جست‌وجوی استاد و پژوهشگر

Yoonseok Leeمشاهده پروفایل

استاد

• Low Temperature Physics
• Quantum Fluids and Solids
• Superfluid Helium
• +۲ مورد دیگر

Yoonseok Lee is a Professor in the Department of Physics at the University of Florida, where he has served since 2001. He earned his PhD from Northwestern University in 1997 and subsequently held postdoctoral positions at Stanford University and Northwestern University. His research focuses on low-temperature quantum phenomena, particularly in superfluid helium systems and nanoscale electromechanical oscillators. Education: PhD in Physics, Northwestern University (1997) MS in Physics, Seoul National University (1987) BS in Physics, Seoul National University (1985) Research Interests: Professor Lee investigates quantum fluids and solids using advanced cryogenic techniques. His work explores acoustic/magnetic properties of liquid/solid helium-3, quantum turbulence, and the behavior of low-dimensional conductors at ultralow temperatures. He develops microelectromechanical (MEMS) devices for precision measurements in quantum systems. Publication Trends: His recent articles demonstrate a focus on quantum turbulence phenomena and microelectromechanical sensor development for superfluid characterization. Research spans experimental studies of phase transitions in confined quantum fluids, hydrodynamic behavior in nanostructured materials, and novel measurement techniques for ultralow-temperature systems. Awards and Honors: APS Fellow (2013) University Term Professor (2018-2021) Colonel Allan R. and Margaret G. Crow Term Professor (2014-2015) Alfred P. Sloan Research Fellowship (2004-2006) NSF Career Award (2003) AKPA Outstanding Young Researcher (2002) Leadership and Service: Director of the Microkelvin Laboratory (2004-2007), President of the Association of Korean Physicists in America (2021-2023), and recipient of multiple NSF grants supporting quantum fluid research. Current projects include NSF-funded investigations of quantum turbulence and superfluid dynamics.

Adam J. Frankمشاهده پروفایل

استاد

• Affect Theory
• Poetics
• Twentieth-Century American Literature
• +۴ مورد دیگر

Adam J. Frank is Professor and Associate Dean (Policy, Faculty of Graduate & Postdoctoral Studies) at the University of British Columbia, Department of English Language and Literatures, Faculty of Arts. His work bridges affect theory , poetics , and science and technology studies within twentieth-century American literature and culture . His research networks include the UBC Graduate Program in Science and Technology Studies , Gertrude Stein Society , and Silvan Tomkins Institute . Education: BA, Brown University; PhD, Duke University Research Interests center on nineteenth- and twentieth-century American literature , sound/radio studies , and object-relations theory . He explores how affect and cybernetics reshape literary criticism, exemplified in his current project Mad Science, or a Survey of Motives for Criticism , which proposes a counter-transferential method. Publications include Radio Free Stein: Gertrude Stein’s Parlor Plays (2024), Transferential Poetics, from Poe to Warhol (2015), and A Silvan Tomkins Handbook (2020, co-authored with Elizabeth Wilson). He has won the James W. Gargano Award for scholarship on Poe. His audio dramas , such as Radio Free Stein (2013-2019), highlight collaborations with composers. He teaches courses on mad science and literary theory , emphasizing interdisciplinary methodologies and historical contexts.

Renée Greenمشاهده پروفایل

استاد

• Contemporary Art
• Multimedia Installations
• Film and Video Art
• +۶ مورد دیگر

