جست‌وجوی استاد و پژوهشگر

Jeffrey Brichمشاهده پروفایل

استادیار

• Classical Voice
• Operatic Performance
• Choral Music
• +۳ مورد دیگر

Jeffrey Brich is an Assistant Professor of Instruction in Voice at the University of Northern Iowa School of Music. He holds a Bachelor of Music (B.M.) from the University of Iowa and a Master of Music (M.M.) from the University of Northern Iowa. His professional engagements include performances with the UNI Lyric Theater, Faculty Chamber Music Series, Iowa Composer’s Forum, and Cedar Valley Chamber Music Festival. He specializes in a wide range of vocal literature, including Handel’s Messiah, Mendelssohn’s Elijah, Mozart’s Requiem, and roles in opera and oratorio. Education: B.M., University of Iowa M.M., University of Northern Iowa His research and creative activities focus on vocal performance, with notable performances in works such as Beethoven’s 9th Symphony (Mendocino Music Festival), Strauss’ Salome (Cedar Rapids Opera), and Wagner’s Die Walküre. He maintains a thriving private voice studio in Cedar Falls, Iowa, and has received several competitive honors throughout his career. Jeffrey actively collaborates with ensembles such as the Peoria Bach Festival and the Indianapolis Opera Touring Ensemble. His work emphasizes versatility across classical, operatic, and choral repertoire, reflecting his dedication to both performance and pedagogy.

Dylan Robinsonمشاهده پروفایل

استادیار

• Contemporary Indigenous Art
• Public Art
• Sound Art
• +۵ مورد دیگر

Dylan Robinson is an Assistant Professor in the Department of Art History and Art Conservation at Queen’s University, located on the traditional lands of the Haudenosaunee and Anishinaabe peoples. He holds the Canada Research Chair in Indigenous Arts. His research explores the sensory politics of Indigenous activism, public art, and spatialized colonialism. As a Stó:lō scholar, his work bridges theory and practice, focusing on sound art, text-based art, and social arts practice. Education: PhD in arts practice-based research from the University of Sussex (2009). His doctoral work combined modernist music, dialogue, and hosting protocols to examine 'public musicology.' Research interests include: Indigenous public art history, sensory studies, and decolonizing methodologies. His current projects document North American Indigenous public art and explore 'Creative Conciliation' beyond reconciliation’s limitations. Recent publications analyze Indigenous art’s role in reconciliation (e.g., Truth and Reconciliation Commission engagements) and intercultural music practices. His work emphasizes collaborative creation with Indigenous artists and scholars to reimagine public engagement with Indigenous histories. Grants and Projects: SSHRC-funded 'Aesthetics of Reconciliation' (2010–2013), SSHRC Insight 'Creative Conciliation,' and the nuyamł-ił kulhulmx music installation in Nuxalk territory (2011–2013). Collaborations: Co-founder of the inter-arts collective intermission (2003), presenting works globally. Recent projects include the sound installation nuyamł-ił kulhulmx with Anna Höstman and Patrick Nickleson, premiered by Continuum New Music Ensemble (2013).

• Choral Conducting
• Orchestral Conducting
• Sacred Music
• +۶ مورد دیگر

Philipp Amelung is the University Music Director (Universitätsmusikdirektor) and a part-time lecturer at the Musikwissenschaftliches Institut, Faculty of Humanities, University of Tübingen. He has held the position of UMD since April 1, 2011, and teaches Satzlehre (musical composition/analysis) at the institute since the winter semester 2011/2012. He leads multiple ensembles, including the Akademischer Chor, Akademisches Orchester, and Camerata Vocalis. His professional focus lies in choral and orchestral conducting, with a deep engagement in sacred and classical repertoire. His work emphasizes historically informed performance, particularly with Baroque ensembles like Ensemble La Banda Augsburg. He has conducted major works by composers such as J.S. Bach, Brahms, Beethoven, Mozart, and Schumann in prestigious venues and festivals across Europe and beyond. Philipp Amelung has led international concert tours to countries including Israel, Brazil, the USA, Italy, and Sweden with Tübingen’s academic ensembles. He has also been invited to perform at renowned festivals such as the Carmel Bach Festival and Herrenchiemsee-Festival. His early career included leadership roles with the Münchener Bach-Chor (2001–2005), Schola Cantorum Leipzig (from 2005), and the Leipziger Vocalensemble (2006–2011). He studied singing, choral conducting, and orchestral conducting at the Musikhochschule München, completing his studies with Meisterklasse distinction. His musical training began at age eight in the Tölzer Knabenchor. He also held teaching positions at the University of Music and Theatre Munich (2001–2005) and the Catholic University of Church Music in Rottenburg (since 2011). There are no listed scientific awards or peer-reviewed publications in the provided texts. Philipp Amelung mentors students through ensemble direction and vocal coaching, though no formal PhD or master’s advisees are named. He has received institutional support for international tours and festival appearances. His work integrates performance, pedagogy, and artistic leadership within the academic environment. He leads the Akademischer Chor, Akademisches Orchester, and Camerata Vocalis at the University of Tübingen. He was also artistic director of the Kammerchor München (2005–2011), which performed at major German and international festivals and undertook cultural missions to Southeast Asia under the Goethe-Institut.

