جست‌وجوی استاد و پژوهشگر

• Historical Performance
• Musicology
• Keyboard Instruments
• +۳ مورد دیگر

Terence Charlston is a distinguished Professor of Harpsichord and Chair of Historical Keyboard Instruments at the Royal College of Music (RCM), London. He holds honorary Fellowship status at the RCM (2020) and is a leading expert in early keyboard instruments, specializing in harpsichord, clavichord, and organ performance. His roles include soloist, conductor, academic researcher, and doctoral supervisor. Charlston’s research focuses on 17th- and 18th-century European keyboard music, counterpoint analysis, and historical performance practices. He has pioneered projects involving rare instruments and manuscripts, such as recordings of Carlo Ignazio Monza and William Byrd’s My Ladye Nevell Booke . As a educator, Charlston has shaped historical performance training at institutions like the Royal Academy of Music, founding its Historical Performance Department in 1995. His publications span musicology, performance practice, and instrument studies, with notable works in Early Music and Clavichord International . He actively promotes clavichord revival through recordings (e.g., Froberger: Complete Fantasias ) and collaborations with ensembles like Florilegium. His current research explores counterpoint as an aural experience, bridging historical analysis and contemporary performance. Awards: Honorary Fellowship of the RCM (2020). Students: Supervises Zsombor Toth-Vajna (doctoral candidate). Key Projects: Phylogenetic analysis of Bach’s Well-Tempered Clavier , editions of Locke’s organ music, and clavichord initiatives at RCM. Charlston’s work integrates scholarly rigor with artistic innovation, positioning him as a pivotal figure in early music revival and academic research.

David J. Smithمشاهده پروفایل

استاد

• Early Modern Music
• Keyboard Music
• Scholarly Editing
• +۳ مورد دیگر

David J. Smith is a Professor and Head of Music in the Department of Humanities at Northumbria University, leading the development of its new Music degree program. Previously, he held the position of Head of Music and Master of Chapel and Ceremonial Music at the University of Aberdeen. His research focuses on early modern English instrumental music, particularly keyboard works of the late 16th and early 17th centuries, with expertise in scholarly editing and historical performance practice. Key topics include the cultural context of keyboard music, religious and political influences on composers like Peter Philips and Richard Dering, and the role of networks in musical transmission. David studied at the University of Oxford as an organ scholar and later pursued graduate studies there. His academic contributions include AHRC-funded research on digital editions of early keyboard music and collaborative projects like Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries. He currently supervises PhD students exploring topics such as Tudor organ design, Arts Council policy, and music theory. A performer himself, he co-founded the baroque ensemble AB24 and has recorded works by Philips and Dering. His publications span musicological analyses, editorial methodologies, and performance studies, with recent works including *Editing English Consort Music* (2024) and studies on Byrd's ornamentation (2023). He actively participates in international conferences and editorial boards, contributing to the Taylor & Francis and Scottish Music Review. David’s work bridges academic research, performance, and editorial practice, reshaping understanding of early English music’s cultural and social dimensions.

Marek Štrbákمشاهده پروفایل

استادیار

• Organ Performance
• Church Music
• Classical Music
• +۳ مورد دیگر

Marek Štrbák is an Assistant Professor at the Academy of Performing Arts in Bratislava's Faculty of Music and Dance, specializing in the Department of Keyboard Instruments. He holds doctoral degrees in artistic studies and philosophy, focusing on the educational and pedagogical roles of organists and church musicians in Germany and Slovakia. His academic background includes studies at the University of Music and Performing Arts in Vienna (with Prof. M. Radulescu), Stuttgart (Prof. L. Lohmann), and Strasbourg (Prof. Ch. Mantoux). He has completed doctoral research at the University of Constantine the Philosopher in Nitra (2014) and artistic doctoral studies at the Academy of Performing Arts Bratislava under Prof. J.V. Michalek (2019). Štrbák is a sought-after organist with extensive international concert activity, collaborating with orchestras like the Slovak Philharmonic and the State Chamber Orchestra Žilina. His repertoire spans all historical periods, emphasizing works by Slovak composers, including premieres of their organ pieces. He has participated in masterclasses with renowned artists such as Jon Laukvik and Lorenzo Ghielmi and is a laureate of major national and international competitions. His artistic activity includes regular performances, masterclasses, and advocacy for Slovak musical heritage. Despite his prolific career, no specific grant or lab affiliations are explicitly mentioned in the text.