Professor Renée Green is a distinguished artist, filmmaker, and writer at the Massachusetts Institute of Technology's School of Architecture and Planning, where she teaches in the Art, Culture and Technology program. Since joining MIT in 2011, she has maintained an active international exhibition practice while developing a unique interdisciplinary approach that bridges art, architecture, cultural theory, and media studies. Her academic journey reflects a commitment to exploring the complex intersections of race, memory, and global exchange through highly layered multimedia installations. Green's work engages with investigations into circuits of relation and exchange over time, examining the gaps and shifts in public and private memories as well as what has been imagined and invented. She has consistently focused on the effects of a changing transcultural sphere on contemporary artistic production and thought. Art, Culture, and Technology Studio & Thesis Colloquium (Fall 2025) Synchronizations of Senses (Fall 2025) Synchronizations of Senses (Spring 2025) Cinematic Migrations (Fall 2024) Green's artistic practice spans four decades, with major survey exhibitions including Inevitable Distances (2021-2022) at KW Institute for Contemporary Art and daadgalerie in Berlin, and Ongoing Becomings (2009) at the Musée cantonal des Beaux-Arts in Lausanne. Her work has been featured in prominent institutions worldwide including the Museum of Modern Art, Whitney Museum, and Walker Art Center. Her recent publications and exhibitions reveal a sustained engagement with architectural spaces and modernist legacies, particularly through works like Americas: Veritas (2018) and Begin Again, Begin Again (2017), which critically examine Le Corbusier's and Schindler's architectural philosophies within contemporary contexts. 2023 Orzeck Fellowship at Barnard College Finkenwerder Art Prize 2022 As a prolific writer, Green has published essays and fictions in Transition , October , Frieze , and other prominent journals. She has used the moniker Free Agent Media since 1994 to complicate the relationship between art and the culture industry, contextualizing the broader media ecology in which her works circulate. Her artistic practice demonstrates remarkable continuity in examining how cultural memory is constructed, preserved, and transformed across time and space, while consistently pushing the boundaries of interdisciplinary artistic practice through innovative combinations of film, installation, digital media, and architectural intervention.

George Benjaminمشاهده پروفایل

استاد

• Composition
• Opera
• Music Theory
• +۳ مورد دیگر

Professor Sir George Benjamin is the Henry Purcell Professor of Composition at King's College London's Department of Music within the Faculty of Arts & Humanities. Born in 1960, he studied piano and composition at the Paris Conservatoire under Olivier Messiaen and later at King's College Cambridge under Alexander Goehr. His career spans over four decades, marked by orchestral and operatic works performed globally. Research interests focus on composition, particularly opera collaborations with Martin Crimp, including Into the Little Hill , Written on Skin , and Lessons in Love and Violence . He conducts major orchestras and has received prestigious awards: Knight Bachelor (2017), Commandeur des Arts et Lettres, and the Leone d’Oro (2019-20). His articles reflect a blend of contemporary techniques and classical forms. Recent operas emphasize narrative depth and orchestral innovation. His Written on Skin (2012) and Lessons in Love and Violence (2018) are landmarks in modern opera. Publications include scholarly essays and interviews analyzing compositional processes. Scientific Awards: Knight Bachelor, Commandeur des Arts et Lettres, Leone d’Oro. Advising: Supervises PhD students in composition. No grants explicitly detailed, but his operas have received international productions and broadcasts.

• Music Psychology
• Psychoacoustics
• Ethnomusicology
• +۱ مورد دیگر

Imre Lahdelma is a post-doctoral researcher at Durham University, specializing in music psychology and cross-cultural perception studies. He holds a PhD in musicology from the University of Jyväskylä, Finland. His research examines how cultural backgrounds influence musical perception, particularly regarding consonance, dissonance, and emotional responses to harmonic structures. His research bridges multiple disciplines: Experimental investigation of chord perception Cross-cultural comparisons of musical preferences Psychoacoustic analysis of auditory roughness Emotional responses to harmonic structures Lahdelma's extensive publication record focuses on understanding universal versus culture-specific aspects of music perception. Recent work explores how cultural familiarity affects consonance preferences and emotional responses to chords across different populations. He has received the prestigious Fulbright Pre-doctoral Fellowship and conducted research at institutions including Durham University, University of Washington, and the UW Laboratory for Music Cognition, Culture & Learning.

