Robert S. Allison is a Professor in the Department of Electrical Engineering & Computer Science at York University's Lassonde School of Engineering. His research focuses on human perceptual responses in virtual environments, stereoscopic vision, and eye movement analysis. He is affiliated with the York Centre for Vision Research, Sensorium (Digital Arts & Technology), and the Centre for Innovation in Computing at Lassonde. His research interests include depth perception in natural and virtual environments, human-computer interface design for VR, machine vision applications, and the measurement of human motion. He has supervised multiple graduate students and contributed to over 260 publications. His work spans topics like cybersickness mitigation, display lag effects, and perceptual adaptation in VR. Key grants include NSERC-funded projects on perception in virtual environments and collaborations with institutions like the Australian Research Council. His teaching includes courses on human perception in human-computer interaction and digital logic design. Recent articles highlight advancements in understanding motion perception, VR-induced sickness, and multisensory integration. He collaborates widely, with affiliations including the VISTA program and York's Connected Minds initiative.
Courtney N. Reed is a Lecturer in Digital Technologies at Loughborough University London, where she joined in November 2023. She maintains a dual role as a visiting research fellow at the Max Planck Institute for Informatics. Her academic journey includes a BMus in Electronic Production and Design from Berklee College of Music (2016), followed by an MSc (2018) and PhD (2023) in Computer Science from Queen Mary University of London. Prior to her current position, she completed postdoctoral research at both the Max Planck Institute for Informatics and King's College London. Bachelor of Music: Electronic Production and Design, Berklee College of Music (2016) Master of Science: Computer Science, Queen Mary University of London (2018) Doctor of Philosophy: Computer Science, Queen Mary University of London (2023) Dr. Reed's research explores the entangled relationships between humans, bodies, instruments, and technology in music interaction, with particular focus on vocal electromyography (VoxEMG) and the vocalist-voice relationship. Her work incorporates feminist and post-human theories to examine sociopolitical contexts within arts technology, aiming to design for creativity while acknowledging individual, messy bodies in artistic practice. She has developed an open-source platform for vocal electromyography to investigate how biosignal feedback changes understanding and perception of the body in vocal performance. Her interdisciplinary approach bridges music technology, human-computer interaction, and embodied interaction studies. Analysis of Dr. Reed's recent publications (2023-2025) reveals a strong thematic focus on embodied interaction in music technology, with particular emphasis on vocal performance, biosignal feedback, and the philosophical underpinnings of digital instrument design. Her work consistently integrates theoretical frameworks like Karen Barad's agential realism with practical applications in digital musical instruments. Key trends include the exploration of ambiguity in data representation, the sociocultural dimensions of timbre in instrument design, and the development of novel methodologies for understanding embodied musical experiences through micro-phenomenology and ethnographic approaches. ACM SIGCHI Outstanding Dissertation Award (2024) for her thesis 'Imagining & Sensing: Understanding and Extending the Vocalist-Voice Relationship Through Biosignal Feedback' Best Newcomer Award at Loughborough University London's Community Awards Celebration (2024) Dr. Reed actively contributes to the academic community through conference organization and leadership roles. She serves as Member-at-Large on the NIME Board, previously chaired papers for NIME 2024, and co-organized the IBM SkillsBuild Sprint at Loughborough London. She has also chaired sessions at the ACM TEI Conference and co-chaired the Student Design Competition. Her collaborative work spans multiple institutions and includes significant contributions to interdisciplinary projects that bridge music, technology, and human experience. She has been instrumental in developing the senSInt research group and the RaveNET wearable network project. Dr. Reed leads the senSInt research group which focuses on sensorimotor interaction in music and performance contexts. The group develops innovative technologies including the VoxEMG platform for vocal electromyography, the Bones anti-corset for vocal performance, and the RaveNET network of wearable biosensing nodes. These projects explore the intersection of biosignals, embodied interaction, and musical expression, creating novel frameworks for understanding how technology mediates human creativity and performance. The group frequently collaborates with musicians, technologists, and theorists to develop and test these systems in real-world performance contexts.