• Keyboard Instruments
• Conducting
• Composition
• +۸ مورد دیگر

Univ.-Prof. Dr. Bartolo Musil is a Professor at the Music and Arts University of the City of Vienna (MUK), affiliated with the Faculty of Music. He has been active since September 2024 and is involved in academic leadership roles. His professional engagement spans multiple disciplines within music and performing arts. His teaching and research interests include Keyboard Instruments, Conducting, Composition, Jazz (including Jazz-Piano, Jazz-Bass, Jazz-Trumpet, Jazz-Trombone, Jazz-Saxophone, Jazz-Drums, Jazz-Guitar, Jazz-Singing, and Jazz-Composition & Arrangement), Early Music (Harpsichord, Fortepiano, Historical Violin, etc.), Voice and Opera (Solo Singing, Song and Oratorio, Opera, Classical Operetta), Musical Theatre, Drama, Contemporary Dance, and Pedagogical Study Programmes such as Music Education and the Master of Arts Education (MAE). He contributes to the Doctoral Programme at MUK, focusing on artistic-scholarly research and supervision of PhD projects. Bartolo is also involved in international academic relations, including Erasmus+ programmes and other exchange initiatives.

• Piano
• Conducting
• Composition
• +۴ مورد دیگر

Helga Arias, MA, is a Lecturer at the Music and Arts University of the City of Vienna, affiliated with the Faculty of Music since September 2024. Her roles span diverse disciplines, including Piano Accompaniment, Jazz-Piano, Jazz-Bass, and Early Music instruments such as Harpsichord and Historical Violin. She contributes to academic diploma programs like Classical Operetta and the Certificate of Ensemble Playing. Her teaching areas include Jazz, Early Music, and various keyboard and wind instruments. She is involved in the university's international programs, including Erasmus+ exchanges and collaborative initiatives with partner institutions. While no specific doctoral supervision or grants are detailed, her expertise aligns with the university's focus on artistic-scholarly research and performance excellence. Helga Arias actively participates in the university’s pedagogical study programs, such as Music Education and the Master of Arts Education (MAE). Her work emphasizes interdisciplinary approaches to music performance, historic instrument techniques, and contemporary jazz practices.

Wolfgang Kogertمشاهده پروفایل

استاد

• Organ Performance
• Historical Music Interpretation
• Contemporary Music Composition
• +۳ مورد دیگر

Wolfgang Kogert is a Professor of Organ at the Mozarteum University Salzburg since 2015 and holds a concurrent professorship at the Freiburg University of Music since 2020. He serves as organist for the Vienna Hofburgkapelle and has performed globally with orchestras like the Vienna Radio Symphony Orchestra and Sydney Symphony Orchestra. Education includes studies in Vienna, Stuttgart, and Detmold. Notable accolades include winning the 2006 International Wedstrijd Musica Antiqua and a 2013 residency at Paris' Cité Internationale des Arts. His research focuses on bridging early music traditions (medieval to baroque) with contemporary compositions, particularly in electroacoustic and algorithmic domains. Recent work emphasizes premiering new organ works by Cerha, Lang, and Essl, often integrating electronics and spatial soundscapes. Collaborations with composers like Mitterer and Pagh-Paan highlight experimental techniques. Recordings span Hindemith's Sancta Susanna to algorithmic works like ORGANO/LOGICS. Publications include critical editions of Josef Matthias Hauer's organ music and essays on Friedrich Cerha's compositions. He frequently discusses organ pedagogy and 21st-century repertoire expansion in journals like Das Orgelforum.

