, sexuality, and race shape aesthetic experience. She approaches mundane aesthetic judgments with philosophical rigor previously reserved for the sublime, revealing their embeddedness in labor, value, and temporal structures of capitalist culture. Her publications form a cohesive trajectory: from Ugly Feelings ' exploration of non-cathartic negative affects to Our Aesthetic Categories ' elevation of trivial aesthetic terms, culminating in Theory of the Gimmick 's investigation of capitalist contradictions. Recent works extend this framework to comedy, dialectical thought, and cross-cultural translations, demonstrating global scholarly impact through multiple language editions. Her major awards include: Modern Language Association’s James Russell Lowell Prize Christian Gauss Award finalist ASAP Book Prize (co-winner) Literary Hub Book of the Year Honorary Doctorate from the University of Copenhagen Guggenheim Fellowship Berlin Prize (American Academy in Berlin) Wissenschaftskolleg zu Berlin Fellowship ACLS Fellowship Huntington Library Fellowship Stanford Humanities Center Fellowship Ngai's research has been sustained by prestigious fellowships enabling extended scholarly residencies at top institutions worldwide. Her collaborative work includes co-editing Critical Inquiry 's special issue on Comedy with Lauren Berlant. Teaching remains central to her practice, with courses spanning American literature, feminist/queer criticism, and aesthetic theory—including upcoming 2025-2026 courses on literary criticism, Marx's Capital , and Adorno's Aesthetic Theory . Though not explicitly mentioned in institutional labs, Ngai's intellectual influence operates through international lecture circuits (from Aarhus University to Seoul National) and shaping critical discourse across humanities disciplines through her conceptual innovations in affect and aesthetic theory.

Signy Lynchمشاهده پروفایل

استادیار

• Contemporary theatre
• Intercultural and diasporic performance
• Black theatre
• +۴ مورد دیگر

Signy Lynch is an Assistant Professor in English and Drama at the University of Toronto Mississauga (UTM) and a graduate faculty member at the Centre for Drama, Theatre and Performance Studies. Her research focuses on contemporary intercultural/diasporic performance, Black theatre, participatory performance, audience research, and critical theatre criticism in Canada. Education : PhD and MA from York University, Hon. BA from Queen’s University Her work explores the intersections of digital media and intercultural performance, including immersive theatre practices and audience dynamics in pandemic-era performances. She co-edits Canadian Theatre Review and investigates epistemic violence in traditional criticism frameworks. In the 15 most recent publications , Lynch examines topics like racial dynamics in theatre criticism, intermedial performance technologies, audience complicity in Indigenous storytelling, and pandemic-era performance adaptations. Her articles appear in Theatre Research in Canada , Contemporary Theatre Review , and New Theatre Quarterly . Awards : Barbara Godard Prize (2021), Governor General’s Gold Medal (2022), CTCA Outstanding Critical Essay runner-up (2022) Lynch co-directs the Centre for Spectatorship and Audience Research and serves on Cahoots Theatre’s board. Her SSHRC-funded research addresses hiring equity in Canadian theatre academia and reimagines critical dramaturgy for digital futures.