Professor Philip Armstrong is a distinguished academic and poet at the University of Canterbury, where he has served in the English Department within the Faculty of Arts since February 1998. His work bridges scholarly research and creative practice, establishing him as a significant voice in contemporary literary studies and poetry. PhD in Critical and Cultural Theory, University of Wales (1992-1995) MA(Hons), University of Auckland (1990-1991) Armstrong's research centers on literary representations of the natural world, with particular expertise in human-animal studies, Shakespearean scholarship, and environmental humanities. His interdisciplinary approach connects literary theory with ecological concerns, examining how cultural narratives shape our relationship with non-human entities. His scholarly publications span from analyses of Shakespeare to contemporary explorations of human-animal relations, including his acclaimed book Sheep (2016) and the forthcoming Disturbing Nature in Narrative Literature (2025). As a creative writer, Armstrong has published two award-winning poetry collections: Sinking Lessons (2020), which won the Kathleen Grattan Award for Poetry, and Touch Screen (2025). His poetry often explores the intersection of human experience with natural and technological environments, demonstrating his consistent thematic concern with boundaries between human and non-human worlds. Kathleen Grattan Award for Poetry (2019) Landfall Essay Prize (2011) Caselberg Trust International Poetry Prize (runner-up) Armstrong actively supervises graduate students in both scholarly and creative writing projects, mentoring the next generation of literary scholars and poets. His teaching encompasses literary studies, with a focus on Shakespeare, and graduate-level creative writing. He has also contributed significantly to public discourse through essays, interviews, and literary criticism published in major journals and media outlets across New Zealand, Australia, the UK, and the USA. His creative and scholarly work frequently appears in prominent literary journals including Landfall , Sport , PN Review , and JAAM , reflecting his standing in the international literary community. Living in Lyttelton, New Zealand, Armstrong's work remains deeply engaged with both local and global literary traditions.
Karan Ahuja is the Lisa Wissner-Slivka & Benjamin Slivka Assistant Professor of Computer Science at Northwestern University, directing the Sensing, Perception, Interactive Computing & Experiences (SPICE) Lab. He earned his Ph.D. in Human-Computer Interaction from Carnegie Mellon University (2023) and a B.Tech. in Computer Science (2017). His research focuses on creating technologies that sense and understand human behavior, with applications in mobile health, extended reality, and natural user interfaces. Key projects include LemurDx for ADHD diagnosis, EITPose for wearable hand pose tracking, and MobilePoser for full-body pose estimation via consumer IMUs. Awards include Forbes 30 Under 30 (2024), MIT 35 Innovators Under 35 Asia Pacific, and ACM SIGCHI's Outstanding Dissertation Award. He has worked at Google, Apple, Microsoft Research, Meta Reality Labs, and IBM Research. His lab emphasizes real-world deployments, with technologies licensed and integrated into products used by millions. Prospective students are invited to join his lab at Northwestern via a dedicated application form. Research spans embedded systems, computer vision, and on-device ML, with a focus on impactful applications in healthcare and XR.
Sarah Carton is a Teaching Professor in the Psychology Department at Rutgers University, part of the School of Arts and Sciences. She joined Rutgers in Fall 2019 after earning her Ph.D. in the Cognition & Perception Program at New York University (2008). Her research focuses on developmental psychology, visual perception, and cognitive development in infants and young children. She teaches courses such as Introductory Psychology, Drugs & Behavior, Sensation & Perception, and Cognition, with upcoming courses like Perception of Color (PSY 2xx). Dr. Carton’s research interests include object recognition, visual illusions, perceptual categorization, infant development, and eye-tracking methodologies. Her work explores how infants perceive impossible figures, haptic exploration of objects, and transitional saccades in response to visual stimuli. She investigates foundational questions about how infants distinguish possible from impossible objects and develop spatial and dimensional understanding through multisensory interactions. Her teaching portfolio includes undergraduate courses at both Livingston and New Brunswick campuses. She actively contributes to educational initiatives in psychology, emphasizing evidence-based pedagogy. Dr. Carton’s current research trends span perceptual development, cognitive differentiation in infants, and the role of visual and haptic modalities in forming conceptual categories. Dr. Carton’s work has been published in leading journals, with recent studies examining young children’s understanding of object coherence and infants’ visual responses to paradoxical stimuli. Her research integrates behavioral experiments and eye-tracking technology to unravel early perceptual and cognitive processes.