Danny Grissettمشاهده پروفایل

استاد

• Jazz Piano
• Improvisation Techniques
• Music Education
• +۳ مورد دیگر

Danny Grissett is a full-time Professor of Piano and Head of the Institute for Keyboard Instruments at the Faculty of Music Education, JAM MUSIC LAB Private University for Jazz and Popular Music. He holds a Master of Fine Arts in Jazz Keyboard Performance from the California Institute for the Arts (2000) and a Bachelor of Arts in Music Education from California State University Dominguez Hills (1998). His artistic expertise spans piano performance, jazz improvisation, and contemporary pedagogical methods. Research interests include evolving harmonic structures in contemporary jazz, rhythm experimentation, and the interplay between improvised and composed elements. His work frequently explores cross-cultural collaborations and the integration of traditional jazz practices with modern techniques. Grissett has released nine notable albums since 2005, focusing on innovative jazz compositions and ensemble dynamics. He has held residencies at institutions like the Prince Claus Conservatory (Netherlands), Paekche Institute (South Korea), and JazzInty Slovenia. Additionally, he leads masterclasses in composition and improvisation worldwide. He has served as a featured soloist with RTS Big Band (Belgrade) and is a longstanding member of Klavier/Tom Harrell and Klavier/Vanessa Rubin ensembles. Teaching roles include adjunct positions at New School University (2005-2012) and Eastman School of Music (2011).

Tilman Skowroneckمشاهده پروفایل

مدرس ارشد

• Performance Practices
• Historical Keyboard Studies
• Musicology
• +۳ مورد دیگر

Tilman Skowroneck is a Senior Lecturer in Musical Performance at the Academy of Music and Drama, University of Gothenburg. He is also a freelance musician, scholar, and translator specializing in historical keyboard instruments and performance practices. His research focuses on Beethoven's pianism, Viennese fortepianos, and 18th- and 19th-century musical expression. Skowroneck holds a doctoral degree from the University of Gothenburg and has held a postdoctoral fellowship from the Swedish Research Council (2009–2011). He has been an associate researcher at the Orpheus Institute in Ghent (2016–2022) and co-edited Keyboard Perspectives (2016–2024). His 2010 book Beethoven the Pianist , published by Cambridge University Press, is a seminal work in the field. Research Interests His work bridges musicology and performance, emphasizing philology, instrumentology, and historical performance practices. Key areas include Beethoven’s relationship with fortepianos, C.P.E. Bach’s pedagogical writings, and French musical culture in the 19th century. He collaborates with institutions like Cornell University and the Westfield Center for Historical Keyboard Studies. Grants & Projects Recipient of a Swedish Research Council postdoctoral fellowship (2009–2011) for research on Viennese fortepianos. Current projects include reenacting historical performance techniques and studying Beethoven’s Parisian ambitions. Labs/Teams Affiliated with the Declassifying the Classics research cluster at the Orpheus Institute and the Westfield Center . Collaborates on publications, recordings, and artistic research in historical keyboard performance.

• Musicology
• French Symphony
• 19th Century Music
• +۵ مورد دیگر

Muriel BOULAN is an Associate Professor of Musicology at Sorbonne University and a researcher at the Institute for Research in Musicology (UMR 8223). She holds a Doctorate in Music and Musicology from Paris-Sorbonne University (2011) with her thesis focusing on The French Symphony between 1830 and 1870 . She has been co-editor-in-chief of the music analysis and theory journal Musurgia since 2017 and created the French Symphony Repertoire Database. Her research interests center on French symphonic music of the 19th century, with particular focus on composers such as George Onslow, Félicien David, Louise Farrenc, and Anton Reicha. She has conducted extensive research on symphonic form, cyclic structures, and the historical development of French symphonic traditions. Her work also encompasses Rameau studies, music theory of the 19th century, and women composers in French musical history. Her scholarly output demonstrates consistent focus on French symphonic traditions from the early Romantic period through the late 19th century, with increasing attention to issues of gender in music history (particularly regarding Louise Farrenc) and theoretical approaches to musical form. Her work bridges historical musicology with analytical approaches, often connecting compositional practice with theoretical writings of the period. BOULAN has been actively involved in research valorization through public lectures and concert program notes for institutions including the Musée d'Orsay and the Paris Orchestra. She has delivered numerous "Clefs d'écoute" (listening keys) presentations at venues including the Auditorium de Lyon and Philharmonie de Paris, making scholarly research accessible to general audiences. She is affiliated with multiple research teams at IReMus, including those focused on editing and valorizing musical heritage, writing about music and musicology, analyzing music through theoretical frameworks, and studying historical, cultural, and social contexts of music. Her work particularly emphasizes gender studies within music history and institutional frameworks of musical production.

