جست‌وجوی استاد و پژوهشگر

Andreas Stoehrمشاهده پروفایل

استاد

• Orchestral Conducting
• Opera Performance
• Historical Music Performance Practice
• +۳ مورد دیگر

Andreas Stoehr is a renowned Austrian conductor and professor at the Music and Arts Private University of the City of Vienna, leading the conducting department and symphony orchestra since 2013. His career spans prestigious engagements including the Paris Opéra Comique, Deutsche Oper am Rhein, and St. Gallen Theatre, focusing on operatic repertoire from Monteverdi to modernism. He is celebrated for reviving neglected works like Meyerbeer’s Emma di Resburgo and Gluck’s Ezio , emphasizing historical performance practices. His research explores stylistic transitions in music history, blending baroque precision with modern innovation. Education: Trained at Vienna's former Conservatory (now University of Music and Performing Arts), studying piano under Alfred Kremela, conducting with Gennadij Rozhdestvenskij, and musicology at the University of Vienna. Key mentors included David Lutz (accompaniment) and Reinhard Schwarz (conducting). Research Interests: Explores interdisciplinary connections between diverse musical eras, such as Bach’s influence on Schoenberg, and advocates for vocal-orchestral balance in historical repertoires. Projects include CD recordings of Amanda Maier-Röntgen and Andrea Tarrodi’s works, nominated for Swedish Grammis. Awards: Grammy nomination (2016) for Amanda Maier-Röntgen’s Violin Concerto recording. Recognized for innovative stagings of operas like Berg’s Wozzeck and Debussy’s Pelléas et Mélisande . Teaching & Leadership: As professor and symphony orchestra director, Stoehr mentors young conductors. Notable collaborations include the Langenlois Castle Festival (2012–2019) and interdisciplinary projects like Heart and Mouth, and Deed and Life blending Bach with sociological texts. His teaching emphasizes 21st-century conductorship as collaborative architecture, prioritizing emotional engagement over technical authoritarianism. Labs/Ensembles: Leads the MUK Symphony Orchestra, collaborating with ensembles like the Aarhus Symphony Orchestra and Orchestre Philharmonique de Liège. His work bridges academic research with performance practice through projects like the Styriarte Festival’s Schubert revival.

Andreas Gigerمشاهده پروفایل

استاد

• 19th-Century Music
• Musicology
• Italian Opera
• +۶ مورد دیگر

Andreas Giger is the Louise & Kenneth L. Kinney Professor of Opera & Musicology at Louisiana State University (LSU), within the College of Music & Dramatic Arts. He holds a Licentiate in Musicology from the University of Zurich, a Piano Teaching Diploma from Winterthur Conservatory, and a PhD in Musicology from Indiana University. His research focuses on 19th-century Italian opera, particularly Giuseppe Verdi and the influence of French aesthetics, as well as Leonard Bernstein's work. Notable achievements include authoring Verismo (2004) and Verdi and the French Aesthetic (2008), the latter supported by a National Endowment for the Humanities (NEH) Fellowship. He has edited critical editions of Verdi’s operas ( I due Foscari , Cavalleria rusticana ) and co-edited Music in the Mirror (2002), which earned an ASCAP Deems-Taylor Award. He serves on editorial boards of Nineteenth-Century Music Review and co-edits Masterpieces of Italian Opera for Bärenreiter. Giger’s articles explore topics such as Verdi’s libretti, censorship of 19th-century operas, and the genesis of Leoncavallo’s Pagliacci . Recent projects include NEH-supported critical editions of Un ballo in maschera and Cavalleria rusticana . His work bridges historical musicology, textual analysis, and performance practice. Grants: Multiple NEH Fellowships and grants for critical editions. Awards: ASCAP Deems-Taylor Award (2002). He collaborates with institutions like Bärenreiter and the University of Chicago Press, advancing scholarly editions and operatic studies.