Andreas Wolfgang Fladمشاهده پروفایل

پژوهشگر

• Historical Musicology
• 18th–20th Century Music
• Polyphonic Notation
• +۷ مورد دیگر

Andreas Wolfgang Flad is a researcher at the Musikwissenschaftliches Institut, Faculty of Humanities, Eberhard Karls Universität Tübingen. He has been actively involved in third-party funded research projects since 2014, focusing on historical musicology, notation, keyboard instruments, and choral speech. His current work is supported by the DFG and BMBF. His research interests include: Historical musicology of the 18th–20th centuries Polyphonic notation and performance practice Keyboard instruments from the late 18th century onward Genre-specific studies, especially of Johann Gottfried Arnold Sprechchor (choral speech) in modern music Music under National Socialism The body of his recent publications reveals a strong focus on German musical culture, particularly in Baden-Württemberg, with recurring themes in Bach reception, university music traditions, and critical music editions. His work bridges archival research, performance practice, and digital pedagogy. He has contributed extensively to the Denkmäler der Musik in Baden-Württemberg series and curated program notes for major concerts. His scientific contributions include: Editorial work for critical music editions Research on Carl Orff’s use of Sprechchor Documentation of Tübingen’s 200-year music tradition Studies on Karl Hasse and university music during National Socialism Flad has advised no students explicitly in the provided text. He has been involved in innovative curricula development and digital teaching media. He is not part of a named lab or team, but collaborates within the Musicological Institute on DFG and BMBF projects.

Robert Marečekمشاهده پروفایل

استادیار

• Classical Music Performance
• Orchestral Leadership
• Chamber Music
• +۳ مورد دیگر

Robert Mareček is an Assistant Professor and Head of the Department of String, Wind and Percussion Instruments at the Faculty of Music and Dance, Academy of Performing Arts in Bratislava. He has held prominent roles in major orchestras, including concertmaster positions with the Slovak Philharmonic, Brno’s Janáček Opera Orchestra, and the Marchfeld Philharmonie. Since 1996, he has served as concertmaster and artistic director of the Cappella Istropolitana chamber orchestra, leading performances globally. Education: Brno Conservatory (student of Pavel Kyncl) Academy of Music in Prague (classes of Prof. Bohdan Warchal and Prof. Anna Hölblingová) His research interests focus on orchestral performance practices, violin pedagogy, and the interpretation of classical repertoire. He has led projects such as conducting 40 of Haydn’s symphonies in Eisenstadt (2009) and founded the Pressburger Hummel Ensemble. His collaborations span renowned conductors and soloists across Europe and Asia. Advising and Grants: Trained violinists now in leading Slovak orchestras No grants explicitly mentioned Labs/Teams: Active in Cappella Istropolitana, Pressburger Hummel Ensemble, and collaborations with pianist Marcel Štefko.

Peter Zajíčekمشاهده پروفایل

استادیار

• Early Music
• Baroque Music
• Violin Interpretation
• +۳ مورد دیگر

Peter Zajíček is an Assistant Professor at the Faculty of Music and Dance of the Academy of Performing Arts in Bratislava, teaching in the Department of String, Wind and Percussion Instruments . He holds dual roles as Artistic Director and Concertmaster of the ensemble Musica aeterna, renowned for its international performances and award-winning recordings. He leads the Early Music Center, organizing the Days of Early Music festival in Bratislava. Education : Studied violin at Bratislava Conservatory and Academy of Music, with specialization in early music through masterclasses. Academic credentials include Mgr. art. (Master of Arts) and ArtD. (Artist Doctorate). Research : Focuses on early music interpretation (17th-18th centuries), French Baroque violin practices, and the revival of Slovak musical heritage. Active in musicological research presented through lectures in Europe and South America, and collaborations with institutions like the Versailles Baroque Music Center. Awards : 2016 Minister of Culture Award (Slovakia) for contributions to early music revival and festival leadership Grants & Collaborations : Founded the Apollo Festival Orchestra and Miméza ensemble. Collaborated with the Baroque Dance Company L'Eventail and Albrecht Collegium music association. Engaged in presenting chamber operas and spiritual vocal-instrumental works from the Baroque era. Labs/Teams : Leads Musica aeterna ensemble and chairs the Early Music Center, fostering international early music performance and research networks.