• Historically informed interpretation
• Historical keyboards
• Music aesthetics
• +۷ مورد دیگر

Jeanne ROUDET is a Lecturer (Maître de conférences) at Paris-Sorbonne University's Faculty of Music and Musicology, specializing in historically informed interpretation of keyboard music from 1750-1900. She has held significant administrative positions including Deputy Director of the Faculty (2009-2012), head of keyboard practice in the Bachelor's degree program (2009), and Head of the Master's in Early Music Performance: Research and Practice - Classical-Romantic Period (since 2014). Her academic career at Paris-Sorbonne University began as a Lecturer in 2000 and became permanent in 2006. Dr. Roudet's research focuses on historical keyboard performance practice, aesthetics of piano music, and the relationship between vocal and instrumental practices in the 18th and 19th centuries. She has particular expertise in Jean-Jacques Rousseau's music theory, Chopin's performance aesthetics, and historical piano methods. Her work bridges musicology and practical performance through extensive collaboration with performers and instrument makers, especially through the Royaumont Foundation. Her recent publications demonstrate a consistent focus on vocal-instrumental relationships in Romantic piano playing, historical keyboard techniques, and the theoretical underpinnings of 18th-19th century performance practice. The articles reveal a scholarly trajectory examining how vocal models influenced keyboard technique, the evolution of expressive practices, and the historical context of keyboard methods, particularly French traditions. As an active researcher, she has organized numerous international conferences including the 2016 international conference 'Romantic Eloquence on the Piano' at Royaumont Foundation. She has directed research workshops on historical keyboard interpretation since 2012, focusing on the 'vocality at the piano (1750-1900)' research program. Her collaborations span institutions including Schola Cantorum Basiliensis, CNSMDP, Mozarteum Salzburg, and the Orpheus Institute in Ghent. Dr. Roudet leads the MIMA Fortepiano Master's program at Paris-Sorbonne University, supervising students in historical performance practice. She has been instrumental in creating professional training programs at Royaumont Foundation, working with renowned period-instrument performers. Her edition work includes important historical keyboard methods and musical scores, preserving and making accessible crucial resources for historically informed performance.

• Musical Tuning
• Music Technology
• Decolonization of Music Curriculum
• +۳ مورد دیگر

Dr Philip Brissenden is a Senior Lecturer and Programme Leader of the MA Music suite of programmes at the University of Salford within the School of Arts, Media and Creative Technologies. His academic career spans musical performance, composition, and technology, with a specialized focus on musical tuning systems and curriculum development. His research interests include: Career-long investigation into musical tuning perception across cultures Decolonization of music curriculum through cross-cultural interviews and analysis Invention and patenting of novel musical instruments (The Raph) Development of virtual interfaces for alternative tuning systems Historical analysis of music technology evolution Brissenden's recent work demonstrates a clear trajectory toward decolonizing music education, combining theoretical analysis with practical curriculum development. His 2024 publications show particular emphasis on understanding tuning enculturation and developing alternative tuning practices through a series of undergraduate lectures. His research bridges music theory, cultural studies, and technology, creating innovative approaches to music education that challenge Western-centric paradigms. His scholarly contributions include: Patented musical instrument (The Raph, secured 2012) Extensive decolonization research through alumni and practitioner interviews Undergraduate lecture series on musical tuning systems Historical analysis of sampling technology (1940-1985) Evolutionary analysis of heavy metal culture As an active performer and composer, Brissenden works with the Adelphi Contemporary Music Group and collaborates with international artists from diverse cultural backgrounds including Bengal, Sri Lanka, and Iran. His pedagogical approach emphasizes practical application of theoretical concepts, particularly through his work with alternative tuning systems and instrument design.