Mark Ringerمشاهده پروفایل

استاد

• Theatre Arts
• Ancient Greek Theatre
• Shakespeare Studies
• +۱۱ مورد دیگر

Mark Ringer is a Professor of Theatre Arts at Marymount Manhattan College, where he teaches courses in Theatre History, Shakespeare, Ancient Greek Drama, Opera, and Dramaturgy. He holds a Ph.D. from the University of California, Santa Barbara, and both a B.A. and M.F.A. from UCLA. As a Distinguished Chair (2012–2014), he conducted research in Greece, contributing significantly to classical theatre scholarship. B.A., University of California, Los Angeles M.F.A., University of California, Los Angeles Ph.D., University of California, Santa Barbara His research focuses on Ancient Greek Theatre, Shakespeare, and Opera, with an interdisciplinary approach linking music and drama. He has authored five major scholarly books, including Electra and the Empty Urn , Opera’s First Master , and Bach’s Operas of the Soul , and is currently writing a book on Aeschylus. His work bridges academic rigor and artistic practice, exploring metatheatre, musical dramaturgy, and the human condition in classical texts. The recent publications and creative works demonstrate a consistent trajectory in merging music and theatre, particularly in the interpretation of Bach, Schubert, and Monteverdi as dramatists. His scholarship on Greek tragedy emphasizes character, emotion, and philosophical boundaries, influencing international classical studies. He frequently translates and adapts classical works for modern performance, integrating dramaturgical insight with performance practice. Scientific Awards: Distinguished Chair (2012–2014) Dr. Ringer has advised numerous students through his teaching and mentorship, though specific names are not listed. His work has been supported by research appointments and institutional recognition. He has been involved in multiple productions as actor, director, and dramaturge, including Off-Broadway performances and international collaborations. His creative and scholarly grants are implied through publication and production opportunities. Mark Ringer is actively involved in both academic and performance-based theatre labs and teams, including collaborations with the National Black Theatre, Take Wings and Soar Productions, Shakespearean Theatre of Maine, and the Stary Theatre in Krakow, Poland. His work integrates research, performance, and adaptation, forming a dynamic intellectual and artistic community around classical and musical theatre.

• Historical Musicology
• Editorial Philology
• Musical Interpretation
• +۴ مورد دیگر

Dr. Ulrich Bartels is a full-time research associate at the Institute for Music and Musicology, University of Hildesheim, affiliated with the Faculty of Cultural Studies and Aesthetic Communication. He has been associated with the university since 1993 (initially as a lecturer, transitioning to research associate in 2005) and previously taught at the University of Göttingen (2005–2008). His doctorate (1991, University of Göttingen) focused on Wagner's compositional sketches for Tristan und Isolde . Bartels' research centers on historical musicology, editorial philology, and musical interpretation, with emphasis on: Johann Sebastian Bach (critical editions of keyboard works) Ludwig van Beethoven (performance analysis) Richard Wagner (sketch studies, dramaturgy) Piano music and editorial practices His publications include critical editions of Bach's keyboard works (e.g., Italienisches Konzert , French Suites) and extensive scholarly reviews. Bartels' recent reviews (2020–2025) predominantly analyze classical music editions, Wagnerian scholarship, and Beethoven performance, reflecting his expertise in 19th-century repertoire, urtext practices, and music criticism.

Monika Hennemannمشاهده پروفایل

استاد

• Musicology
• Cultural History
• 19th-Century Opera
• +۷ مورد دیگر

Professor Monika Hennemann holds the Professor of Music position at Cardiff University's School of Music and serves as International Dean for the College of Arts, Humanities and Social Sciences . She co-directs the Centre for Interdisciplinary Research into Opera and Drama (CIRO) . A scholar with expertise in musicology, cultural history, linguistics, and translation, her research spans German- and English-speaking worlds from the late 18th century to contemporary music , focusing on 19th-century opera , Lieder and performance practice , and the works of Mendelssohn, Liszt, and Webern . Education : Johannes Gutenberg-Universität (Germany), Florida State University (US) International Engagement : Negotiates partnerships with institutions across US, Europe, China, and Southeast Asia, including oversight of collaborations with South China Normal University and Singapore's Raffles Institutions Her research interests center on intercultural theater , particularly Western opera's adaptation in the East, and the theatrical performance history of Liszt's St Elizabeth oratorio. She explores libretto studies , musical adaptation , and 19th-century cultural transfer through works like her monograph Felix Mendelssohn’s Opera Projects in the Cultural Context of German Opera and Libretto History (2020). Scientific Awards include the Music & Letters Research Grant (twice) and shortlisting for the Ruth A. Solie Award from the American Musicological Society. She has presented at major conferences like the American Musicological Society , Royal Musical Association , and Gesellschaft für Musikforschung in Germany. As a professional translator and Goethe Institut examiner , she has lectured internationally and contributed to BBC Proms , ORF , and Deutsche Welle broadcasts. Her teaching portfolio covers repertoire studies , gender in music , and German language for musicians , with supervision available for interdisciplinary postgraduate research.

