Robert Kaufman is a Professor of Comparative Literature at the University of California, Berkeley. He holds a B.A. (1979), J.D. (1982), and Ph.D. (1995) from UC Berkeley. Prior to academia, he practiced labor and employment law. His career includes positions at McGill University, Stanford University (where he was an Assistant Professor of English and affiliated with German Studies and Modern Thought & Literature), and visiting roles at the University of Chicago and UC Berkeley. He has held fellowships including Stanford Humanities Center, Hellman Family, and Institute of International Studies. He co-chairs Berkeley's Program in Critical Theory. His research focuses on 20th-21st century American poetry, Latin American poetry, Romantic-era poetics, Frankfurt School Critical Theory, and aesthetic philosophy. Key projects include Negative Romanticism: Adornian Aesthetics in Keats, Shelley, and Modern Poetry , and studies on César Vallejo, Paul Celan, and Robert Duncan. His work bridges Marxist theory, lyric form, and sociopolitical critique. Kaufman's essays analyze Adorno's influence on modern poetry, the ethics of lyric form, and intersections between poetry and democracy. His recent work engages postmodernism's aftermath and contemporary political crises. He frequently collaborates on translation projects and public humanities initiatives, including events on Paul Celan's centenary.
Norman M. Naimark serves as the Robert & Florence McDonnell Professor of East European Studies and Professor of History at Stanford University, with courtesy appointments in German Studies. He holds senior fellowships at both the Hoover Institution and Freeman Spogli Institute for International Studies, and is affiliated with The Europe Center and the Center on Democracy, Development and the Rule of Law. Education: Ph.D. in History, Stanford University (1972) Naimark specializes in Soviet-era Eastern European history, with dual research pillars: Soviet policies in post-WWII Europe and 20th-century genocide/ethnic cleansing phenomena. His work bridges historical analysis with contemporary human rights discourse, emphasizing geopolitical power dynamics and systematic violence against civilian populations. Methodologically, he combines archival rigor with comparative frameworks across national contexts. His publication trajectory from 1979–2019 reveals evolving focus from Marxist movements in partitioned Poland to Soviet occupation mechanics, culminating in comprehensive genocide studies. The 2019 monograph on Stalin's postwar European sovereignty struggles synthesizes decades of research into Soviet imperial practices. Scientific awards: Officer's Cross of the Order of Merit of the Federal Republic of Germany (1996) Richard W. Lyman Award for outstanding faculty volunteer service (1995) Stanford Dean's Teaching Award (1991-92, 2002-3) Naimark's academic leadership includes directing Stanford's Global Studies Division, Bing Overseas Studies Program, and Center for Russian, East European, and Eurasian Studies. His research informs current policy discussions on authoritarianism and democratic resilience, as evidenced by recent engagements with Belarusian democracy movements and U.S.-Russia relations. He collaborates extensively through Stanford's interdisciplinary centers, particularly contributing historical perspectives to The Europe Center's sovereignty research and the Center on Democracy, Development and the Rule of Law's governance initiatives.
David B. MacDonald is a full Professor of Political Science at the University of Guelph's Department of Political Science, housed within the College of Social & Applied Human Sciences. He holds an honorary academic position at the University of Auckland and previously taught at the University of Otago and ESCP Business School in Paris. His research focuses on Indigenous-settler relations, genocide studies, decolonization, and comparative politics in Canada, New Zealand, Australia, and the U.S. He has held significant grants from the Social Sciences and Humanities Research Council (SSHRC), including principal investigator roles on projects like 'Complex Sovereignties' and 'Bi-Nationalism as Reconciliation.' Education: PhD in International Relations from the London School of Economics (2001). Key publications include The Sleeping Giant Awakens (2019) and co-authored textbooks like Comparative Politics (2020). He is North American series editor for Palgrave Macmillan's Global Political Sociology. Research interests emphasize settler colonialism, Indigenous sovereignty, and truth and reconciliation processes. He has contributed to policy discussions, including advising the Canadian Senate on the National Council for Reconciliation. His work bridges academic scholarship with activism, aiming to address systemic inequalities and promote Indigenous rights. SSHRC Grants: Over $200k in grants since 2008, focusing on Indigenous self-determination and colonialism. Publications: 4 sole-authored books; 31 refereed articles; numerous edited volumes. Awards: Shortlisted for the John McMenemy Prize (2013, 2017).