Garth Alperمشاهده پروفایل

استاد

• Jazz
• Jazz Piano
• Popular Music
• +۳ مورد دیگر

Dr. Garth Alper is a Professor and Program Coordinator for Jazz Studies at the University of Louisiana at Lafayette's School of Music and Performing Arts. He holds a Doctor of Arts in Music Theory/Composition from the University of Northern Colorado, a Master of Arts in Piano Performance (Jazz Track) from New York University, and a Bachelor of Professional Studies in Jazz Studies from SUNY Empire State College. His research focuses on Jazz Piano, Jazz History, and Popular Music, with notable contributions to understanding improvisation techniques, postmodernism in music, and the cultural legacy of jazz icons like Duke Ellington. Dr. Alper has authored numerous articles in journals such as College Music Symposium , Rock Music Studies , and Jazz Perspectives , and guest-edited a special jazz issue of Popular Music and Society . His music compositions are featured on multiple CDs, including the acclaimed Spider’s Web (2022) and Stratus (2017). He has received significant grants and awards, including the BORSF Endowed Professorship and funding for jazz pedagogy and recording projects. Education: Doctor of Arts in Music Theory/Composition (University of Northern Colorado) Master of Arts in Piano Performance (Jazz Track, New York University) Bachelor of Professional Studies in Jazz Studies (SUNY Empire State College) Research Contributions: Includes analysis of jazz improvisation, postmodern music theory, and the sociocultural impact of jazz. He has authored encyclopedia entries on influential jazz musicians and contributed to critical discussions on popular music pedagogy. Teaching & Courses: Teaches Jazz Piano, Jazz Theory, Jazz History, Film Scoring, and directs the Jazz Combo program. Courses include MUS 312: Jazz Theory I and MUS 438: Film Scoring I . Grants & Recognition: Over $100K in grants for recording projects, multimedia facilities, and pedagogical initiatives. Holder of the Ruth Stodghill Girard BORSF Endowed Professorship since 2001. Labs/Teams: Coordinates the Jazz Studies program and collaborates on projects blending jazz with film scoring and modern media.

• Cultural Studies
• Critical Multiculturalism
• Race and Ethnicity Studies
• +۵ مورد دیگر

Sean Brayton serves as an Associate Professor in the Department of Kinesiology & Physical Education at the University of Lethbridge, where he bridges cultural theory with critical analyses of visual media and embodied practices. His academic credentials include a Bachelor of Arts from the University of Lethbridge, a Master of Arts from the University of Alberta, and a Doctor of Philosophy from the University of British Columbia. Brayton's research interrogates intersections of race, labor, and the body within film and television narratives, with concentrated focus on comedy, science fiction, and melodrama genres. He examines how popular media constructs whiteness, represents migrant labor, and processes economic crises like the Great Recession through horror and reality television frameworks. His scholarship consistently applies critical multiculturalism and visual culture theory to deconstruct power dynamics in contemporary cultural production. His 15 publications from 2005-2013 reveal a cohesive scholarly trajectory analyzing racialized labor, embodiment, and identity in media. Brayton frequently investigates how comedy and horror genres negotiate multiculturalism, with recurring attention to whiteness, masculinity, and economic structures across diverse formats from children's cartoons to Hollywood blockbusters. Scientific Awards: None documented in available records. Advising and Grants: No graduate students or research funding details are specified in current institutional materials. Brayton operates within the Socio/Cultural Lab at the University of Lethbridge, which facilitates interdisciplinary research on cultural representations and social phenomena, as evidenced by his 2009 media appearance discussing zombie culture for CityTV's Your City segment.

Amanda Konkleمشاهده پروفایل

دانشیار

• Film History
• Stardom and Celebrity Studies
• Gender and Sexuality Studies
• +۶ مورد دیگر

Amanda Konkle serves as Associate Professor in the Department of English at Georgia Southern University and holds an affiliate appointment in the Women's, Gender & Sexuality Studies Program. Her academic profile spans film history, stardom studies, and gender/sexuality research with particular focus on Hollywood's Production Code era and contemporary media representations. Her educational credentials include: Ph.D. in English, University of Kentucky (2016) M.A. in English Literature, Miami University (2008) B.A. in English, Hanover College (2004) Graduate Certificate in Gender and Women's Studies, University of Kentucky (2010) Professor Konkle's research critically examines stardom construction (especially Marilyn Monroe's persona), gender performance in Westerns and comedies, censorship frameworks in Hollywood, and postfeminist television . Her work interrogates how domesticity narratives, racial dynamics, and method acting techniques shape cultural memory through film and media artifacts, with strong connections to UN Sustainable Development Goals regarding gender equality. Analysis of her 2021-2025 publications reveals concentrated exploration of Marilyn Monroe's cinematic legacy (including three Blonde adaptations), Production Code-era subversion strategies, and critical reevaluations of 1990s television reboots through intersectional feminist lenses. Recent scholarship increasingly addresses pedagogical innovation in composition instruction alongside media studies. As an active mentor, Professor Konkle currently accepts PhD students and maintains research collaborations examining precarious whiteness in television and adaptation theory across biographical media.