• Musicology
• Music Historiography
• Opera
• +۸ مورد دیگر

Annelies Andries is an Assistant Professor of Musicology at the Department of Media and Culture Studies, Utrecht University , specializing in 19th-century opera, music historiography, and intersections between music, politics, war, and gender. She co-supervises the PhD project 'Normalizing War-as-Entertainment' and leads international study groups on Music, Sound, and Trauma . Education: B.A. in vocal performance (Royal Conservatory, Antwerp), PhD (Yale University, 2018) Postdoctoral research: Magdalen College, Oxford (2018-2021) Current affiliations: Utrecht University, Institute for Cultural Inquiry, and participant in UU's Institutions for Open Societies (IOS) initiative. Her research explores music's role during military conflicts , focusing on trauma, gender, and transnational dissemination. Key projects include a Junior Humboldt Fellowship (2023-2024) study on German opera translations during the Napoleonic Wars and collaborative work on theatrical mobility during 1750-1850 conflicts. Publications span journals like Cambridge Opera Journal , French Historical Studies , and edited volumes. Recent articles analyze French opera’s imperial narratives, 19th-century vocal practices, and war’s cultural representation in music. She is preparing a book on elite identity in Napoleonic operatic culture (1799-1815). She teaches courses on: Music analysis Western music history (post-1600) Dutch music culture Music historiography 18th-century opera

Steven Huffمشاهده پروفایل

استاد

• German Literature
• Romanticism
• Baroque Literature
• +۴ مورد دیگر

Steven Huff is a Professor of German at Oberlin College, affiliated with the Department of German Language and Literatures within the College of Arts and Sciences. He holds a BA (1980) and MA (1982) from Arizona State University, followed by an MA (1984) and PhD (1987) from Princeton University. His research focuses on Baroque literature, the Goethezeit, Romanticism, and intersections between music and literature, particularly in works by Kleist, Goethe, and German opera librettos. Teaching specialties include introductory German language, surveys of German literature from Enlightenment to Romanticism, and courses on the German opera libretto, Schubert Lieder, and Kleist's psychological themes. Recent scholarly contributions include a 2024 book review in Goethe Yearbook analyzing Iphigenie auf Tauris through a musical lens, and a 2023 chapter on Kleist's exploration of memory in Memory in German Romanticism . No specific scientific awards are noted, though his work reflects sustained engagement with interdisciplinary literary analysis. Advising and grants are not explicitly detailed, though his courses often integrate collaborative projects. No affiliated labs or research teams are mentioned in the text.

David Trippettمشاهده پروفایل

استاد

• 19th-Century Musicology
• Richard Wagner Studies
• Philosophy of Technology
• +۶ مورد دیگر

Professor David Trippett is a musicologist and cultural historian at the University of Cambridge's Faculty of Music, where he holds the academic rank of Professor and serves as Chair of the Faculty Board. He also acts as Director of Studies in Music at Christ's College, Cambridge. His work bridges musicology with intellectual history, technology studies, and the humanities, focusing particularly on 19th-century German thought, Richard Wagner, Franz Liszt, and digital musical creativity. His research has been supported by a European Research Council (ERC) Starting Grant (2015–2021) exploring 'Sound and Materialism in the 19th Century.' This project investigated the intersection of scientific materialism and romantic idealism, producing over 40 publications and fostering collaborations with postdoctoral researchers including Edward Gillin, Melle Kromhout, Melissa van Drie, and Stephanie Probst. He also completed a critical edition of Franz Liszt's opera Sardanapalo , which premiered in 2018 and was recorded in 2019 to critical acclaim. Professor Trippett’s research interests span interdisciplinary domains: 19th-century intellectual & scientific thought Wagner’s compositional philosophy Liszt’s operatic fragments Posthumanism and digital creativity Music’s role in transhumanist discourse Material culture in operatic production His awards include the Lewis Lockwood Award, Alfred Einstein Award, Bruno Nettl Prize, Donald Tovey Memorial Prize, Deems Taylor Award, and Philip Leverhulme Prize in History. These honors reflect his contributions to musicology, interdisciplinary research, and scholarly editions. His grant-funded projects and advising activities have produced significant outputs: ERC project generated 6 books, 23 chapters, 20 articles Hosted international conferences on music and science Guided postdoctoral teams in materialist musicology Encourages PhD applications in his research areas Current research includes a book on 'Sound and Virtuality,' examining 360-degree audio environments and posthumanist listening concepts. He also explores digital inequalities affecting global music access and the philosophical implications of prosthetic hearing technologies.