Akito Miura is an Associate Professor at the Faculty of Human Sciences of Waseda University , with a career spanning over 15 years in embodied cognitive science and movement research. His work bridges dance science , neuroscience , and biomechanics , focusing on sensorimotor coordination in performing arts and sports. PhD in Academic Studies from the University of Tokyo Research Experience at Waseda University, University of Tokyo, and EuroMov Institute (France) Editorial board member for Journal of Dance Medicine & Science and Advances in Cognitive Psychology Research interests include embodied cognition , rhythmic coordination , and interpersonal motor dynamics , with applications to dance, golf, and violin ensembles. His recent articles examine foot pressure in ballet, auditory-motor synchronization, and groove perception in music. Key awards include the Incentive Paper Award (2024) , Progress in Motor Control Scholarship (2011) , and multiple grants from the Japan Society for the Promotion of Science. He has also contributed to media coverage on rhythm perception in sports and performing arts. Current projects explore machine learning in motor learning, social interaction dynamics, and ACL rehabilitation metrics Professional memberships in the International Association for Dance Medicine & Science and Japan Cognitive Science Society
Cara M. Nunez is an Assistant Professor in Mechanical and Aerospace Engineering at Cornell Engineering. Her research focuses on haptic interfaces, sensory perception, and human-robot interaction. Research Areas: Development of wearable haptic devices for sensory feedback Human perception of tactile stimuli under cognitive load Multimodal interaction combining haptic, audio, and visual cues Medical applications of haptic guidance systems Key publications explore smartphone-based sensory assessment, affective mediated touch, and haptic guidance for medical procedures. Her work appears in robotics and human-computer interaction venues.
Thad Starner is a Professor in the College of Computing at Georgia Institute of Technology and Technical Lead/Manager on Google's Glass. He directs the Contextual Computing Group (CCG), co-founded the Animal Computer Interaction Lab, and contributes to Georgia Tech's Ubicomp Group and Brainlab. A wearable computing pioneer since 1993, he has over 500 publications and 80 issued U.S. patents. Coined 'augmented reality' in 1990 Developed CopyCat for ASL learning in deaf children Invented Passive Haptic Learning for skill acquisition His research spans wearable interfaces for Deaf-hearing communication, dolphin interaction systems (CHAT), dog-handler communication (FIDO), and brain-computer interfaces for ALS patients. Current projects focus on optical aging simulation, XR input methods, and animal behavior telemetry. Recent publications (2023-2025) explore AR display ergonomics, AI-augmented reasoning, sign language recognition, and animal-computer interaction. His work has been featured in 60 Minutes, BBC, National Geographic, and Time Magazine. CHI Academy (2017) Lemelson-MIT Prize finalist White House Champions of Change finalist He advises graduate students in wearable systems and teaches AI and prototyping courses. His lab developed the Perceptive Workbench for gesture tracking and created early Eigenfaces research for face recognition.
Himanshu Verma is an Assistant Professor at the Knowledge and Intelligence Design Group within the Faculty of Industrial Design Engineering at Delft University of Technology. His research focuses on Human-AI Collaboration, Cognitive Empathy, and designing AI systems attuned to human needs. Prior to TU Delft, he held postdoctoral roles at the University of Fribourg, EPFL, and HES-SO Valais-Wallis, Switzerland. Education: PhD in Computer Science (EPFL, Switzerland), focusing on collaborative group interactions and shared environments. Postdoctoral research in Human-Computer Interaction and Ubiquitous Computing. Research Interests: Empathy-Centric Design for inclusive technologies. Social Signal Processing in human-AI interactions. Health, well-being, and accessibility in AI systems. Key Projects: Co-leads the PERISCOPE (H2020) research project. Designs tools like EmpathiCH and COCTEAU for empathy-driven decision-making. Teaching: Design Analytics (2023–2024). Empirical Design Research (2024). Labs & Teams: Active in the Knowledge and Intelligence Design Group, focusing on AI ethics, hybrid workspaces, and empathetic systems.