Dorota Zimnaمشاهده پروفایل

استاد

• Early Music
• Harpsichord Performance
• Musicology
• +۲ مورد دیگر

Dorota Zimna is a university professor and lecturer in the Department of Harpsichord, Organ, and Early Music at the Feliks Nowowiejski Academy of Music in Bydgoszcz since 2005. She holds a PhD in Musical Arts in Instrumental Studies (2015) and is an active performer and researcher in early music. Her educational background includes: Graduate of the Feliks Nowowiejski Academy of Music in Bydgoszcz, harpsichord with Professor Urszula Bartkiewicz (diploma with distinction) Postgraduate Instrumental Studies at the same university PhD in Musical Arts in Instrumental Studies (2015) Professor Zimna's research focuses on Early Music, particularly Baroque repertoire, with an emphasis on harpsichord performance and the reconstruction of historical works. Her work includes the study of François Couperin's instrumental compositions and the preservation of Polish church music heritage. She has participated in numerous master classes and courses for early music ensembles. Her scholarly and creative output centers on Baroque music interpretation and historical reconstruction, demonstrated through publications on Couperin's casting techniques and recordings of Polish Baroque composers. These works bridge academic research with practical performance, highlighting her dual expertise as a musicologist and performer. She has received several prestigious awards, including: Third Prize in the 5th International François Couperin Competition (2015) First Prize at the 12th International Bach Festival in Świdnica (2011) Second Prize and Audience Prize at the 11th International Biagio Marini Competition (2010) Professor Zimna actively mentors through ensemble collaborations and educational initiatives. She has coordinated research projects like "Forgotten Heritage" for digitizing Polish church archives and contributed to publications such as "Polish Keyboard Music" from the Józef Elsner Publishing House. Her leadership extends to directing the Summer Methodical Courses in Early Music in Warsaw and the Early Music Days in Bydgoszcz. She maintains strong affiliations with performance ensembles including Intemperta, Laboratoire de la Musique, and Capella Bydgostiensis, and has served as president of the Academy of Early Music association since 2018, driving institutional support for historical performance practices.

Adam Swayneمشاهده پروفایل

استاد

• Piano Performance
• Contemporary Music
• Music and Society
• +۳ مورد دیگر

Adam Swayne is Deputy Head of the School of Keyboard Studies and Professor of Piano at the Royal Northern College of Music (RNCM). He holds a MusB (Hons), MMus, DM (Northwestern University, USA), GRNCM, and is a Senior Fellow of the Higher Education Academy (SFHEA). His roles include co-Artistic Director of Riot Ensemble and pianist with the Broken Line Trio. Previously, he taught at the University of Chichester and Junior Royal Academy of Music. Education : MusB (Hons) and MMus from University of Manchester/RNCM Doctorate (DM) from Northwestern University as a Fulbright Scholar Research Interests : Adam focuses on 19th-century concerto performance (e.g., Ferdinand Ries), contemporary music, and the intersection of music and society. He collaborates with composers like Kevin Malone and Nina Whiteman, and his work is documented in albums like 9/11:20 (commemorating the 20th anniversary of the 9/11 attacks) and (speak to me): new music new politics . Notable Articles/Trends : His recent output explores catastrophe responses in music (e.g., Earthed ), avant-garde techniques, and historical rediscovery of classical works. Concertos and ensemble premieres dominate his performance portfolio, emphasizing interdisciplinary and politically charged themes. Awards : Fulbright Scholar Opus Klassik nominations for (speak to me) Siemens Foundation Ensemble Prize (Riot Ensemble) Advising & Grants : Supervises PhD students in piano performance history and cultural studies. Funded by the Arts Council England and Garfield Weston Foundation. External examiner for University of Bristol, Royal College of Music, and Leeds Conservatoire. Labs/Teams : Co-leads Riot Ensemble (internationally touring contemporary music group) and directs RNCM’s Keyboard Studies, fostering innovation in performance and composition.