Max Cavitch is an Associate Professor of English at the University of Pennsylvania's School of Arts & Sciences, specializing in American literature, psychoanalytic studies, and cinema. He joined Penn in 1999 after earning his B.A. from Yale and Ph.D. from Rutgers. His research spans 19th- and 20th-century literature, African American studies, and interdisciplinary fields like animal studies and gender theory. Cavitch has authored influential works such as *American Elegy* (2007) and co-edited volumes on Whitman and early American studies. He directs Penn's Psychoanalytic Studies program and edits the blog *Psyche on Campus*, honored with the 2022 American Psychoanalytic Association's Excellence in Journalism Award. His teaching includes courses on psychoanalysis, autobiography, and American poetry. Cavitch has held fellowships from the Fulbright Foundation, Newcombe Foundation, and others. His recent projects explore world autobiography, psychoanalysis in academia, and the history of 'ashes' as a conceptual and material symbol. Award-winning scholar and educator, Cavitch's work bridges literary criticism with clinical theory, media studies, and transnational frameworks. He advises doctoral students in American literature and affiliated programs, maintaining active collaborations with institutions like the McNeil Center for Early American Studies and the Psychoanalytic Center of Philadelphia.
Kelly D Palmer is an Assistant Professor in the History, Geography and Legal Studies Department at The University of Tampa, within the College of Social Sciences Mathematics and Education. Her academic focus centers on modern European history, with particular expertise in French history, the Holocaust, and World War II humanitarian efforts. Her educational background includes: B.A. from Michigan State University (1991) M.A. from Korbel School of International Studies at the University of Denver (2002) Ph.D. from Michigan State University (2010) Professor Palmer's research delves into the history of modern Europe, with a concentration on France, the Holocaust, and European postwar historical memory. She is currently completing an article on the American Friends Service Committee and Jewish rescue in World War II France, and another on Roswell McClelland's work with the American Friends Service Committee and War Refugee Board. Her upcoming project examines women humanitarian workers in the American Friends Service Committee during WWII. Her teaching covers World History from 1500, the Holocaust, Twentieth-Century Europe, and other European history courses. Her notable scientific awards and grants include: Chosen as a university-wide applicant for the 2023 National Endowment of the Humanities Summer Stipends Program Pollock Research Grant (2021) Grant from the Undergraduate Research and Inquiry Committee for an inquiry-based course (2020) College of Social Sciences Mathematics and Education Award for Outstanding Teacher (2018-2019) UCDALI Professional Development Grant (Spring 2016) CU Online Course Development Grant (Fall 2015) Nominee for College of Arts and Letters at the University of Colorado of Denver, Teaching Excellence Award (2013-2014) Dissertation Completion Fellowship, College of Social Science, Michigan State University (2010) Kussy Scholarship for Study of the Holocaust, James Madison College, Michigan State University (2008) International Studies Program Pre-dissertation Research Fellowship, International Studies Program, Michigan State University (2007) Muelder-Lowe Graduate Award, Department of History, Michigan State University (2007) Summer Research Enhancement Fellowship, Department of History, Michigan State University (2007) Summer Research Fellowship, Department of History, Michigan State University (2006) Summer Research Language Fellowship, Department of History, Michigan State University (2005) Somers Award for Excellence and Creativity in Teaching, Center for Integrative Studies in the Arts and Humanities, Michigan State University (2005) Recruitment Fellowship, Department of History, Michigan State University (2003-2004) Professor Palmer has secured significant grant funding for her research and teaching. Notable grants include: Pollock Research Grant (2021) for her research on WWII humanitarian efforts. Undergraduate Research and Inquiry Committee Grant (2020) for an inquiry-based course. UCDALI Professional Development Grant (2016) CU Online Course Development Grant (2015) She also mentors students through an internship program with the Florida Holocaust Museum, facilitating student placements and collaborative educational events. Professor Palmer collaborates closely with the Florida Holocaust Museum, where she has developed an internship program for students and co-organizes speaker events and educational activities. This partnership serves as a key platform for her students' experiential learning and community engagement.