Hubert Zangl is a Professor at the University of Klagenfurt and Head of the Institute for Intelligent System Technologies . He serves as Chairman of the Information Technology Curricular Commission and participates in the Faculty Conference of the Faculty of Technical Sciences. Key research areas include: Sensor technology Electrical measurement technology Robotics Signal processing Electronics Recent research trends focus on: High-fidelity FMCW radar simulation frameworks Energy-efficient sensor systems Printed electronics for structural health monitoring Uncertainty propagation in measurement science Modular robotics with secure transducer identification Capacitive tactile sensing for robotic grasping Contact: Hubert.Zangl@aau.at
Dr. Ying Zhu is an Associate Professor in the Department of Marketing and Consumer Studies at the Lang School of Business and Economics, University of Guelph. She holds a Ph.D. in Marketing from Texas A&M University, alongside master’s degrees in Computer Science (Minzu University, China) and Management (University of Lethbridge, Canada). Previously, she served as an Associate Professor at UBC Okanagan. Her research focuses on digital marketing, consumer behavior, marketing analytics, and the impact of technology (e.g., AI, Metaverse) on consumer decisions. She has published 19 peer-reviewed articles since 2017, many in top-tier journals like American Psychologist and European Journal of Marketing . Her work explores themes such as brand extension strategies, digital advertising effectiveness, and sustainability initiatives. Dr. Zhu has received significant funding through SSHRC grants and has been recognized for her teaching excellence, including the Golden Apple Award. She actively advises graduate students and volunteers with community organizations like the Kelowna Museums Society. Her research on smartphone-induced consumer behavior has garnered media attention in outlets like Time Magazine , Global News , and Science Daily .
James Abbas serves as Professor of Biomedical Engineering at the University of Arkansas College of Engineering, where he develops neural engineering solutions for medical rehabilitation and exercise. His work integrates neurotechnology design, computational modeling, and human subject experimentation to advance rehabilitation systems. His academic background includes: B.S. in Bioelectrical Engineering from Brown University M.S. and Ph.D. in Biomedical Engineering from Case Western Reserve University Postdoctoral Fellowship at Shriners Hospital in Philadelphia, PA Dr. Abbas' research centers on neural engineering for rehabilitation , with expertise in neurotechnology development , computational modeling of neuromuscular systems , and experimental evaluation of rehabilitation technologies . His work bridges engineering innovation with clinical applications, particularly for Parkinson's disease and spinal cord injury rehabilitation. Key methodologies include intrafascicular electrode design, stimulation waveform optimization, and haptic feedback systems for prosthetic control. Analysis of his 2021-2025 publications reveals dominant trends in selective peripheral nerve stimulation , neural interface engineering , and personalized rehabilitation robotics . His work consistently addresses clinical translation challenges, with increasing focus on wearable military rehabilitation systems and AI-driven personalization of neurorehabilitation protocols. Professional recognition includes: Senior Member of the National Academy of Inventors Senior Member of IEEE Dr. Abbas maintains significant editorial leadership as Associate Editor for IEEE EMBS and Neural Engineering Conferences, while serving on the Editorial Boards of the Journal of Neuroengineering and Rehabilitation and Frontiers in Neuroengineering. He contributes to national initiatives as a Steering Committee member for the NIH SPARC Initiative's Data Resource Center. Though specific grant details aren't provided, his active research program and editorial roles indicate substantial funding and collaborative networks. No student advisees are listed in the source material. His research operates at the intersection of the Biomedical Engineering department and clinical rehabilitation partners, with emphasis on translating neural engineering innovations into practical rehabilitation solutions through interdisciplinary teams.