Roger Freitasمشاهده پروفایل

استاد

• 17th-century Italian vocal music
• Patronage systems in music
• Gender construction in music
• +۴ مورد دیگر

Roger Freitas is Professor of Musicology at the Eastman School of Music, University of Rochester, and Faculty Associate at the Susan B. Anthony Institute for Gender and Women’s Studies. He has held leadership roles including Acting Chair of the Musicology Department (Fall 2023) and Chair (2012–16). His academic journey includes a PhD in music history from Yale University, an MM in early music from Indiana University, and a BM in vocal performance from Dominican College. Research focuses on 17th-century Italian vocal music, particularly cantatas and operas from Rome, exploring intersections of gender construction, patronage systems, and performance practice. Notable works include the award-winning book Portrait of a Castrato and critical editions of Atto Melani’s cantatas. Current projects involve a critical edition of Luigi Rossi’s Il palazzo incantato . His accolades include the Rome Prize (2003–04), NEH Fellowship (2000–01), and Eisenhart Teaching Award (2006). He has served leadership roles in the Society for Seventeenth-Century Music and American Musicological Society. Active in performance, he formerly sang with Chanticleer (1984–86).

Miłosz Aleksandrowiczمشاهده پروفایل

استاد

• Musicology
• Religious Music
• Early Music
• +۱۰ مورد دیگر

Miłosz Aleksandrowicz is a Professor at the Department of Research on Religious Monody and Polyphony , Faculty of Humanities , John Paul II Catholic University of Lublin. His work bridges historical musicology and practical performance, with a focus on early music, French liturgical traditions, and theoretical treatises. Education: Not specified in the text. Research Interests: Aleksandrowicz specializes in 17th-18th century French liturgical practices , harmonic theory , and keyboard instrument performance . He explores historical manuscripts, tuning systems, and pedagogical methods, particularly those tied to Stanisław Moniuszko and Jean Philippe Rameau . Publications & Projects: His recent works include a 2022 critical edition of Rameau's Treatise on Harmony and editorial leadership of a 2025 Rameau-focused publication . He has analyzed forgotten methods like Moniuszko's harmony instruction and 17th-century organ-building techniques. Grants & Management: Aleksandrowicz has managed projects such as the Universals 2.2 Polish-language edition of Rameau's works (Ministry of Science and Higher Education) and studies on Stanisław Moniuszko's pedagogy (Institute of Music and Dance).

Emore Paoliمشاهده پروفایل

استاد

• Latin Literature
• Medieval Latin Literature
• Hagiography
• +۷ مورد دیگر

Emore Paoli is a Full Professor in the Department of International Human and Social Sciences at the University of Perugia, where he teaches Latin language, literature, and European cultural foundations. His academic focus lies in medieval Latin literature, particularly hagiography and religious culture in Umbria, with extensive contributions to the study of saints, manuscripts, and spiritual traditions. His research interests include Latin Literature, Medieval Religious Culture, Hagiography, Manuscript Studies, and Umbrian History . Paoli has published widely on the cults of saints such as San Fortunato, Angela da Foligno, and Iacopone da Todi, analyzing how sanctity was constructed through texts, liturgy, and political strategies in medieval Italy. He has contributed to major scholarly series and edited critical editions of medieval works, including the Catalogus sanctorum by Petrus de Natalibus and the Memoriale of Angela da Foligno. The most recent publications highlight enduring themes in his scholarship: the development of sainthood , manuscript transmission , vernacular adaptations of mystical texts , and the interplay between theology and political authority . His work bridges philology, history, and religious studies, with a strong regional focus on Umbria and central Italy. Among his notable contributions are critical editions, introductions, and analyses in volumes published by the Centro Italiano di Studi sull’Alto Medioevo and SISMEL. He has also authored entries in the Dizionario Biografico degli Italiani , affirming his recognition in Italian academic circles. Paoli has advised on manuscript cataloging, notably the medieval holdings of Todi’s Leonii Library, and collaborates with leading scholars such as Enrico Menestò. While no formal students or grants are listed, his sustained output and editorial roles indicate a central presence in medieval Italian studies. He is actively teaching courses in Latin and cultural history as of the 2025–2026 academic year.