Jordan Sandovalمشاهده پروفایل

دانشیار

• Experimental Phonetics
• Phonology
• Orthography and Mental Representations
• +۲ مورد دیگر

Jordan Sandoval is an Associate Professor in the Department of Linguistics at Western Washington University (WWU), affiliated with the College of Humanities and Social Sciences. Their research focuses on experimental phonetics, phonology, and the role of orthography in mental language representations. They also specialize in language teaching and learning methodologies. Education: B.A. in [Field unspecified], Western Washington University Ph.D. in Linguistics, University of Arizona Research interests emphasize empirical studies of speech perception/production and the interplay between written symbols and linguistic cognition. They lead the Sounds and Letters in Perception and Production Lab , exploring how orthographic systems influence phonological processing. Office: Bond Hall 418F; contact via email for appointment scheduling.

• Environmental Protection
• Noise Control
• Sustainable Development
• +۲ مورد دیگر

Joanna Kopania is a Researcher at the Institute of Marketing and Sustainable Development within the Faculty of Organization and Management at Lodz University of Technology. She leads the LabNOISE Laboratory and serves on multiple academic committees including the Board of Studies for Business Studies and Master of Business Studies. Her research focuses on environmental protection with specialization in noise control across industrial machinery, ventilation systems, and urban environments. Research interests include: Industrial noise mitigation in manufacturing environments Aeroacoustics of ventilation and HVAC systems Urban noise mapping and reduction strategies Sustainable development in acoustic engineering Material science for sound insulation She maintains active memberships in the Polish Acoustic Society, European Acoustics Association, and Regional Science Association International. Her publication portfolio demonstrates consistent focus on applied acoustics in energy and industrial contexts, with recent work exploring material properties for noise reduction and life cycle assessments of acoustic technologies. Laboratory leadership includes oversight of the LabNOISE facility where experimental acoustics research is conducted. No advising relationships or major scientific awards are documented in available materials.

• Electronic Music
• Performance Systems
• Audio Engineering
• +۳ مورد دیگر

Paul Vandemast-Bell is a Senior Lecturer in Performance Research at the College of Arts, Humanities and Education. His research focuses on electronic music performance systems, musical time dynamics, and audio engineering innovation. Key interests include live electronic music, human-machine interaction, spatial audio design, and recording studio pedagogy. Research Interests Vandemast-Bell explores the intersection of technology and performance through dynamic loop systems, multi-channel diffusion environments, and 3D audio applications. His work emphasizes temporal dynamics in live electronic music, spatial soundscapes, and immersive deconstruction techniques. Recent studies also address best practices in recording studio education and DJ-driven electronic music innovation. Publications Overview His 2013-2019 publications span live electronic music systems, spatial audio design, and educational methodologies. Notable works include explorations of dynamic loops, 3D EDM spatiality, and immersive sound diffusion techniques. Recent works (2017-2019) emphasize human-machine collaboration and temporal agency in performance systems. Awards & Grants No scientific awards or grants explicitly listed in the provided materials. Advising & Collaborations No formal advisee records or grant details provided. Collaborations with John Ferguson and Michael Brown are noted in multiple outputs.

Margaret Schedelمشاهده پروفایل

استاد

• Interactive Media
• Sound Art
• Music Technology
• +۴ مورد دیگر

Margaret Schedel is a Professor in the Department of Art at Stony Brook University, with an affiliation in the Department of Music. Her work bridges classical music training, sound art, and computational science, focusing on interdisciplinary projects that integrate technology and the arts. She leads the Making Sense of Data Workgroup at the Institute of Advanced Computational Science and co-directs computer music initiatives. Her research spans interactive multimedia opera, virtual reality experiences, sound art installations, and innovative interfaces for music creation. Notable projects include The King Listens , a telematic opera, and RhumbLine , an exploration of biomimetic musical robots. She also investigates sonification techniques for healthcare applications, such as gait rehabilitation for Parkinson’s patients. Her recent articles highlight trends in inclusive design for music technology, sonification of scientific data, and reimagining traditional instruments through feminist perspectives. She advocates for accessibility in hackerspaces and gender equity in STEAM fields. Her work often merges artistic expression with cutting-edge computational methods, reflecting her dual focus on creativity and scientific inquiry. Margaret’s contributions extend to education through courses on electronic music, sound art, and interdisciplinary collaboration. She has pioneered pedagogical frameworks for notation in digital performance and contributed to the development of open-source tools like softVNS for video processing.