Dr. Benjamin de Haas is a vision scientist and faculty member at Justus Liebig University Giessen , Germany, within the Department of Psychology and Sports Science . He currently leads the ERC-funded Indivisual project and co-leads project C9 Factors influencing categorical face processing within the Collaborative Research Centre CRC/TRR 135. He is also a principal investigator in the NeurOscientific Workflow Assistance (NOWA) infrastructure project, dedicated to open, reproducible neuroscience. Research Focus Dr. de Haas pursues two intertwined questions: How do early and late stages of visual processing interact—from the initial registration of slanted edges to the recognition of faces? How and why do our perceptions differ from one person to the next? To answer these questions his group combines psychophysics, high-resolution eye-tracking, functional and quantitative MRI, and computational modelling, with a strong emphasis on face perception, individual differences, and naturalistic viewing conditions. Publications Overview Across more than 20 publications since 2016, Dr. de Haas has advanced understanding of individual differences in face processing, gaze control, and visual salience. His work repeatedly appears in Journal of Vision , Nature Communications , PNAS , and NeuroImage , highlighting a sustained focus on eye-movement behaviour, cortical representations of faces and scenes, and methodological best practices in neuroimaging. Current Supervision & Team Dr. de Haas currently supervises two PhD students: Elaheh Akbarifathkouhi Hilal Nizamoglu Together with Dr. Katharina Dobs (co-project leader) and affiliated post-docs and research technicians, the group forms the Indivisual laboratory at Giessen. Contact & Resources Email: Benjamin.de-Haas@psychol.uni-giessen.de Department of Psychology and Sports Science Otto-Behaghel-Str. 10F, 35394 Gießen, Germany
Laura U. Marks is the Grant Strate University Professor in the School for the Contemporary Arts at Simon Fraser University (SFU), located on unceded Coast Salish territory. Her work bridges media art, philosophy, and environmental sustainability, with a focus on small-footprint media and intercultural studies. She is a Fellow of the Royal Society of Canada and has held visiting roles at institutions like Harvard University and Zurich University for the Arts. Education: PhD (1996) and MA (1994) in Visual and Cultural Studies from the University of Rochester; BA (1987) in Art History and Sociology from Swarthmore College. Research interests include experimental media, film theory, Islamicate visual traditions, and the environmental impact of digital media. Her recent projects, funded by a Guggenheim Fellowship, explore mitigating streaming media’s carbon footprint through small-file workflows. Key publications include The Fold: From Your Body to the Cosmos (2024) and Hanan al-Cinema: Affections for the Moving Image (2015). Recent talks include keynote addresses at the Eco Media Footprints workshop (Jönköping University, 2025) and the Saudi Film Festival (2025). She co-founded the Substantial Motion Research Network (2018) and the Small File Media Festival, advocating for low-carbon media practices. Awards include the College Art Association’s Mather Award (2017) and the SFU Leadership Award (2021). She actively participates in SFU’s Faculty for Palestine and Council on Islamophobia.
Lee M. Miller is a Professor and Vice Chair of Academic Affairs in the Department of Neurobiology, Physiology and Behavior at the University of California, Davis, affiliated with the Center for Mind and Brain. His research focuses on neuroengineering, computational neuroscience, and neural mechanisms underlying attention, speech processing, and multisensory integration. Research interests include the development of neural prosthetics, decoding of neuromuscular signals for prosthetic control, and understanding how auditory and visual systems interact during speech perception and attentional processes. His work bridges clinical applications (e.g., cochlear implants) with fundamental neuroscience, leveraging tools like electrophysiological recordings, EEG/MEG, and advanced signal processing techniques. Recent publications highlight innovations in electromyographic speech neuroprosthetics, the topology of neuromuscular signals, and the neural basis of speech-in-noise processing. Miller’s studies emphasize translational potential, such as improving speech synthesis from brain signals and designing haptic feedback systems for motor coordination. His contributions have advanced understanding of neural mechanisms in sensory integration, auditory attention, and the impact of cognitive factors on perception. Miller maintains a lab dedicated to these interdisciplinary efforts, with a focus on both basic science and clinical applications.