Hansjörg Ewertمشاهده پروفایل

پژوهشگر

• Musicology
• 19th Century Music History
• Medieval Music
• +۳ مورد دیگر

Dr. Hansjörg Ewert is an academic councilor and researcher at the University of Würzburg , Faculty of Philosophy since 2003, and has been affiliated with the Department of Musicology since 2001. He teaches at the Würzburg University of Music (since 2020/2021) and contributes to ethnomusicology and music pedagogy research. His work bridges historical musicology with interdisciplinary approaches. Academic background: Freiburg University of Music (music education), University of Freiburg (German studies, philosophy), and University of Würzburg (musicology). Doctoral thesis: Robert Schumann's opera Genoveva . Research interests focus on 19th century music history (especially Schumann) and medieval music , with secondary expertise in: Opera dramaturgy (18th-19th century) Intermediality (music-literature relationships) Music theory and philosophical aesthetics Historical performance practices His 15 most recent publications (2001-2020) reveal consistent contributions to: Schumann studies (4 works) Music of ETA Hoffmann and Johann Friedrich Reichardt Wagner's music historiography and Goethe settings Enescu's quartets and 20th century avant-garde Cross-art analysis (Goya, Heinse, Reichardt) Würzburg musicology (local sound spaces, theater history) Prior career included opera direction , dramaturgical , and editorial projects before transitioning to academia.

Staffan Stormمشاهده پروفایل

استاد

• Music Composition
• Music Theory
• Choral Music
• +۵ مورد دیگر

Staffan Storm is a composer and Professor in music theory and composition at Lund University's Faculty of Fine and Performing Arts , specifically within the Malmö Academy of Music. He serves as Deputy Dean and has been a member of the Swedish Royal Academy of Music since 2020. Academic Roles : Composition, Analysis, Form Theory, Music and Society Artistic Focus : Memory, tradition, and intuition as creative foundations Research Interests : Storm's work spans solo/chamber music, orchestral works, opera, and choral compositions. Recent projects explore themes of heavenly memory erosion and existential darkness , often realized through collaborations with ensembles like Erik Westberg's Vocal Ensemble and the Swedish Radio Choir. Publications & Performances : 35+ artistic works including Three Autumns (2016) for Håkan Hardenberger, Nachtregen (2019) for viola and chorus, and the 2024 series Eroded Memories of Heaven and Beyond performed across Europe. Scientific Awards : 2025: Musikföreningen i Stockholm Award 2021: Christ Johnson Prize for The Persistence of Memory 2019: Swedish Music Publishers' Prize for Nachtseele 2016: Saltö-Järnåker Foundation's Grand Prize for organ work et lux in tenebris lucet 2012: Nordic Composition Competition First Prize for Också dessa dagar signerade Collaborations : Works with Sweden's leading musicians including Anders Paulsson (saxophone), Anna Larsson (alto), and Allan Pettersson's instrumentation projects. International partnerships with German label CPO and Richard Hoggart Building performances.

Carlo Vincenzo Allemanoمشاهده پروفایل

استاد

• Classical Music
• Opera Studies
• Baroque Music
• +۲ مورد دیگر

Carlo Vincenzo Allemano is a Professor at the Department of Classical Music and Music Education, University of Agder. He holds a prominent career as a leading opera and concert singer specializing in Baroque and Classical repertoire. His collaborations include renowned conductors such as Claudio Abbado and René Jacobs, performing at major venues like La Scala and Wiener Staatsoper. Allemano’s research and performances focus on Baroque opera (Monteverdi, Handel), Mozart interpretation, and historical performance practices. Recent projects include roles in Pergolesi’s L’Olimpiade and Cavalli’s Xerxe . He has received top awards including first prizes at the Toti dal Monte and Mozart Competitions. His publications span operatic analysis, vocal performance, and Baroque music studies. Allemano contributes to music education through workshops and festivals, emphasizing historically informed performance techniques. Research Interests: Baroque vocal repertoire and performance practices Mozart’s operatic roles and interpretation Historical staging of 18th-century operas Vocal pedagogy and expressive techniques Interaction between text and music in opera Recent Projects: Collaborations with Opera National du Rhin, Festival della Valle d’Itria, and European tours of Verdi’s Requiem . Current work explores Pergolesi and Broschi’s operas, as well as digital productions of early music. Awards: First Prize, Toti dal Monte Singing Competition (1989) First Prize, Mozart Competition at the Wiener Staatsoper (1990) Grants/Advising: No specific grants listed; focuses on artistic and educational projects through institutional and festival partnerships. Advises on performance practices for young singers and baroque ensembles.