Roger Luckhurst is Professor of Modern Literature and currently holds the prestigious Geoffrey Tillotson Chair of Nineteenth Century Studies at Birkbeck College, University of London. A leading scholar in Gothic literature, science fiction, and trauma studies, he has been affiliated with Birkbeck for over 25 years, contributing significantly to interdisciplinary literary and cultural studies. Education and Career Trajectory: 2020-present: Geoffrey Tillotson Chair of Nineteenth Century Studies, Birkbeck College 2008-2020: Professor of Modern and Contemporary Literature, Birkbeck College 2004-2008: Senior Lecturer, Birkbeck College 1994-2004: Lecturer, Birkbeck College 1992-1994: Lecturer, University of Hull Research Interests and Scholarly Contributions: Luckhurst's research spans multiple interconnected fields, establishing him as a preeminent voice in literary and cultural studies. His work on late 19th century English literature examines the intersections of Victorian culture with emerging scientific discourses. His expertise in science fiction studies encompasses both literary analysis and cultural theory, exploring how speculative fiction reflects and shapes contemporary anxieties. In Gothic studies , he investigates the persistence of Gothic aesthetics and themes across different media and historical periods. His groundbreaking work in trauma studies has contributed significantly to understanding how literature and culture process collective trauma. Publications and Scholarly Impact: His extensive publication record demonstrates a remarkable breadth of scholarly inquiry. From his early work on J.G. Ballard to his recent comprehensive study of Gothic culture, Luckhurst has consistently produced influential scholarship. His books have been translated into multiple languages including French, Japanese, Turkish, and German, indicating significant international impact. His forthcoming The Gothic: An Illustrated History (2021) promises to be a definitive work in the field. Honors and Awards: 2009: Visiting Research Fellow, University of Birmingham 2009: Visiting Research Fellow, Flemish Academic Centre for Science and the Arts (VLAC), Brussels January-June 2011: AHRC Fellowship, Birkbeck College Spring 2016: Mellon Distinguished Visiting Professor, Department of English, Columbia University, New York Public Engagement and Media Presence: Beyond academia, Luckhurst has demonstrated exceptional commitment to public scholarship. He has served as a broadcaster for BBC radio, bringing literary criticism to wider audiences. His journalism has appeared in leading British newspapers, bridging the gap between academic research and public discourse. This dual role as academic and public intellectual exemplifies Birkbeck's tradition of making scholarship accessible to broader communities. Interdisciplinary Approach and Institutional Contributions: At Birkbeck College, Luckhurst has been instrumental in fostering the institution's renowned culture of interdisciplinary studies. His work seamlessly integrates literary analysis with cultural theory, film studies, architectural history, and scientific discourse. This approach has influenced generations of students and scholars, establishing Birkbeck as a leading center for innovative literary and cultural research.
Dr Maurizio Cinquegrani is a Senior Lecturer in Film and Equity, Diversity and Inclusion Lead at the University of Kent's School of Arts. He holds a PhD from King's College London and has held roles including Head of Film and Media, School Director of Graduate Studies, and Deputy Dean (Student Experience). His research focuses on film's relationship with space, memory, and historical events, particularly the Holocaust and Cold War. He is a Fellow of the Royal Geographical Society (2018-2023). Education: PhD in Film Studies (King's College London, 2010), MA in Contemporary Cinema Cultures (King's College London), BA in Film Studies (University of Bologna). Research interests include cinematic geographies, urban space representation, and documentary film. His notable works include Of Empire and the City: Remapping Early British Cinema (2014), Journey to Poland: Documentary Landscapes of the Holocaust (2018), and Film, Hot War Traces and Cold War Spaces (2022). He has also produced essay films such as Aran Diary (2023) and Formosa 228 (2024). Professional activities include editorial roles for Immagine. Note di Storia del Cinema and AHRC-funded research projects. He supervises doctoral students in film history, documentary cinema, and spatial memory studies. Key awards include the Royal Geographical Society Fellowship. His teaching emphasizes research-led learning and has been influenced by his extensive international collaborations, including visiting roles at Taipei National University of the Arts and Poznań University of Technology.
Jeffrey Rossman is an Associate Professor at the University of Virginia , affiliated with the Department of History and serving as Director of the Center for Russian, East European, and Eurasian Studies . His work bridges historical analysis with cultural and literary studies, focusing on Russia/USSR, Modern Europe, Communism, Genocide, Espionage, and Jewish Cultural Studies. Education: Ph.D., University of California, Berkeley, 1997 A.B., Harvard University, 1989 His research explores worker resistance under Stalin, the intersection of Jewish identity and German literature, and the role of translation in cultural exchange. He has authored key works on Soviet labor movements and Holocaust memory, blending historical narratives with literary theory. Jeffrey’s recent publications and Google Scholar contributions highlight trends in 20th-century European history , Yiddish-German literary dynamics , and translation as a tool for identity formation . His work spans comparative literature, cultural memory, and diaspora studies, emphasizing interdisciplinary approaches. Scientific Awards: ACLS Collaborative Research Fellowship (2013-15) Harry Frank Guggenheim Foundation Research Grant (2013-15) Multiple grants from the University of Virginia’s College of Arts & Sciences and Faculty Summer Research Grant program Fulbright-Hays and IREX fellowships for international research As an educator, Rossman has taught courses such as Genocide: A Global History and Stalinism , mentoring students in historical and literary analysis. His lab, the Center for Russian, East European, and Eurasian Studies, fosters research on Soviet history, Jewish cultural studies, and transnational literary exchange.