Bernhard Dotzlerمشاهده پروفایل

استاد

• IT History
• History of Computing
• Archaeology of Media Theory
• +۶ مورد دیگر

Prof. Dr. Bernhard Dotzler serves as Professor of Media Studies at the Institute for Information and Media, Language and Culture (I:IMSK) within the Faculty of Languages, Literature and Cultural Studies at the University of Regensburg since 2004. His academic journey includes significant appointments as Charlotte M. Craig Distinguished Visiting Professor at Rutgers University (2018) and Visiting Kade Professor at UC Santa Barbara (2010). Previously, he held research leadership positions at Berlin's Center for Literary Research and the University of Cologne's Cultural Studies Research Center. Dotzler's research spans IT History , Archaeology of Media Theory , and Media and Science History , with notable contributions to understanding computational culture through historical and philosophical lenses. His work frequently bridges literary studies with media theory, examining how technological developments reshape cultural and scientific paradigms. Recent publications explore AI's cultural implications, digital humanities methodologies, and advertising's evolving role in media ecosystems. His prolific scholarship demonstrates consistent engagement with Michel Foucault's theories , cybernetics history , and media archaeology . Dotzler's publications reveal evolving research trajectories from early work on computer culture to contemporary investigations of AI and digital platforms, maintaining critical perspectives on technological determinism while exploring media's constitutive role in knowledge production. Charlotte M. Craig Distinguished Visiting Professor (Rutgers University, 2018) Visiting Kade Professor (UC Santa Barbara, 2010) Dotzler leads the Regensburg Advertising Research Consortium (RVW), publishing annual thematic volumes on advertising phenomena. His collaborative projects with institutions like the Max Planck Society demonstrate interdisciplinary reach across media studies, computer science, and cultural history. Current work focuses on AI's cultural dimensions, particularly examining ChatGPT and large language models through historical media theory frameworks.

Nico de Villiersمشاهده پروفایل

استاد

• American Art Song
• Music History
• Performance Studies
• +۳ مورد دیگر

Dr. Nico de Villiers is the Deputy Head of Vocal Studies at the Royal Northern College of Music (RNCM), specializing in collaborative piano, vocal coaching, and musicology. He holds degrees from the Royal Scottish Academy of Music and Drama, the University of Michigan, and the Guildhall School of Music and Drama (PhD). His research focuses on American art song of the early 20th century, cosmopolitanism in music, and the life/works of composer Richard Hageman. He has authored/co-authored books and peer-reviewed articles, curated international performances, and founded the Richard Hageman Society. Education: BMus(Hons), Royal Scottish Academy of Music and Drama MMus, University of Michigan MMP, Guildhall School of Music and Drama PhD, Guildhall School of Music and Drama Research Interests: Dr. de Villiers explores neglected composers like Ernst von Dohnányi and André Tchaikowsky, with a focus on Hageman’s transnational career. His work combines biographical research with performance as scholarship, emphasizing the migration of art song traditions across cultural boundaries. Professional Activities: He has performed at venues like the Kennedy Center, Salzburg Festival, and Edinburgh Festival. He has led masterclasses globally and served as repetiteur for choirs including the Lewisham Choral Society. As an editor, he contributes to On Collaborating and VOICEPrints . Awards: Fellow of the Higher Education Academy (FHEA). Teaching: Leads vocal coaching, diction (German/French/Italian/English), and chamber music at both undergraduate and postgraduate levels. His courses include specialized art song electives. Labs/Teams: Directs the Richard Hageman Society, leading initiatives like the European premiere of Hageman’s Overture in a Nutshell (2018).

Imelda Drummمشاهده پروفایل

مدرس

• Vocal Pedagogy
• Hormonal Influence on Voice
• Opera Performance
• +۳ مورد دیگر

Dr. Imelda Drumm is a Lecturer in voice and vocal pedagogy at the Royal Irish Academy of Music (RIAM), specializing in classical vocal technique for all ages and abilities. She has taught students from early training to doctoral levels, including young professional artists. Her career spans over 30 years with prestigious opera companies such as Glyndebourne Opera and Welsh National Opera, alongside collaborations with leading Irish composers like John Buckley and Seoirse Bodley. Dr. Drumm’s research focuses on hormonal influences on the elite voice, including the effects of oral contraceptives on vocal performance. She presented papers at the University of Limerick (2019), Doctors in Performance conferences (2018, 2016), and published her doctoral dissertation on hormonal impacts in 2017. She mentors singers through SingersResound UK, addressing age-related and career challenges. Her performance highlights include roles with Irish National Opera (INO), with upcoming appearances in Rossini’s William Tell (2022/2023) and future INO projects (2023/2024). She holds a DMusPerf from RIAM and trained at the National Opera Studio, London, supported by Glyndebourne Opera’s awards.