• 19th- and 20th-century Music History
• Hungarian Music
• British Music Education
• +۳ مورد دیگر

Dr Jane Roper is a Professor of Academic Programmes and Doctoral Supervisor at the Royal College of Music (RCM), specialising in 19th- and 20th-century music history with a focus on Hungarian composers such as Gyula Káldy, Carl Goldmark, Jeno Hubay, and György Ligeti. She holds a PhD from King's College London and Leipzig University (2004), with additional studies in Hungarian Language and Culture at the University of Pécs. Her research includes translating Ligeti-Seiber correspondence (2007), analyzing Ligeti's Violin Concerto (2014), and publishing on Goldmark's works. She also researches British music education, particularly the Schools' Music Association of Great Britain's archives, and is authoring a related book. Teaching at RCM, she supervises doctoral students on Hungarian topics and performs with the New English Concert Orchestra. Her publications span prefaces for musical scores (e.g., Hubay's opera), conference papers, and articles exploring exoticism in Goldmark's overtures. She actively engages in music education outreach through RCM Sparks initiatives.

• Modern German Literature
• Contemporary Literature
• Literary Gender Studies
• +۵ مورد دیگر

Prof. Dr. Ulrike Vedder is a Full Professor at the Institute of German Literature , Humboldt University of Berlin, specializing in Modern German Literature from the 18th Century to the Present and Theories and Methods of Literary Gender Studies . Her research explores intersections between Literary Studies , Material Culture , and Gender Discourses . Chair of Humboldt University Council Speaker at Center for Transdisciplinary Gender Studies Co-editor, Journal of German Studies Her scholarly focus includes: Material Culture : Museum narratives, literary object culture, poetics of collecting Gender Studies : Interpassivity, intergenerational trauma, queer family models Cultural Theory : Archive practices, boundary discourses, historical transfers Recent publications analyze works by Thomas Bernhard, Henry James, and contemporary authors like Judith Schalansky. She leads projects on: Dramaturgies of archival memory German-Jewish women's life stories Translation practices in globalized contexts Literature and museum narratives International collaborations include institutions in Warsaw, Wrocław, and Sofia. She organized workshops on literary spatial orders and realism's challenges.

• Orchestration
• Neoclassicism in Music
• Symphonic Poems
• +۴ مورد دیگر

Dr. Jean-Jacques Velly is a Lecturer at Sorbonne University’s Musicology Department, with expertise in orchestration, neoclassicism, and 19th-20th century musicology. He earned his Doctorate (1992) and HDR (2001) from Sorbonne University, focusing on Richard Strauss’s orchestration and neoclassical aesthetics. His career spans teaching (1980-present), administrative roles (1998-2007 as DESS Head), and international collaborations including a Visiting Professorship in Tunisia (2003). Doctorate: 1992, Sorbonne University HDR: 2001, Sorbonne University Aggregation: 1985 His research centers on orchestration techniques across composers like Debussy, Berlioz, and Janáček, with a focus on semantic richness, national identity, and esoteric compositional systems. Publications include 35+ articles in journals and edited volumes, plus monographs on orchestration and Mahlerian universes. Recent work examines 20th-century musicology intersections with occultism and translation theory, particularly Stravinsky’s Oedipus Rex. He contributes to the European 19th-century Dictionary with entries on composers like Tchaikovsky and Rimsky-Korsakov. Administrative roles include membership in Sorbonne’s Specialist Commission (18th section) and CNU (22nd section, 2011). He co-edited proceedings for international conferences on Janáček (2008) and organized GRIMOIRE research group initiatives.

George Benjaminمشاهده پروفایل

استاد

• Composition
• Opera
• Music Theory
• +۳ مورد دیگر

Professor Sir George Benjamin is the Henry Purcell Professor of Composition at King's College London's Department of Music within the Faculty of Arts & Humanities. Born in 1960, he studied piano and composition at the Paris Conservatoire under Olivier Messiaen and later at King's College Cambridge under Alexander Goehr. His career spans over four decades, marked by orchestral and operatic works performed globally. Research interests focus on composition, particularly opera collaborations with Martin Crimp, including Into the Little Hill , Written on Skin , and Lessons in Love and Violence . He conducts major orchestras and has received prestigious awards: Knight Bachelor (2017), Commandeur des Arts et Lettres, and the Leone d’Oro (2019-20). His articles reflect a blend of contemporary techniques and classical forms. Recent operas emphasize narrative depth and orchestral innovation. His Written on Skin (2012) and Lessons in Love and Violence (2018) are landmarks in modern opera. Publications include scholarly essays and interviews analyzing compositional processes. Scientific Awards: Knight Bachelor, Commandeur des Arts et Lettres, Leone d’Oro. Advising: Supervises PhD students in composition. No grants explicitly detailed, but his operas have received international productions and broadcasts.