Professor Benjamin Ziemann of the University of Sheffield , holds a Ph.D. and Habilitation from German institutions. His research spans Modern German History, with a focus on the Weimar Republic and Nazi Germany , labor movements, and anti-nuclear pacifism . He has received grants from the Alexander von Humboldt Foundation , British Academy , and others. His work includes a definitive biography of Martin Niemöller , analyzing themes like antisemitism , nationalism , and postwar moral reckoning . He has authored and edited seminal texts such as The Oxford Handbook of the Weimar Republic and co-edits journals like Zeitschrift für Geschichtswissenschaft . Research Interests : Social history of German workers in WWI, Weimar/Nazi political culture, religious movements. Teaching : Imperial Germany (1871-1918), Weimar Republic, Gender and Violence in WWI. Supervision : PhD on German army combat, refugee camps in postwar Germany, Catholic discourses on war/peace. Public Engagement : Frequent lecturer in Europe, Japan, USA; media appearances in Deutschlandfunk and rbb Kulturradio .
Miryam Sas is a Professor of Comparative Literature at the University of California, Berkeley. Her work bridges Japanese literature, film, theater, and avant-garde arts with critical theory. She specializes in 20th-century cultural movements, postwar Japanese experimental arts, and media theory. Her research includes studies on surrealism, intermedia, and post-Holocaust representation, with notable works like Feeling Media: Potentiality and the Afterlife of Art (2022) and Experimental Arts in Postwar Japan (2010). Her research interests span Japanese modernism, intermedia art, feminist film analysis, and photographic theory. She has curated exhibitions for institutions such as MoMA, the Getty Museum, and the Mori Art Museum, contributing essays on postwar avant-gardes and Japanese photography. Recent projects include translations of modernist poets Sagawa Chika and Ema Shōko, and collaborative archival work on Finding Zbaraż . Prof. Sas has been awarded the UC President’s Research Fellowship for her media theory work. Her teaching focuses on critical theory, Japanese cinema, and media studies, offering courses on infrastructural aesthetics and transnational Asian media. She actively participates in interdisciplinary dialogues through lectures and radio programs like France Culture’s La Fabrique de l’Histoire .
Professor Esra Özyürek is a faculty member in the Faculty of Divinity at the University of Cambridge, holding the title of Sultan Qaboos Professor of Abrahamic Faiths and Shared Values . She also serves as the CIP Academic Director and acts as a Supervisor under the guidance of Ayesha Ulhaq, Djan Sauerborn, Imad Ahmed, Peach Hoyle, and Zain Bin Bayah. Her academic positions include roles as a University Teaching Officer and part of the Religious Studies specialists group within the academic staff. Professor Özyürek's educational background includes a PhD from the University of Michigan and undergraduate degrees in Sociology and Political Science from Boğaziçi University, Istanbul. Her research interests are expansive and interdisciplinary, focusing on secularism, Islam and Muslims in Western societies, Muslim-Jewish relations, religious conversion, empathy in interfaith contexts, Holocaust memory, civil religion, and regional studies of Turkey and Germany. These areas reflect a deep engagement with contemporary religious dynamics, cultural diversity, and historical memory. Professor Özyürek is currently accepting PhD students but is not available for consultancy. She is affiliated with the School of Arts & Humanities and contributes to its research initiatives and graduate programs. Her professional narrative highlights academic leadership and supervision. She collaborates within the CIP (Centre for Interfaith Practices?) team , fostering dialogue on shared values among Abrahamic faiths. While no specific grants are mentioned, her work likely involves collaborative projects given her supervisory roles and academic directorship.