David S. Matherمشاهده پروفایل

استادیار

• Early Twentieth-Century Art
• Interwar European and American Art
• Italian Futurism
• +۴ مورد دیگر

David S. Mather is an Assistant Professor of Art History & Criticism at Stony Brook University. He specializes in early 20th-century European and American art, with a focus on Italian Futurism, color theory, and avant-garde movements. He holds a Ph.D. from the University of California, San Diego, where his dissertation explored visual structures in early Italian futurism. Mather’s research bridges art, science, and technology, as seen in his Mellon Postdoctoral Fellowship (2013–14) at MIT’s Architecture Department, collaborating with the Center for Art, Science & Technology (CAST). He also held a Getty Research Institute fellowship (2013), investigating early 20th-century color theories. His publications include Futurist Conditions: Imagining Time in Italian Futurism (2020) and contributions to journals like Getty Research Journal and Leonardo . He has curated exhibits blending electronic media and traditional art, collaborating with organizations like the Society for the Activation of Social Space through Art and Sound (SASSAS). Mather’s work emphasizes the intersection of artistic mediums with sociopolitical currents, particularly the role of photography and cinema in avant-garde practices. Education: Ph.D. Art History, UC San Diego (2011) Awards: Andrew Mellon Postdoctoral Fellowship, Getty Research Institute Fellowship Key Projects: Co-editor of Experience: Culture, Cognition, and the Common Sense (2016), which explores sensory and cultural realms through interdisciplinary lenses. His research highlights the transformative potential of art in addressing technological and social changes, as seen in his analysis of Futurist chromatic principles and their sociopolitical connotations.

Katie Tindleمشاهده پروفایل

مدرس

• Writing and poetry
• Collaborative practices
• Machine learning
• +۶ مورد دیگر

Katie Tindle is a Lecturer in the Department of Computing at Goldsmiths, University of London. A contemporary artist, writer, and creative technologist, her practice bridges poetry, multimedia installation, and web technologies. Her work explores wellness/illness dichotomies, medical technologies, feminist thought, and data justice. She curates under her name and pseudonym G.George, founding the Listening Booth sound archive and collaborating with groups like ArtLacuna and KO projects. Tindle is a member of the In-grid artist collective formed during a 2020 residency at arebyte Gallery, London. Academic qualifications include a Master's in Computational Art (Goldsmiths, 2021) and a BA Fine Art from Central Saint Martins (UAL, 2015). Her recent research includes organizing the 2024 Transmediale workshop on content/form relations, resulting in a peer-reviewed newspaper exploring alternative publishing models. Collaborations span institutions like Aarhus University's DARC and London South Bank University's Centre for the Study of the Networked Image.

Ben Whiteمشاهده پروفایل

دانشیار

• Contemporary Art
• Performance Art
• Installation Art
• +۳ مورد دیگر

Dr Ben White is an Associate Professor in Fine Art at the Manchester School of Art, Manchester Metropolitan University. He is a member of the Art and Performance Research Hub, specializing in contemporary art practices that intersect performance, installation, and collaborative interdisciplinary projects. His work often explores themes of cultural heritage, soundscapes, and public engagement through exhibitions and performances. Key collaborations with Eileen Simpson include installations like Everything I Have Is Yours (2019) and participatory projects such as Play it Again! Use it Together (2018). His research outputs span exhibitions at venues including Castlefield Gallery, MK Gallery, and international locations like Mexico City and Atlanta. He has also contributed to major events like the 17th Biennale of Sydney (2010). Recent work focuses on collaborative data-mining in music archives ( Toward Usership , 2023) and temporal narratives ( Premonition 2037 , 2016). His practice bridges fine art, performance, and sound, emphasizing community-driven creative processes.