• Ancient Music
• Music Archaeology
• Classical Philology
• +۴ مورد دیگر

Stefan Hagel serves as Privatdozent and Deputy Head of the Department of Ancient Sciences at the Austrian Academy of Sciences (ÖAW), where he leads the Research Group Ancient Music. His academic appointment is formally affiliated with the University of Vienna, reflecting his dual institutional presence in Austria's scholarly ecosystem. Institution: Austrian Academy of Sciences / University of Vienna Position: Privatdozent, Deputy Department Head, Group Leader Research Focus: Ancient Music Archaeology and Digital Humanities Hagel's research bridges classical philology, archaeology, and computational methods to reconstruct ancient musical practices. His work centers on Greek and Roman music theory, instrument reconstruction (particularly lyres and auloi), and the application of digital tools to analyze ancient musical systems. His methodology combines physical reconstructions with textual analysis and software development, creating interdisciplinary pathways for understanding antiquity's sonic dimensions. Hagel frequently demonstrates his findings through international lecture-concerts, making ancient music tangible for academic and public audiences alike. His recent publications reveal a trajectory toward increasingly sophisticated technological integration, examining water organs, solmisation systems, and cross-cultural musical exchanges across the Mediterranean and Near East. Hagel's scholarship demonstrates how computational approaches can resolve longstanding questions about instrument mechanics, tuning systems, and performance practices that traditional philological methods alone cannot address. Major Projects: 'Ancient Music Beyond Hellenisation', 'DiAGRAM' (Digitising Aspects of Graphical Representation in Ancient Music) Software Development: Classical Text Editor (critical editions platform), MultiKey (keyboard utility) As an active participant in the European Music Archaeology Project, Hagel collaborates internationally to reconstruct ancient soundscapes. His work with physical instrument reconstructions provides empirical data for theoretical models, while his digital humanities initiatives create infrastructure for future research. Though not explicitly mentioned in the materials, his leadership position suggests involvement in mentoring junior researchers and securing research funding for his specialized field.

• Early Music Performance
• Harpsichord
• Baroque Music
• +۳ مورد دیگر

Alina Ratkowska is a Professor at the Fryderyk Chopin University of Music in Warsaw, where she leads the Organ and Harpsichord Department and serves on the University Council. She is also the General and Artistic Director of the Wojciech Kilar Polish Philharmonic Sinfonia Baltica in Słupsk since 2022. Education: 1999 - Fryderyk Chopin University of Music, Warsaw; 2002 - Schola Cantorum Basiliensis, Basel; 2020 - Academy of Music in Gdańsk (conducting); 2009 - Gdańsk University of Technology (Public Relations). Her research and performance focus on early music and contemporary harpsichord repertoire , including historical documentation of Gdańsk's musical heritage and the revival of works by Baroque composers like Johann Gottlieb Goldberg and Johann Jeremias du Grain. She has pioneered the expansion of harpsichord use in modern classical compositions . Her recent albums, such as Le Clavecin Moderne and recordings of Goldberg's concertos, highlight her dual expertise in Baroque interpretation and avant-garde experimentation . These works often intersect with interdisciplinary collaborations involving percussion and saxophone. Scientific Awards: Fryderyk Award (2020) Splendor Gedanensis Award (2019, 2020) Sztorm Roku (2009, 2013) Opus Klassik Nominations (2019) Ratkowska has co-founded the Sarton record company, initiated the Goldberg Festival in Gdańsk (2006), and conducted premieres of works by Polish composers like Krzysztof Baculewski and Zygmunt Krauze. Her academic editing includes critical editions of Goldberg's concertos and contemporary Polish harpsichord music.