Dr Kevin Hunt is a Lecturer in Piano (Jazz) at the Sydney Conservatorium of Music, University of Sydney. He holds a Doctor of Philosophy (2016) and a Master of Music in Jazz Performance (2004) from the same institution. His academic roles include supervising six research projects (2017) across Honours, Masters, and PhD levels. Education: MMus(Perf) Sydney (2004), PhD in Jazz Studies (2016). Professional training includes studies with Don Burrows, Bill Motzing, and a scholarship in NYC (2001). Research focuses on jazz piano performance, intercultural collaborations with Aboriginal Torres Strait Islander musicians, and the sonic qualities of Australian-made Stuart & Sons pianos. Key projects include the OUR MUSIC workshop-festivals (2012-2016) and the Ancient & New CD project blending ancient Indigenous chants with jazz improvisation. Performance highlights include the ABC FM Listeners Choice Award-winning JS Bach Trio (1998), recordings with Don Burrows and Simon Tedeschi, and collaborations in cabaret theatre such as Prince Bettliegend (2017). Active in education since 2005, he currently leads the Kevin Hunt Trio and performs with Emma Pask and Marie Wilson. Awards include the 2016 PhD and 1998 ABC award. His work bridges jazz innovation with cultural heritage preservation, evidenced by intercultural projects and academic publications on Yiddish theatre and Indigenous music collaboration.
Professor Tony Kushner is the James Parkes Professor of History at the University of Southampton , affiliated with both the History Department and the Parkes Institute . His work spans Jewish migration history , Refugee studies , and Representation and memory of the Holocaust , with additional expertise in Bystander studies and Heritage, history and memory . Current Research: Cultural history of Jacob Harris (18th-century Jewish triple murderer); co-presentations to the Holocaust with Dr Aimee Bunting. Key Article Trends: Focus on Holocaust memory, urban Jewish communities, migration patterns, and intersections of race, colonialism, and genocide. Scientific Awards: BA Fellowship (Dr Jennifer Craig-Norton) K Pieren Postdoc Research Fellowship Hannah Ewence Postdoc Research Fellowship Kushner Rothschild Parkes Intl Summer School in Jewish Heritage PhD Supervision: Currently supervising 7 PhD students across History and Geography. Grants: Sponsored research projects from the British Academy and Rothschild Foundation (Hanadiv) Europe.
Michael Rothberg is the 1939 Society Samuel Goetz Chair in Holocaust Studies, Professor of English and Comparative Literature at UCLA, and affiliate of the Alan D. Leve Center for Jewish Studies. He previously held positions at the University of Illinois at Urbana-Champaign and the University of Miami. Education: PhD in Comparative Literature (1995) from CUNY; M.Phil. (1994); B.A. with Highest Honors in English and Linguistics from Swarthmore College (1988). Research Interests: Memory Studies, focusing on multidirectional memory frameworks Intersection of Holocaust studies with postcolonial and decolonial theory Literary and cultural theory applied to historical trauma Awards: Guggenheim Fellowship (2023) Conrad Humanities Scholar (2009-2014) ACLS Collaborative Research Fellowship (2011-2012) He directs graduate studies in comparative literature at UCLA and co-organizes the Working Group in Memory Studies. His work appears in Contemporary Literature , Critical Inquiry , and public outlets like Los Angeles Review of Books and The Nation .
Sandro Zanetti, Full Professor of General and Comparative Literature at the University of Zurich's Faculty of Arts and Humanities, specializes in avant-garde research, artistic production processes, and poetics of (im)probability. He studied German, History, and Philosophy at Basel, Freiburg, and Tübingen (1993-1999), earned his PhD in 2005 at Basel's SNSF project, and held positions including Junior Professor at Hildesheim (2008-2011) and DFG network head (2010-2014). Since 2011 at UZH, he progressed from Assistant to Full Professor (2022) and serves as Co-Dean of Studies since 2021. Current affiliations: Department of General and Comparative Literature (UZH), Center for Arts and Cultural Theory (ZKK), Literary Radio Zurich Former roles: ZGW Center (2010-2022), SNF project leader (2015-2019), Co-editor of History of the Present (2016-present) His research explores: Avant-garde genealogies and postwar literary modernity Time perception and aesthetic temporality Writing as cultural technique Interdisciplinary intersections with philosophy, media studies, and art Publications reveal trends in: 2022-2024: Dada historiography, AI-generated literature, Paul Celan's late works 2019-2021: Aesthetic theory, transactuality, Barthesian concepts 2014-2017: Improvisation networks, multilingualism, collaborative writing He co-founded interdisciplinary platforms and maintains editorial roles across 15 anthologies since 2004.