Yao Zhaiمشاهده پروفایل

استادیار

• Advanced Manufacturing
• Radiative Cooling Materials
• Nanomaterials
• +۴ مورد دیگر

Yao Zhai is an Assistant Professor in the Department of Mechanical and Aerospace Engineering at the University of Missouri Columbia. He leads a research group focused on novel nanomaterials and advanced manufacturing technologies for optics and energy systems applications. His work integrates interdisciplinary approaches across mechanical engineering, materials science, and photonics. PhD: University of Colorado-Boulder MS: University of Massachusetts-Lowell MS: Chinese Academy of Science BS: Tianjin University Research interests include radiative cooling materials, nanomaterial synthesis, and scalable manufacturing techniques. His lab explores applications in energy-efficient systems, thermal management, and advanced optoelectronic devices. Recent work emphasizes superconducting single-photon detectors and meta-materials for acoustic/thermal control. Publications consistently address topics like radiative cooling systems, superconducting detector arrays, and metamaterial design, reflecting a strong focus on practical energy solutions and cutting-edge optical technologies. He maintains a research group actively seeking students with backgrounds in engineering, physics, and materials science. Laboratory facilities are located at C3251 Lafferre Hall, supporting experimental work in nanomaterial fabrication, thermal testing, and photonics. Office hours are available at E3423 Lafferre Hall.

Iris Garrelfsمشاهده پروفایل

مربی ارشد

• Sound Art
• Performance Art
• Electroacoustic Music
• +۳ مورد دیگر

Dr. Iris Garrelfs is a Departmental Senior Tutor in the Music Department at Goldsmiths, University of London. Her work bridges music, art, and sociology through interdisciplinary projects in performance, installation, and sound art. She holds a PhD from the University of the Arts London and has conducted postdoctoral research on creative process models. Her practice explores listening as a mode of connection between humans and environments, often site-specific and incorporating digital sound processing. Key projects include the Listening Wall , an interactive installation with contributed listening scores, and collaborations like Lab of Sonic Possibilities with Tansy Spinks. She has exhibited globally at institutions such as Tate Britain, National Gallery, and the Onassis Cultural Centre Athens. Awards include the Francis Chagrin Award for her residency at the Onassis Centre (2016). Her research interests span procedural blending in sound art, active metadata development, and the sociopolitical dimensions of sound. She co-edits the Reflections on Process in Sound journal and leads initiatives like the Sound Practice Research Unit. Recent works include Embodied Dialogues (2025) and Birds , a spoken-word project interrogating avian symbolism in sonic art.

Holly Rogersمشاهده پروفایل

استاد

• Music and Visual Arts
• Experimental Film
• Documentary Sound
• +۵ مورد دیگر

Holly Rogers is Professor of Music and Director of Research at Goldsmiths, University of London, specializing in audiovisual convergence across film, new media, and participatory culture. Her work bridges musicology, visual arts, and digital humanities. Education: BA/MA (Oxford), MMus (King's College London), PhD (Cambridge), with postdoctoral work at Trinity College Dublin and a Fulbright Scholarship in San Francisco. Research: Focuses on intermedia relationships in video art, experimental film, social media, and documentary. She explores how sound and image interact in transmedia environments, emphasizing collaborative and networked practices. Publications: Her scholarship spans audiovisual theory, YouTube culture, and experimental film sound. Recent works examine digital remediation, pandemic-era listening practices, and transmedia aesthetics. Awards: Fulbright Scholarship (2012) AHRC Grant for computational music research (2017) Trinity College Dublin Fellowship (2013) Recent strategic funding for 'Future Sounds' (2023) Leadership: Edits Bloomsbury's New Approaches to Sound, Music and Media series, founded the peer-reviewed journal Sonic Scope , and mentors 11 PhD students researching sound art, film, and digital culture.