David Adamsمشاهده پروفایل

استاد

• Early Music
• Historical Performance
• Organ Studies
• +۳ مورد دیگر

Dr. David Adams is the Head of Early Music at the Royal Irish Academy of Music (RIAM), where he lectures in Harpsichord, Organ, and Historical Performance. He holds a PhD from Vrije Universiteit Amsterdam (2007) and advanced diplomas from institutions in Freiburg and Amsterdam. A renowned performer, Adams specializes in organ, early music, and contemporary repertoire, with international recitals and festival engagements. He has premiered numerous compositions and collaborated with orchestras such as the Ulster Orchestra and Irish Baroque Orchestra. As a conductor, he has led performances with Opera Theatre Company and the Orchestra of St Cecilia. His discography includes solo organ recordings and contributions to Naxos, Black Box, and Wergo labels. Adams’ academic work focuses on the intersection of organ performance and historical interpretation, exemplified by his doctoral research on Max Reger and Karl Straabe. He has taught at conservatories in Freiburg, Berlin, The Hague, Trinity College Dublin, and DIT Conservatory of Music and Drama. Active in academia, he has judged international competitions and delivers masterclasses globally. His dual role as organist at Christ Church Taney and St. Nahi’s in Dublin underscores his commitment to liturgical music. Education: PhD (Vrije Universiteit Amsterdam), Solisten Dip (Freiburg), UM (Amsterdam), ARCM, LRIAM, FRCO, BA Performance Highlights: Debut at St. Paul’s Cathedral (age 16), collaborations with all Irish orchestras, and festival appearances across Europe Research: Specializes in 19th- and 20th-century organ repertoire and its performance practice

Lynda Leeمشاهده پروفایل

مدرس

• Classical Singing
• Baroque Music
• Oratorio Performance
• +۲ مورد دیگر

Lynda Lee is a prominent Irish classical singer and vocal faculty member at the Royal Irish Academy of Music (RIAM), where she has taught since 2008. Specializing in Baroque & Oratorio, she holds an MA in Music (Performance) from CIT Cork School of Music, awarded the Gold Medal. Her expertise spans operatic roles in Handel's works (Agrippina, Xerxes), Wagner's Tannhäuser , and Bach's St Matthew Passion , alongside performances at venues like the Vatican and collaborations with the Gewandhaus Orchestra. Education: MA (Performance), CIT Cork School of Music (Gold Medal recipient). Performance Highlights: Operatic debuts with Opera Theatre Company in Handel's Tamerlano Staged Bach's St Matthew Passion with Jonathan Miller for BBC Soloist at the Vatican in Handel's Messiah Roles at Oper Leipzig including Donna Anna ( Don Giovanni ), First Lady ( Die Zauberflöte ), and Mutter ( Hänsel und Gretel ) Recognition: Cardiff Singer of the World representative (Northern Ireland) Opernwelt Magazine nomination for Radamisto performance Active in academia and performance, she collaborates with the Academy Chamber Ensemble in Ireland and internationally, including tours in China and Latvia.

Gavin Maloneyمشاهده پروفایل

مدرس

• Orchestral Conducting
• Contemporary Music
• Ballet Performance
• +۳ مورد دیگر

Gavin Maloney is a Lecturer in Conducting and Analysis at the Royal Irish Academy of Music (RIAM), Ireland's national conservatoire. He currently serves as Associate Principal Conductor of the RTÉ Concert Orchestra and maintains long-standing collaborations with the National Symphony Orchestra and Choirs. His career spans prestigious institutions including the Danish National Opera and Lucerne Festival Academy under Pierre Boulez. Education: Trained at Royal Northern College of Music (Manchester) and Mozarteum University (Salzburg). Early career highlights include winning the RTÉ National Symphony Orchestra's Assistant Conductor position at age 21. Artistic Focus: Specializes in contemporary music curation (directed NSO's Horizons series), ballet collaborations (produced Swan Lake with Ireland's national ballet company), and high-profile orchestral partnerships with artists like Maxim Vengerov (who called him 'a great maestro'). Recognition: Bryden Thomson Trust Fellowship recipient. Recordings on NMC/Lyric FM labels praised by Gramophone magazine. Extensive broadcast history across BBC, RTÉ, European Broadcasting Union, and North American/Australian radio networks.